Renseignements

  • Dernière connexion: Il y a 6 heures
  • Genre: Femme
  • Lieu: In Fucking Beast Mode
  • Contribution Points: 1 LV1
  • Rôles:
  • Date d'inscription: janvier 24, 2017
  • Awards Received: Finger Heart Award88 Flower Award183 Coin Gift Award35

Jeana

In Fucking Beast Mode

Jeana

In Fucking Beast Mode
Complété
The K2
57 personnes ont trouvé cette critique utile
par Jeana Flower Award1
avril 3, 2017
16 épisodes vus sur 16
Complété 7
Globalement 8.5
Histoire 5.5
Acting/Cast 9.5
Musique 8.0
Degrés de Re-visionnage 5.0

An objectively bad guilty pleasure drama that’s perfect for a cosy weekend watch

I'm perfectly well aware of the fact that I've given this show a much higher rating than it deserves. However, as it happens sometimes, this is one of those reviews that are based solely on personal enjoyment rather than merit.

You see, K2 is like this beautiful vase; it has intricately exotic designs on the outside but its inside is completely hollow and littered with cobwebs. Now, it's up to you whether you want to put it on a shelf and admire its surface beauty or you want to break it into a billion pieces and consequently end up being utterly disappointed by its stark reality. If you're a person who can momentarily cast aside rationale in the face of glitz and glamour, K2 and you would get along just fine but the moment you stop, tilt your head to the side and think; "wait a minute" all possibilities of friendship are out the door.

K2 is almost reckless in its execution, as if it reached a point where logic just didn't matter anymore. It took blatantly unrealistic happenings, a gigantic cluster of plotholes and downright ridiculous notions and attempted to create a story out of them. It's almost like the creators are poking fun at the audience as if they were idiots blanketed in foolish naivete. Events transpire without any build up, there is little to no attention to detail and honestly, it's a huge fast-paced mess.

This drama is like an arrogant brat who does whatever the fuck it wants, confident that it would be successful, still.
A woman in Iraq who's completely covered in a gown and headscarf at all times, without any second thought decides to cast aside her veil and liplock with her hero just because he suggested they should marry. The same woman is somehow extremely fluent in Korean language (even though she has lived all her life in Iraq) and Korean pop culture (even though she's in the middle of nowhere) and conveniently is killed to produce a motive for our male lead to enter the action.
A girl who's had extreme Sociophobia all her life, is suddenly very confidently striking poses with groups of people in the next second. A man who essentially hates power hungry murderers is shown to sympathize with a woman who is exactly that, if not more. There are so many handy plot devices just waiting to pop out from all sides at the very last moment in order to somehow save and prolong the show and it's all quite satirical.

But ofcourse, the smartarse that K2 is; it's completely in the know of all of its flaws and has the audacity to give justifications. The woman could speak Korean so well because she had been taught to be a translator. The girl never had Sociophobia, she just pretended because she didn't want to interact with people. The man didn't feel anything for the murderer, nope, that was just means to an end. And so, K2 commits many crimes and yet, makes sure to cover all the evidence.

The flow of the story, with all of its nonsensical and out of the blue events, is stroppy at best. Many things are left unanswered and this is the kind of production that will have you shake your head with amused exasperation at every second of its antics.
However, despite all this, for me this was a classic case of "it's so bad that it's good" and I somehow ended up thoroughly enjoying myself.

Jee Chang Wook has proved his excellent acting skills numerous of times and here too, he delivered impeccably. Unfortunately for him, he wasn't given much substance to deliver in the first place. His character is unbelievably overpowered, able to survive situations where even a super human ninja would've been obliterated. He has a butter heart, a hero complex and is very motivated to save the world one distressed damsel at a time. Combine that with JCW's natural mixture of masculinity and boyish arrogance and you get a specimen that is too good to be true. And when things are too good to be true, they mostly take a turn for the worse.
It's painfully obvious that the show is highly monetizing on his looks and name; for most of the show is him being either shirtless, flaunting his abs or doing something similarly badass to establish his "coolness". So if you're here to judge JCW's acting this is the last drama you should go to.

As far as I am concerned though, I really didn't care either way. For me, simply watching him is a pleasure, he's my ultimate bias killer and hey, if the producers want to shove mindless fanservice (involving him) down my throat, I ain't complaining.

Yoona turned out to be a pleasant surprise. She's built to play the helpless heroine who always needs saving, who trusts way too easily, cries even easier and basically creates hindrances for everyone around her. The show really tried to suppress her in every possibly way, they didn't give her character a single moment to shine and did everything they could to make her appear helpless and pathetic. However, somehow Yoona managed to turn the tables. Instead of pity, Anna garners sympathy and I would be lying if I said I wasn't rooting for her. There's an intelligence in her eyes that no matter how much of a putz she was portrayed to be, she still succeeded in speaking with the viewers and maintaining a likable character throughout.

And now comes Song Yoon ah- the heart and soul of the show. What an absolutely brilliant actress. She's one of the best k-drama antagonists; utterly ruthless and cruel and yet harboring deep vulnerabilities. She's a viciously dangerous woman and yet, pitiful at times. She's the most layered character of the show and even though she insists upon it, it's almost impossible to truly hate her.

As far as the romance is concerned, even though it's rushed and underdeveloped, there's no denying that Ji- Chang Wook can create chemistry with a garbage bag, if you let him. And if I'm being completely honest, I enjoyed the lovey dovey bits to the fullest. (Aww-ing and Ooh-ing was involved.)

So finally the question arises: If K2 on the whole, has so many shortcomings, why give it an 8.5 rating? Well, in answer to that I'll say, that I just had too much fun watching it. Plain and simple. For me, it was unadulterated amusement- sometimes at its ridiculousness and sometimes at its unabashed negligence. I anticipated every episode and was fully immersed from start to finish.

The K2 is like greasy junk food, you know it can't possibly amount to anything good but you still can't help devouring. With brilliant action scenes, beautiful visuals, entrancing music and a gorgeous cast that actually knows how to act, it is the perfect cheat meal.

Hate it or love it, you'd still end up watching it to the last episode and as far as the drama is concerned- that's a mission well accomplished.

A delectable guilty pleasure, so why not indulge?

Enjoy!

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Chicago Typewriter
40 personnes ont trouvé cette critique utile
par Jeana
févr. 4, 2018
16 épisodes vus sur 16
Complété 9
Globalement 8.5
Histoire 7.5
Acting/Cast 9.0
Musique 10
Degrés de Re-visionnage 6.0
When I watched the first ten episodes of Chicago, I was so in love that I was ready to give out the big fat ten I’ve been sitting on top of since forever now. At some moments I was laughing the thigh slapping, seal clapping kind of belly laugh, where I just had to pause the screen for a while and simply revel in the happiness the show brought me and on other moments, I was crying heartfelt tears because of something that touched me so deeply. At times, I felt so much warmth in my heart that I wondered if anytime now, it will plop out from my chest and melt in a gooey puddle on the floor. I had so much affection for the characters that their hurt was my hurt and their joy my joy. But then… episode 11 hit and somehow Chicago lost a lot of its touch.

Suddenly you had your typical K-Drama over-dramatic melo shit everywhere. Everything became a thousand times more sappy, illogical and emotional in a try-hard way. The pacing became shit. Plot-holes tumbled in and things that should’ve been huge just ended up being anti-climactic. And before you know it, Chicago ends on a note so “MEH” that it’s a disservice to the once precious drama. For sure, most people are probably going to love Chicago’s ending episodes too but for me since this drama was all about being subtle but powerful the extra turns it took, did not slide.

Here are some aspects of the show and my take on it:

-Yoo Ah In’s BeWhy inspired shitty haircut:
We are all superficial people to some extent and Yoo Ah In’s egg shaped haircut is no doubt a fashion disaster but there are some actors who don’t need appearance to make things work because their talent is enough. And Yoo Ah In tops the list. He just gets how to handle me and he always manages to wring my emotions like a masterful puppeteer. So much so, that at this point I think that he’d be able to perfectly emote even if he had a giant garbage bag on his head. He is spectacular as always here, playing two roles with different personalities all at the same time and excelling at both. And just for those of you, who simply cannot get over the hair-do, the drama comes with a sexy as hell past version of Yoo Ah In, with great hair and a lot of badass. ;)

-Weak female lead:
I’ve said this before and I’ll say it again. If there is one person who can sell me a damsel in distress it’s Im Soo Jung. I remember her brilliance in MiSa about  7 years ago and I still find her really likeable. Unfortunately because of her doe eyed look and an eternal stupid expression, she is often typecast into the “dumb but kind” roles. But I feel like despite that she always manages to shine through with her inner strength and true, she does exactly that in the first ten episodes. But after that, the writers started to confine her in a box again. Too much crying. Too much need saving. Too much “woe-is-me” bullshit. That her personality just falls under.  And it’s a shame too because she is supposed to me this “bad-ass sniper” with like a trillion qualities and so sadly this whole thing made me realize that while I do like Im Soo Jung, I hate damsels in distress more. And soon for me, Jeong Sol turned from being adorable to annoying real quick.

