Don't Call it Mystery (2022)

L'étrange disparition de mon coiffeur

Un drama avec Masaki Suda en tête d'affiche est toujours un événement. Et quelle tête… pour cette affiche ! Car c'est avec ce gros plan outrancier sur les flyers promotionnels que les producteurs cherchent à attirer la (le) Fan. Non pas dans la mise en avant de son charme excessif, mais dans celle de son énième expérimentation capillaire. Et elle touche, ici, au crime au fer à friser. Véritable insulte à tous les quarantenaires dont je fais depuis longtemps parti et qui n'ont pas eu besoin d'un coiffeur depuis des siècles. Cet air hautain sera la marque de fabrique de Kunou Totono, le rôle d'étudiant en psychologie détaché de tout problème matériel et physique, mais obligé de résoudre malgré lui ceux de ses congénères. Une leçon d'acting qui rendra encore plus jaloux ceux qui trouve Suda Kun vraiment trop gâté par la nature. Beaux-drôle-sympa- talentueux acteur et chanteur à tube. On aimerait tellement qu'il ait une face cachée, qu'il soit arrêté par la police pour soupçon de meurtre, par exemple.

Eh bien, votre vœu est exaucé. Car c'est exactement ce qui lui arrive dans le 1er épisode de Mystery to Iunakare. Cette adaptation d'un manga de détective n'a à priori rien d'originale. La police japonaise débordée par son incompétence habituelle, fait appel à un jeune étudiant très renfrogné, mais surtout extrêmement "donneur de leçons". Son air pompeux et sa franchise seront son Skill, puisqu'il en faut un dans tout bon drama/Manga d'enquête. Et c'est là que la série devient intéressante. Le mépris, malgré lui, que peut insuffler notre héros à son interlocuteur amène des situations d'une drôlerie sans nom. Des répliques à mourir de rire se percutent avec des réflexions profondes en psychologie et sur la nature humaine. Les leçons en longs monologues donnent l'impression que notre héros s'écoute parler, mais il touche à chaque fois en plein cœur l'accusé, la victime ou le policier aux abois.

Masaki Suda à la classe avec ses frisettes et son écharpe à la Harry Potter. D'une voix calme, et d'un regard perçant il déblatère les pires horreurs sur la personne en face de lui. Mais il redevient un enfant de 5 ans, quand il brule de jalousie envers la coupe de cheveux d'un autre personnage aux cheveux raide. Ou qu'il est dérangé à chaque fois qu'il s'apprête à faire un Curry…, son seul passe-temps. Aucun autre acteur n'aurait pu aussi bien tenir le rôle. Si bien, qu'il devient difficile pour les seconds rôles de se mettre en avant. Pourtant, le choix du casting tient la route. Quelques vieux briscards plus connus, comme Endo Kenichi (Radiation House), Morishita Yoshiyuki ou Kohinata Fumiyo font des apparitions ou jouent un rôle majeur, mais la plupart des autres acteurs ne sont pas (encore) vraiment bankable. Et vous vous surprendrez à dire tient, il joue aussi dedans celui-là. On est néanmoins en face d'une grosse production. Mais Suda-Kun à dû partir avec la caisse.

Il a dû laisser peu de yen, car certains choix budgétaire sont étranges. Ces airs de musiques classiques appartenant au domaine publique, trop connues et utilisées à outrance qui fonctionnent toutefois, par exemple. Renforçant le côté pompeux de notre héros. Certes, il y aura d'autres thèmes et un ending de toute beauté par King Gnu, mais pas d'opening, même pas un générique. Il est vrai que le montage continue dans le bon marché. Ces noms de protagonistes sur fond noir (la personnalité est dans les Kanjis, je sais) à chaque fois que Totono commence son analyse psy, par exemple. Ses images de reportages ou de journaux, genre tuto 3DMaker, dont les Japonais raffoles. Mais tout renforce une ambiance académique et on apprend un tas de chose sur la psychologie humaine. Les seconds rôles viennent demander conseil et ils tombent en analyse malgré eux. Ils sont touchants ou drôles, mais cela se termine un peu trop souvent en torrents de larmes.


