Looks perfect except that all the female characters dont even play roles that qualify as supporting.
The best is extended cameo. It looks like the female characters are being hurried off the screen.
The strong strength is that it is separated into arcs that are resolved satisfactorily without letting the story get convoluted, but even arcs in which females play important they seemed hurried off (Banruo from the Hua tribe). She is the ever present female character but her story was too rushed.
I skipped over 25 episodes to verify that I would be satisfied at the end and I was.
Its a satisfying story and being wuxia it promotes morals. It very realistic even with the wuxia element, historically accurate too in depictions, sadly it didnt do the women more justice.
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Sadly touching.
I prefer dramas like this.
Mimura drew me into the show but Kinami Haruka touched my heart.
This leaves an impression on you, a lasting one.
What is trust what is love?
Revenge? Is Revenge worth it?
Is it better to lose your shot at revenge: forgive and forget and try to get gain happiness instead?
A story about priorities. And how we most of the time choose the wrong ones
Realizing too late that we made the wrong choices.
Hindsight is 20/20 after all...
I do not want to rewatch this but I probably should when in a midlife crisis and need to re-access my priorities haha
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Having it doesn't exactly make the story automatically bad.
I enjoyed it mainly because we are supposed to see how the main characters reacted to challenges
The male lead was weak at the beginning unlike the female lead
It was a breath of fresh air to have a strong female lead and a weak male lead unlike your usual fare.
The male lead grows and the female leads learns to be vulnerable.
Talk about role reversal
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La Dynastie de l'Épée
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Cette critique peut contenir des spoilers
I had initially planned to read the book which was being translated but given over 900 chapters of the story. I would have to wait over 2 years so see the end. The drama was very much welcome as a result.I beg to differ on the negative reviews. Even though the end was rushed. It seemed like 10 years was crapped into 1 episode. It was true to the original story from episode 1 to the end.
The story was potent. Ye Zhen was a surprise and stole the show. Yao Di, the actress who played Ye Zhen is such a good actress that I am considering trying to watch Fighter of Destiny which I dropped so that I could watch her scenes.
The story is dry but that is by design and the charm.
The main points are the conservations. Ye Zhen's final line was unforgettable: " I have repaid with my life, give me back your love".
The impotency of the King who was supposedly the strongest forced to tears at his powerless when his son died was pleasantly surprising.
I would not watch Joy of Life which another reviewer rated so highly but that is another proof that said reviewer is not the target audience for this story.
If you are the target audience then you would find this to be a lovely gem. A story with pleasant surprises.
It certainly needed more episodes but that is not necessarily bad since it prevented the story from dragging.
I saw a review using terms like "Overpowered". Proof that the reviewer did not understand the story. This is the closest thing to a true wuxia story that isnt a Jin Yong remake(God bless his soul) that I have seen in years.
The story is about morality not powerful characters
I haven't watched such an enjoyable story since Xuan Yuan Sword 3
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A timed comment from viki that made the show even more fun "love is just like fart when forced it becomes shit"
i will probably rewatch it again, luckily I didnt read some reviews on some sites before I watched it, I would have been turned off. Its definitely cleaner than the earlier dramas in the I Need Romance series which are too graphic for my taste so I passed on those
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Still worth watching.
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Kareshi wo Loan de Kaimashita
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Powerful Story that makes you rethink gender roles
This is a satire. If you are not mature enough to get satire then you will miss out on this gem.
The screenwriter is famous for mocking society and this does a wonderful job.
The negative reviews just point out that they missed the point.
It's a powerful story that makes you rethink society.
It is very easy to hate on the characters at the start but at the end you find yourself accepting them for being human with flaws.
W no Higeki is a popular drama but I prefer M no Higeki with Hasegawa Kyoko and she delivers a powerful performance.
It was a very satisfying watch. It made me think
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Would have been great as a 5 episode drama or tanpatsu. The drama might be trying to make the viewers commit seppaku at the end.
Japan has the worse record of gender inequality among developed nations and dramas like this seem to celebrate it instead of criticize it. Abenomics will be a failure if Japan cannot get rid of sexism on TV even a little bit.
