It’s more than just a romance drama…

And that can be either a selling point or a red flag, depending on what you are looking for. Personally, I loved it.

The Eight Sense starts as a story mostly focused on Ji Hyun, a student that moved from the countryside to Seoul to attend a university. Trying to fit into a larger and fast paced environment, working part time and taking classes - having just one friend from the same town. And then he comes across Jae Won. And that’s when the romance starts, Ji Hyun slowly starts to get out of his comfort zone and the plot starts to shift more towards Jae Won.

For me, Jae Won is the star of the drama. His character just resonates with me more. Initially presented as this popular guy who just got back from the military. Guy that has it all: friends, girls liking him, rich and influential parents and an extroverted personality that makes his daily life so much easier. But there is so much more to this character and we slowly see the unhealed wounds as the plot starts to focus on his side more and more.

Both characters went through enormous change throughout this short drama. Both matured and learned more about themselves. While the romance was amazing, organic, well paced and perfectly delivered, the individual stories were the aspect that made me love the drama more. Creating your characters as more than just a pair, making sure they are presented as individuals with their own stories, social circles. Not locking them inside the romance bubble where they are never seen interacting with other people in a context that is detached from their relationship - that’s when you know there was some proper effort put into writing.

I cannot compliment The Eighth Sense enough on how they presented and dealt with mental health issues. This might be one of the best representations in k-bls we have seen so far. It showcases how complex of an issue it might be. How at times we don’t even know how much people around us are struggling, because they learned how to mask it. How the healing takes more than just occasional visits to a specialist. How the system of social support and having people you trust around you is also a vital aspect of recovery. How there is no one solution, magic pill that can fix it all - it’s a long process that needs many elements working together to have a positive and long lasting effect. But also, how it’s obtainable, how it’s not impossible to get out of that dark place, no matter how hopeless it might feel at the moment.

As for the acting - no complaints. Both Im Ji Sub and Oh Jun Taek did justice to their characters and delivered a realistic and believable performance. The Eighth Sense also has an amazing cast of vibrant supporting characters. I adored the female-male friendships thanks to Yoon Won’s and Ae Ri’s fun personalities and great delivery by Lee Mi Ra and Seo Ji An. I hated Eun Ji and Tae Hyung with all my passion and it was also possible only because of how well acted the roles were - props to Park Hae In and Jang Young Joon. It also made me think how we all have flaws, some just have a bit more than others… But we still need to learn how to coexist with them, otherwise it will just make our lives harder.

All that said, here comes issues I had. The editing was at times truly painful. I understand that in some cases it was probably a stylistic choice that visually represented the state the characters were in, but it did not really feel like it. It just felt like a messy and jumpy editing. In most cases the directing and editing was okay. first two episodes had an amazing indie feel to it and I fell in love with it right away, but the middle part of the story just felt a bit sloppy. Some scenes felt on the nose, but I don’t think it was the issue of the scenes alone, but rather the fact they were played one after another.

Overall, highly recommended, but not to people who just want a romance driven story with little to no distraction from that aspect. This show does not even have that many scenes of leads together, compared to other dramas in that genre. It’s more of the characters walking next to each other rather than characters walking together. Sometimes one person stops for a moment. Sometimes one person picks up the pace leaving the other behind. There are individual detours before they can both reach the destination.

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Surprisingly hopeful and at times heartwarming tone for a show full of monsters and death.

The show is more action and the characters/relationships driven compared to my initial assumption of it focusing on the story itself. The plot is quite simple: people turn into monsters, humanity has to survive, but in the midst of it, Sweet Home asks one important question "What does it mean to be human?" and explores it throughout all the episodes. It shows the best and the worst side of humanity - the will to survive that can unite or turn people against each other; the will to be humane as a way of fighting against the circumstances, but also using the horrifying situation as an excuse to abandon empathy.

Despite the show claiming to be in line with thriller, horror and psychological genres, it falls closer to action as a leading one. The plot might seem simple, but it did an amazing job connecting the dots slowly presented. Quite a few times in the 2nd half I recognized the continuation of the plots and hints dropped in the beginning episodes. While the main question might not be answered and the ending could seem disappointing and unsatisfying for some, I found it to be the best possible approach. Any other take would fall short and seem forced. It definitely leaves a lot of room for possible season two, but lack of continuation of the story would not make me angry either.

We are introduced to a brilliant cast of characters, that all have different stories to tell, that will resonate with the audience. In a short period of 10 episodes, I've got to see well built character development not only for Cha Hyun Soo, but also for many side characters. While I strongly disagreed with many of the character's decisions and behaviors, at the same time I could understand their reasoning behind it. If I had to pick my favorite characters (beside the star of the show Hyun Soo) I would pick empathetic Yoon Ji Su, brave Jung Jae Heon, resourceful Han Du Sik and level-headed Lee Eun Hyuk. That said, the chemistry between the whole cast was out of this world and they played off of each other well.

The wise advice I could give to anyone before starting: don't expect dark psychological horror. Even though the show explores quite a few psychological themes, as I mentioned before, it leans more towards action in addition to some dark humor, especially in the beginning episodes. That said, the thing it has to be applauded for - the stakes were real. You know the shows, where you feel close to nothing when characters are in danger because you know they will survive anyway? Not here. Each problem presented to them, each encounter with monsters, each turn made me tense, scared, but also excited for what's to come.

I'm not exactly one to pay attention to music in movies or shows, unless it truly catches my attention. Here, all the songs were extremely fitting and perfectly supported scenes they were played in. At first some choices might feel out of place, but as the drama progresses it starts to feel like a deliberate choice that somehow works.

