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  • Dernière connexion: août 29, 2021
  • Genre: Femme
  • Lieu: catch me in the latest flying spaceships
  • Contribution Points: 9 LV1
  • Anniversaire: February 07
  • Rôles:
  • Date d'inscription: juin 13, 2011

yankumicho

catch me in the latest flying spaceships

yankumicho

catch me in the latest flying spaceships
Misaeng: Incomplete Life korean drama review
Complété
Misaeng: Incomplete Life
169 personnes ont trouvé cette critique utile
by yankumicho
janv. 5, 2015
20 épisodes vus sur 20
Complété 7
Globalement 10
Histoire 10.0
Jeu d'acteur/Casting 10.0
Musique 10.0
Degrés de Re-visionnage 10.0
Sometimes in drama watching, we follow a path in choosing what to watch, when to watch it, and in what manner we'll watch it. Paths in life are not as simple; decisions can make or break us--they can open or close opportunities and /or adventures. Misaeng (Incomplete Life) is all about paths. It's about growth. It's about finding oneself and asking the big question, "What am I doing with my life?" Misaeng's path of story transcends the typical office narrative. It's not just watching office workers struggle, suffer, get praise, or be joyful. We know these characters; we know their faces and names, their pasts, their hang-ups, and their fears. However, we don't know them only as Jang Geu Rae, Oh Sang Shik, Kim Dong Shik, Jang Baek Ki, Ahn Young Yi, or Han Suk Yeol. We KNOW these people; they are our friends, neighbors, acquaintances, and often, ourselves. That's what Misaeng brings in its storytelling, its cinematography, its constant image of being small in a big world and finding what we can do to be significant. That path was taken by, in my opinion, one of the greatest ensembles I have ever seen in a drama. The entire cast has this way of making one completely identify or not identify with their actions. We see how everyone starts--naive, raw, rough, intimidated, at times, arrogant and ridiculous. Yet we also experience their growth, admissions of success and failure, and admissions of self-centeredness or guilt. Behind the ensemble, traversing the path of Misaeng was an exciting and memorable soundtrack. Each piece told a story. I enjoyed the somewhat folk storytelling of the OST tracks because it mirrored the narrative of the day-to-day experience of the office workers. One could argue that the music is a character in and of itself as it travels the visual text. Through its story, cast, and music, Misaeng took me on a journey. At times, I felt like Jang Geu Rae, wondering and asking myself the same questions. That's what I loved about Misaeng. I'm not an office worker, but I identify with their struggle. I ask myself the same questions. I feel defeated at times. At the end of the day, I'm just an incomplete life looking for completion.
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