Renseignements

  • Dernière connexion: Il y a 4 heures
  • Genre: Homme
  • Lieu: Slovakia
  • Contribution Points: 323 LV3
  • Anniversaire: August 10
  • Rôles:
  • Date d'inscription: décembre 5, 2019
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Squid Game
11 personnes ont trouvé cette critique utile
par Hlebka
oct. 9, 2021
9 épisodes vus sur 9
Complété 0
Globalement 6.0
Histoire 5.0
Acting/Cast 8.0
Musique 6.5
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Hype that will not stand up with time

Hype that will not stand up with time. This series does not measure up to the standards of good, much less great, Korean Drama. The cast is excellent, of course (except for the VIPs, though the inside joke on American actors is rich), but the plot is predictable from the beginning through to the end. From the moment 001 (a heavy-handed clue) showed up, the repetition mixed in with violence and gore was evident, and the outcome was predictable.

However. Blessings on Netflix for bringing international film to the world, especially during the pandemic. But don't try to own it, guys: just stream it.

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Before We Get Married
9 personnes ont trouvé cette critique utile
par Hlebka
juil. 16, 2020
13 épisodes vus sur 13
Complété 0
Globalement 5.0
Histoire 4.5
Acting/Cast 6.0
Musique 7.0
Degrés de Re-visionnage 3.0
Cette critique peut contenir des spoilers
This show started strong but quickly became repetitive with the same events happening over again in every episode. The female lead treated the male lead the same way through the majority of the drama except for maybe the last 3 episodes. The last few minutes of ep 13 were handled in a mature way, but the drama lost steam in the middle. It's like the writers ran out of ideas and so decided that having the leads go through the same conflicts throughout the entirety of the drama would suffice in filling up time. That to me is lazy writing and I was not here for it. I wish I would have dropped this earlier when it became obvious, but no I'm hard headed.

- Final episode thoughts

Almost all of the finale was so unnecessary and uninteresting...
The continued ex conflict was lame enough, but the separation took away from the intense love and friendship they had for each other, which was the best part of the entire drama.
Wei Wei was supposed to be an intelligent adult woman, yet she couldn't possibly stay in contact with her male friend/ lover Kehuan and focus on growing as a person ?

I could understand a bit of time and space before having a serious relationship, but 13 months completely out of her life, with no interaction as friends? Ke Huan proved that he would respect her boundaries as friends, so she is not under any pressure.
The actors were amazing, the story was not.

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Chocolate
6 personnes ont trouvé cette critique utile
par Hlebka
févr. 4, 2020
16 épisodes vus sur 16
Complété 0
Globalement 6.5
Histoire 6.5
Acting/Cast 8.0
Musique 8.5
Degrés de Re-visionnage 4.5
Cette critique peut contenir des spoilers
I really cannot understand how Korean writers can create amazing stories but cannot write a god damn proper finale. I did not like the ending at all. The "solutions" to the problems were either found in the most basic way or ignored altogether.

I could not understand the reasoning behind Moon Cha Young's final decision. Overall, the last episode felt like two episodes were merged into one by cutting parts out, so it didn't feel cohesive. I liked this drama, but the only thing I disagreed with was her leaving. If it had been because she learned the truth about his mom, I could understand her wanting some time to process it, as she might feel guilty (though she shouldn't). However, her leaving because of what happened with her mom? Nope. I feel like that's when you would want to be closer to the person you love.

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Abandonné 18/20
EXchange Season 3
15 personnes ont trouvé cette critique utile
par Hlebka
avril 6, 2024
18 épisodes vus sur 20
Abandonné 0
Globalement 5.0
Histoire 5.0
Acting/Cast 5.0
Musique 6.0
Degrés de Re-visionnage 2.0

This season was actually the worst.

This season was actually the worst. Season 1 was boring, but this season was just poorly executed. The casting was a total miss. Aside from a few people, the rest of the cast is uninteresting or unlikeable. They need to get the old PD back. The format and the flow of the show are just weird also. Why didn’t they let them choose their ex on some dates? That would help them clear up their misunderstandings/ lingering feelings. And half the season just focused on them eating/drinking/ arguing and doing the same stuff every episode. The topics they talked about also kept going in circles. It’s exhausting and frustrating to watch as a viewer. In season 2, there was drama, but there were also wholesome moments. This season pure drama and frustration. I am officially dropping this season. It’s excruciating to continue watching.