If I had to complain about anything, I'd say I was not the biggest fan of the CGI monsters at first. Since I was expecting a dark psychological horror like Strangers From Hell, the cartoon-ish like models with questionable motion put me off. The moment I accepted this is not what I signed up for and started to enjoy the action, I started to appreciate the design of the creatures. Some had comical features (we see an a*s once), but it balanced well the dreadful emotional moments happening among the characters.

What's more, in the beginning episode the plot was not presented in a linear way, so it might be confusing. Later on the time jumps are barely happening and it's easier to follow the story.

In conclusion: I cried a lot. I got attached to each and every character. I cared for what's going to happen to them. I was curious about their past stories and how they affect their current decisions and actions. The show simply made me engage in whatever was happening on the screen, to the point of me binge watching it for 10 hours and forgetting to eat.

Warning: there is a lot of blood, some gore, story about child abuse and one for severe bullying. It talks about suicide and self harm. These themes might be too much for some viewers, so feel warned before giving it a shot.

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I dare to say this drama is perfect. And I was stupid enough to almost not watch it. The hype was just too strong and so off putting.
WARNING: this is NOT a review for someone who has not seen the show. I just need to express all my thoughts somewhere.

So… Are you bored and tired of the “I’m not gay, I only like you” plot lines in BLs? How much do you wish some shows would address the hardship of coming out? The fear and confusion related to it? How much do you wish to see a well written, heartbreaking conflict that is not based on poorly written and ridiculous random jealousy? How much do you wish to see well written supporting female characters, whose whole arc is not just “I ship two cute boys together”? You get all of that and more in Like in the Movies.

The story revolves around the exploration of sexuality and identity. What makes us who we are? How much should we compromise between who we are, want to be and who others want us to be? How to react when you are both pulled back in line and pushed out of it by people you love and care about? How to make a relationship work when one person has already finished the race, but the other is not even on the track yet? Each character represents a different story, different perspective and different point of view. Their actions might make us angry, sad, heartbroken, happy or annoyed, but we see the reasoning behind what they do. We might disagree, but we understand. And this just proves how good of a writing quality Like in the Movies presents. There are no silly villains, nor over the top crazy exes or evil parents. There are just people. Real people with flaws, fears, hopes and dreams.

“Don’t be scared of the word. You can say it. I don’t mind”.

Vlad was an emotional fluff that spoke the truth and gave everyone some real lessons. I cried because of the words he had spoken. He showed how much being an educator can accomplish. Knowing Karl has no bad intentions, he was willing to explain everything to him, was patient, but firm about his views. As someone who would rather sit down and explain things over getting defensive and offended myself, I truly appreciated and loved that about Vlad. Of course, it was not his responsibility to guide Karl, but his understanding approach just impressed me. Communication is the key, not only in romantic relationships, but also any type of social interactions. He didn’t play mind games, spoke what he thought and felt and it was up to others to accept it or not.

His story is also truly heartbreaking. It shows how stigma and homophobia in a society can shape the way we see and interpret situations, especially at a young age. In the past, he associated every negative and bad action of people around him as a result of him being gay, even if it was not true. But the truth is often meaningless. It’s the perception that matters. It’s the perception that guides your thoughts and feelings. And, like in Vlad's case, it takes years to look at the situation from a different perspective. If society did not present being gay as something bad, Vlad would never assume his dad left because of that. He would never assume his mom was against his relationship because she did not want her son to be gay.
Vlad represents someone who fully accepted himself. Who is proud about his identity and does not want to hide it. Who, after facing so much hurt and struggle, does not waver. Who wants to proudly give and receive love. Who just wants to be happy.

“I don’t know if I’m like you. I don’t even know who I am”

Karl never had a chance to explore who he was. He lived for his brother. He lived as his brother. Getting away from the expectations put on him by his family, allowed him to slowly learn about himself. And it was scary. It was unfamiliar. It felt great when he didn’t think about it, but you cannot shut the thoughts out for eternity. You need to face them one day, but if that day comes too fast, if you are not ready… that can break you. Or push you even more into a corner. And that’s what happened with Karl. External circumstances forced him to face it when he was not ready, when he felt emotionally confused and vulnerable.

He was brave enough to tell his parents about his dream, about the goal of switching majors, about his will to chase his dreams. It was a tough decision to make and required a lot of strength. The aftermath of his decision was still unknown to him, and yet others expected him to do it again. To face the expectations of his parents. To rebuild the identity he had so far, to completely reevaluate how he thought about himself. No time to think, no time to accept, just expected to act accordingly. But he deserved that time. He deserved a minute to explore and get accustomed to who he was. Coming out should have been his decision, that he made on his own terms, in the time that he felt comfortable about.

“But I just don’t know how to get to you (...). I’m still navigating through this.”

Judit represents what happens when driven by guilt, you go from one extreme to the other. She is clearly close to being paranoid and definitely overprotective over Vlad. Taking into consideration the pain she caused him in the past with the words she said, now she does everything she can to save Vlad from disappointment and heartbreak. And she definitely crosses the line doing so.

She acts as a fake ally persona, which is closer to fujoshi. Not knowing the full story and observing her behavior in the first two episodes, one could assume she is another crazy female character without depth who just ships all the guys that are in close proximity (flashbacks to Zol and her “shipping my brother and writing stories about it” behavior). But then, with episode six we get a complete shift of the perspective and actual explanation for her action.

While I still didn’t like her overpowering and overbearing presence, I understood where it came from. As Judit said: she is still navigating through it. It’s obvious her and Vlad never seriously talked about the situation, the past and how to move forward. During that episode she faced her mistakes for the first time, she apologized for the first time. Before that she did what she thought was correct, not what actually would be helpful. As always kids, communication is the key. But even after that confrontation, she still does not completely change her ways. And it’s frustrating, but also realistic. You cannot just change who you were for years after one honest conversation. It takes time, it takes others pointing out your mistakes countless times. Talking with Vlad was a great start. But it was just a start. All the hard work is still ahead of her.

