Complété
Totally-Dramas-Addicted
1 personnes ont trouvé cette critique utile
août 22, 2022
16 épisodes vus sur 16
Complété 0
Globalement 9.5
Histoire 9.5
Acting/Cast 10
Musique 7.0
Degrés de Re-visionnage 5.5

Drama léger et cute abordant des sujets graves (avec talent)

Ce drama était très attendu et s'est placé au top des audiences, j'avais donc un peu peur du visionnage. Mais il y avait Kang Tae Oh à l'affiche !!

En fait, j'ai accroché dès le 1e épisode et j'ai été bluffée par la performance de Park Eun Bin. Je l'avais vu dans "King's affection" et je n'avais pas toujours été convaincue. Mais dans ce drama, elle est extraordinaire ! Elle est totalement dans son personnage de FL autiste Asperger (démarche, élocution, peu de mimiques, etc.).
L'histoire est bien écrite, avec sensibilité et beaucoup d'humanité. Le ton est léger, mais la critique de la société coréenne est sous-jacente (notamment la partie sur l'armée de libération des enfants).
Le thème du handicap est aussi abordé avec intelligence, dénonçant les discriminations et les préjugés.

Pour finir, j'ai adoré le personnage de Joon Ho, pas seulement parce que Kang Tae Oh est craquant, mais c'est le boyfriend IDEAL : compréhensif, respectueux, gentil, pas intrusif, ... adorable.

Les OST donnent le ton du drama, plutôt léger, mais n'ont rien de particulièrement mémorables.

Je ne sais pas si je le regarderai à nouveau, mais j'ai beaucoup aimé à la fois, le(s) message(s) et le jeu des acteurs.

Lire davantage

Cet avis était-il utile?
Complété
Link
1 personnes ont trouvé cette critique utile
déc. 28, 2022
16 épisodes vus sur 16
Complété 0
Globalement 8.0
Histoire 8.0
Acting/Cast 10
Musique 7.0
Degrés de Re-visionnage 6.0
Lorsqu'on s'attaque à des sujets comme celui-ci, il est facile de tomber dans l'insulte en un tour de main. C'était également ma crainte principale. Celle de voir un personnage tourné au ridicule.
Cependant, dès les premières minutes, le ton est donné. On est loin d'une caricature grossière ou insultante. Yu In Sik aborde avec respect chaque situation, mettant en avant son personnage atteint d'autisme avec en prime une photographie lumineuse et soignée.

Pièce maîtresse du drama, Park Eun Bin est spectaculaire dans son rôle. Elle amène un profond travail sur sa voix et sa gestuelle. C'est une actrice talentueuse, elle l'a démontré plus d'une fois. Cela ne fait que lui ouvrir de nouvelles portes. De la musicienne à la manager d'une équipe de base-ball en faisant un crochet par l'incarnation d'un prince hérité, elle aiguise ses couteaux et il semblerait qu'aucun rôle ne lui résiste.
Le reste du casting est également important. Chaque personnage apporte une dynamique. On reprochera seulement le manque de présence de Kang Tae Oh qui aurait mérité un peu plus d'attention. Bien que, en toute honnêteté, la romance n'était pas vraiment ce qui m'intéressait le plus, étant plus focalisée sur les affaires traitées.

Chaque épisode (voir deux) traire une affaire. On ne tombe jamais dans le sensationnel ou le mélodrame. Young Woo ne remporte pas chaque affaire, cela amenant ainsi que plus de réalisme. Mieux encore, la série ne se targue pas d'une quelconque leçon de morale. À aucun moment nous avons cette impression, le drama nous laisse libre et en proie avec nos propres réflexions.

C'est un drame humain qui nous partage de belles valeurs au travers de différents personnages avec une petite pointe de romance (si vous souhaitez seulement de la romance, cela ne vous satisfera pas, sachez-le).

Lire davantage

Cet avis était-il utile?
Complété
achuland
1 personnes ont trouvé cette critique utile
sept. 9, 2023
16 épisodes vus sur 16
Complété 1
Globalement 6.0
Histoire 6.5
Acting/Cast 8.0
Musique 5.0
Degrés de Re-visionnage 5.0

Pas super convaincue....

Le début fut réjouissant. Un personnage féminin, autiste qui plus est, en voilà une idée sympa. Impressionnée par le jeu de l'actrice Park Eun Bin, bien que consciente que cela devait s'éloigner de la réalité, j'ai juste choisi de mettre mon cerveau en mode off et de me laisser emporter par la bonne humeur de l'ambiance générale. Je dois donc avouer que la première partie fut rafraîchissante et agréable à suivre. Première partie, je suis encore généreuse. Disons, les 5 premiers épisodes. Petit à petit s'est installé une certaine lassitude, un ennui dangereux et finalement un désintérêt criant. Bien que le thème soit interessant et que les premiers cas soient intrigants, l'enthousiasme retombe assez rapidement. L'intrigue tourne en rond et se répète. Les cas du cabinet deviennent moins intéressants, du moins pas assez pour me garder éveillée après une longue journée étouffante de travail. La romance principale n'a pas de sens et va trop vite, sans aucune explication logique, la romance n'est ici que pour donner l'impression forcée que les autistes savent eux aussi aimer. Elle est ennuyante et n'apporte aucune étincelle dans le drama. On ne sourit pas ou rarement, il n'y a aucune passion ou intensité entre les deux protagonistes. La romance secondaire, sans surprise, n'est d'aucune utilité à l'histoire, si ce n'est pour nous prouver que les personnages ont une vie privée. Les personnages secondaires ne sont pas forcément mal écrits ou intéressants, mais l'écriture n'est pas assez intelligente pour nous donner envie de les suivre.
On ne cesse de nous rabâcher que cela fut dur pour Yoong Woo de vivre en tant qu'autiste, pourtant force est de reconnaitre que le monde autour d'elle semble plutôt bienveillant à son encontre, et malgré quelques accrochages, tout se passe bien, comme dirait ma copine "un monde de bisounours quoi"... L'évolution du personnage n'est pas flagrante et la façon de résoudre les cas, si au départ me semblait drôle devient rapidement redondante.
L'intrigue autour de la naissance et l'identité de Yoong Woo est d'un cliché affligeant et mis en scène de façon tellement flagrante qu'il est difficile de ne pas en grimacer de frustration.
L'OST reste dans la moyenne de ce que l'on peut découvrir dans un drama, il n'y a rien de mémorable à garder en tête.
Niveau émotion, c'est un peu zéro et c'est ce qui m'oblige à mettre une aussi mauvaise note.
La réalisation n'est pas mauvaise mais rien d'extraordinaire pour un Kdrama. Nous sommes loin d'une galerie visuellement magique mais je crois que je n'en attends plus vraiment chez les coréens. Le dernier date de "MrSunshine", depuis, plus rien...
Un drama qui m'aura demandé un effort pour le finir et qui m'interpelle un peu : Pourquoi une saison 2??