Le 4e mur est régulièrement brisé, avec un mépris des Dramas pour notre héros préféré. Ce moquant des situations convenues. Et pourtant, les situations se répètent. Comme dans ses mêmes dramas. Pouvant, par la même, devenir lourdes, vu en plus les ficelles, pardon les cordes pour les amener. Des lieux communs, comme le manoir, l'interrogatoire, la bombe à désamorcer et en même temps, beaucoup de maux de la société moderne sont abordés. Suicide, harcèlement, infertilité… On passe du coq à l'âne, mais bien écrit comme un livre de philosophie

Le découpage reste déroutant pour une série. Affaire résolue à la moitié de l'épisode et la suivante commence immédiatement, alors qu'il ne reste que 10 min. Du coup difficile de s'arrêter à la fin d'un épisode. On la suivra donc en binge watching. Marque d'une grande série, piloté par un acteur qui à coup sûr est destiné à une grande carrière internationale. À condition qu'il coupe cette tignasse…

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A Worthy Psychological Crime Series

Me and my husband does not have any expectations on this series as it is something that we watch on the fly.

We are happy with how the story progress as well as the twists on each episodes. We are discussing who are the killers or suspects and we also love that mental health is one of the biggest subject on the whole series.

Mental health is a taboo to many Asian countries but here, you can see how twisted and how a person can kill and even blames their victims along the process.

As for the characters, I love that they are also growing. Its not just Totonou who is solving things here, we have Garou who is also intelligent and wants to avenge his sister and Furomitsu.

I also love the fact that Totonou is looking into beibg just a regular college student but he is begrudgingly being tagged on each cases.

I am looking forward to the next season and I really hope that this is something that will happen late this year or early next year.

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garo and kunou are fruity

i'm not the type to write a review but this series is just so good and everyone deserves to know about this!! i decided to watch this because of suda and the iconic hair of his character but i didn't expect the story to be this good! the acting is on point, every character has an interesting background, and it's just really fun to watch. you can feel happiness, sadness, chills, excitement, etc while watching this show so i really recommend it!! while watching, i feel like i'm also a detective haha! there's a lot of lessons you can get from every episode and i cried several times. i hope there will be a season 2 asap bc garo and kunou are fruity af!!

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Mystery to Iunakare; The Engaging Japanese Mystery Series…

When news broke out that Yumi Tamura’s mystery-crime manga ‘ Mystery to Iunakare’ ( ‘ ‘ ミステリと言う勿れ’) would be adapted into a twelve -episode Fuji TV drama, there was certainly trepidation and excitement towards the delivered result.

Adapting a Josei manga to a television production series can be a complex affair for the production team. The abundance of manga chapters and volumes that often have to be forced into a compact screenplay , racing against time deadlines, as well as budgets and casting choices can truly make or break an adaptation.

Indeed, Fuji TV’s ‘ Mystery to Iunkare’ ( alternatively known as ‘ Do Not Say Mystery’ or ‘ ミステリと言う勿れ’) is no exception. However despite the restricted duration length, ‘ Mystery to Iunkare’ offered viewers with a fairly intriguing mystery-crime plot.

21 year-old Totono Kunou ( Masaki Suda- ‘Kamen Rider W’, ‘ Assassination Classroom’ and ‘ Konto ga Hajimaru’) is a student at Todai University and seemingly preferred pupil of psychology professor Haruo Amatatsu ( Kosuke Suzuki- ‘ Liar Game’, ‘ Doctor X’ and ‘ Konto ga Hajimaru’).

However Kunou has landed himself in hot water when he becomes a key suspect in the murder case of his classmate. Brought into Otonari Police Station, any doubts surrounding Kunou’s involvement in the case are soon diminished when he demonstrates his meticulous observational skills and intelligence to the detectives .

Detectives Seiko Furomitsu ( Sairi Ito- ‘ In This Corner Of The World’, ‘ The Naked Director’ and ‘ Momoume’ ) and Yuto Ikemoto ( Matsuya Onoe- ‘ Onna Joshu Naotora’, ‘ Hanzawa Naoki 2’ and ‘ Kamakura dono no 13 nin’) are shown to be particularly won over by the student’s actions and words, later giving him a helping hand during key moments and dilemmas of the narrative.

To a lesser extent, Kunou also helps to change the ways of Inspector Mariaki Aoto ( Michitaka Tsutsui- ‘ Bataashi Kingyo’, ‘ Iron Grandma’ and ‘ Jashin no Tenbin Koan Bunseki Han’). An enigmatic man carrying a big burden, Aoto is given some surprisingly enlightening advice by Kunou as to where he went wrong in the past.

As Kunou becomes determined to help solve mysteries and cold cases, Kunou finds himself involved in a growing mystery tying together his past along the way…

Nevertheless despite an intriguing setup, it’s important to note that the concept of the “ eccentric genius” and the “ mysterious and dark major case from the past” have been seen and done countless times before. However despite its “seen and done before” setup, ‘ Mystery To Iunakare’ is still able to grip viewers thanks to screenwriter Aizawa Tomoko’s established tone and character building.