“I don’t want to blame her one day for all the time that I have lost for myself”.

One could say that statement and Anna “running away” from her child is selfish, but it’s the opposite of that. She is not giving up on her kid, but she is not willing to give up on herself too. She is a mother, a great one, who raised her child alone for years, but she is also just Anna, a woman that needs time for herself. Need time to chase her dream, to live and have fun. How could she make her child happy and encourage her to work hard if she gave up on herself? Words are not enough, you need to be a true model for your child. And that’s what she is doing. Feelings are not something we can control. She can love her child with all her heart, but still have these small “what ifs” creeping and poisoning the relationship and bond they have. What if I didn't have her? Where would I be? Who would I be? Would I be happier? Would I be more successful? What would my life look like? The thoughts that we have no control over. So yes, Anna is a badass person and an amazing mother. Even though she is just a supporting character, she also tells an important story that brings more value to the series itself.

Moving away from the characters, I have to admit something: this show slapped me across my dumbass face quite a few times and I’m glad it did. I like to think I’m not one to judge and jump to conclusions (especially negative ones) quickly, and this drama showed me I’m not quite there yet.

It started with the opening scene and my “glorious” thought “wow… way to start a BL with a cliche of 2 pretty guys dancing in random pretty location”. Boy, I was wrong, and when we finally got to see the full scene in episode five, I just felt stupid. It was not “just cliche”, it had powerful messages and quite an impact. “Maybe that’s why it’s such a big deal to me because it’s just a small thing and I still got deprived of it” is quite honestly one of my favorite lines, one of the most impactful, and one that represents well how twisted and wrong the world is.

Another moment that hit me hard was the Judit and Vlad’s conversation I already mentioned. I truly thought she was just hyped fujoshi and there is nothing more to it. And yet again, I have been wrong and I felt stupid for jumping to a conclusion when nothing was even presented to me to validate my position. Don’t know if these two moments say more about me or the BLs as part of the entertainment industry. I was fed poorly written female characters and cliche plot lines for so long, sometimes it’s hard to have higher expectations.

Another thing I loved about Like In The Movies: it had big brain energy. It has been just clever and not a second of screen time was wasted. All the small interactions and details were meaningful and I’m legit too dumb to even notice them all. I just loved how scenes, interactions, small behaviors connected and were explained at different parts of the story. Vlad not liking people touching his hair? Far more than “just because he doesn’t like it”. Small details like that, turned out to have such an emotional and deep root for them. Vlad finishing a scary story with the “corpse in the closet” idea, and then he finds a photo of Karl’s brother in the closet, thinking it’s Karl. Truly big brain energy. There were many moments when I went ”damn… that’s why they showed it a few episodes ago”. Everything connects and everything has a meaning and I’m about to cry from happiness overwhelmed by this perfection.

Now, let’s talk about music. I am not an ost person. Unless the soundtrack is truly outstanding or truly bad, I don’t pay that much attention to it. Here we have the case of “truly outstanding”. Each song was beautiful. They were perfectly fitting for the moments and scenes they were playing for. The lyrics were just the cherry on top of this beautiful cake that brought me to tears. This is ALSO the case of big brain energy.

You know what else is big brain energy? The credit scenes! I’m amazed. Truly. You can tell how much care and thought was put into this show when they decided to even use the credits as a way to convey the message, describe the relationship and its progression. As I said, not a second was wasted. There were no fillers. No line wasted. Everything was crafted perfectly to give us this masterpiece, with quotes at the end of the episodes being the dot at the end of the sentence. Tying it all together, leaving us hopeful, emotional and grateful.

Though this will never be seen by anyone involved in the production, I just want to say thank you from the bottom of my heart. This was an amazing, emotional and engaging journey that will stay with me forever. I cared for the characters deeply, as if they were truly my friends. I cried, laughed and screamed with anger. Thank you for making me this emotional mess.

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Do I love it more, or am I frustrated more? I am honestly not sure.

The set up and idea behind the story is one of the most interesting things I have seen not only in BLs, but any romance. The concept of monos and probes opens the door for so many different dynamics in the relationships and paths that could be taken. Monos hating the probes for messing up their current life. Probes hating and fearing monos because of their possible obsessions. Monos being overprotective of their probes, since they are their way to see colors. This and so much more, to never be explored, because it’s just a short mini series and not a full length kdrama…

The show focuses on the forming connection and relationship between Yeon Woo and Yoo Han, and the internal dilemma Yeon Woo has, when faced with his probe. Taking into consideration the length of the show, the romance between boys is well presented. The chemistry is amazingly natural and believable. The intensity of the emotions and decisions made because of them, closer to the end, does feel a bit rushed, but it can be forgiven (trigger warning in the comment hidden under spoiler).

There were some side plots that were either forgotten or not addressed, with the missing mom being the cherry on top. I need to know more about it. I need to actually know the full back story, how they looked for her so far. Also, Kim Min Jae? More. I need more old man and the explanation behind it. His character alone was interesting enough to have a proper story written around him.

The best part of the show was Yeon Woo. Poor boy could not take a break between his mom missing, the aunt being overprotective and at times too controlling, and him forming a bond with Yoo Han that scared the hell out of him. Not to mention, I actually enjoyed Yoo Jun’s acting quite a lot. Which is not surprising - he has been acting for years.

Talking about acting, I’m on the fence with Heo Hyun Jun’s performance. While his playful and cheeky side was perfect, any more emotional scenes and lines felt flat and robotic.