Lire davantage

Cet avis était-il utile?
Complété
the_sapio_nerd Finger Heart Award1
148 personnes ont trouvé cette critique utile
août 18, 2022
16 épisodes vus sur 16
Complété 11
Globalement 9.0
Histoire 9.5
Acting/Cast 9.5
Musique 9.0
Degrés de Re-visionnage 9.0

Woo to the Young to the Woo

“She didn’t know how to be semi-interested in something. She was either indifferent… or obsessed.”: extracted from “The Kiss Quotient” (2018) by Helen Hoang, the book explores the life of an autistic lady Stella who hires an escort so as to learn social intimacy. The drama, on the other hand, lets an autistic young girl, Young Woo go out and spread her wings, in the process of which, she unexplainably finds herself in intimacy. Whatsoever, the drama revolves around her and focuses how she uses her abilities, disguised as disabilities, to solve and sort out issues, that seem difficult to the so-called normal beings surrounded to her.

Combinedly produced by AStory, KT Studio Genie and Nangman Crew, ‘Extraordinary Attorney Woo (이상한 변호사 우영우)” is very much a legal genre drama with little amount of romance, mystery and politics, in limited proportions. Written by Moon Ji Won and directed by Yoo In Shik, the drama was originally broadcasted on ENA and internationally distributed by Netflix.

The story follows the extraordinary 27yo autistic girl, Woo Young Woo (Park Eun Bin), who has graduated from SNU with top marks and becomes an attorney at one of the top law firms of the country, Hanbada. Despite her limited abilities to communicate with others, she quickly wins over her colleagues with her impressive memory and brilliant reasoning skills while solving cases and bringing forward the justness each time. Keeping her at the center and the team she is a part of, the drama introduces new cases every episode and the way they are dealt with, including their consequences.

Lee Jun Ho (Kang Tae Ho) is a member of the litigation team at Hanbada and the closest to Young Woo, while Jung Myung Seok (Kang Ki Young) is a senior attorney and Young Woo’s mentor. Choi Soo Yeon (Ha Yoon Kyung) and Kwon Mi Woo (Joo Jong Hyuk) are also rookie attorneys in the same team as Young Woo. Other regular actors in supporting cast, both experienced and rookie, are Jeon Bae Soo, Baek Ji Won, Jin Jyung, Joo Hyun Young and Im Sung Jae. For each case, there have been many familiar faces, in fact and I’m sure y’all will be delighted.

Plot development is episodic in nature, almost approximately standalone episodes, with few minor and continuous plotlines developing in the background which have their own climax. The introductory episode throws light upon Young Woo’s childhood and a leap showing her current life in late 20s. And in that episode, itself, we get to see a case and the courtroom battle that is solved by Young Woo’s wittiness. Since the plot is not a steady one, with each case in each episode, we witness her growth as a person and as an attorney plus the shades of different people surrounding her. A mystery to her past, her reception at the workplace as well as by her colleagues, her relationship with her father and friend and more importantly her love interest: all these as a part of the story, however, are put behind how she deals with each case along with her team. The peak of her story towards the ending of the drama was interesting though a bit painful, nevertheless, was very well wrapped up.

Upon reading the synopsis when the drama came out, I was immediately reminded of the 2019 Korean movie “Innocent Witness”; autism, courthouse, laws and justice, same elements though a different plot and an unusual storyline. I was in fact gladdened to discover that the drama is created by the same writer as the movie, Moon Ji Won jakka-nim, and it obviously made me expect something extraordinary out of it. And leaving no doubt, it lived upto the expectations, not just mine but of many hearts. The comedy incorporated was basic yet impactful.

People with autism spectrum are as special as others and can take the things they do and learn the best they can. In the world where we constantly seek love and validation, autistic people are those who demand a little more than us and when empathy slides through heart, it’s a feeling of trueness. I love how the writer sketched and nourished the character of Young Woo and let us see the world through her glasses of innocence.

Yoo In Shik PD is an ace and he didn’t fail at this either. With multiple qualitative hits, it was unlikely to become another average drama. Directing such a drama with multiple cases, introducing new stories each episode isn’t really easy and requires good understanding of the individual plot essences. The modern urban setup with light hue and solid yet undemanding palettes were sumptuously pleasing. The cinematography did wonders at place, especially the sunset-watching scene in the village, the scenery of Seokdong including the huge tree premise, etc. were beautifully done.