Screenwriter Aizawa Tomoko, probably best known for her screenplays such as ‘ Very Sweet’ , ‘ Kagi no Kakatta Heya’ , and ‘ Boku Dake ga 17-sai no Sekai de’, adapted the screenplay for ‘ Mystery to Iunakare’ from Tamura’s manga. Similar to its predecessor, the series offered viewers with an element of dark suspense , tense mystery as well as moments of lighthearted respite in order for viewers to understand more about certain characters through interactions.

It’s hard to deny that the performances by the main cast of ‘ Mystery to Iunakare’ were fairly brilliant. Although there were some overblown moments of dialogue and acting, Masaki Suda playing the main lead of the series, Totono Kuno, and Sairi Ito starring alongside Suda as Seiko Fukomitsu, particularly stood out with their dynamic onscreen performances.

Nevertheless important to note that ‘ Mystery to Iunakare’ did feel somewhat limited at times by its pacing. Admittedly this did not engulf the full series. Tomoko’s narrative was fairly quick-paced at times, allowing several open opportunities in order to downplay key events and grip viewers through an array of intriguing characters also. ( Without definitive spoilers, these characters were gradually tied from counterplots into some events of the main narrative through various causes. )

On the other hand there were certainly several moments in ‘ Mystery to Iunakare’ that could feel somewhat stretched-out or felt unresolved . ( One of the most notable examples of this problem included Kunou’s childhood ; briefly touched upon in order to tie-in major events of the narrative, but often lacking a resolved ending or explanation .)

Under the directing leadership of Aizawa Hideyuki ( ‘ 5-ji Kara 9-ji Made’, ‘ Good Doctor’ and ‘ Radiation House 2’) and Hiroaki Matsuyama ( ‘ Liar Game’, ‘ Nobunaga Concerto’ and ‘ Switched’), ‘ Mystery to Iunakare’ was admittedly satisfactory with its editing and cinematography .

Of course this isn’t to downgrade the series completely. ‘ Mystery to Iunakare’ did boast some stunning tour de force moments through closeups of characters, settings and some pragmatic editing decisions. On the other hand ‘ Mystery to Iunakare’ could often feel slightly underwhelming at times by several sloppy cuts and limited camera angles.

Admittedly this isn’t entirely the drama’s fault per say. Fuji TV’s budgets are not extensive and limitations with filming should be expected. On the other hand it is hard to deny that it often felt as though that ‘ Mystery to Iunakare’ was still somewhat underwhelming at times by its limited camera angles and filming gradients.

Then of course there’s the discussion surrounding the OST. ‘ Mystery to Iunakare’ offered viewers with an eclectic range of comprised tracks; some of which were certainly more memorable than others. ‘ Mystery to Iunakare’’s main theme song and ethereal melody “ Chameleon” ( “ カメレオン”) by indie pop band King Gnu, alongside niche yet effective renditions of haunting classical music compositions such as Debussy’s ‘ Clair De Lune’ were particularly memorable.

Fuji TV’s twelve-episode series certainly offered an entertaining and enjoyable mystery-thriller. Of course, ‘ Mystery to Iunakare’ wasn’t without its more problematic issues such as execution and cliches. However with a potential sequel season alongside brilliant performances by the main leads, the drama series will like offer a satiable and indulgent viewing experience for any crime and drama fan.

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All overshadowed by Kunou Totono.

I have adored Kunou Totono since episode one. I was highly impressed with the way he was able to think outside of his own mental box and see situations from another perspective. Not getting completely clouded and sidetracked by our own experiences and feelings is a rare ability most people do not possess and it’s not as highly valued in society as we might think. It’s great when you can understand your family, friends, neighbors, but what if we also can understand the logic and reasoning of a murderer? Arsonist? Kidnapper? That’s when people start to give you weird looks. With that, I truly appreciate how the drama made sure Kunou Totono’s ability was an asset people valued, not a weird characteristic that made people avoid him.

The character had almost amazon comedic timing. The number of times I laughed at his unexpected reactions and lines, completely flipping any given situation upside down.

On the side note, the drama has an “eccentric male lead” tag, but for me Kunou Totono was autistic. On one hand I wish the show was clear about it, on the other hand I know how giving specific labels brings a lot of criticism concerning the portrayal of autism.