With a limited budget, the production value was truly good. It was aesthetically pleasing, most scenes were not cut in weird places and the flow was decent. The aspect I truly loved was the soundtrack. I need each and every song right now.

Overall, it’s hard for me to be objective, because the unused potential of the plot just hurts me. This could have been so much more than just a romance. With proper world building, explaining how society works around the idea of monos and probes. So much to explore, so little time.

Still, for a short love story, it was fun. Me having wild imagination and seeing the potential - I need more.

+ Can we talk about Yoo Han's make up tho? Damn, boi was whiter than the snow outside of my window.

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This is NOT 9.5/10 show… but it is. Let me explain.

Technically speaking, the show was quite a mess. The editing, directing and pacing were all over the place, but Fightor storyline was close to perfection, and even if you don’t want to watch the whole show, watch Fightor. As far as I know, they are one of the best BL couples up to date with the most fresh and not stereotypical personalities. Or rather, nice twists to the boring stereotypes we know.

LET’S TALK ABOUT ACTING
While most of the cast did a good job, I want to focus on the talent Zee showed. I rarely ever get amazed and impressed by acting in BLs. Often I see the imperfections that make me feel less emotionally attached to the characters, because I don’t see them as real people. Meaning, I don’t immerse myself in the story completely.
Not here, though. Zee’s eyes… oh his eyes spoke volumes! I like to call them "Fighter's searching eyes". While his whole presence showed more of a cheeky and confident side, his eyes showed all the insecurities he had. He was also really good at controlling his microexpressions. Sometimes less means more and makes the performance seem realistic. Viewers are not blind. An actor does not need to make full theatrical gasp with a hand up to their face and huge eyes, for us to understand that they got scared, surprised or taken aback. Simple, short intake of breath is enough. The split second of a reaction, but that’s all we need. I appreciated these small things a lot in his acting.

Overall, he makes these small decisions while acting - when to close his eyes, when to open them, when to fix his gaze and when to make it unsure, when to swallow or take short intake of breath, perfectly timed and telling viewers so much about Fighter’s character.

Both Zee and Saint are also masters of using pauses for their advantage to make the storytelling even more believable and engaging. It’s a perfect example how sometimes not doing anything can enrich the portrayal of the character. With Tutor, the pauses are more intentional for the character, it's his time to "decide", think about the consequences of "what if you push forward a bit more" and with Fighter it’s not intentional, it's him not being able to get back to reality, not being aware whatever happened or was about to happen, ended.

Tommy aced his role. His overreactions were still natural and did not feel theatrical. As the story of Zon and Saifah progressed from comedy to romance, I was able to appreciate more of his subtle acting, with shy smiles and joyful laughter. The potential he has and the flexibility in this craft to fit different genres and moods of the story impressed me a lot.

Jimmy did well for his first role. He did feel more inexperience and his performance fell flat compared to other cast members, but I could see how much of a progress he makes in every episode.

TUTOR AND FIGHTER: DYNAMICS OF LOVE
Ever changing dynamics of their interactions were simply beautiful and amazing to watch, to the point I could write a book about it. Tutor is nothing like your usual stereotypical shy, confused, passive bottom and Fighter is anything but the dominant, overconfident, possessive top. Tutor does not let Fighter get away with the teasing and always questions his behavior, demanding answers and explanations. They pull and push, but never cross the line if the other person is not okay with it. THE CONSENT ladies and gentlemen was a recurring theme. Always giving each other space and time to back off and stop whatever was happening. I wish I could say no forcing yourself on the other person after you've been pushed away, but I guess (?) that was an important part of the plot and the development of the relationship.

THAT SAID, while the behavior of a character was definitely wrong, the way the writing and editing portrayed it was close to perfection. It was a situation that should never take place and the editing and acting surely did NOT make it look like a romantic behaviour. It was not one of the “force it till the other person gives in and starts to enjoy it”. Was it painful to watch? Yes. Was this scene well done? Yes Was it necessary? Yes and no. It showed the mental state of both characters in a raw way that could not be achieved in any other take. Sadly, because the writing of the show, up to that point, didn’t explain enough in how bad of a mental place one of the characters was, this behavior might have felt out of place. In my opinion, they could have mellow it down and not go that far, and still convey needed emotions, desperation and broken state the characters were in.

To sum FighTor up - it’s hard to describe the depth of what was happening between them without quoting specific scenes, but you can see so much through the acting. How both characters struggled with internal conflicts and the feeling of unsureness. And yet, they gravitated towards each other.

PROBLEMS WITH PACING AND EDITING
Shall I say the pacing was a clusterf*** even before the COVID-19 happened and I literally laughed at how confusing everything was? Coz that’s how I felt. But then I just said: wherever, let’s just enjoy this acid trip.

While I was in love with how they handled Tutor and Fighter’s story and the pacing was everything I might have wished for, the fact the drama focused on them so much made the other characters suffer. With the overload of characters and couples, it was doomed from the start - not gonna make it. How can you have well established and developed 5+ couples with their own side-stories? Goal impossible to achieve.

Zon and Saifah... where to even begin. Zon the first half of the episodes had 10 different personalities, I was confused. Because the director did not spend enough time showing us the gradual change in Zon’s perception of his situation and relationship with Saifah, everything just came out of nowhere. There were not enough scenes showing us how Zon went from panic to soft. Which was a bummer, because their sweet story could perfectly balance the drama happening between Tutor and Fighter. We were robbed of such an amazing story it truly pains me.

Don’t even want to talk about Hwahwa. Poor girl makes no sense, her feelings change every second. Just sad. Justice for Hwahwa and her beautiful hair flip.

It’s hard to comment on other characters and their plot lines since they were just dropped here and there without much linear progression nor explanation.