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Meeting You
2 personnes ont trouvé cette critique utile
par Hlebka
juin 19, 2023
28 épisodes vus sur 28
Complété 0
Globalement 4.5
Histoire 4.0
Acting/Cast 6.0
Musique 5.0
Degrés de Re-visionnage 1.0

Very light-hearted and cute

I think this series is pretty good at the beginning. I like how ML starts to come out of his shell and blend in with his classmates. But when they begin college life, it goes downhill from there, at least for me. It feels like it doesn’t have a main plot anymore and just becomes a documentary about their college life. Even the friendship vibes are less prominent than during their high school days. Then, some random characters show up without adding any significance, like Gao Ting. He rarely appears, yet suddenly, it seems like he's the main antagonist without any background story.

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Till the End of the Moon
4 personnes ont trouvé cette critique utile
par Hlebka
juin 7, 2023
40 épisodes vus sur 40
Complété 0
Globalement 7.5
Histoire 5.5
Acting/Cast 7.5
Musique 10
Degrés de Re-visionnage 6.0

It felt like more care was put into earlier episodes versus the latter

Xianxia tends to be hit or miss with me, but I was drawn in by the appeal of seeing Bai Lu and Luo Yunxi together again after the Love is Sweet. Their chemistry doesn't disappoint. I really loved the first 3/4 of this drama. Though both leads are good, Luo Yunxi really owned the show as the tortured Tantai Jin, and I found two of the lifetimes (Ming Ye/Sang Jiu and Tantai Jin/Ye Xiwu) equally absorbing and the CGI above the usual. But once we returned to the "present," the storytelling fell apart quite a bit for me. The pacing became uneven, the cut from scene to scene disjointed. The logic of the characters became inconsistent and subordinate to the plot. Sometimes it lagged, sometimes it was too hurried. The ending was not, for me, satisfying. It just felt sloppy. I don't know what happened in the production, but it certainly felt like more care was put into earlier episodes versus the latter and I only ended up finishing because of my investment from the earlier episodes . I went from wishing the drama would never end to wondering if it ever would by ep 33, a big disappointment. That's not to take away from the actors. I hope to see Bai Lu and Luo Yunxi collaborate again

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Bad Mother
1 personnes ont trouvé cette critique utile
par Hlebka
août 4, 2023
14 épisodes vus sur 14
Complété 2
Globalement 6.0
Histoire 5.5
Acting/Cast 8.0
Musique 7.0
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Directionless and incredulous show with a psycho mom

First of all, the writer can't seem to determine whether they want the story to go into comedy or have serious plot lines. Because the story taking place outside the village is all suspence and serious, but once you enter the village, the characters suddenly become comedic. Take Woobyeok's two secretaries, for example. The show started out pretty good. Initially, I figured the show would be about a prosecutor on a path of revenge or a path of corruption that took away his father's life. Either way, both interesting. Then the accident happen which was an unexpected twist that could've made things more interesting.

But once Kang-Ho came back home, the story devolved into a bunch of country bumpkins acting like fools. There's no clear direction and the writers just randomly tossed in every known K-drama cliche such as family car death, major illness and unnecessary misunderstandings. All happening at once! Once country bumpkins take over, we see less and less of two villains who are much more interesting. They're wasting so much time adding incredulously improbable plot lines during Kang-ho's "recovery" process, it's gotten hard to watch. The show constantly switches from comedy to cringy drama trying to make you cry.

What really gets me about this show is how Kang-ho's mom comes across. I get that she's had a hard life but she's an absolute nut job! The way she treats Kang-Ho is way past child abuse and she should be jailed for it.

Speaking of child abuse, how Min-Joo lies to her two kids about their father is a next level psychological abuse. How will they recover from this?

We also cannot forget newly discovered ways to treat quadriplegic people. Starve them so they can use their own hands and then throw them in water so they can start walking. Someone actually wrote this crap.