The performances were great. As the title of the review says, Kunou Totono stole the show and Suda Masaki’s acting had a lot to do with that. To make a character so unique and yet so relatable is a skill. His character never felt empty and it was clear that even though he might have not shown a lot of emotions, he was feeling deeply - all thanks to the subtle changes in the facial expressions. My favorite bits though? His “surprised pikachu” face.

While the cases were fun to watch, they were not exactly that complex or unpredictable. The writing was not vague about the clue - you’ll see what’s coming before they actually show it on screen. Similarly, the special commentary was both interesting and disappointing. The abuse was a subject that kept coming back, but I never felt like they went deep enough into it to make it more meaningful.
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If I had to state what the biggest flaw of the show was for me, I’d have to say: the satisfying ending. It’s not a “I wish the second season happens, I want more”, but rather a “Second season needs to happen, I need more answers”.

I also found the commentary about women in the working environment (in this case police) rather confusing. What exactly did they try to tell me? With how on the nose many “messages” were, the lack of clearness in this bothers me quite a lot. I didn’t really like Furomitsu Seiko as a character either, and I feel like the writer struggled a bit with finding her a fitting place among other characters.

Overall, extremely enjoyable, with interesting directing and editing and a lead that is impossible not to love.

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Mystery from a Fresh Perspective

Here we have a premise which is wholly recycled and yet completely unique. We have seen the inexplicable genius time and again, numerous reincarnations of the unstoppable crime solver: a loner, and yet loved by all. This is that, certainly, but it is also something entirely more interesting: a crime solver who does not wish to solve crimes. That changes everything.

Let me preface the rest of this review by saying that mystery is my least favorite genre of drama. This both detracts from my ability to asses this in regards to other mysteries, but also elevates the show's effectiveness for overcoming my preconceptions.

The most important, and most outstanding part of this drama is certainly the main character: Kunou Totono. Set apart in appearance by his curly hair and in personality by blunt and honest speech, Kunou draws you in from the very beginning. It only gets better as he is falsely convicted of a crime and brought into the police station, where our story can begin. This first episode, the details of which I will leave for you to discover, is in my opinion the best of the total twelve. It is a perfect showcase of all the strengths the show has going for it.

While many protagonist crime solvers can seem like superheroes in their deduction abilities, Kunou's are those of reason and speed. It is reasonable to assume, given enough time and information, that the audience could reach the same conclusion that he did. What sets him apart is his attention to detail and ability to recognize connections. This lends the show a much more realistic feel, and also further endears the protagonist to us by making him seem more realistic. Still, the main draw for Kunou is his complete disinterest in all things mystery. While he may be able to solve puzzles (and may subconsciously enjoy doing so), he makes every effort to avoid being involved in any, assisting any, or even knowing about any mysteries which may be occurring. From this sprouts both comedy and a vicarious sense of detachment, where we can objectively view the situation alongside the main character. Objectively viewing scenes which may otherwise be played for drama or emotion can result in a certain amount of intrigue.

That said, it's not a perfect strategy. The main issue is how to force the main character into several mystery situations in a believable way. And, while the show accomplishes this is most regards, it can be felt that they're running out of ideas towards the end. The other big issue is that our engagement in each mystery is almost entirely dependent on Kunou's involvement in it, which comes at a great cost towards the end of the show and with several scenes which involve the side characters.

Production wise, the show is good enough that you don't notice it. You can be wrapped up in the story, which is all that we really need. Beautiful cinematography is great, but not all that necessary in this sort of show. The score, while fitting, was a bit disappointing to me in actuality. In contrast with the uniqueness of the premise, the show employs a frankly tired collection of classical pieces (including Vivaldi, Debussy, Beethoven, and strangely enough a paino rendition of the Tetris theme), with only a few original songs. Whether that was due to creative or budget reasons can't be said, and of course the songs (Winter, Claire de Lune, Moonlight Sonata... Tetris) are good, but it felt like a cop out.

All in all, the show is very good. I was reeled in from the start and binged the whole thing in a few sittings. The main character is great, the mysteries are interesting, and there are even a few compelling character arcs thrown in for good measure. Despite a few minor flaws, the show certainly surpassed any expectations I had. (Special thanks to AnQuat for the recommendation.) In turn, I will also recommend this show.

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The cases in this drama honestly surprised me. They never turned out the way I expected them to. Totono-kun's observation skills were simply awesome, not just regarding the cases but also people, simply people. He might've been a loner but he knew about people. I loved that, yeah, he was annoying to some but when he started talking to the culprits or to the victims, he truly got through to them and made them see reality as was, not just the way they thought it was.