There are 6 OSTs in total and all likable
# “Brave” by Kim Jong Wan is a heart-touching warm song from the very moment it starts, till its ending, that is dedicated to Young Woo’s innocence and journey of self-discovery.
# “Beyond My Dreams” by Sunwoojunga is a prosperous ballad with beautiful lyrics that reflects one’s hearty words of love and emotional intimacy.
# “Better Than Birthday” by O3ohn is a soft electric track about confessions.
# “Tuning In To You” by Wonstein is a R&B jolly track that expresses mutual feelings of fondness.
# "Inevitable" by Bae Suzy is a softcore ballad with the feels of an old Kdrama OST that portrays the urge of letting out your feelings.
# “The Blue Night of Jeju Island” sung by uri Young Woo (Park Eun Bin) is the cover of the original by Choi Sung Won (1988) and popularized by Sung Si Kyung (2004) which truly one of the most recalled epitomes that defines the beauty of the place.

The best thing about Extraordinary Attorney Young Woo as a legal drama is that it introduced very very very untypical topics to the courtrooms, which are rarely portrayed in Kdramas, provided Kdrama legal shows only have handful types of cases debated over that ultimately lead to a politico-legal fight at the end. From false homicide to defamation to property disputes, from patent battle to North Korean defector issues to public interest cases involving regional land disputes and from sum settlements to discriminatory terminations to heritage tax issue, etc.; the writer has introduced a very wide range of cases that felt fresh and were interestingly alimented throughout.

Three reasons why the drama is different and better from other recent legal Kdramas are:
No dragged politico-legal fight between bigshots
Focusing more on laws and legalities than emotions and witnesses.
Portraying variable outcomes of each case, be it favorable or unfavorable.

The advantages and disadvantages of each result has been essentially useful messages for each episode. At times we win and adapt but learning upon defeat is necessary. Sometimes, its actually impossible to prove facts which lead to unfair results and you still fail to help it. Even in favorable conditions it matters how much confident you’re about the next time and spirited you have been in the process. Alterative ideas could surely be the way out of something when your plans go wrong but depends upon how wisely you use them. These are some of the points that I could infer from the outcomes of cases at the end of each episode.

The chemistry between Eun Bin & Jun Ho despite the little amount of romance was amazing to begin with; their first meeting at the rotating entry door and the follow-up from that point in each episode were apparent baby steps in the budding relationship of love and care; the rhythmic “dun-chak-chak” where I did melt. I understand why many people didn’t understand where it was going and were upset and complained but that is the best that could be done, provided Young is an autistic person with challenged social skills. They were not supposed to be lovey-dovey all the time even when they were in love.

Young Woo’s short responses as in “unn”, “umm”, “enn”, etc. were worth living for. They were funny and jolly at the same time. Her behavior as an autistic person were attempted to be made accurate as much as possible, from her talking habits to her reactions to certain actions, from her obsession with kimbap to her trying to stick to rules, etc. One basic point, I would have liked explanations upon is, Why exactly Young Woo was obsessed with whales or how it kicked off.

One gratifying thing was whales jumping outta water whenever some idea popped up in her mind in response to stimuli contributed by happenings and also her hair flying. Young Woo’s appearance too was very cute, with short hair of a homespun cut plus her plain skirts that went well with the huge side-bags. I loved the writernim’s attempts to make/let Young Woo learn, be it her personal or professional life and making sure that she adapts to things which she thought were difficult for her. The practicality was definitely maintained.

Attorney Jung Myung Suk’s character is one of the most likable and contradictory statements would be nullified. I thought strict, more of an evil man, who’d be an obstacle to Young Woo’s endeavors, but to my surprise, he turned out to be a fine ahjussi I’d die for. The way and the rate to which he went on to embrace Young Woo, upon realizing her abilities, was beautiful. Man, himself was so sorted and open-minded and patient, he barely was at wrong. The shades to him in the 2nd half were may be not important but the writer must have necessitated in order to portray the uncertainties in one’s life. Kang Ki Young has done so well, I swear.

I believe “empathy, not sympathy” was the key tool that drove the essence of the drama.

Like many audiences, I too feel there is no need for another season, but now that its been announced, I also feel like many others, that I would absolutely love one. The production surely is trying to piggyback on the popularity of this season but considering the type of split plotline the drama has used, I see no reason to object. It will be another interesting and fresh watch as long as the writer doesn’t bring forward typical elements.

Final Remarks… Honestly speaking, I wasn’t very excited about the drama at first despite my inclination for the 3 main cast, I thought it’d be another legal drama bearing political battle. But the buzz it created definitely helped me pick up some interest and starting the drama then made me realize how wonderful this thing is. Despite the unique plot element placed, i. e. Young Woo as an autistic attorney, I loved how simple yet influential the entire show was with fresh factors and accessories. The drama is definitely a success and I am so happy to announce that it has totally lived upto the hype. Will be eagerly waiting for 2024.