Who else is so sick and tired of the main character losing her crap every other scene?Directionless and incredulous show with a psycho mom

Shortest TL;DR - story failed to maintain the momentum towards the end.

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Just Between Lovers
1 personnes ont trouvé cette critique utile
par Hlebka
juil. 5, 2023
16 épisodes vus sur 16
Complété 0
Globalement 10
Histoire 9.5
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 9.0

Let me review this title after 4 years

This was my first ever drama back in 2019, I rewatched it recently for the second time. Of all dramas I’ve watched, this is the most realistic. Actors play their roles perfectly, the plot is creative, the storyline is simple, yet with a lot of conflicts that are realistic and really tugs at your heart. Everything is flowing at a perfect pace. This drama deserves an endless amount of awards. This drama really holds a unique charm like no other. In terms of cinematography I can confidently say I have never, in my years of watching k- dramas, seen anything quite like it. Every shot has an amazing authenticity to it and the palette for each frame is stunning, it feels just like a movie. It’s good at focusing on the details that create a view of life seen through the eyes of those living it. It strays from the widespread use of commercial lighting and taking one shot from 20+ angles and instead focuses on the brilliant visual storytelling and the raw emotion between characters.

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I’m Not a Robot
1 personnes ont trouvé cette critique utile
par Hlebka
juin 13, 2023
32 épisodes vus sur 32
Complété 0
Globalement 4.0
Histoire 4.0
Acting/Cast 6.0
Musique 5.0
Degrés de Re-visionnage 2.0
Cette critique peut contenir des spoilers

Overrated & cringe

If you are over the age of 13, this is probably not the show for you. I selected "I am not a Robot" because of its popularity on this site. While I did get through the entire series (because I'm a masochist), I rage watched it, expecting it to improve. That's time I can never get back!

There are many of the standard K-drama tropes. The rich guy who is super smart but spoiled, self absorbed and socially awkward, and the poor girl who is contantly bullied and denigrated by the men in her life. We are also told over and over again that the female lead only has an IQ of 94 (never mind the flaws in using IQ tests, or that this would be within the range of normal people)...we get it...she's ordinary and a little bit simple. From the very first episode, he mistreated her in a way that made me not like him. If he wasn't really good looking, even the teeny bopper fan girls wouldn't be rooting for this guy.

Secondly, there's the plot itself. I like weird stuff, but this was too weird. First, you have to suspend disbelief that this supposed genius couldn't figure out that this "robot" was a real woman (I promise you, a caveman would have figured this sh** out by episode 2). It was so awkward watching him be attracted to what he essentially believed to be a really pretty appliance.

Finally, the pacing. If it had been written so that only for the first few episodes he thought she was a robot, then the reveal, leading to the development of a genuine romance between two real people, there would have been a chance that this could have been salvaged. Instead, we had to suffer through cringeworthy moments for 2/3 of the show, making it difficult (for me at least) to invest in the characters and their love story.

Now I've seen comments and reviews of other people who didn't like the secondary characters. I don't have an issue with the older guy/younger girl romance. I think the secondary characters were actually better to watch. They injected the realism, humour and drama and showed the most character growth.

To cut a long story short, watch something else!

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Flower of Evil
1 personnes ont trouvé cette critique utile
par Hlebka
Il y a 29 jours
16 épisodes vus sur 16
Complété 2
Globalement 6.0
Histoire 6.0
Acting/Cast 7.0
Musique 8.0
Degrés de Re-visionnage 4.0
This show has soooo many plot contrivances and inconsistencies it severely appalls me how people like this sack of shit show aside from the fact that it has Lee Joon-gi.
All the actors did a fantastic job! However, Moon Chae-won's character is so poorly written she gradually starts to possess the emotional and intellectual span of a mushroom.
The show starts to go down at a consistent pace around the time when Cha Ji-won starts picking up clues about her husband.
The Taxi Driver's plotline is also never completed and is even accompanied by an unsatisfying build-up.
Along with the rest of the show, the real Baek Hee-sung has a pretty weak conclusion to his villain arc.
Don't even get me started on Hyun-Soo's amnesia plotline...