-Han Se Ju:
A lot of people think that HSJ is just one of those “bad boys” who are actually bad guys but that’s just not true. Sure, the writers tried to force the image on him with the whole “wrist grabbing, temper tantrum throwing, macho alpha asshole” bullshit but it still isn’t true. Because Han Se Ju is an actual sweetheart. A passionate, sensitive and thoughtful man who can act like a complete petty toddler at times but an admirably strong old soul at others. For me, he was a character close to my heart ‘cause I know I’ve myself thought so many of the things that he believes in, I have felt so many emotions that he goes through and that makes him so relatable to me. He’s a beautiful man inside-out, with all his lows and trust issues intact.

Sound track:
While Chicago has a brilliant soundtrack and the show makers did get the play timing right most of the times, there’s one weird ass instrumental that they unfortunately play in the most poignant scenes in the later episodes, effectively ruining the impact. Tragic.

Bromance:
By far, my favorite bromance, simply because of how natural and heartfelt it is. It stays strong from the first episode to the last and soon became the only reason I continued with the show.

Other:
The romance is good. The side characters are endearing. The kisses are enjoyable. The antagonist does a very good acting job. The past and present weave effortlessly and are  interesting to follow. The cheeky and often hilariously cringey supernatural effects are a delight. While the ending episodes are mediocre at best, the first ten are so emotionally powerful that at the end I couldn’t help but give it an 8.5, still.

Do I recommend? Yes. Definitely. Because despite its flaws Chicago in its core is a beautiful story about friendship, loyalty and the inseparable bond between three people that transcends time. This is a show that you absolutely have to give a chance to. It doesn’t matter whether you like it or not, it’s worth at least a try. This isn't a drama you should judge by reading other people’s opinion, you simply have to experience it yourself.

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Pinocchio
29 personnes ont trouvé cette critique utile
par Jeana
avril 10, 2017
20 épisodes vus sur 20
Complété 3
Globalement 7.5
Histoire 8.0
Acting/Cast 7.5
Musique 4.0
Degrés de Re-visionnage 5.5
Since, there are already a plethora of reviews dedicated to this show, I'm going to keep this short and simple. The best thing about Pinocchio is how unique and original its premise is. This is a show about the dark underbelly of media, how fickle public opinion is and the power that lies with the awareness of things. It shines light on the essence of being a reporter, raising your voice for the right matters and choices that can completely make or break a person.

The first time I ever saw Lee Jong Suk was in Secret Garden and I remember thinking, 'this man has the looks to make it big'. Ofcourse, at that time I wasn't aware that he had already made it pretty damn big. Seeing him in Pinocchio, there's no denying that he has a talent for acting, combine that with his heavenly looks and you get an almost perfect package.

Even though the name of the drama is based on the female lead, it's obvious that Dal Po is the star of the show. The plot revolves around him and despite the fact that the side characters bring their own charisma, they are ultimately in his orbit.

Park-Shin Hye came to be a pleasant surprise. I'm not going to lie, I disliked her in almost every show she appeared in previously and due to my bad experience with her acting, I had developed a sort of negative bias for her. However, it's always amazing when an actor or a show surprises you and surpasses your expectations. PSH somehow managed to make In Ha a sweet and likable character who the viewers constantly rooted for. The fact that she has to hiccup repeatedly came out as adorable instead of annoying and I couldn't believe myself when I started to feel affection for her.

A lot of people were even happy that she finally improved her kissing techniques. That, I think is pushing it a little bit because if you look at it closely, her movements are as non-existent as ever, but due to some skillful camera work, Lee Jong Suk's kissing prowess is incredibly highlighted which makes it somehow appear as if she's a proficient partner too. But oh well- technicalities.

However, for me the biggest flaw of the show was that the protagonists were not on equal footing. Dal Po clearly over-powers In Ha in the relationship and he comes out as far less commited and invested in the love story. Which is why the romance factor didn't do much for me. They do the right things, say the right words, their union makes complete sense and yet, there is no emotional connection whatsoever.
In Ha makes so many sacrifices for Dal Po, her affection is completely genuine and she let's him take the spotlight from her time and time again whereas Dal Po seems almost detached when it comes to her.

Ultimately, this unequality between the leads was something that started to rub me the wrong way. There were moments where I wanted In Ha to shine individually and to be given more credit for everything she does. Essentially, she's such a huge part of the show and if we ponder about it; she's the backbone behind Dal Po's success and yet, she's never valued enough. The moment she does something substantial is followed by Dal-Po countering it with something more and it always manages to downplay her importance. This is the reason why they are both outstanding and lovable personas in their own right but their co-existence is rather stiff and unnatural.

So, in my opinion the best way to watch Pinocchio is to think of romance as just a subplot and focus on the main story. I had so much love for almost every single character in the show and they are so thoroughly well-developed that I could write a lengthy character sketch on all of them. The drama is filled with small, utterly poignant moments that move you. The script is excellently written and the story flows with a smooth efficiency. The antagonists are three-dimensional and I never truly disliked any of them. Pinocchio thrives on the emotional interactions between its characters and it shows exactly how powerful familial love is.

Over-all this drama, with its brilliant acting, consistent story-line and satisfying ending, manages to bring forth a current of continous entertainment from beginning to end.

Indeed, a good watch.

Enjoy!

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Kill Me, Heal Me
29 personnes ont trouvé cette critique utile
par Jeana
mars 10, 2017
20 épisodes vus sur 20
Complété 4
Globalement 10
Histoire 10
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 10
While I was watching this drama, I kept going through these rabid fangirl moments where I recited in my head, the praises I would sing for it after I completed it, but as I write this now; words simply elude me. I'm emotionally spent, harboring a subtle lingering ache in my heart and overcome by a deep sense of satisfaction all at the same time. All these emotions are making it extremely hard for me to explain in just a few words what this drama truly made me feel because the truth is; you don't just watch Kill me, Heal me- you experience it, you breathe it and it morphs into unrelenting claws and keeps you with it till the end.



Ji Sung- I have so much love for this man. He captures my soul every time he comes on-screen. He has always been one of my two most favorite actors and will always remain that way. I can sing odes in way of his acting and it still wouldn't be enough. In this drama he plays a Chaebol with 7 different personalities and his transitions are so real and vivid, that each of the seven personalities seem like entirely different people.



Shin Se Gi= The over dramatic bad boy who made me giggle, swoon, cry and fall in love.



Yona= The side-throbbingly hilarious and bratty mean girl who I wished I was friends with.



Ah Sub= The genius and serious teenager who had a penchant for suicide.



Perry Park= The ahjussi who shined so brightly and tinkered with bombs for fun.



Nana= The child without a voice.



Mr. X= The man who brought forth reason and rationale when Do Hyun was truly ready to embrace himself.



Cha Do Hyeon= The beautiful and complex man who suffered so much and yet, never stopped fighting.



I used to believe in the stupid "real men don't cry" stereotype that our society worships. I was so awful that if a hero in a show I was watching cried, I'd think him weak and turn away but Korean Dramas changed it for me. Korean characters often communicate with their tears, the feelings they don't verbalize, express themselves in the way of salty water. Tears are not a sign of weakness, they are a sign that you're alive. Cha Do Hyeon often had tears leaking from his eyes and every single time they moved me. Sometimes my heart hurt from all the pain, sometimes my lips hurt from smiling wide. His tears were gorgeous as was his struggle and will to become whole again.

Ji Sung deserved that Daesang and more.



People call Ji Sung the king of Kill Me, Heal Me and he no doubt is but what many don't say is that Hwang Jung-Eum was also undeniably the queen. I've heard many complaints about how Jung-Eum screams too much, how her obnoxious loud voice is unbearable, how she over acts and tries hard and frankly, I think all these people are just tripping. True, she does shout more than is necessary and she'll probably rupture your ear drum with all the noise she makes, yet there is not a single other actress who can even dream to properly pull off the roles she has executed.