Lire davantage

Cet avis était-il utile?
Complété
omo-omo-omo
32 personnes ont trouvé cette critique utile
août 25, 2022
16 épisodes vus sur 16
Complété 0
Globalement 8.0
Histoire 7.5
Acting/Cast 10
Musique 8.0
Degrés de Re-visionnage 6.5

Extraordinary Story & Characters - Finished Ordinarily

One of the most anticipated and talked about drama of mid-2022 which started on a high - with heartwarming story and characters, while showing the harsh reality of society but ended a bit-weakly. Overall, an enjoyable ride and it will definitely remain an iconic drama and in must-watch lists for time to come. Sharing my short & detailed reviews below:

✧❅✦ QUICK REVIEW ✦❅✧

Why You Should Watch It:
♥ Refreshing concept - great portrayal of person suffering from ASD
♥ Superb Acting by ALL characters
♥ Cute main-lead love story - will induce giddiness, make you curl your toes and smile ear-to-ear!
♥ Loveable and Hate-worthy Side Characters (the latter, cause we need a reminder that all in not rosy even in dramas)
♥ Good Reflection of society's good, bad and the in-between
♥ Beautiful, Addicting Soundtrack
♥ Funny and comedic relief to break-through the seriousness in storyline

What Might Bother You:
✘ No hard-core, well explained baddie/villain
✘ Some side-characters have weak character development
✘ Law cases are not as gritty and thrilling
✘ Ending is rushed (can be managed, but might leave some frustrated)

Summary:
This drama is for you if you are looking for a cute romance story, set in the backdrop of attorneys navigating their way in the society - shown through the eyes of a genius woman suffering from ASD. You get preview of her friendships and family, initial inhibition of people on accepting people with ASD, how they try to understand and sympathize, while others choose not to - and both sides are valid and real.

Watch it for - Woo Young Woo's acting, Jeon-Ho's charms, cute moments, some brilliantly executed cases, comedy from our loveable side characters and portrayal of those who suffer from ASD - so that we can learn and be kind in our real life!

........................................ || not spoiler, but some hints are there at storyline - read with caution || ..............................................

✧❅✦ DETAILED REVIEW ✦❅✧

❤ Lesson From This Drama: Celebrate the Extra-Ordinary in all of us! ❤

--------------------------------------------------------- ✧✦ What Works ✦✧ ----------------------------------------------------------

✦ The Concept:
Refreshing story of how a genius young woman suffering from Autism deals with her work, friends, work and other social interaction. We get to see from her lenses - the good, bad and the in-between we deal with in society. Somethings that might just seem natural to us in our every-day life, might be a task for people suffering from ASD. While the cases and characters propel how our main lead actress navigates through it all, my takeaway from it is that we need to more observant, understanding, sympathetic to people and our surroundings, cause not everyone is same, we are all different and that is okay and something to be celebrate!

✦ The Acting:
While our main lead actress is phenomenon and it is what draws audience to start watching this drama, stay and fall in love with her - it is also the other characters around her. How they in their respective roles are either supportive, begin to understand her, or are completely against her. Which is a good and solid representation in real life - some will hate thee, some will love thee. Right from characters shown in the positive or negative role - I believe if a character makes you love them or hate them, that is a job and portrayal well done. So kudos to the entire star cast, minus the glitch in certain character development, with the limelight on this show, everyone stayed true to their acting!

✦ The Cases (some of them - at the start)
This is not a courtroom drama, but more of how it is approached by a person suffering from ASD. What maybe missed by the ordinary attorneys is captured beautifully by our Extraordinary Attorney Woo. The cases in the first half are somewhat thought-provoking, nothing that that will give you sleepless nights or keep you guessing till the end, but more on the lines of breaking it to the audience that society evils persist and sometimes our perception creates or manifests evil or wrong. But seen from the lens of the innocent (like Attorney Woo) you can see past the pre-conceived notions/prejudice and see a person or situation for what it really is and make a judgement or form opinions accordingly.

This was a double-edged sword - some cases worked while some did not. But in all cased - we see our lead making some good/bad and confusing decisions in her own battle to love the law and abide by it.

-------------------------------------------------- ✧✦ What Could Be Better ✦✧ ---------------------------------------------------

✦ The love-story (or stories)
Now in a great romance - you have a build-up, the cute moments, a tragedy or hurdle that tests them and then happily-ever-after, right?

I personally fawned, curled my toes in the romantic scenes, cause it was cute, mushy and our lead pair were devastatingly good looking and convincing. But I was saddened by how the writers wrote their hurdles and ending phrase. The relationship graph went super high only to nose-dive in the end. Though some would like it and appreciate how it was tied up, but I would have preferred more explanation or some romantic/dramatic declaration of love - because we are focusing on a character who is socially meek, so more words were needed to explain those emotions.

Another weak area - the love stories of the side-characters was just done for namesake, only cause they are on screen so let's show a backstory or put 1+1 characters just cause side characters also need some love - did not work for me, sadly. Had they omitted the love angle and shown it more as a supportive friendship or hinted at a camaraderie, would make more sense.

✦ The Negative Characters' Development
Everyone loves a good villain - you may love, admire or hate them but you just cannot ignore them.
In Woo Young Woo's life too, we see such characters pop-in but with not much preamble as to why the dislike our main lead, what is their backstory and main motive to cause disruption. It is all too mellow and not sharp, vengeful or even justified. They are just there - and you would expect that the next episode would drop some insight, but are just left waiting. Talent, in this case, got wasted as well as the story arch.

--------------------------------------------------------- ✧✦ Summary ✦✧ --------------------------------------------------------

It definitely is a tale that is worth-a-watch only for the portrayal of ASD, some great acting and beautiful soundtrack.
But like me, many could be saddened at how it all tied up in the end. Because the drama was so highly anticipated and the first half really sets the bar high, to have such a mellow ending was not expected.

Usually I give a drama a rating of 10, deducting 0.5 or 1 as story progresses and characters develop. Therefore, I gave this drama a 9 at the start only to bring it down to 8 now, which can possibly share some perspective to whoever is reading this.

It is a cinematic treat - the acting, scenes and music make it easy on the eyes and ears and the story is a heartwarming tale that is worth taking a note of, at least once.