The audio editing was distracting. While the use of some comedic sounds was fine and brought a smile on my face, they definitely overused them. The scenes would be funny even without some random sounds dropped every few minutes. Video editing suffered quite a lot because of COVID-19. In later episodes there were some black screens showing up, the subs were missing, we got the same action done by characters shown in x number of angles, just to stretch the scene a bit more. It was not tragic to the point I could not focus on the plot, but the difference in the quality in the first and second half was quite obvious.

BACK TO POSITIVES
What this drama does have though, is an amazing message. While, in default, most BL dramas are supposed to promote - love is love no matter what gender, Why R U does not shy away from talking about it in a straightforward manner. Calling out and questioning homophobic characters, explaining to them how they are wrong, showing how being heterosexual does not mean your love it perfectly good and will never fail. There were quite a few scenes that deserve to be called “iconic” in BLs realm for how well written the dialogues for them were.

Overall, Fightor is life and perfection. I was legit obsessed with them and rewatched their scene every week. I was never as invested in any couple in drama ever (and I have seen quite a number of them). Watch their story, fall in love and let’s all fangirl together.

PS. While my rating is extremely biased and subjective, I tried my best to be more objective in the review itself. Hope it worked out well-ish :)

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Rare case of love triangle done right

Under the cliché high school romance full of tropes, there is a hidden depth. Don’t expect this show to change your life, but it might leave you with some thoughts to think about.

It’s a short story of finding yourself, standing up for your beliefs, improving and changing your environment. At first all the characters might seem stereotypical, but there is more to them.

Tae Kyung is not your typical introverted shy boy. While he might not be the life of the party, he is confident and honest, never scared of voicing his opinion to the people he cares about.

Shin Woo seems like a cold, distant lead? Could not be further from the truth. He is a shy, sweet and loving potato that needs some time to open up to other people. He values his friends, trying to stay honorable while not giving up on what he desires and loves.

Da On might seem too good to be true, but he is battling his own demons. The external and internal pressure to be a perfect student, friend, son took a toll on him, and we witness his slow change, as he discovers who he truly is.

Shi Woon is not just a comedic relief that is supposed to brighten up the mood. He is the most caring and emotionally mature of all the characters, always giving wise advice and making sure everyone is taken care of.

While the drama follows all the well known tropes, by changing some details, and giving the character more nuance, it becomes more interesting and engaging. The love triangle? Chef’s kiss. The way the story unfolds, you cannot stop yourself from understanding both main ships, since they both work and have their charming aspects.

The acting could be improved. I know many people say Tae Kyung is just that awkward character, hence the acting is fitting - for me it’s just not good. While I ended up liking the awkwardness behind Sae On’s line delivery (it was cute), I do think he needs to train his acting skills quite a bit. The rest of the cast did rather well. Some more emotional scenes from Seo Hyun seemed a bit empty, but So Hee’s character was not worth even caring about, so I let it pass.

Light On Me is an amazing step forward for Korean BLs. The audience wants a longer format, the audience wants better production quality and the audience will appreciate the hard work. This show proves it. While I don’t think it’s the best K-BL, I completely understand the sentiment of people who do believe so. With more and longer episodes, the main leads were fleshed out more, the story had a steady pace and the supporting characters were more than just extras filling the space.

I also have to appreciate the job done behind the scenes - the cast supporting the genre in the interviews. The whole production team seemed to do it for more than just money, there is a true important message they are trying to convey. Even the OST singers A.C.E showed support for the community on countless occasions. On the OST - opening song is such a bop.

Some complaints though. While I understand the purpose of So Hee’s character, I also believe the show could have done without her being the antagonist. The same result could have been achieved without making the only female character the "villain". Her character progression was also not quite believable.

Another small, but extremely distracting aspect was the makeup. Damn. What they’ve done to Sae On’s pretty face should land them in jail. It was extremely unnatural, which added to the robotic vibe Tae Kyung gave because of the, at times questionable line delivery. They literally looked like plastic dolls, with white faces not quite fitting the tone of the neck.

The last thing worth mentioning - the first episode does not represent the drama well. It was not the best introduction to the story and the characters, but I promise it gets better with each episode.

Overall, such a fun and enjoyable ride. It truly brought a lot of people on mdl together to discuss the characters and relationships. Getting so many people so attached and engaged speaks volumes about the show itself.

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Laughing through misery.

Saying it is a heavy watch would be an understatement. Not only will the show fuel you with anger, it will not help you calm down by the end.

Showing the grim reality of the broken military system, sprinkled with comedy, made this quite an emotional ride. We are shown how a few good people are not enough to fix the environment where bad behavior is rewarded.

While it was amazing to watch the main characters trying to make even small changes, at some point they've hit the wall and needed to face the reality of how powerless they are - how they are also part of the problem. We follow a patient and introverted Joon Ho and confident and street smart Ho Yul, as they try to find and bring back defectors. During their job they face a lot of issues ranging from external issues like unsupportive and corrupted superiors to internal struggles revolving around morality and their own principles.

Warning needed - D.P. is filled with abuse, both physical and emotional, and justice is usually not served. The drama shows how it is, without trying to make the topic more approachable and easy to digest. You will be left with building up frustration, and yet glad, you decided to watch it till the end.

The cast did an amazing job. Everyone delivered both the emotional and the comedic parts well. I laughed, I cried, I shouted with anger. Biggest props to Koo Kyo Hwan for his portrayal of Ho Yul. Outstanding performance that made me fall in love with the character.

The production and the writing left nothing to desire. Mixing the tragic aspects of reality with well fitted comedic bits was done in a good taste, not taking away from the serious topic tackled.

Overall, one of the best shorter dramas of 2021. Not an easy watch, might be too much for some people - was almost too much for me. It won't leave you on a hopeful note, but it is a story worth witnessing.