She always grows on you and makes it work. She is the Empress of expressions and I don't know why but whenever she cries ( and she cries a lot and it's rather ugly) I always cry too. I don't even know why. I love her so much and to this day, she's one of my favorite actresses. The roles she plays, whether it's the self-sacrificing woman in Secret or the scarred psychiatrist in KMHM, always show inner strength. Oh Ri JIn is a brilliant, full of light and empathetic woman whose strength knows no bounds.



Ji Sung and Hwang Jung-Eum are undoubtedly the Korean industry's most powerful pairing. They are both excellent actors in their own right and together they are undeniably magic. Their chemistry is off the fucking charts. They move in sync and it's apparent how much they understand each other. Secret had left an impression on me and yet, KMHM without being influenced by that, made its own indent in my heart. Usually, in K-dramas the female character is overshadowed by the male's but Ji Sung and Hwang Jung-Eum exhibit equality of the sexes. They are both formidable players at their game and they play effortlessly together and bring the victory home, every single time. Despite the fact that Ji Sung's role was very powerful, Jung-Eum held her own and due to that, they co-existed beautifully.



Then comes Oh Ri On. Ah, my baby. He was also one of the best characters in the show and literally the best brother ever. He loves her but he let's her go. Park Seo Joon couldn't have done a better job in my opinion.



Every single actor from top to bottom brought their greatest to this drama and made it the masterpiece it was. I think it's rightfully one of the best Korean productions ever made. It had me bawling and heaving at one point and clutching my stomach laughing and gasping for breath at another. It made me feel bittersweet melancholy, made my heart fill with warmth and made me be so unwilling to let it go that despite dying with curiosity, I wanted to prolong it in some way so that it wouldn't end. This drama has pain yet joy, tears yet laughter, incredible heartbreak yet so much love. Not a single second is filler, it's filled to the brim with powerful dialogues and the suspense element is excellently done. You simply cannot get better than KMHM.



The OST (Auditory Hallucination) is definitely one of the best ever made. It always played on the perfect time and made the already soul stirring scenes a thousand times more impactful.



Yes, there were some medical errors in the drama but despite that, mental illness and trauma have been wonderfully explored to their core. It offered a peek in the life of a man waging war against his own mind and how an equally scarred woman became his sword and together they were conquerors.



This drama showed everything that makes Asian dramas so raw and poignant. If you haven't watched this and you call yourself a K-drama fan, I say you need to check your priorities.



Rewatch value is worth more than can be described. The moment I even begin to forget it (which will be hard) I'll watch it again because I never want to lose all that I felt while I was on the journey of watching Kill Me, Heal Me. I am sincerely thankful to Jin Soo-wan for writing this gem.

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Witch's Court
76 personnes ont trouvé cette critique utile
par Jeana
nov. 28, 2017
16 épisodes vus sur 16
Complété 11
Globalement 6.0
Histoire 5.0
Acting/Cast 8.5
Musique 7.0
Degrés de Re-visionnage 1.0
In all my time watching dramas, this was the first time I hated giving a show a relatively lower rating. Witch's Court seemed, on the outside, like a dream come true for me. A law and crime drama, paired with a kickass heroine and a dash of romance? What could possibly go wrong?

It was one of my highest anticipated dramas of 2017 and I was expecting that first episode in and I'd be ready to give it a solid 10. However, as I watched the series, one by one all my hopes came crashing down.

The drama's worst flaw was its lack of an original plot. The fact that it was extremely badly written with a truck load of plot-holes and stroppy pacing, didn't help the case. From the first episode to the last, I guessed everything that was going to happen. It was such cliché, same old bs that at one point, I was even correctly predicting the character's dialogues before they spoke them. I saw plot-twists coming from miles ahead. I knew exactly what the main leads were going to do and how they were going to do it. Trust me, it ain't a nice feeling when you're ten steps ahead of your main leads.

Some people say that a show is only as good as its antagonists and that is one another point where Witch Court loses out on. From the daily episodic rapists to the main antagonist, all the villains were less than mediocre and slight variations of one another. It's like they were trying way too hard to be evil but unfortunately, ended up being cheesy instead.

You know how when kids do something bad, like steal a cookie and you ask them about it and they're all innocent smiles to your face but the moment you turn your back, they start smirking mischievously, triumphant that they managed to ''fool'' you? That's exactly how the bad guys were in this show.

The cringey smiles and 'evil laughs' they gave behind our main lead's back just added to their extra personalities and not in a good way. I mean how many times before have we seen a story about a corrupt Mayor in power being the villain, acting all nice and kind infront of the camera? Too many times to count. Bring me something new, please.

All the side characters were poorly constructed, barely making any contribution to the plot.

At first, I was very intrigued by our male lead. He seemed like a breath of fresh air, unlike the typical macho alpha assholes. He was supposed to be this smart, gentlemanly guy who actually gave our heroine the upperhand. How amazing, right? Not really.

Even though he is made out to be different from all the other drama male leads, the show still shoves him into the 'cool tall neighborhood oppa' stereotype. I'm always amazed when everyday prosecutors adopt ninja fighting skills out of nowhere. But those things were the least of his problems, because as the show progressed he became increasingly annoying. I love my upright handsome guys who're adamant to uphold the law but, Prosecutor Yeo was just all talk and no show. He had the classic 'dumb but heroic' vibe throughout. Way too self-righteous and equipped with dramatic declarations, he didn't do any of the actual work and soon became a pain in the ass I could really do without.

Even though the show is tagged 'romance' there was nothing of that sort here. The main couple had no chemistry and they just seemed like regular colleagues on good terms.

Surprisingly, the show did its flashbacks fairly well but like I mentioned before, the pacing was shit. Things that needed to be drawn out and be dramatic were so anti-climactic and things that needed to be rushed on were dragged out.
Some things that happened were so questionable because they were far out of the sphere of logic. Most of the times, our prosecutors won the cases because of convenient plot devices instead of actual smarts.

So seeing all these flaws, it's quite just that I rate it low right? But why then, does it pain me so much to do so? Well the answer is: Ma Yi Deum.

The heroine of this show was undeniably the saving grace. She was the only thing unique about the otherwise run-of-the-mill drama. Watching her antics was absolute bliss. Jung Ryeo Won brought forth a character that was extremely real and relatable. Often, I felt like she was my soul sister considering how many similarities I had with her. This is also why she was so easy to connect with.

I loved the fact that she went through life staying true to herself and not giving a fuck about what people thought. Even though, at times, she acted like she was all over the place, in reality she was a very composed and strong woman. Her face remained impassive in the worst of situations and she always had some clever tricks up her sleeve. Her bright smile, dark red lipstick and bad hair cases gave me so much life.

She was the one making the show, for every second she went off-screen the show turned utterly boring. Ma Yi Deum was so lovable and a character that I'll always remember. This is the reason why, even though I have a lot of problems with this show I still reccomend it so that other people can witness Prosecutor Ma's quirky weirdness and like me, be thoroughly entertained by it too.

The fact that the show revolved around rape cases is something I found to be commendable. Rape is a taboo topic and people often hesitate talking about it so openly and this show (while not perfectly) still managed to bring some fairly brutal cases on the forefront and that effort needs to be acknowledged.

The OST doesn't really stand out but the instrumental that plays at Ma Yi Deum's badass moments was really good.

I hope who ever reads this considers this review a good thing, instead of being let down because this will lower your expectations and then when you do end up watching the show you'll be pleasantly surprised.

While this is not a drama you can go in with the thought that your high hopes will be met, it is definitely a good time-pass.

Enjoy!

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Story of Kunning Palace
34 personnes ont trouvé cette critique utile
par Jeana Coin Gift Award1
nov. 28, 2023
38 épisodes vus sur 38
Complété 26
Globalement 8.5
Histoire 7.5
Acting/Cast 9.0
Musique 8.0
Degrés de Re-visionnage 5.0

When Love Is a Game of Go, the Couple That Schemes Together, Stays Together

Redemption and vengeance meet in this deliciously wicked, sinfully seductive and electric love story between two morally ambiguous characters who come together to create the most formidable power couple of 2023.

Jiang Xue Ning is an evil empress who has schemed her way to the top and destroyed people for her ambitions, only to meet her downfall at the hands of a ruthless usurper who brings her to her death.

In an interesting turn of events, she gets to go back in time, to fix her wrongs, save the two men who were ruined because of her love and hopefully stop the bloodthirsty rebel and his insidious plans.

However, fate cannot always be changed and sometimes the wrong answer is the right one all along. The Story of Kunning Palace is a fast-paced thrilling ride from beginning to end and comes with its share of pros and cons. Let’s get into it.

