Renseignements

  • Dernière connexion: Il y a 44 secondes
  • Genre: Femme
  • Lieu: hell, where all the cool kids are
  • Contribution Points: 215 LV3
  • Anniversaire: March 30
  • Rôles: VIP
  • Date d'inscription: février 7, 2013
  • Awards Received: Finger Heart Award115 Flower Award244 Coin Gift Award88

Kate

hell, where all the cool kids are

Kate

hell, where all the cool kids are
Complété
Idol
21 personnes ont trouvé cette critique utile
par Kate
déc. 14, 2021
12 épisodes vus sur 12
Complété 0
Globalement 9.0
Histoire 7.5
Acting/Cast 8.5
Musique 10
Degrés de Re-visionnage 8.5

Countless misfortunes with Disney solutions.

Idol: The Coup opens with quite refreshing, more accurate depiction of idols and the Korean music industry as a whole, but ends on an over the top, makjang note. And yet, I truly loved the show. Somehow, it convinced me to ignore all the flaws and only focus on the true entertainment and emotional connection I have made with the characters. And for that, I am thankful.

The drama tells the story of Cotton Candy, who are deemed as "'망돌(망한 아이돌)” (mangdol - failed idol). Both the company and the members themselves gave up on trying to succeed, with Jenna, the driven leader, being the last person who still tries her best to make the team overcome the issues and survive in the industry.

Each member has her own traumas, hardships and obstacles they need to face, and as the drama progresses they learn how to trust each other again, how to work as a team, protect and support each other.

Idol: The Coup truly takes the viewers on a whole journey of “hate to love”. At first, you might despise the majority of the characters, just to end up loving them and rooting for them by the end of the show.

It’s also the first drama with an idol driven plot, where the songs are truly good, and something I could see in a music show. Both, the songs that are suppose to be part of the fictional groups’ discographies, and the songs that were only used as a soundtrack easily found a place on my playlist, with few favorites being: “Home”, “Honest”, “You Can Cry”, “Fly Up”, “Pray” and “Remember Me”.

It would be a crime to write this review and not mention the amazing chemistry between Jenna and Jae Hyuk. This dynamic was extremely entertaining to watch. While at first it might seem that Jae Hyuk holds all the power, each disagreement they had, leaves the viewer thinking he was the one who lost and was more affected by it. It became a battle of wits and determination, over one character just abusing another.

The acting was not outstanding, with some idols struggling to connect to the emotions and truly deliver the lines in a natural manner (I’m looking at you Kim Min Kyu and EXY), but overall, none of the performances were truly cringeworthy, and the few miss-deliveries became a charm of the show too. Maybe I am biased, maybe I just convinced myself to love even the bad aspects of the drama, but at the end of the day, does it matter? It was a fun watch, whenever it had or had not had any issues.

That said,

If you want to watch idol romance, this ain’t that. While the female and male leads have amazing chemistry, and many viewers wished to see some kind of feelings spark between them, it never crosses the line of hints and future possibilities.

If you want to see a realistic portrayal of idols’ life, this ain’t that. While the first 3-4 episodes did a good job showcasing the struggles “failed” idols might face and the industry trend to see the idols as replaceable assets and not human beings, at some point, the amount of tragedies happening to Cotton Candy reached a ridiculous number. The solutions were coming out of nowhere, just as the problems were showing up with little explanations, and at times, as complete contradictions to what already was established in the drama. That said, the issues themselves were not unrealistic, but rather the fact they all happened to this one group in such a short period of time.

If you want a wholesome drama with nice characters you can root for from the beginning till the end, this ain’t that. There were moments when I wanted the group to disband, there were moments when I totally understood why they were failed idols and maybe they should not work as a team. I went from “let them disband”, through “I’m an ot4 stan”, to “I don’t care if it will make no sense, these babies need a happy ending”. The characters are truly flawed, but you might end up loving them despite their shortcomings.

Overall, what a ride it was. Idol: The Coup has countless flaws, and yet it made so many viewers enjoy it and get excited for more episodes. The idea of one hour and thirty minutes long episodes scared me, but when they went down to just one hour, I was truly disappointed. Each episode made me want to see more, and wish for just a few more minutes of the content. I got addicted to this soft idol makjang with fun, but frustrating characters, over the top tragedies and Disney solutions.

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Unknown
14 personnes ont trouvé cette critique utile
par Kate Flower Award1
mai 1, 2024
12 épisodes vus sur 12
Complété 4
Globalement 8.0
Histoire 8.0
Acting/Cast 9.0
Musique 7.0
Degrés de Re-visionnage 7.5

Everything stays in the family… kind of.