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Mnet at its finest, delivering some manipulative editing.

I’m not gonna lie, this was a fascinating watch. Trying to see all the shady business and tactics Mnet delivered, seeing viewers' different reactions depending on their knowledge of the industry and how Mnet works. What a ride it was. And behind all that mess was a bunch of talented trainees who could not breathe in the wrong direction, or they will be evil edited till their elimination.

This is probably the worst survival show I have seen from the production standpoint. The editing was atrocious - they gave us 10 takes of the same 2 moments from different angles and different speeds, while completely cutting out most of the performances. How can we judge the stages and trainees skills when we see the same smile or wink just repeated countless times?

Then there is the issue of evil editing. I’m not saying just exaggerating existing issues, I’m saying complete lies, like using footage from two different interviews and making it seem like they were both filmed about the same situation. Translating what foreign trainees say in a vague and misleading way to frame it as them being disrespectful. Making it seem as if teams had massive disagreements in the episode, when we could see them work just fine during the practice lives.

And I don’t even want to talk about the G versus K trainees concept - that was dumb, since the plan was to debut a mixed group. Mnet framed it as rivalry so hard, I’m not surprised Koreans went so strongly voting for Korean trainees - it seemed like a matter of pride for them with how it was presented in the initial episodes. Showing G trainees in a bad light, only “promoting” G trainees that are either Koreans just living in different countries, or been in Korea for years…

What’s more? The legal rigging votes. they knew exactly what info should be released when to make people mass vote for specific trainees out of fear of them not debuting. Just naming the 2 or 3 k-trainees’ ranks that went down - panic voting from the audience. Only showing the 3 trainees ranks based on ONLY G votes - panic voting.

All that said, I loved the kids so much. While I am sad we did not get many strong rappers, and literally barely any in the finale, I’m still more than happy with overall skills presented. Yes, some got into the show as a joke to make the public laugh, but in their case, I could see they truly put in the effort and tried to grow from this experience. The level of talent was high and honestly, one could randomly pick 9 trainees from top 18 to make a team, and every variation of it would make a strong debut.

The trainees had amazing friendships and I loved to see them support and encourage each other. We could see the most honest versions of them in the additional behind the clips mnet uploaded on youtube, and for these I am grateful.

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"Grooming" has never been more romantic.

Do not take the title of the review seriously - taking it at face value would be as misleading as the premise of the show, that sounds so wrong, but the drama itself feels so right. I truly hope people won’t get discouraged by the student/teacher relationship and give it a chance, because this is so much more than just romance. It’s a weirdly heartwarming story of two people healing, learning about each other, but also exploring their own thoughts, feelings and ideas they hold.

What truly makes it work is how self-aware the writing is. For every flirting attempt and stalker behavior, we get a witted call out. All presented in the best dry humor I have seen in dramas for ages. Many scenes that would give you butterflies in your stomach end on a joke and it works so well. I’ve got a sense of: we know it’s wrong, we trust the audience knows it's wrong, but just watch and enjoy how cute they are. And I’m totally fine with it.

As I said though, this drama is more than just a romance. Every scene is drenched in hard hitting topic - suicide. Personally, I think the writing around this issue was done masterfully. Heavy issue presented in such a light manner. Quirky humor that made it more approachable, but never felt disrespectful. For someone who at some point in their life struggled with suicidal thoughts, many of the jokes felt just right. Not once have I thought they are not taking the subject seriously or just using it to make the romance more “angsty” (as many other rom-coms do). The story kept the heart and sincere tone, while also giving me some laughs . It felt refreshing.

The performances were what built the drama though. Hashimoto Ryo perfectly captured the idea of those who smile the brightest are the saddest - no matter how happy-go-lucky Haiba Jin might have felt, you could always sense the hesitation, unsureness and not yet completely healed pain. Takaishi Akari was able to somehow mix innocence with a strong personality and it created a cohesive persona that was Ochiai Mikoto. Both extremely loveable characters portrayed in a perfect manner.

Overall, surprising on so many levels. Completely flipped my expectations of what I’m about to watch and made me fall in love with the characters. Not only the drama is worth a watch, but also a rewatch once in a while.

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Perfect soft angst.

You know that perfect angst that rather than making you feel like you want to die, makes your heart flutter? That was it.

Truth to be told, it strongly felt like every fanfic ever came to life and... it works. Pinning over each other for years, longing and wanting the other, but never taking the step forward, protecting each other, making sure the other is not hurt. All the best tags we can find in fanfics are here too. While the story is extremely simple, the directing, editing, acting, ost... everything works in such a harmonious and perfect way, I fell for the show and died a few times waiting for the next episodes to air.

Some people wished it was longer, but I honestly disagree. With this type of plot it would be hard to make a good show, which wouldn't be a cheap fan service. The storytelling here was perfect. Not once was I confused about the plot or characters' motivations. They used the screen time efficiently and showed a cohesive story from the beginning till the end. I think extending this drama could ruin it.

Tae Joo and Kang Gook are nothing alike, but that's why they work so well together. Playful and flirty Tae Joo driving the stoic and collected Gook mad. The dynamics of them, the jealousy they tried to tame... That's the highlight of the show- amazing chemistry between Gi Chan and Eui Soo.

Usually I don't pay that much attention to ost, but the songs used here were truly amazing and fitting. If I noticed them, it means they were really good :)

So why not 10, if I loved it so much?
There were a few scenes where I was not completely convinced by Gi Chan's acting (like the talk with his dad in the last episode). At times I could not connect to the emotions he tried to convey. Since the cast was small and the plot was simple, it all relied on the acting skills of Gi Chan and Eui Soo. I believed every line Eui Soo said, but felt disconnected from the few delivered by Gi Chan. What's more, I wasn't the biggest fan of how they executed the last few scenes. Not to get into spoilers, I was happy with the content, but not crazy about how it was presented and structured.