✔️The sexiest anti-hero of the year award goes to Xie Wei

He chokes. He kills. He plots but most of all, he knows how to kiss his lady love until she sees stars. Xie Wei is an absolute menace. As vicious and ruthless in his planning as he is petty when it comes to love. He is not afraid to get his hands bloody and use everyone and their mamas if it serves his purpose. Forty steps ahead of his enemies and always one with the backup plan, he is the ultimate edge lord. However, all his plans and strategies come to a stop when it comes to one woman: His Ning-er.

Zhang Ling He did a great job giving life to a character that is both terrifying and vulnerable. A man on a path of vengeance even as a part of him remains frozen with his robbed childhood. He is a person of many flavors as he goes from being the most intelligent and devilish man in the room, to a petulant, almost childish boy in love. He is both dangerous and endearing, villainous and heroic, charismatic and insecure, damaged and wholesome and the ultimate bad guy you can’t help but root for.

✔️The powerful heroine who brings the man to his knees.

Jiang Xue Ning is one of the best female leads out there. She is smart, intelligent and practical even as she has a soft heart. She can be as vicious as the best of men and has a penchant for paying back her enemies. She is a woman who never loses sight of her goal and always stays true to herself. She can be soft when the time calls for it and tough as nails when she needs to be. I think this is Bai Lu’s best role yet and she executed some really great scenes with elegance, grace and a lot of heart.

✔️Steamiest C-drama romance to end all romances

I think this is one of the most rewarding love stories I have seen lately. The two are equally matched in every way and understand each other in a way that nobody can. Xie Wei’s absolute mad, crazy, obsessive love for Ning-er is exhilarating to watch. He is unapologetic, fearless and unhinged when it comes to his need for her. She is the person who shares the darkness in his soul and the only woman who can keep up with his brilliant mind.

For her, he is the man who supports her through thick and thin, the only one who doesn’t handle her with kid gloves, the one person she can break down in front of, be herself with and the man who revels in her wildness as much as she does. Their chemistry is unmatched and their love is believable. There’s no question from the first episode that the two are destined for each other and the angst, obstacles and sexual tension just explodes into the most satisfying, passionate romance on-screen that is complimented with some truly sensual kisses.

✔️Friendship, loyalty, camaraderie and lovable side characters

One of the things I loved about this drama was that they were able to create meaningful relationships for both the main leads that seemed authentic. The male lead’s friends and people who love him unconditionally have their reasons for doing so and aren’t lackeys that exist just for the sake of it. Similarly, Ning-er has strong female friendships that are such a breath of fresh air to watch amidst watching palace women mostly fighting each other over a man.

As such, the drama gives birth to some really great characters like the hilarious fake Dingfei, and Yan Lin who has to be the greenest flag on this earth and the only time an FL’s potential love interest wasn’t annoying.

✔️Action scenes + Dialogues + Music + Comedy

The show has some great action scenes that were especially kind to Yan Lin. The dialogues for both Xie Wei and Ning-er were excellent and captured the intensity of their feelings beautifully. I particularly love the instrumental on this and enjoyed the little bits of comedy that is sprinkled all over the show.

So, overall, the drama comes with a lot of great things. Unfortunately, it also has its flaws, for example:

❌Weak antagonists + false sense of danger

Villains in this story are incredibly weak, overshadowed by the protagonists and make dumb decisions. So, the stakes are never really high because you know Xie Wei and Ning-er will somehow always come on top. The only time the good guys actually suffer a major loss is because of their own lapse of judgment which results in an extremely unnecessary and pointless tragedy. It hardly makes an impact and the protagonists remain overpowered throughout.

❌The boring middle arc + Annoying 2nd Male Lead aka Zhang Zhe the Turnip

A big part of the female lead’s redemption arc right from the first episode is the debt she owes to Zhang Zhe - a man she bargains her own life for. So, it’s unavoidable that the show would devote a lot of screen time to this character. Unfortunately, Zhang Zhe is a poorly written, one dimensional character who is so self-righteous, holier than thou and the unwanted paragon of virtue that not only is he boring to watch, he is flat-out irritating. As a result, his love arc with the FL is the most boring part of the entire drama.

❌Petty politics + low production value

I think others have also pointed out that the production value on the show is not the greatest with some truly terrible CGI. While I did enjoy some beautiful shots, I wasn’t happy about the unflattering close-ups and weird angles of characters that made intense scenes look a little comical. Fortunately, they are easy to ignore.

Story-wise, I think the strongest aspect of the drama is the slow burn love story and while it’s exciting to see Xie Wei and Ning-er plot and scheme and brilliantly execute their strategies, considering the antagonists are so one-note and the palace politics are quite petty and simplistic, I won’t lie and say that the drama comes with an impactful plot or masterful writing. Instead, it’s actually a super basic plot with a lot of tropes that’s done so well that it’s enjoyable.

✅Overall, the drama is mad fun to watch and its flaws are nearly not enough to weigh it down. It almost feels like the younger sister of The Rise Of Phoenixes with diabolical characters in love, except it comes with an ending that’s easy on the heart.
Definitely, Jeana approved.

8.5/10

Jiang Xue Ning, run away then. Run to the ends of the world but I am telling you, no matter where you run, I’ll find you.
-Xie Wei

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Monster
141 personnes ont trouvé cette critique utile
par Jeana Flower Award1
avril 18, 2021
16 épisodes vus sur 16
Complété 4
Globalement 9.5
Histoire 9.0
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 7.0

The Most Formidable Bromance of 2021 that will bring you to your knees

Where do I even begin? This is the best detective thriller drama I have ever watched. There, I said it.

How many of you have grown tired of watching crime shows that just don't feel exciting anymore?

So many times, crime dramas get lost in the 'next big moment' and finding the thrill factor that they stop connecting with the watcher.

Beyond Evil is a beautiful mix of emotion and supense. It's a blend of heartbreakingly slow, full of feeling moments and bone chilling darkness. It's not a super fast show. It takes its time as it unravels, develops and comes to fruition gorgeously- like a well simmered pot of stew.

The drama's biggest strength is its unforgettable characters and the mindblowing acting by the cast.

In the beginning it induces your trust issues in a gut punching manner by introducing its two seemingly morally grey and unreliable protagonists and then slowly but surely brings to light one of the best friendships the Korean cinema has ever seen.

Both the main leads are phenomenal, each holding their own and being a massive force to be reckoned with.

Shin Ha Kyun put out acting worthy of a Daesang. His reckless, passionate, wildly fearless and courageous detective with the biggest smile and eyes full of pain doesn't take long to cement his place in your heart.

Yeo Jin Goo, on the other hand, while young, owned his role phenomenally. His character Han Joo Won, a prickly, seemingly cold catlike man with heart of platinum and a strong sense of justice is extremely easy to fawn over.

Together, these two are a storm- infinitely badass with balls of steel; a dynamic team that you can't help but fall in love in with.

Aside from the two, all the supporting characters bring their own flavour to the screen. While their little self-proclaimed 'Avengers' police team brings instant warmth to your heart, the antagonists are blood boiling-ly good in equal measure.

The music is fantastic- sombre and dark at times; sometimes cheeky and playful and other times enough to wreck you. There are a lot of stunning shots and the drama is both extremely well written and directed.

The character development is amazing and the bonds these characters form among each other is a powerful thing to witness. There's so much nuance in these relationships and it's hard not to catch feelings and let go of your heart when it comes to a show like this.

Honestly, for me a good psychological thriller is hard to come by and this was by far one of the best. I was so invested in it that some of the scenes made me bawl my eyes out, while others made me laugh, giggle, swoon and shout HOLY FUCK at the top of my lungs.

They nailed both the emotion and the 'whodunnit' aspect in a way that's very unique to the genre.

It was a wild, crazy, full of thrill and heart ride that I almost don't want to get off of.

Surely, a must-watch. Highly reccomended for fans of psychological thrillers who like their dramas with a little extra oomph!

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Save Me
38 personnes ont trouvé cette critique utile
par Jeana
nov. 21, 2017
16 épisodes vus sur 16
Complété 6
Globalement 9.5
Histoire 9.0
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 5.5
God, what a wonderfully powerful story.

Despite a few flaws here and there, Save Me is undoubtedly that one Korean Drama that comes to the closest degree of perfection.

The beauty of the show is in its fearlessness. It yanks out all the controversial social issues that people keep hidden behind opaque curtains and exposes them for what they are.
Religeous extremism, bullying, corruption and abuse of power are laid bare infront of you in their ugliest form.
There's a perverse darkness to the show. This constant undercurrent of foreboding and this feeling that you're watching something that you shouldn't watch. Despite the fact that it has no explicit scenes, the drama still manages to come off as an undeniable Taboo.