-------------------------------------------------------------- ✧✦ ✦✧ ------------------------------------------------------------

Lire davantage

Cet avis était-il utile?
Complété
callmebookaholic
77 personnes ont trouvé cette critique utile
juil. 4, 2022
16 épisodes vus sur 16
Complété 7
Globalement 10
Histoire 10
Acting/Cast 10
Musique 9.0
Degrés de Re-visionnage 9.0

Feels like this drama is going to be universally cherished, an instant 10!

I have rarely rated k-dramas as 10 because those kinds are truly top-tier and close to my heart. This one feels like one of them. The character is a lawyer and on the autism spectrum which the drama takes utmost care in addressing. As a psychology student myself, I can tell that its neurodiverse representation is done right in many ways, exploring many facets of ableism. (Also, it's got amazing LGBTQIAP+ rep!)

The drama portrays how her co-workers are more or less 'accepting' of her but you may observe some forms of microaggressions towards the character even from their end. She receives pity and judgement in plenitude. Hence, it would be nice to see this show explore how people around her take efforts to address and overcome their prejudices in future episodes. The series even touches upon the capitalization of women's bodies in episode 2, so look forward to that because it highlights a great narrative on intellectual and body autonomy.

Love how each episode is dedicated to a new case. This format is crucial for addressing a wide range of social aspects and the show sets out to do exactly that. It leaves you to think about a lot of its themes, about the nuances and perspectives one can use to interpret certain scenes which are all equally valid.

Lire davantage

Cet avis était-il utile?
Complété
Marshmallow-Chocoholic
72 personnes ont trouvé cette critique utile
août 19, 2022
16 épisodes vus sur 16
Complété 3
Globalement 7.0
Histoire 6.5
Acting/Cast 8.0
Musique 7.0
Degrés de Re-visionnage 7.0

The Beauty Of ‘Extraordinary Attorney Woo’…


“My name is Woo Young-woo, as in flower and luck. It means a lucky charm as pretty as flowers. But perhaps Young-woo as in clever and foolish would’ve been a better fit. Woo Young-woo, who remembers every single book she’s read since birth but can’t even go through a revolving door. Clever and foolish Woo Young-woo.” - Woo Young Woo ( Park Eun Bin).

Legal romance drama ‘ Extraordinary Attorney Woo’ attempted to make some big steps in the world of procedural dramas with a positive representation of autism and some complicated legal cases. However while the sixteen-episode series certainly soared far and high with its subject, plot and acting performances, it certainly had a few issues along the way also.

Extraordinary Attorney Woo’ is mainly focused upon upcoming law attorney Woo Young-woo (Park Eun-bin- ‘ Operation Proposal’, ‘ Do You Like Brahms?’ and ‘ The King’s Affection’) at Hanbada Law Firm. An intelligent and top-achieving law graduate from Seoul National University, Young Woo finds it hard to navigate her way through social and emotional situations due to being on the autism spectrum. Struggling with earning respect from those in the law profession as well as clients, Young Woo’s journey to make it to the top is far from easy or straightforward. However, with the surprising support and camaraderie of fellow coworker and young lawyer Lee Joon Ho ( Kang Tae-oh- ‘ My First First Love’, ‘ Doom At Your Service’ and ‘ Run On), Young-Woo is determined to continue persevering and to overcome social prejudices.

Probably best known for ‘ Innocent Witness’, screenwriter Moon Ji Won is likely not a familiar name for many K-drama watchers. Nevertheless, there is a lot to talk about when it comes to Ji Won’s writing decisions as well as subject matters. At heart, ‘ Extraordinary Attorney Woo’ is a fairly lighthearted watch. Of course, this isn’t to say the series isn’t afraid to delve into some deeper issues. (Screenwriter Ji Won was fairly open about addressing topics such as stigmatisation, assault and crime to name just a few.) However , it is important to acknowledge that ‘ Extraordinary Attorney Woo’ doesn’t expect or require viewers to have in-depth knowledge about everything addressed. Instead, ‘ Extraordinary Attorney Woo’ is a procedural drama with a big heart and attempted to remain fairly accessible to a wide audience .

It is infectiously feel good ( if not a little tiresomely at times),comical as well as surprisingly touching with its open address of real-life issues.Nevertheless, the show does admittedly run into trouble in a few moments with accurate depiction and has divided some viewers over its “factual” representation. ( Especially with regards to the portrayal of autism throughout the course of the series.)

Delving into ‘ Extraordinary Attorney Woo’ would not be complete without talking about the title namesake and main female lead, Woo Young-Woo. Played brilliantly by actress Park Eun Bin, Woo Young-Woo is a character who could’ve easily gone of one of two ways. Young-Woo is shown to be a quirky individual. She has a complete obsession and fascination with aquatic mammals ( especially whales) and has a meticulous routine with the order of things in her bedroom, as well as partaking in eating her father Woo Gwang-ho (Jeon Bae-su)’s carefully prepared kimbap on a fairly daily basis. However as the plot premise would suggest with Young Woo’s new profession, one of the female lead’s major growth points comes through having to acknowledge that real-life can rarely be so structured.

The motif of whales in the opening and ending credits, their symbolism on objects as well as passing dialogue at times by Young-Woo can often be said to wonderfully coincide with Young Woo’s character growth and journey. ( Whales are symbols of extraordinariness, strength as well as change; traits that perfectly epitomised Young-Woo’s personal journey .)