That said, I would DEFINITELY recommend watching.

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Seeking shelter while striving for home.

Another good Korean BL that in a vague manner presents many interesting ideas and opens the door for some personal reflection. What do we want from life? How can we achieve it? Can we force it or the timing has to be right?

We witness enough of Lee Yoon Dae and Cha Soo Hyuk’s past and present to understand why they are suffering and why it is hard to break from the vicious circle of the misery. Lee Yoon Dae might have escaped, but he has no direction. Cha Soo Hyuk has the direction, but does not know how to escape.

Personally, I did find Soo Hyun more interesting. The way he was trapped in a toxic environment, the way he did not know how to give up the responsibility that was not his in the first place. Truly heartbreaking, but also understandable and relatable. Trying to deal with more than you can handle, always pretending that you are fine, you are strong enough to keep going. Living in a paused life.

On the other hand, Yoon Dae managed to voice his grievances and remove the toxic people out of his life, but it left him alone, lost with no direction, no plan. Wanting stability, but not knowing how to achieve, where to start. Wanting someone to care for him, testing how far can he push the boundaries before he gets abandoned.

While the potential of finding what they needed in each other was there, the question became - is the timing right?

A vague story needs a solid performance to carry it, and I'm happy to say both Lee Jae Bin and Jang Woo Young delivered. I did find some moments in Jae Bin’s acting a bit tense, but nothing too distracting. Jang Woo Young simply ate the role, there is nothing to improve in my eyes, nothing to correct.

For a short, rather low budget drama, the production value was great. Loved the use of dim light, loved the rather dark and grimm setting, perfectly capturing the somber reality the characters were living in.

We also need to talk about the intro, because this is easily the best intro we have gotten from any k-bl ever. Perfection does not even capture how perfect it was - from the style to the music. Then, it should not be that surprising, the whole soundtrack was great.

Overall, yes, it was vague, yes, it lacked detail, yes - the presentation of the ending could have been improved, but it’s still a good show with well captured serious topics that gives you more than just a romance.

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It makes no sense this show happened…

Since it seems like a miracle to get all these people in one place for 3 days filming. We were blessed and we should be grateful.

There were so many things done well in this variety show. Allowing the actors and actresses to relax a little bit among cast members they know during the opening. Later, implementing mixed groups, so the viewers will get to see interaction between different people. Games that allow them to get closer and relax, which is also something that viewers would like to see, since there are not many situations when we can see these actors just doing normal things, outside of interviews and promotions.

I laughed so much watching this show. Hwang In Youp has such an unintentional comedic timing he should be invited to variety shows more often. We all know the industry can be exhausting and these actors and actresses need to deal with a lot. It’s great to see them have fun among themselves. Yes, technically speaking it’s still work, but I honestly would not mind a job like that.

Then we have the amazing cast. Funny enough, in many cases, my favorite interactions came from people who were not part of the same show:
Bo Gum and In Youp, Dong Yeon and Kyung Soo, Yoo Jung and Bo Yun, Soo Bin and Dong Yeon.

The only thing I wish they changed, was the length of the episodes. This should have been one hour and 30 minutes long. I’m sure they had enough content to maybe even make the whole show twice the length it was. One hour episodes just seem like such a waste of this cast. What are the chances we will ever get a variety show with such a cast again?

Overall, except for the fact I wanted more, I had no complaints. I would highly recommend it to anyone who likes even just one of the cast members.

Also, as an Atiny, I have to say the opening song was amazing ;)

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Makes you feel more lonely than you already are - in the best way possible.

This is everything I want from a romantic comedy short story. Simple plot that is connected to all the characters, great acting, amazing chemistry, bop of a soundtrack and aesthetics shots.

To My Star is proof that you do not need complex, over the top, dramatic, and ridiculous sub-plots to make a good show. It's obvious the writer and director had a clear vision of what they wanted to show, and they focused on making it as high of a quality as possible. And they succeeded! All the subplots connect and affect all the characters, so you don't feel like watching different shows depending on who is the focus of certain scenes. Things hinted at the beginning are addressed by the end, and no loose ends are left.

Characters wise - pure perfection. There was not one character that felt redundant. They all were fun, unique and felt like real people. The chemistry between the leads was amazing, but it's worth talking about the awesome synergy between the supporting cast. Not one scene felt boring, and I truly enjoyed every second of the show.

From the opening scene I knew, To My Star will be a feast for my eyes, and I was not wrong. The show was just beautiful. Lately I am tired of the "shaky camera" and cuts and changes of frames and angles every few seconds. The still shots were a blessing. I could truly appreciate the scenes and what was happening in the story when I was not being distracted by random cuts.

The soundtrack. I mean - I need to google all the songs. I never care for the OST. As long as it's not distracting, I rarely even remember or care for even one song. Here though I am truly speechless at how good it was.

With all the love I give and all the praises, why not 10? We all have our own pet peeves, sadly this one hit some of mine... One being "crying without tears" and the other: random, poorly delivered English lines (acting wise, not language wise - clarifying so no one will get pressed again). But these are minor problems that most people will not even notice.

Overall, definitely one of my favorite BLs. Definitely one of my favorite rom-coms overall. I just love the simple and chill vibe it had, the wholesome feels and the great production value taking into consideration how small of a project it was compared to mainstream dramas. The acting was just gold, the chemistry made me feel lonely and in need of a relationship, the OST made me want to dance, and the aesthetic scenes made me take too many screenshots.

Make yourself happy - watch To My Star.