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Let's Eat Dinner Together
1 personnes ont trouvé cette critique utile
par Hlebka
oct. 15, 2023
164 épisodes vus sur 164
Complété 2
Globalement 10
Histoire 10
Acting/Cast 10
Musique 10
Degrés de Re-visionnage 10

My all time favorite after Knowing Bros

I love the show for several reasons: (1) I learn about the foods that South Koreans like to eat; (2) about the founding and history of the cities they visit; (3) the funny quips of the hosts and their guests; (4) the challenge of whether or not to be invited to dinner; (5) the stories that the families tell. Thanks to the entire production for the excellent work and dedication! Its a vastly different show I feel. Its one of those shows thats consistently entertaining but not chaotic like KB, inviting a more chill viewing experience.
I would recommend the part where they go around and introduce places while bickering with other (with the narrator from Jjak doing an excellent job so you can immerse into what's going on), which is very informative and very fun to watch if you are into history and background of landmarks at Seoul.

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1987: When The Day Comes
0 personnes ont trouvé cette critique utile
par Hlebka
Il y a 5 jours
Complété 0
Globalement 6.5
Histoire 6.5
Acting/Cast 9.0
Musique 7.0
Degrés de Re-visionnage 4.5

Excessively over-dramatized

1987: When the Day Comes directed by Jang Joon-hwan and written by Kim Kyung-chan is a well - meaning fictional attempt to tell the story of events leading up to the real life 1987 June Democratic Uprising in Korea. This was triggered by the death of a student protester during police interrogation which the authorities conspire to cover up. The movie starts well when focusing on the actions of the honest medical examiner and prosecutor who both are disinclined to look the other way and authorise a fake mock-up of the cause of death to cardiac arrest.

However the story line flow falters when the narrative spreads outwards to include the perspectives of police, both good and bad, journalists trying to ascertain the facts of the case, other university students, prison guards, catholic priests, people on the street and established political authorities. There simply are too many characters involved on which to concentrate one's attention. Director Kim would have been well - advised to just focus on a few key personalities instead of casting his net so far and wide, albeit with the worthy aim of reflecting the general population's demand for democratic reform.

The movie is successful though at depicting the fact that South Korea, barely a year before the 1988 Seoul Olympics was for all intensive purposes, a dictatorship, something many modern Westerners may fail to realise, aware only of the vibrant democracy that is the current Sixth Republic of South Korea. In a long roundabout fashion, 1987 does manage to reflect its genesis.

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The Demon Judge
0 personnes ont trouvé cette critique utile
par Hlebka
janv. 1, 2025
16 épisodes vus sur 16
Complété 0
Globalement 7.5
Histoire 7.0
Acting/Cast 8.5
Musique 8.0
Degrés de Re-visionnage 6.0
I thoroughly enjoyed The Devil Judge for its outstanding cinematography, sharp editing, and Ji Sung's exceptional performance. However, while the first half (up to episodes 9/10) was gripping and brilliantly written, the latter half felt too draggy, packed with excessive angst, and kind of cartoonish. Additionally, I found Ga-On's character (played by Jinyoung) frustratingly inconsistent—his constant shifts in loyalty made him come across as immature and unreliable.

Overall, it’s a solid series that had the potential to be even better, particularly in its second half.

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Deserter Pursuit
0 personnes ont trouvé cette critique utile
par Hlebka
août 30, 2024
6 épisodes vus sur 6
Complété 0
Globalement 7.5
Histoire 8.0
Acting/Cast 8.5
Musique 7.5
Degrés de Re-visionnage 6.0
Cette critique peut contenir des spoilers
D.P. (Season One), directed by Han Jun-hee and based on the webtoon D.P: Dog Days by Kim Bo-tong, is a standout K-drama that explores the tough world of South Korea's mandatory military service. The series follows Private An Joon-Ho (Jung Hae-In), a quiet and observant soldier recruited into the D.P. team tasked with capturing military deserters. With a keen eye for detail and an empathetic heart, Joon-Ho navigates the grim realities of military life, mixed with moments of normalcy and camaraderie. The show presents a raw and unflinching look at the toxic masculinity and systemic abuse in the military, making it a powerful and impactful drama.