Additionally, there were moments in ‘ Extraordinary Young Woo’ which could feel a little frustrating with little frustrating to see Young Woo having taken one step forwards and one step back at times. Although in retrospect, it did help to add a touch of realism to Young Woo’s personal struggles. ( One of the most heart-wrenching moments of the series occurred when Ji-Woo openly spoke out about social stigmas held against those with autism; “ Even now, hundreds of people click the like button on a comment that says, ‘It is a national loss if a medical student dies, and an autistic person lives.’ That is the weight of this disability that we bear.” ) As mentioned previously, her autism is admittedly a topic of debate for a lot of viewers with regards to its accuracy but regardless of opinion, it seemed as though Moon Ji Won’s depiction of an autistic and successful female lead was well-intentioned.

Then of course there’s the discussion surrounding her surprising ally and coworker Lee Joon Ho, played fairly consistently by actor Kang Tae Oh. Lee Joon Ho is what many viewers would define as the “ nice guy” archetype; sweet and a good person to have in the female lead’s corner as well as a potential love interest for the writing of the show but a little staid at times also.Of course, this is certainly not a bad writing decision per say. He was fairly supportive, kindhearted, had his own struggles at times as well as remaining non-judgemental when it came to first meeting Young Woo and learning of her autism, instead valuing personhood rather than her disability. ( “I want to be on the same side as you, Attorney Woo. I want an attorney like you to be on my side.”)

However considering Joon Ho’s relevance in the storyline as well as the focus on empathy throughout the series , it felt odd that the narrative didn’t delve slightly deeper into some of these writing traits. Aside from that, his potential romantic relationship with Young Woo was admittedly a subject of debate for a lot of viewers. Although some saw this as a positive and healthy relationship as well as a good message put across for autistic characters to have love interests, others have noted that the potential relationship seemed a little enforced and took away somewhat from the initial camaraderie between the main leads.

In addition to the main leads, ‘ Extraordinary Attorney Woo’ boasts an eclectic group of side characters also. Woo Gwang-ho, played by Jeon Bae-su, was a surprisingly heartwarming side character as Young Woo’s single father, senior attorney at Hanbada, Jung Myung-seok ( Kang Ki Young) was Young Woo’s stern boss and mentor, Choi Su-yeon ( Ha Yoon-kyung), played the role as the female lead’s coworker and her former classmate at law school, Han Seon-young ( Baek Ji Won) was the CEO of Hanbada law firm and her father’s old friend from university, Kwon Min-soo ( Joo Jong-hyuk), Young Woo’s peer at work, and Dong Geu-ra-mi ( Joo Hyun-young), Woo Young’s close friend and associate.

The narrative of the series unsurprisingly takes an episodic format; a situation or dilemma case is presented to the characters and the audience, Young Woo’s approach or reaction to a situation is often seen as unconventional or comes under scrutiny by those around her, Young Woo is forced to work hard to prove her approach is okay, and then she is forced to confront or resolve the issue or dilemma of the episode, often resulting in a bittersweet outcome or a surprising turn of events.

Perhaps the one problem with the narrative structure came through feeling a little predictable and repetitive at times. Early episodes rarely fell into this trap but later episodes did noticeably begin to heavily rely on niche tropes which while having the possibility to be intriguing in the frame of ‘ Extraordinary Attorney Woo’, were often slightly niche. ( Cliches such as the “ traumatic backstory”, an “ envious antagonist” and the “ enemies to lovers” being noticeable in particular.)

Stylistically under the directing reigns of Yoo In Shik, ‘ Extraordinary Attorney Woo’ was a fairly slick and glossy production. The palette scheme was multifaceted; ranging and varying from scene to scene and heavily dependent on changing mood, tone and atmosphere. Although this was a fairly standard approach, it certainly did often help to animate scenes to life for viewers. (Standout examples include the ever-changing neutrals of the law firm feeling warm or harsh, the friendly and comforting tones of Young Woo’s family home and the use of rain, sunshine or nighttime background to reflect the feelings and emotions of the characters.)

The comprised OST for ‘ Extraordinary Attorney Woo’ was typically upbeat and lighthearted. A few of these tracks often bordered on being overly chirpy while others were bittersweet and serenading. Admittedly there were a few songs throughout the sounds track which did feel a little indistinguishable from one another but this was also dependent on personal taste. However, there were some songs such as Beyond My Dreams" (상상) by Sunwoojunga and “Tuning In To You" (기울이면) by Wonstein which did stand out.

‘ My Extraordinary Attorney Woo’ is a procedural series filled to the brim with heartfelt moments and empathy. Naturally the series did have its ups and downs ( especially in the latter part of the drama), but the main cast were fairly consistent throughout with their onscreen acting . (Especially actress Park Eun Bin). Overall, a fairly good watch though a little rough around the edges.

Lire davantage

Cet avis était-il utile?
Complété
ViolinGal
78 personnes ont trouvé cette critique utile
sept. 11, 2022
16 épisodes vus sur 16
Complété 6
Globalement 4.0
Histoire 3.0
Acting/Cast 7.0
Musique 4.0
Degrés de Re-visionnage 1.0

Riddled With Stereotypes & Misrepresentations

Before I delve into this super long diatribe about Extraordinary Attorney Woo, it’s important to note that I myself am not autistic. Also, I normally hesitate to watch media portrayals depicting the autistic experience because most of my family members are autistic. While I don't have an insider perspective as an autistic individual, I am tangentially familiar enough that the inaccuracies either exhaust me with how potentially damaging they are or I just cannot relate to the characters and the experiences they portray.

TV has so much power in shaping worldviews and perspectives. It's easy to brush a drama off and say it's just a fantasy, but television is instrumental for visualizing/introducing things that are unfamiliar to us—there's a ton of potential power and responsibility residing within that fact. You could read about a topic or examine a picture, but a video (i.e. movies/tv) will always be the most immersive way to be introduced to unfamiliar concepts you haven't experienced or personally witnessed. Just throwing out a small example: it is now on my bucket-list to visit Slovenia. Why? ...Dear My Friends (one of my all-time favorite dramas) was partially filmed there and it looked absolutely stunning. I live nearly 6,000 miles (about 9,500 km) away from Slovenia and no one in my social circle has ever mentioned wanting to go—watching a drama changed that for me.