Save Me excels at every factor that makes a good show. Excellent direction, a tight narrative and a well-thought out, intelligent script make it impossible for the viewer to not get invested.
Every character and role, no matter how minor, is extremely fleshed out; consequentially making all the more impact.

It is only right that a brilliant script would be backed up by brilliant acting and sure enough, our actors don't disappoint.
At first I thought that I wasn't getting enough from Seo Yeo Ji but as the episodes progress you're entranced by her. Sang Mi is a strong woman caught in a vulnerable position. From determination and rebellion to helplessness, frustration and finally utter desperation; it's an awful never-ending cycle for her.
The deadly world of religeous fanaticism is wonderfully portrayed and Sang Mi's battle with sanity amongst masses of deranged manics shakes you to the core. Her love for her mother, her strong will to save herself, her despair and her agony are all emotions that you feel alongside with her.

However, the star of the show is undoubtedly Woo Do Hwan. I felt so deeply for Dong Cheol that I often found myself tearing up at the unfairness of his situation. He's a warrior with a heart of platinum and a soul that shines. He's sexy, sweet and broken. And I was in love with every version of him. I cherished every moment he was on-screen and missed him every moment he wasn't. It's truly remarkable how excellently Woo Do Hwan acted despite having very little experience under his belt, and that too, in a way that he stole the show from much experienced actors.

Okay, so you know those flaws I mentioned in the beginning? Well, Han Sang Hwan is the biggest one. Considering I'm an egalitarian, I hate noble idiots and goody two saints equally regardless of their gender; and Sang Hwan, to put it frankly, is a little bitch.

Despite the fact that he is the show's hero and this 'leader' that the drama writers want to force you to like- he isn't much at all. He's the classic privileged rich kid with daddy issues that you can find in every other wealthy neighborhood. His character is like an after-thought to the story and Taecyon for me, was very unmemorable.

I hated the fact that the drama, time and time again took away the spotlight from the life of the show (Dong Cheol) and gave it to him. At one point I was bad-wishing him almost as much as I was cursing the evil guys but hilariously enough, he failed in almost of all his hero missions (rescue plans and outsmarting people) all by himself. Until the last few episodes, his character retains the heroic but dumb vibe and I just couldn't take him seriously. Especially when all the real work was done by Dong Cheol.

However, the saving grace about Save Me is that even though it makes it clear who the main leads are, it doesn't discriminate in screen-time. Every single character is given their moment to shine and that is the sole reason why Taecyon did not make me snatch one star back from the rating.

The villains are cleverly written. They are all complex characters driven by different motivations and are as compelling as they are hateful. There are some very lovable side characters- Mr GateKeeper being my personal favorite- and some good ol' bromance to keep things balanced.

Save Me is a show that makes you feel. I found silent tears trekking my cheeks in miserable moments and then there were times I wanted to scream and yank my hair out from frustration. The drama kept me hooked to the screen from start to finish and brought out a whole lotta physical reactions from me.

The OST, mostly instrumental, is pure genius. Played at all the right moments; it incites dread, anticipation and panic in the on-lookers.

There are no plot inconsistencies and the show ends beautifully, providing deep satisfaction and closure, while simultaneously teasing that maybe all that evil isn't gone for good? Who knows.

Personally, this show was right up my alley. It kept me guessing throughout and from the moment I pressed the play button to the time the ending credits rolled; my heart felt like it was in a chokehold of fear for the characters.

While this show may not be for everyone, if you want to test your boundaries and tread into dark waters; Save me is, without a doubt, a must watch.

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Love O2O
403 personnes ont trouvé cette critique utile
par Jeana
mars 8, 2017
30 épisodes vus sur 30
Complété 126
Globalement 4.5
Histoire 2.5
Acting/Cast 1.0
Musique 3.0
Degrés de Re-visionnage 1.0
I've completely lost faith in humanity after watching this drama. How the absolute fuck does it have an 8.9 rating? Are all the happy reviewers some kind of bots that mass rated it with such a high score and sang hallelujah because after suffering through 30 episodes of this shit, I really am confused.

This drama is a total hypocrite. It tells one thing and shows something entirely different. Supposedly, it tells the viewers that it's against patriarchy with the 'girls can be great at computer science too' bullshit. It preaches 'brains over beauty' and all that spirtual crap however, it 'shows' an entirely different story; for this drama, in its core is wholly patriarchal. The main heroine only truly gets acclaimed for her beauty and even though she is supposed to be this smart person with a trillion scholarships, we don't really see proof of her intellect. Sure, she wins a few games against other weak ass females but the moment she goes against a powerful male opponent, she loses which is why her MegaGenius boyfriend has to sit by her and dictate all the moves and only then, she claims victory. Like okay?

The male character is honestly, so overhyped and again, if we really try to find the heroine's contribution to the plot, you'll find none. She is supposed to be this brilliant computer junky and yet, when she does the internship (in a company filled with men) her sole job is to bring food, drinks and matresses to the guys who work day and night. Like??

So even though, on surface it looks like this unique drama with a never before seen plot, in its core, it is still filled to the brim with superficiality.

Now, lets talk about the cast and characters. The main guy is literally a robot. Like, the kid has no emotional depth whatsoever and so clearly the actor didn't have to tire himself by actually acting because all his role requires is to be a pretty but expressionless face. To make matters worse, he's a chauvinistic a-hole. And not in the 'bad boy' way, where you love and hate them, no, in his case you're just annoyed by him. He is literally so perfect and the only flaw he has is the fact that he can't cook. I mean, come on.

To be honest, between his extra hairy armpits, pre-pubescent face and red ears, he isn't really much. Also, what irked me is the fact that he treats his girlfriend like a pet (dog). (No kidding, she actually herself makes the comparison once.) And he's full of himself, sadly, without much basis.
Like the girl is having a fight with her best friend and instead of really consoling her or saying some meaningful shit he says, "She's a very small part of your life, while I'm your everything. From now on, you're not allowed to shed tears for anyone else." Now this is the exact fucking quote, no lie and the braindead heroine actually feels comforted by this. Deceased.

I mean don't get me wrong, I love his type; the cold, uncaring, perfectionist asshole who eventually thaws towards the heroine. We have Simon Bo, Kang Ma Roo and so on but all these characters have different sides to them and they show complex personalities, Nai is the same from beginning to end and I can't believe I'd tolerate a lifeless and boring as hell person like him in real life.

Now, the heroine: Sure, she's cute, quirky and very gorgeous and unfortunately, the only one acting in the show. But soon, you realize that she's recycling her facial expressions, so much that her acting becomes quite monotonous after a while.

Speaking of monotonous, the whole show is dead asf. Here are so irrelevant scenes that you just stare at the screen trying to comprehend why the hell are you being shown this unnecessary shit. The game scenes are depthless. The fighting scenes lack vigor. And I wanted to bang my head against a cactus, everytime the heroine interacted with her friends because all they did was act like juvenile brats and gushed about the main guy. I mean, you guys are supposed to be these tech savvy college students, the least you can do is show an ounce of maturity, but no. Too much to fucking ask.

Furthermore, I think I froze because of all that ice between the couple, tbh. There is no heat or chemistry whatsoever and they remain awkward and detached throughout. The affection seems forced and their union wasn't natural at all. Atleast the guy has one quality; he's an excellent kisser but the girl literally stands like a dead fish in response. No, even a dead fish has some sort of pucker going on, this girl just has her lips in a straight line and proudly shows that kissing her is akin to that of kissing a cardboard box.

For me, romance or basically any sort of relationship can only thrive and grow stronger if two people go through complications and get out of it together. Or if, they do selfless and thoughtful things for each other, no matter how small. Here, everything is rainbow and joy- literally no problems at all- and the best things the characters do for each other is treat each other to meals. That's all. Which is why their relationship is so flat, unrealistic and plagued by stangnancy throughout the show. Tsk, tsk.

The only thing fairly enjoyable was the actions of the hero's friends. Those three made me laugh a bit from their silly antics but that's about it.

Rewatch value? This stuff doesn't even have 'watch it once' value. The drama truly highlights that people will always be attracted to surface beauty no matter how much substance it lacks. This is an absolute fail and I only recommend it for people who want mindless fanservice and zero plot.

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Eternal Love
65 personnes ont trouvé cette critique utile
par Jeana
mars 17, 2017
58 épisodes vus sur 58
Complété 9
Globalement 8.0
Histoire 8.0
Acting/Cast 9.0
Musique 7.0
Degrés de Re-visionnage 6.0
Cette critique peut contenir des spoilers
Generally speaking, I usually have the opposite effect for over-hyped things. The more hype a thing has, the more likely it is for me to not like it. I went into watching Eternal Love with low expectations and as I had predicted at the time, I didn't find it too extra ordinary in the beginning.