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Pleasantly Surprised
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Anyways the story is very cute but the acting of the supporting cast looks amateurish and quite silly maybe that was the point. The music is awesome. The leads also awesome. The second half was just bonkers, they ruined an almost perfection show, I was pretty angry and just finished it to fulfill all righteousness and because I wanted to see the male lead in something(Amour et Patisserie still isnt fully subbed someone please finish it :((( )
If it was possible I would make a virus that deletes the second half of the series from this world and give this show an 11 out of 10 :D
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Summary:
Female lead's character was one dimensional.
Story not believable.
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I actually enjoyed this story because unlike most romantic stories it wasn't vague. I personally hate stories that forget to use words and just go with the staring at each other smiling is better than words trope.
I found it short sweet and satisfying
Japanese dramas are usually more down to earth without exotic locales and without a focus on wealth. I personally don't think that the story dragged after all it was 9 episodes which is about half your average Taiwanese and Korean dramas.
Its a predictable story that wasn't so predictable.
Warning : Sexual assault is glossed over like in most Asian dramas but that is unhealthy and doesn't change the fact that its a crime.
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First, the rewatch value is immense. Music is wonderful, Tsuyogari by Kome Kome Club is my favorite Japanese song ever, only TM Network Get Wild comes close. I will try to make it short
The story had the best love letter ever(better than A Walk To Remember which plagiarized , the Bible haha)
The female lead was superb, at times you feel like she does not deserve the male lead and other times you wonder why he is so lucky to have someone like her.
The supporting cast were wonderful especially his hilarious friend
The only fault I think was trying to be like the original Korean movie: copying and pasting some scenes which were unnecessary as this show had a story enough story on its own.
I personally love watching a female lead that has a male lead wrapped around her finger but this is the only series that that quality remains from start to finish haha.
Verdict: Better than the original but didn't know it XD
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Kanojo to no Tadashii Asobikata
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I think one of the strong points of the story is that it is so focused on the two leads almost to a fault without any distractions from other characters.
A wonderful gem and deserving of the award that it won but I can understand that its not for everyone.
I am going to watch it again haha
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Cette critique peut contenir des spoilers
Rika is a girl you would love to crush on and admire but only from afar
I felt Rika was emotionally abusive to Kanji. She never called me by his name and dismissed his complaint about it.Of course, the free-spirited Rika was a facade but still a lovely character with a good heart.
The kind of girl to admire from afar but a horrible girlfriend.
It is like dating a female boxer. You can admire her knocking people out in the ring when its you and her in the ring,
that's something to dread lol.
Rika is very similar to Riko from My Sassy Girl.
Even the phrases they use are verbatim sometimes eg:
'Never in a million years'
'I am not telling you'
' I don't need a dream, I need you'
She pushed Kanji away so many times but was sad when he left her.
Did we ever see Rika's house? I think it showed how closed off she was emotionally
A running theme was also her running away from him. He kept chasing her so much that he didn't know if she loved him
She was both free spirited and clingy. And taking a closer look, you find out the harsh words that she said to Kanji were actually rebuking herself. She seemed to be rebuking him for being clingy but she was rebuking her clingy self.
I think the reason why I love Rika so much is that she is a hypocrite.
It made her beautifully flawed.
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Full disclosure: I have been waiting 5 years to watch Seo Hyun Jin in a lead role since Mr Oh isComing( I probably will get that subbed myself)
Back to the story, a lot of retconned were used which I didn't exactly like but apart from that it was simply refreshing.
Kim Jae Wook is very popular from comments on the drama, but I am never a fan of a daddy long legs character. His character took a bad turn but I guess that is realistic, humans are self-serving.
I loved how this story defined love: do you love the heart of the person? Do you love the person the way they are and dont try to change them?
Do you wait for your significant other or do you run to them?
I enjoyed how the hypocritical nature of humans was addressed. Humans are fickle, and that fickleness makes us perfectly flawed
On the second female lead's romance.. that was the usual fare and disappointing. It reminds me of stories in which an ugly girl has to be changed into a pretty girl by the male lead. An antithesis of the main couple. The Kazuya and Aya Omasa drama comes to mind... (Yamato Nadeshiko Shichi Henge)
It is a story for grown-ups and quite laid back
I liked how business and writing worlds were portrayed
There is no gift without strings attached.
If you want something different you will enjoy this
And the male lead striking resemblance to the actor from Tomorrow With you is shocking
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