The same concept of visualization/understanding can be applied to communities of people. Watching a lot of kdramas has made me more aware of certain aspects of Korean culture than the average person in my country—from birthday customs to drinking etiquette, to even recognizing the language being spoken around me. I'm more aware and my worldview has expanded because I regularly watch dramas. A broader example of introductions to a community (or shifts in perspective) is the greater influx in the past couple decades of media portrayals depicting LGBTQ+ people. It's easier to empathize and understand a community's experiences when you can either relate to or visualize their life—TV has the power to reel you in with all of your emotions and world-build something completely different from what you experience in your everyday life.

This is why misrepresentations in media depictions of a community can potentially be harmful, or at the very least, exhausting/not fun to watch for people belonging to or people familiar with that community. If we don't have ongoing experiences with that community in our real life, there's a lot of flexibility in what we might think is accurate/realistic—whereas if we're extremely familiar with or if we belong to that community, each misrepresentation/inaccuracy is like a blaring horn. Depending on the severity of the misrepresentation, sometimes it's possible to ignore those horn blasts and enjoy all the other aspects of the drama. I unfortunately cannot do that with Extraordinary Attorney Woo—it was too damn exhausting to sit happily through.

Media portrayals always seem to limit the autistic experience to either oscillating between a portrayal of nonverbal/uncommunicative isolation, or they're an amazing genius-like savant that is used as a problem-solving tool. These two archetypes of the autistic experience are not reflective of the community at large. My entire family speaks and expresses their thoughts; they're also nowhere close to qualifying as savant geniuses. I understand why these minority autistic experiences are used in TV shows—it can propel plot (i.e. be a unique problem-solving tool) and/or tug on the emotions of viewers (a parent failing to get their child to speak to them). It's just exhausting when NONE of the portrayals reflect reality back at you, and then out in the real world people are surprised if an autistic individual speaks or lives independently, can't quickly calculate math, and/or doesn't memorize entire books in their free time. Even worse, they might try to deny the autistic individual disability services/accommodations or question the legitimacy of their diagnosis because their disability doesn't match common media portrayals of autistic life.

Woo Young Woo is an amalgamation of every autistic stereotype, but the actress (and likely the directing team behind her) chose to cutesify her voice, mannerisms, and her colleagues’ and clients' reactions to her autistic traits—she was infantilized to the max and always had an 'innocent' outward expression attached to the character. This is an inaccurate and harmful misrepresentation of autism, and my suspicion is it was done for a 'heartwarming' effect and to sanitize the autistic experience (without rocking the boat too much). There was no growth in WYW learning her limitations and implementing strategies/coping mechanisms (aside from I guess that rhythm can be hard for her with revolving doors). There was a brief interlude about independence and living on her own, but it was quickly shut down and not explored. There was no philosophizing about how much she might have to rely on neurotypicals to exist in a neurotypical world and how exhausting/frustrating that can be. Instead, everyone encircled her and coddled her as if she was the office mascot or pet. It’s worth emphasizing that the infantilization with this portrayal of autism was STRONG. There were no discussions about masking or coping mechanisms, and her only feelings of overwhelm seemed to come from loud noises. There's bits and pieces of her characterization that you could attach to a large portion of autistic people: a tendency to over-explain, an inability to stray too far from literal meanings, and failing to accurately navigate social situations. But again, none of it was too disruptive or alarming to the neurotypical people around her. The drama stayed in its super cutesy and unrealistic realm. The assertion seemed to be that WYW’s sheer presence (full of stereotypes and what can only be described as cutesy quirks) was their ‘we’ve arrived’ moment deserving of heaps of praise. Which I guess they got, this is a super popular drama.

I like that the drama utilized a female character—autistic stories are usually limited solely to men. But a more accurate characterization might have been showing how difficult it is for women to even receive an autism diagnosis, or the unfortunate likelihood of a woman not receiving one until much later in her life (compared to young boys). Also, I don’t have any set opinions about WYW’s love interest. Though it is quite rare to see an autistic character get a love story, so perhaps that’s something I can place in the positive column? I really struggled with this drama; I understand why it’s popular, but I honestly think its overall impact will be harmful.

Lire davantage

Cet avis était-il utile?
Complété
AbztractIsight
50 personnes ont trouvé cette critique utile
août 19, 2022
16 épisodes vus sur 16
Complété 1
Globalement 6.0
Histoire 6.0
Acting/Cast 6.5
Musique 5.5
Degrés de Re-visionnage 5.0

Quirky law drama

LIKES:
Actors and actresses well selected for their roles.
The premise and execution of each episode.
A satisfactory ending, but would love a second season.
Loved the delivery of law, whale and autism facts.
Loved seeing the background whales when Attorney Woo was inspired or happy.
Just enough romance, without it being the focus of the drama (and if it was supposed to be, then they failed, lol).
Even though it had a lot of the usual trope, it was decently written and directed.
Music was mostly enjoyable, the whale sounds were cute.
I had the full range of emotions; happy, sad and annoyed.
I liked Attorney Woo’s quirks.
I liked FL & ML’s interaction and wanted more of that to be explored, end seemed a little rushed.
Cinematography and colour palette was good too.