STORY:

Eternal Love is comprised of the following three stages:

Episode 1-15:
This is when Yang Mi plays Si Yin and we are mostly being introduced to the characters. Ye Hua and Su Su meet up. It sets the pace of the story. This part doesn't have any wow factors, rather it provides an undercurrent of mild amusement. At this point you're not completely invested in the story but you also cannot let it go.

Episode 16-30:
Now this part was just plain torturous. This constructs the build up towards the main plot. It showcases Su Su's and Ye Hua's love and all the hardships she had to face as a mortal. Even though their sweet moments were heart warming, over-all this is literally the deadest portion of the show. It's not exactly the shows fault, rather the sypnosis's. We already know that SuSu is going to go blind and kill herself and honestly, I just felt like only after that, the true story would kick in which is why I had to fast forward some scenes because the whole wait did get, frankly, very boring. I understood that it was necessary for the character development and it provided a strong basis for the story to continue but that didn't mean that I found the drag-on particularly enjoyable. But since my intuition said that the light at the end of the tunnel would be very bright, I persevered.

Episode 30-58:
And this is when the show sky rockets to its summit. I think Episode 30 was by far the best episode made. From here onwards there are so many emotions; one great scene followed by another and suddenly I went from being half-heartedly interested to full on obsessed.

Acting:
Damn, I think I have a little bit of a crush on Yang Mi. She's such an absolute star to be honest. She portrayed her different personalities excellently. From the youthful and mischievous Si Yin, to the kind-hearted and vulnerable SuSu and finally to the boss ass queen Bai Qian; she simply slayed. There is this utter grace with which she speaks and moves that you can't help but be entranced by her. She was the true embodiment of a Queen and a total badass. Her fighting scenes were so empowering and the way she wields that Jade Purity Fan; just dang. She's a woman of power to her core and when Ye Hua forcefully kisses her once, she doesn't just let it be -nuhhun- she bestows him with a five fingered bitch slap 'cause ain't nobody messing with the Queen of Qing Qiu.

Mark was also a very nice surprise. He expressed a multitude of emotions just with his eyes. He didn't have to speak or show rather even the slightest twitch of his face spoke volumes. To be honest, I really fell in love with Ye Hua's character in the later part of the show. He's so selfless and devoted in his affection for Bai Qian that you can't help but root for him. Mark's delivery of Mo Yuan's character was also very impressive. Mo Yuan is a personality that demands respect and he gave him the elegance and majestic aura that was required.

Their chemistry is sizzling hot and both of them compliment each other to the max. I love how their love story transcends all worlds and they're two people destined to be together. I mean towards the end I was so committed to seeing their happy ending that for the first time in my life, I deliberately went to seek out spoilers just so I could have a consolation that everything wouldn't be in vain. Even though the ending is pretty sappy and the consequent events just turn out to be interestingly very very convenient for everybody, I think I wouldn't have opted for less.

The most annoying part of this show probably has to do with everything that was related to the Ghost Realm. Xian nu is literally the world's dumbest villain to ever grace the screens. I mean sure if you gonna be a negative ass bitch, filled to the brim with inferiority complexes, the least you can do is actually have some brains to execute your deviltry, instead she remains pitiful throughout and besides being an annoyance, doesn't amount to much.
Never fear though, because her husband matches her toe to toe as far as stupidity is concerned. Li JIng has a constant "woe-is-me" expression plastered on. He always acts like he is the most tragic person alive and he's constantly throwing pity parties and pining after someone he wronged. Like really bitch, if you gon' whine about how pathetic your life is and how you're suffering so much you should've thought better when you decided to waste your life being a nuisance and cheating on someone you supposedly loved. Smh. I was very thankful when both of these roaches finally ended up dead 'cause they literally belonged with each other in hell.

One of the best things about Eternal Love are the side stories. I had so much love for Dijun and Feng Jiu. Dijun, with his constantly amused face (as if the whole world was a huge joke to him) and Feng Jiu, with her endearing personality and child like tendencies really won me over. This show has so much character development and attention to detail. With excellent emotional delivery and story writing, I think the hype surrounding it is more or less justified.

One thing that I found hilarious was how little Bai Qian truly cared for her son like, ain't nobody got time for that but A-li is legit a ball of adorableness and the few moments they share together are absolute bliss.

Rewatching a 58 episode show is no easy feat so I don't think that I'd be doing that but there are definitely some iconic moments that I have already watched a thousand times over and will continue to revisit.

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Unmet: Aru Nogekai no Nikki
23 personnes ont trouvé cette critique utile
par Jeana Finger Heart Award1 Flower Award1
juil. 5, 2024
11 épisodes vus sur 11
Complété 0
Globalement 9.5
Histoire 9.5
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 5.0

Emotionally powerful masterpiece that captures real, raw human connection at its finest.

Ever since I started watching this drama, I felt like there was a ball of emotion stuck in my throat. It is so real, so without pretense and so utterly soul-stirring that it feels like a balm on all the wounds you may harbor in your heart.

This drama is about Miyabi, a gifted neurosurgeon who has lost her memories of the past two years due to a car accident. Unfortunately, it has left her in a state where she forgets everything about her day as soon as she wakes up. So, she has to live day by day, relearning everything she knows from the journal she keeps. She has stopped being the brilliant surgeon she once was and instead, now, acts as an assisting nurse.

✔️ Miyabi has to be one of the most endearing and lovable heroines in Asian drama history. She is such a graceful, full of heart woman that immediately puts you at ease. There is such compassion, empathy and care in her that you can feel it through the screen. She immediately de-stresses people around her and has mastered the art of listening. She makes people feel heard in a way that changes the very fabric of their lives.

✔️ She also has to be one of the strongest women on T.V because of how she faces each day with a spirit that is unbreakable. Sugisaki Hana has put out an acting of a lifetime. It is so nuanced, heartbreaking and authentic that it’s like you can see the very inside of her heart and it’s absolute gold in there. As a result, not only do you wish to have someone like her in your life, you wish to be someone like her.

However, Miyabi, as unwavering as she is, is ultimately living as a shell of her past self. That all changes when one day, a new surgeon, Dr. Sanpei joins her hospital.

✔️Sanpei, for all intents and purposes, is strange. His hair is unruly, he doesn’t talk much, nor does he seem to care about other people's opinions. He is also somewhat of a prickly genius and eats these weird gummy candies every single day. Yet, there is something about the way he looks at her that immediately makes you, as a viewer, feel like he knows her on a soul-deep level. There is so much suppressed feeling and restrained emotion in this man’s eyes that you pause for a second, wondering what it is that has him looking at her that way.

✔️From there, slowly their relationship unravels. The love story in this show is something that’s hard to capture. The majority of the interactions between the characters are so subtle - just everyday words, looks, small gestures - and yet, after 11 episodes, I felt like they were made for each other.
Sanpei feels like a man whose entire heart is in the palm of Miyabi’s hand and the magnitude of trust she feels for him is unconditional and unerasable no matter what happens.

✔️Their love is so vulnerable, boundless and something that is etched in the very cells of their bodies. They only have to look at each other to make you feel what they feel for each other. That’s why when they do interact, even the slightest touch feels monumental.

✔️The drama is powerful in the way it portrays relationships. Every character is significant and plays a role that is important to the story. The cases in each episode are all beautifully explored so they never come off as contrived or repetitive.

✔️Every single person on the show got the memo on how to act. The performances are brilliant across the board so all of these characters are able to impact the story in their own unique way.

✔️The execution and direction of this drama is excellent. The way scenes transition, the way the memories are brought to the front, the way past and present is merged, the way important scenes are highlighted and finally, the way the character journeys are laid out on the screen - it’s simply stunning to watch.

✔️Even the medical aspect of the whole drama is done in a way that appeals to you even if you aren’t usually a fan of the genre. The surgeries that are shown are done in such a way that you can feel both the importance and urgency of it. The atmosphere in the hospital is so relaxing despite the heartbreaking realities the people face every day. Most of all, it just showcases the power of healing and the inherent kindness that lives in the art of saving a person’s life.

✔️There are three major tracks on the show and they are all superb. The piano strokes especially just hit your heart and give you the feeling of both hope and melancholy in equal measure.

✔️Honestly, I have never cried more in a drama and it wasn’t even sappy or trying to manipulate my emotions. It was just so real and phenomenal in its simplicity. The only reason I didn't give it a full score was because I thought that the circumstances surrounding Miyabi's accident could have been better developed but even that titbit wasn't strong enough to make me more critical of this drama, like I usually am.