Mandatory military service is a big part of South Korean society, with all able-bodied men between the ages of 18 and 28 required to serve for about 18 to 21 months. D.P. stands out for its fearless exploration of toxic masculinity and systemic abuse within the military, issues that have long troubled the South Korean armed forces. The series does not shy away from showing the brutal hazing, bullying, and dehumanizing practices that are too common in military life.

"Just because we don’t see it with our own eyes (or have it happen to us) does not mean these incidents are not real."

The show's creator, Kim Bo-tang, uses the military to reflect broader societal issues. The fear and violence in the barracks mirror the toxic hierarchies and power dynamics that exist in many areas of life. Joon-Ho's empathy and moral conflict serve as a counterpoint to the pervasive brutality, highlighting the human cost of such a system. The harsh conditions and abusive environment in the military have led to significant mental health issues among conscripts, with anxiety, depression, and PTSD being common among those who have faced severe bullying and hazing.

Han Jun-hee's direction is compelling, capturing the stark contrast between the rigid, oppressive environment of the military and the fleeting moments of freedom outside the base. The cinematography effectively shows the claustrophobic and tense atmosphere of the barracks, while the scenes outside offer a brief respite, highlighting the characters' longing for normalcy.

"I should at least do something."

While D.P. excels in its thematic exploration and character dynamics, it does suffer from some issues. The main characters, particularly Joon-Ho, Park Beom-Goo, and Han Ho-Yeol, could be developed more. Their backstories and motivations are hinted at but not fully explored, leaving some aspects of their characters unclear. Additionally, the series' climax veers into melodramatic territory, which can feel out of place compared to the grounded nature of the earlier episodes. The series features many comedic elements to add some levity to the serious subject matter, but this often comes at the cost of spending time on more meaningful points that could add more weight to the series.

Another significant issue is the procedural format of the series, which is its biggest downfall. Many elements of the first season don't go anywhere, are underdeveloped, or are completely forgotten about and unresolved. The procedural structure makes many scenes within the first four episodes feel meaningless. This format detracts from the overall impact and coherence of the series, making it feel disjointed at times.

Despite these shortcomings, D.P. is a compelling and emotionally resonant series that sheds light on the harsh realities of mandatory military service. The depiction of bullying and abuse resonated with many veterans, making it a domestic phenomenon.

D.P. is a powerful and thought-provoking series that deserves recognition for its bold storytelling and unflinching portrayal of systemic abuse. It humanizes its characters while critiquing the toxic structures they navigate, offering a poignant commentary on fear, masculinity, and power. D.P. stands as a significant work in the K-drama landscape, deserving of a wider audience and deeper appreciation. The series' commitment to highlighting important issues within the military, such as the real-world phenomena of desertion and the struggles soldiers face, makes it not only a compelling drama but also a crucial conversation starter about the urgent need for reform.

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Always
0 personnes ont trouvé cette critique utile
par Hlebka
févr. 22, 2024
Complété 0
Globalement 9.0
Histoire 8.5
Acting/Cast 10
Musique 8.0
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers

Made me go through sadness, happiness and finally left me with a smile!

In my opinion, art(be it movies, music, etc.) is intended to make the viewer feel emotions. Think of your favorite movies/songs, and ask yourself why is this my favorite? The reason is mostly because of the way the movie made you feel. Your favorite movie(s) would have evoked emotions in you that you strongly relate with. So whenever you want to feel those emotions you will want to watch the movie again :)

This movie made me feel super-emotional: sad when I saw the background stories of the main characters, and happy when they were able to find happiness and love in each other.

At the surface level, the movie seemed "light". It's less than 2 hours long, and the narration doesn't spend a lot of time to set up their background. However, it looks like they didn't need to, as the acting and screenplay is brilliant that they are able to emote really well and make us go through what the characters are going.

Especially in the end when Jeong-hwa is running to find Cheol-min after she finds out he's visited her after 2 years. Can't find him and eventually breaks down in tears: It's hard not to feel emotional there.

Han Hyo-joo(the lead actress) has such a beautiful smile, it's so hard to not get sucked into the character and fall for her when she emotes with that smile and innocence.

So Ji-seob(leading actor) doesn't show a lot of emotions on his face, because his character doesn't reveal them to the outside world, instead internalizing his pain and his past. But you can still feel what he is going through.

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