DISLIKES:
Shaky camera syndrome typical with a lot of kdramas, (Please can people start using a film stabilizer!).
Secondary romance wasn’t necessary between Choi Too Yeon and Kwon Min Woo.
Hardly any development of supporting characters or especially ML, Lee Joon Ho.
Every case was ended too easily and not enough mixed final rulings, to show greater range of reaction from Attorney Woo.
Sometimes the background music was a bit too loud and it made hearing the actors and actresses a little hard.
No conclusion about the fates of her colleagues and how their relationships developed. It needed more of how Attorney Woo was slowly changing them too, with her honesty, etc.
There were times I fast forwarded because pacing was a little off, especially in the second half of the drama.
The autism part of the drama was very understated, although FL did a fantastic job with her character.
They failed with showing how Attorney Woo matured and showed independence, by getting a job as a lawyer and exploring romance.
Needed more suspense for it to be a good drama.

OVERALL:
It’s enjoyable to watch, but I didn’t binge it. Has it’s faults and is a bit overrated, but I would recommend it to others. Everything is very suitable for a teenage audience. I wont rewatch it, but would give a the second season a chance, if they do give us more.

Lire davantage

Cet avis était-il utile?
Complété
Salatheel
35 personnes ont trouvé cette critique utile
août 18, 2022
16 épisodes vus sur 16
Complété 0
Globalement 7.5
Histoire 7.5
Acting/Cast 8.5
Musique 7.0
Degrés de Re-visionnage 6.0

A pretty ordinary show with an attractive twist

There’s an aura surrounding this show that is emotionally very attractive, and all credit has to be given to Park Eun Bin for creating it so convincingly. But once you get beneath that, the show itself is nothing particularly special. It is a procedural law show that examines quirky cases over the course of one or two episodes in a particularly cerebral way and there is nothing new about it.

To be honest, by the end of the series the shine had worn off for me. The supporting cast had fairly bland characters and the rivalry between the two law firms did not have any teeth with the result that there was very little tension created other than how Attorney Woo was going to win the case this time.

The romance really didn’t work for me at all and I couldn’t see why those two particular characters would be together and what the connection was between them. Joon Ho’s explanation, in the final episode, of the nature of his feelings did fit, but to be honest I felt such a basis for a relationship was pretty off. I think a totally different type of man would have been a better fit for Young Woo, one who could connect with her intellectually rather than emotionally.

One thing the show did very convincingly was to showcase the different responses to autism and illustrate effective methods of communication. It was a bit self-consciously“worthy” at times, but it definitely fulfilled its educational remit.

Park Eun Bin’s performance was outstanding. She managed to reveal so much through her facial expressions and body movements and if nothing else it is worth watching a few episodes of the show for her performance. However, I won’t be watching the sequel, there is not enough there to entice me.

What my rating means: 7+ A watchable drama, but nothing exceptional. Good enough to qualify for the race, but finished with the pack. The sort of thing that promises more than it delivers.

Lire davantage

Cet avis était-il utile?
Complété
SanikaRewatkar
17 personnes ont trouvé cette critique utile
sept. 7, 2022
16 épisodes vus sur 16
Complété 0
Globalement 5.0
Histoire 4.0
Acting/Cast 7.0
Musique 5.5
Degrés de Re-visionnage 1.5

Overated

I have watched many crime and law dramas so the cases weren't that interesting for me . This was a typical drama where at the end of the day the lead with her ideas would turn the table and save the situation . The acting was good but the story was really plain . I mean in every episode the case would be won only by her ideas. One good thing thing was to keep it real they showed that some cases were lost as well. So over all it was good at first with the new concept but later it became boring .
Cet avis était-il utile?
Complété
Park Yun hee
52 personnes ont trouvé cette critique utile
août 19, 2022
16 épisodes vus sur 16
Complété 1
Globalement 5.5
Histoire 3.0
Acting/Cast 8.0
Musique 2.5
Degrés de Re-visionnage 3.0

Overhyped


I've seen so many dramas of this genre and I must say, this drama isn't that great.
I think one third part of this drama was good , cases were interesting , it seemed like I'm watching something new after a long time...but after 6th episode everything becomes dull , cases weren't interesting anymore , I was like why I'm watching this ?


Park eun bin ( woo young woo)! Her acting was amazing , I've watched almost all her dramas , I'm her fan and I'm so familiar with her voice, when I first listened her voice in this drama , I couldn't understand why did she changed her tone , is she wanted to look cute ? Innocent? That's wasn't necessary! Btw She did a great job.

Autistic people are not always that cute and not even society treat them nicely just like how this drama shows !

ML was good but there isn't any information about his background or they didn't even focused properly on his character as they're going to make him ML.
I didn't even realise when did he started liking FL. There wasn't any scenes I feel that he's developing feelings for her. Same with FL, may be she felt something because he treats her nicely. But still I don't think their romance was necessary.

Honestly I didn't like any supporting characters.

Osts weren't that good .

And why season 2 ????There's no need ! Like seriously they don't need to ! They ended it fast but perfectly.

Overall this drama is over hyped . Better watch While you were sleeping , Touch your heart , Suspicious partner etc . If you like to watch law dramas .


Lire davantage

Cet avis était-il utile?
Strange Lawyer Woo Young Woo (2022) poster

Renseignements

Statistiques

  • Score: 8.9 (marqué par 67,777 utilisateurs)
  • Classé: #92
  • Popularité: #35
  • Téléspectateurs: 111,621

Top Contributeurs

110 éditions
98 éditions
84 éditions
73 éditions

Listes populaires

Listes apparentées d'autres utilisateurs
All Time Favorite Dramas
684 titles 1702 loves 35
Short KDrama
2101 titles 432 loves 15
Most Romantic kdrama ever made.
171 titles 1718 voters 124 loves 43

Récemment vu par