✔️Overall, watching these lovely characters try their level best to win against the odds that seem impossible and overcome them in the most natural and inspiring way, really fixes something that feels broken inside of you.

It’s truly one of the most powerful dramas I have seen in 2024.

An absolute must-watch.

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Mother
27 personnes ont trouvé cette critique utile
par Jeana
juil. 20, 2018
16 épisodes vus sur 16
Complété 3
Globalement 9.0
Histoire 9.0
Acting/Cast 10
Musique 7.0
Degrés de Re-visionnage 5.0
When I say that this drama is a health hazard, I am not exaggerating. I started it feeling quite cocky. I was sure I wouldn’t be as affected or emotionally invested as most of the people who watched it. 15 minutes into the show and I already knew I was wrong big time. It seemed as if a ball of dread had permanently lodged itself at the base of my throat. Halfway in and I was clenching my fists in trepidation and finally as the credits rolled, so did my big fat tears. From then on to the last episode, my eyes didn’t find a dry moment. After I was done watching, my peepers were positively swollen, my head hurt from continuously staring at the screen, I felt nauseous because of sitting in the same position all day and I had to stretch out my entire body that felt sore.
In short: This drama will bring about a physical reaction in you and you still won’t regret watching it one bit. You can quote me on that.

I think the title of this show pretty much tells its entire story. “Mother”. The amount of importance this word holds. The responsibility, love and sacrifice that comes with it. How some women can never be worthy to embrace it while some own it and wear it as a second skin. This show highlights how much a mother’s actions can define a child’s life. How sensitive the stage of childhood is and ultimately, how family can transcend blood.

I haven’t watched the original so I can’t make comparisons but judging this drama on its own standing, I will say it was one of the most beautifully written, directed and acted pieces of production I have ever seen. No amount of praise is enough for the actors. I am not a fan of Lee Bo Young but she embodied her character perfectly here. Lee Hye Young, my favorite veteran actress once again brought forth a character I will forever remember and treasure and finally, the star of the show: 7 year old Heo Yool. I am still speechless at how a child so young could execute such a difficult character with such mastery and that also in her first role ever. I am going to follow her career throughout her life and I’m positive that she’s going to take the world by a storm and I can only hope she wasn’t scarred by playing the widely complex role of Kim Hye Na.

The drama comes with excellent dialogue and symbolism. It is also morbidly suspenseful, as in you desperately want to know what happens next but are afraid to find out at the same time. I really don’t have anything to complain about and the only reason I took one star back was because so many emotionally powerful things kept happening throughout the show that by the last two episodes, I was just spent and exhausted and my capacity to react had vanished which is why I watched the end with a sort of indifference.

However, I will say that even though the process is painful the drama ends with a sweet relief that we all earnestly wished for.

A must-watch.

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Game Rai Game Rak
68 personnes ont trouvé cette critique utile
par Jeana
août 31, 2017
21 épisodes vus sur 21
Complété 19
Globalement 6.5
Histoire 6.0
Acting/Cast 9.0
Musique 4.0
Degrés de Re-visionnage 1.0

Oh. My. God. This show is so ridiculously bad, I'm not even mad anymore.

What's worse is that I think I actually may have enjoyed it instead.

Game Rai Game Rak, like almost all Lakorns comes with its fair share of bullshit. You've got an old Island crone whose eyes turn bright blue everytime she sees the future (which ofcourse is completely irrelevant to the plot), you've got a one-dimensional villain, a nasty insecure bitch of a relative who basically destroys lives left and right but somehow has a change of heart in the last ten minutes of the show, wins everyone over and sets off in the sunset without ever having to pay for her crimes.

You've got a selfless and highly forgiving damsel in distress who's constantly being sexually, physically and mentally harassed by our main lead who misunderstands her because of trusting the lies his worst enemy fed him.
Not the brightest tool in the shed, I tell you.

Ofcourse there is always that one guy who is like a brother to our heroine (however always conveniently having waaay more skinship than normal siblings have) who inspires jealousy and possessiveness in the male lead who then proceeds to humiliate the heroine by calling her a slut and whatnot. We also can't possibly forget the one or two or in this case, three other guys who're interested in the female lead and are so insignificant, they might as well be invisible.

Everything is overdramatic and over the top. Rape gets romanticized like nobody's business. People get shot and catch bullets on the daily. Corny dialogues flow out like bad breath everytime someone opens their mouth. Obnoxious music starts playing every ten minutes; effectively swiping away any sincerity that the show managed to portray. Scenes are constantly repeated and the plot-line soon gets derivative.
In short, it's an honest to God definition of a hot mess.

But then again, nobody watches Lakorns for a solid story, well developed characters or a good plot with lack of loopholes. No, people mostly watch Lakorns because they're the classic guilty pleasures and because they get the chemistry between characters spot-on.

Game Rai Game Ruk is no different, which is why despite everything, I still watched it to the end.

This is the third Thai drama starring Yaya, that I have watched and unsurprisingly she impressed me once again. Her acting is always a 100% genuine and the characters she brings to life are so hard not to love.

Game Rai Game Rak is very very similar to Kleun Cheewit; having an almost identical feel at times, but where Jeerawat was a fierce and fearless woman, Fahlada radiates innocence. She's pure, delicate and basically the classic good girl- all the while, successfully staying far away from the 'kind but dumb' category everybody hates.

However, as adorable as she is, I feel that if you don't like YaYa you might not like Fahlada either. In Kleun Cheewit, I started to love the actress because of the drama and her role in it but in GRGR, I liked the drama only because I loved the actress and if I had seen this drama first I might've never adored Urassaya as much as I do now.

After watching this drama I finally understand why Yaya and Nadech are such a big deal in Thai entertainment industry. Their chemistry is absolutely electric and while I did feel that Nadech has a short emotional range as an actor, I believe this was one of his best roles.

From start to finish, it's impossible to hate Saichon. Even when things get ugly and he acts like an ultimate creep by smelling Fah's hair when she isn't looking, taking pictures of her when she's unaware, spying on her with a telescope, tying her up again and again and degrading her, (there's always the unforgivable and romanticised implied rape and all the other times he makes her cry and do things without her will) the reason you can't hate him is because of their sweet as hell moments in the island and the surety that no matter how rotten he acts he still deeply loves Fahlada.

The ultimate on-his-knees groveling session at the end and the fact that Fahlada hits him quite a lot all the time really does help his case furthur and to be honest, even though I am highly unforgiving of assholes there was never a moment where I didn't root for them to be together.

So all in all, Game Rai Game Rak is the kind of show that you can only watch while being extremely lenient 'cause the moment you start to notice all that is wrong with it, you'll start hating it. While I reccomend this for a good time-pass, personally, I skipped and fastforwarded a lot of scenes because, as the show progresses the episodes begin to be filled with more of the same thing. So even if it is skipped a bit, it won't effect the over-all watching experience.

Your classic bad boy-good girl story that you'll love to hate and hate to love and unfortunately do both by the end.

Enjoy!

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Empress Ki
50 personnes ont trouvé cette critique utile
par Jeana
mars 23, 2017
51 épisodes vus sur 51
Complété 9
Globalement 10
Histoire 10
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 10
54 and a half hours, 3 days, countless of emotions and I am finally done with the phenomenon that is Empress Ki. I am not one to generally make sweeping statements but if I were, I'd adamantly insist that this is one of the best dramas I have ever seen as of yet.

I am sure that if someone with a critical eye was to peruse through this review, they'd "Tsk Tsk" just like El Temur did to show his condescension for things he thought beneath him but I am past the point of caring. For I am hopelessly and utterly in love with everything about this drama, blissfully ignorant to all of its flaws and honored to have witnessed characters that made me feel all there was to feel and more.
After I was done with it, I felt so emotionally spent that it was almost physical. Every waking moment of my existence had been consumed by this production and the withdrawal symptoms were kicking in with a vengeance. Now, there is so much to say, but not enough words. I want to shout its praises from the rooftops but I'll settle for writing this review that can't possibly ever truly deliver the amount of feeling I had for this drama.

This is a story about vengeance, lust for power, loyalty, sacrifice, the blurry line between good and evil, the ugly side of human nature and lastly one woman's quest for justice. You cannot go into this if you don't want to get invested because trust me you will. It will possess you and maneuver you around like a puppet until its characters' emotions are your own, their pain your pain, their heartbreak your heartbreak and it will make you want to burst from all the sensory overload.