Suda Masaki was fantastic as Totono-kun. I saw him in a few things already but he has never really caught my interest, I was always all, "Yeah, and so-n-so was played by Suda Masaki. Alright." But here, he was truly marvelous. The way his Totono-kun was a loner, a bit weird but not in a bad way, a walking encyclopedia but also someone who just walked in the rain, singing a song about potatoes, who was all excited about a bento and an impressionist exhibition, who never, ever wanted to get involved in the cop's cases and yet, when push came to shove, he always helped... Yeah, that was cute.

Also, Totono-kun & Garo! Wow. I'm so curious where that is headed and I hope that there will be S2 that will explore their relationship!

Overall, a great series. Funny but also so intriguing!

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Thrilling Puzzles

This show quickly became one of my favorites from the beginning! Suda Masaki is almost like a chameleon the way he blends in to roles time and time again without leaving traces of old characters in them; though he does keep some of his own personality in his characters which is fascinating to watch!



The story follows "just a college student" as he helps the police figure out difficult or confusing cases full of puzzles me "what ifs". But with his on point observations and quirky personality, he has a great way of showing that each human (though different) can be such an amazing person!



The story is full of fantastic cast members that have created a superb and amazing story! The funny moments and sad moments are extraordinary to watch unfold, sometimes they're scary and sometimes they're bittersweet, but the humor continues to slip in almost unnoticed and everything balances to make an incredible story unfold!

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ML's character steals the show!

ML's character steals the show! His way of thinking is very unique, opening my own mind into many ways of seeing things in life, that I wouldn't have. For that alone, i find the show very stimulating and mind-blowinG!

I also love the supporting characters. It feels good to watch a show when everyone is amazing, so I don't actually feel annoyed by one particular person, lol.

The storyline is very smooth, even when they jump scenes or timeline, it's not confusing at all. The timing, order and sequence are all very welldone

The 1st two episodes or so may feel a bit slow in the sense that it's not immediately action-packed. Nevertheless, it's very intriguing learning more about the ML. Once the storyline picks up, I can't wait to watch the rest.

Overall, I really enjoy the show and can't wait for S2!

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Thoroughly Entertaining!

I had a great time watching Mystery to IuNakare. It's a fun ride. I absolutely adored Kounou Toutonou! Japan has done several takes on Sherlock Holmes. Some hits. Some misses. I'm not saying Toutonou is young Sherlock Holmes, but it he reminds me of him. Honestly, to me he's a combo of Holmes and Tom Baker's Doctor Who (the 4th doctor.. look him up). Kounou Toutonou is a college student (as he says many times) with beyond exceptional deductive reasoning and observational skills. His antisocial behavior and personality led him to become the prime suspect in the murder of a former high school classmate. I was hooked from the first few minutes in episode one (finished the entire series in less than a day). Any time a suspect is taken in for questioning and winds up questioning the police, I'm in. Of course he shows off his skills, thereby setting up the rest of the series.

The story is great. Yes, the murders may be somewhat common, but the solving of them is not. I mentioned Kounou reminds me of Sherlock Holmes. He has his own Moriarity. Someone who is brilliant, but pushed to the edge due to circumstances and winds up on the wrong side of the law. There's also a common thread throughout the episodes that does not become readily apparent until the end. The writing was done very well as was the production. This is not a gritty crime detective story. Although, somewhat lighthearted in many ways, it's not a comedy either. I'd categorize it as a dramedy.

The cast is great. Suda Masaki is fantastic as our curly haired protagonist. The characters including guests were all well cast. I enjoyed their performances. It took almost an entire episode for me to recognize Eita. When he shaves and covers his ears, he's unrecognizable. LOL

The music was pretty good. I really didn't take much notice of it which means it supported the scenes instead of overwhelming them. Re-watch is medium as I rarely re-watch, but I may, especially if there's too much time between seasons. Hopefully, there will be a season 2 as season 1 ends with a cliffhanger. Plus, there's too much about Kounou-kun that is unknown.

Overall, this is a fantastic binge worthy drama. I highly recommend it.

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A very comforting show

Ngl the story pacing felt very much Gintama style (which I love). But what dragged me into loving the show is the chemistry and romantic hints around Totono and Garou. I hope this gets developed in the next season if it does. There are not that many detective/mystery shows that hints that the male lead is homoromantic while still dealing with the serious topics at hand. Which is what I like about this story and how the drama portrayed this. I wish they couldve made a trio with Garo, Raika and Totono. They would be unstopable honestly so badass. I wish the manga was translated into English so I could read on..

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