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An amazing journey of self-discovery

I know there are at least a few people who are on the fence about starting this drama since it's heavy on politics and it's not everyone's cup of tea. It sure is not mine. Yet, here I am, loving this drama and recommending it to everyone. And here's why...

STORY
Would I call it realistic? Not really. Did it bother me that it was unrealistic? No. Why? Because it was cohesive and consistent. I know that political dramas can be boring for people who are just not interested in the topic, and that's why adding some unrealistic, but definitely grabbing the attention plot points made this drama more approachable for a wider audience.

The main point of the drama was the development and growth of the characters. It's a story of believing in yourself and what you stand for, fighting for the right. Discovering that just because there are winners, does not necessarily mean there must be losers. How to play the game that will make not only you achieve your goals, but also make everyone around you content. It's about slowly realizing your strengths and ways to use them. Figuring out that wanting something does not necessarily make you a bad person who is only led by greed. Many interesting lessons to learn with our main character. An amazing journey of self-discovery.

CHARACTERS & CAST
I was not sold on the idea of Ji Jin Hee being the lead of the whole drama. Especially after watching the first two episodes. Him being surrounded by all the strong and captivating side characters made me worried, if he can truly lead the whole show. And oh boy, I was wrong. Now I would say he was born for this role and he aced the character. Seeing Park Moo Jin slowly grow without giving up on his principles and beliefs was an amazing journey. It was refreshing to see a really smart main character that was also empathetic and, to put it simply, a good person.

It's also worth mentioning other characters that won my heart: Cha Young Jin, whom I loved to hate at the beginning and then just simply loved. Han Na Kyung who was the MVP of the badass team. Oh Young Seok, who made the drama even more thrilling to watch. Yoon Chan Kyung who was the true politician - I never knew where she was standing and what her motives were. Is she good? Is she bad? I guess you will find out for yourself, if you decide to watch it.

OTHER
The show also talks about some serious issues in a realistic and not patronizing way. It helps with understanding the reasoning for specific choices characters make. The cinematography and the way it was shot was beautiful. Definitely a high quality production. The music was good; it was not exactly grabbing my attention, but it's a political drama, the ost is not the main focus here. The ending was perfect, and everything I could wish for.

Overall, I did not expect to like this drama as much as I did, but it will probably stay as one of my favorites.

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The tale of involuntary naps and ass whopping.

So, I’m not gonna lie, Midnight Museum is a complete mess - from how the characters are written, through the countless plot holes and underdeveloped plotlines, up till the rushed ending. It’s entertaining though. I think it is… I honestly cannot be sure how much of my enjoyment came from all the chats, comments, posts and discussions with other mdl users. This is a perfect show to hype each other up about. (psst... I do love the show though. I sold my soul to it).

While the idea behind the plot is brilliant, the execution left a lot to desire. From the start it was an episodic type of a deal, which seemed to exist more as a promo for all the GMMTV actors and less as a means to tell a cohesive story. Not to mention the mix of supernatural, fantasy and even sci-fi theories - nothing to be explained or explored. It’s just a big bag of everything, that ends up being nothing.

I understand where they were going with the plot, but I honestly think they lacked a writer and director with experience in that genre. Midnight Museum is just not a smooth viewing experience. They did not highlight important details in the scenes, lines that were explaining connections between plotlines, hints that would make it easier for viewers to understand the whole picture. When you watch the episode, it’s hard to tell what you should focus on and what info might be useful later on.

You know what it feels like? Like watching just a middle season of a tv show - you don’t get a proper setup for the characters nor a well explained conclusion. It just felt like there should be more at the beginning and the end. All that said, the second half of the last episode was just phenomenal. Added 0.5 to my rating just because of these last 40 minutes. But it also made me truly see how much potential to be a masterpiece this drama had.

While I love Khatha and Dome for their interactions (local straight boys acting gay, if you know what I mean), and Khatha was quite a “mood” on many occasions, I don’t think I have ever seen weaker main characters than them. Dome was forced to take a few too many involuntary naps and Khatha got his ass whooped by almost every bad character. That said, this was a bromance on the level of Chinese censored gay romance and for that I am grateful.

Then we have all the supporting characters: Anthika served looks, Triphop and Bam got the “kind of competent, but not really” presentation with a 0.5% fling going on, June was there to make Khatha accept his feelings for Dome and Boon… barely existed. That’s more or less what the characters brought to the table. I think it’s kind of an achievement to have 10 episodes and not one character actually developed.

What saved all of these characters? Amazing acting. Tor and Gun did a great job and their on screen chemistry was to die for. It’s nice to see two competent actors together, because too often we watch one person carry the whole show on their backs.

Supporting cast did a great job too. Yes, I would appreciate Saiparn going one step further and exaggerating the character just a little bit more and Tay giving me a little bit more expression during some scenes, but overall, I don’t really have many complaints. I’m especially content with all the guest appearances and the quality of acting there.

The MVP award goes to Nanon though. This guy delivered probably his best performance up to date.

For the production value - it fluctuated. I was not exactly on board with the set designs. The museum felt painfully empty and not grand enough. I think the majority of the costume budget went to dress Tor, so the rest was underwhelming (especially June - the design for the dress was great, but the quality of it seemed cheap). Some special effects were nice, some were rather questionable. There is also the case of actors not being used to acting with nothing, which made the CGI elements stand out more and not feel like they were part of the picture.

Overall, entertaining mess. It had a lot of potential, but most of it was not used. They tried to pack too much into these 10 episodes so we ended up with a diluted story with little details and world building. I would highly recommend it as a group watch, because it benefits greatly from exchanging theories and hyping each other up as you watch. It’s a great memes and joke source.

That ending though. I don't think I could be more happy with all that crazy shit at the end. Exactly my type of a deal.

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