If I am to be honest, I admit that I have never seen a more brilliant piece of acting before. From the minute roles to the colossal one's every single act is done with perfection.
This was my first time watching Ha- Ji Won and six episodes in, I had already added her to my favorite actress list and vowed that I will not stop until I had followed her into every show she ever starred in. Simply put, she is my Queen. Her acting is so real and raw that it breaks you every time and leaves you in awe. It's really no surprise that she won a Daesang for her role.

I don't think I have ever felt more strongly for any female heroine before Niang. The intensity of love that I felt for her was crazy. She's a woman of power, deadly beyond measure, a master mind and the definition of strength. In Asian Dramas, there is always more talk than walk about how intellectual the heroine is. Producers use the classic element of make believe and create so much hype that people really start to see the MC as smart and witty even when there are no visible actions to back it up. In the synopsis it would be stated repeatedly how much of a genius she is, the characters in the show would boast about her relentlessly but in reality she usually turns out to be a hollow personality-less beauty vessel constructed on baseless compliments.

Niang doesn't roll that way. She is the real deal from the start; a highly intelligent woman, a schemer, a warrior, a meticulous planner and a ruthless executioner. She doesn't need other people to gass her up, because everything she does speaks for itself. She doesn't require saving because she is the savior. She is a Queen in every sense of the word and honestly, I would rather kill everyone -love interest or not- if they dared hurt her. My heart clenched whenever she faced a setback, my fists pumped and I screamed joyfully every time she was victorious, I cried with her, I smiled with her and I rooted for her every single time. I can honestly sing odes in way of her perfection and it would still not be enough.

Before I started with the drama, I had heard a lot of praise for Ji Chang Wook and when I saw his face and got a glimpse of the character he played I had instantly stuck my nose up, jutted my foot out and turned the other way. I thought that there was no way that I'd ever root for such a privileged, weak and spoiled wimp of a Prince. It didn't help that I had hated characters like him in the past (See: Goo Joon Piyo from Boys over flower, Mike He from Full house, Yune from MiSa) but as I watched, piece by piece the ice around my heart fell off until I was effectively boarded and happily sailing on his ship.

Ji Chang Wook is a gem and I truly believe he deserved a Daesang too. Ta Hwan is a highly flawed character and an anti-hero at best. He's selfish, cowardly, naive and obsessive. For one good deed is followed by a hundred missteps on his part and there were multiple times where I wanted to just slap him senseless. But despite all this, JCW made me fall in love with him. A lesser actor or any other actor for that matter, couldn't have even dreamed to do the same.

He's the type of character that you'd love to hate and hate to love but soon enough you see the deep scars he harbors, the purity of his heart and you understand him. In a palace full of people under his command, he's utterly lonely, horribly abused by everyone he trusts, constantly forced into his insecurities and you cannot help but weep for him and the pain he has had to suffer. Once you understand him, every horrible action he commits doesn't make you hate him, rather it breaks your heart. I had so much affection for him that I bawled every time he was either volatile, helpless or bordering on insanity. I honestly prayed for his relief.

As for the other male lead, I had my doubts about Joo Jin Mo at times but soon, I realized that he held his own too. Even though I felt like Wang Yu was way too likable I did come to adore him. The loyalty his men showed to him, his persistence in fighting for his country and his devotion to Niang warmed my heart. Plus, the guy has really beautiful and expressive eyes.

As far as the couple ships are concerned, Ta Hwan and Niang was the only one that made sense to me. Sure, Wang Yu and Niang have some heart warming moments and their love for each other is supposed to be strong but the moments between Ta Hwan and Niang are simply emotionally intense. There is so much misery between them but their relationship is powerful. She builds him up when he's nothing, she's his support system and his love for her is obsessive because in the midst of so much cruelty she is his only friend and confidante. The only time he attempts to be selfless is when he's with her and she makes him want to be a better man.
Tbh, they both were my babies and they absolutely dominated the show.

The beauty of this show is that everything bad that could possibly happen; happens. In most shows you don't have to guard your heart because you're sure that when things are their absolute worse, a convenient plot device will somehow come in handy and save the characters from catastrophe but here, there is no such luck. The villains are extremely fleshed out and three dimensional which makes it all the more easy to despise them. This drama truly depicts that 'evil is bad that believes it's good' and that is the most dangerous thing about the awful one's because somehow they all have reasons that are wholly justified in their eyes. People I liked transitioned into horrible power hungry monsters and people I hated with a passion tried to force me to feel pity for them. It was such a mixture of charcoal and pristine that I was constantly in a whirlwind.

I'm not going to lie; I bawled a lot in this drama. However, none of my tears flowed when people died or were killed rather they were for the tiny moments; the moments where the helplessness of the characters was shown, the moments where they are trying their best to hold on but falling apart, when they are striving to fight madness but stumbling and it's so beautifully heartbreaking that it wrenched out sobs from me.
This drama is filled with small immensely impactful scenes that combine to make the whole production powerful.

The side characters are very strong and multiple story-lines make the drama diverse and interesting. I majorly love me some Tal Tal; the smart, loyal and brooding man that you just can't get enough of. Wang Yu's men were always a source of happiness; Jokho and many others too make the list.

One thing I agree with many reviewers was that I too wanted the MC's to take a breather. From start to finish they are battling complication after complication and I desperately wanted the sweet moments to be drawn out and for them to bask a little more in the fleeting happiness they were granted. I mean, I wanted to see the faces I love express joy so badly that after finishing the show, I spent hours watching behind the scenes and blooper videos to lighten my heart and seeing those actors laugh and goof around filled me with inexplicable warmth.

As far as the ending is concerned, I'll dole out the same advice a friend gave to me and that is to not dread the tragedy too much for it's something that's bound to happen and you might actually find it quite acceptable. Who knows?
I have said so much, yet I feel that there is so much more to say. I am positive that I can write a thesis on my love for this drama and still not be satisfied so I'm going to end this here.
Every single second of this is nerve wracking in some way, the violence isn't over-produced, the action scenes are beautiful, the dialogues are excellent and although I never really re-watch seasons even when I say that I will, this is one season that I'm absolutely certain that I will binge re-watch and will most probably once again, be strung like a live wire because of all the feels.

An undeniable must watch.

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What Happened in Bali
18 personnes ont trouvé cette critique utile
par Jeana
janv. 23, 2020
20 épisodes vus sur 20
Complété 10
Globalement 9.5
Histoire 8.0
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 5.5
I have never felt this way before.

This show was awful, horrible and miserable down to every scene. I wanted to punch the fuck out of every single character at one point. It was so dark, disturbing and frustrating and yet, it was excellent too. To the point that it captured me so deeply that it was a downward spiral that I couln't help but be swept into.

This is precisely the reason, I understand its poor rating on MDL but also why it was a super duper mega hit in Korea when it aired.

The acting and character development definitely took the cake in this one.

Jo In Sung. Jo In fucking Sung left excellence behind with his role. I have no words to describe his acting. It was simply wonderful. His character, Jung Jae Min, violent, crazy, childish, often pathetic, vindictive, violent and simply irredeemable didn't leave much to be desired and yet, he definitely made the list to become one of my most favorite characters of all time.

Ha Ji Won, ofcourse the queen of queens. Her character has to be one of the most despicable characters in K-drama history. Lee So Jung was a slap in the face of every self respecting woman. Greedy, desperate, classless, disloyal, annoying to the point of making you feel violence and yet, there was nobody but Ha Ji Won who could have played her. Because, despite the fact that she was everything I couldn't stand, I still found myself rooting for her. Like I said, only Ha Ji Won.

This was So Jisub's breakout role and I can definitely see why. He is the king of emoting from the eyes and he did it spectacularly here. Out of the three of them, his character was the least dislike-able and yet, despite my love for him, I found myself rooting for him the least.

Many international drama watchers think the show is famous for So Jisub but that's not true. This show is Ha Ji Won and Jo In Sung's through and through.

People said it was the greed of the characters that made them destroy each other but I think it was the desperation, madness and pain that each of them harbored. They were all victims of life in their own way and that made them make all the worst decisions possible. This was humanity at its worst with selfishness at its peak and yet, you couldn't help but feel sympathetic for these unlucky souls.

The show is a hard watch. I can't even count how many times I had to pause in between because I was so sick and emotionally exhausted by the complexity of these characters and their actions. But I was unable to drop it and now that I have finished it, I don't regret watching it at all.

The ending was exactly how it should have been. The OST was spot on. And while the show is dated, it still does not fail to pack a solid punch even after all these years.

So all in all, it's a show that you will hate with characters you will hate but if you aren't afraid to tread into dark waters and get out of your comfort zone, once you'll start you'll be unable to stop. And when you end it, you'll have no regrets.

Definitely one of my favorites.

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