I’m not gonna sit here and pretend like both romances in the drama were not questionable, they were. I also have to give props to the director and writer for doing their best to deal with potential issues a story like that could present. Age gap, family relations, grooming, predatory behavior, lack of informed consent - all that could have been an issue, but somehow they managed to avoid shooting themselves in the foot - for most parts.

What we’ve got, rather than just a romance, was a found family trope drama. The bond between Wei Qiao and Wei Zhi Yuan was deep and meaningful, slowly transforming into a partnership. They knew each other's shortcomings, they understood each other’s pain, they found home in each other’s presence.

Whenever the drama did a good job transforming the brotherly bond into a romantic one is a matter of opinion, personally I was quite fine with it. Being an overanalyzer, I appreciate how the show made me reflect on their relationship, examine how much of the connection was form on shared trauma and how much was driven by pure love. I’m glad the writer, with how the plot and characters were written, kept reassuring me that what they had was more than just codependency. Do I think both of them should go to therapy? Of course, but they are not the first, nor the last BL couple to never truly address or deal with the trauma.

We witness a story of two people who were abandoned and who found peace and happiness with each other. They had to face a lot of setbacks, both external and internal, to finally admit to each other feelings and allow themselves to be loved and love the other. The journey was not easy, but with love stories like that, it shouldn’t be. For me to enjoy this type of romance I need to understand it first, I need to feel like the characters also understand their own feelings. That they thought about it, talked about it, that there is no misunderstanding. And Unknown managed to do just that.

What made it possible were obviously the performances. Chris Chiu made the confusion and the strong internal denial Wei Qian was facing so real and raw. The way we could see on his face what he wanted, and how it went against what he actually did. The constant regret and fear of the situation and the feelings he could not quite understand and accept. Then we have Kurt Huang as Wei Zhi Yuan - from a chaotic teen, to resigned young adult, to confident adult. We witnessed his growth, we saw his dedication and unwavering feelings. And it all seemed so real on the screen.

All that said, there was one aspect of the show I just simply could not comprehend. One directing and editing choice that ruined quite an important scene for me. And I just cannot understand who thought this was a good idea and how no one questioned that choice on all the steps of the production.

Overall, it was less about finding a lover, and more about finding home. A partner that can understand and support you. One that you can rely on. One that always has your back. A partnership. Sharing the burden, sharing the happiness. A drama about finding a family and then working hard to keep it, in whatever form it might be.

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The Killer's Shopping Mall
16 personnes ont trouvé cette critique utile
par Kate
févr. 7, 2024
8 épisodes vus sur 8
Complété 10
Globalement 8.0
Histoire 7.5
Acting/Cast 9.0
Musique 9.5
Degrés de Re-visionnage 8.5

Non linear storytelling at its best (with few "flops").

Undoubtedly thrilling and unique story that does not give you a minute of a break - fast paced, well packed with both the plot and the action. Cleverly showing you just bits and pieces of a larger context, uncovering the whole story with each and every episode. While A Shop for Killers had a few issues, it’s still a title worth checking out - perfect for weekend binge watch.

One could say it opens like a fish out of the water type of scenerio. Not quite. From the start we can see that Jung Ji Ahn is far from being a defenseless young woman, even if she herself is not quite aware of it. Personally, I found the story of her growing up under the careful watch of Jeong Jin Man the best out of the whole show. The bizarre, but obviously strong bond they had, the silent understanding. It was amazing to watch her connect the weird training from the past with her current situation, and use said lessons to survive.

At the same time, Jeong Jin Man’s past seemed a bit messy and did not get the conclusion that fitted the initial tense atmosphere surrounding it. By the end of episode 8, I had to rewatch certain scenes just to make sure I did not miss anything. Where are the answers?

Another aspect that was a bit frustrating was how they at times utilized the non linear storytelling, by repetitive usage of scenes. The show was short. There were some scenes where they truly expanded on what was previously shown - giving us the whole context and full story. At the same time, there were some moments where the “already shown” part was simply too long. I’ve already watched these scenes one episode ago, you do not need to show it to me from the start again. I could not stop myself from skipping minutes of the drama, just to get to the point where the story moves forward.

Performance wise? Amazing. Some actors were a bit typecast, which made it easier to guess the characters' intentions and possible actions, nonetheless - everyone delivered. Personally, I am a fan of Lee Dong Wook in dark roles, so this one hits the spot perfectly. Jung Jin Man is obviously not a good person, not a good character, but there is good in him and that’s what differentiates him from some of his, let’s say “co-workers”. Seeing these detailed differences was an interesting experience. They are both bad, but are they equally bad? How much of someone's actions is understandable, can be explained and excused, where is the line that should not be crossed?

Kim Hye Joon was amazing as Ji Ahn. Well executed character development. oved the strong and raw emotions she was able to present when Ji Ahn was cornered and truly exhausted with the dangerous situation she got dragged into. Loved the more soft scenes of her as a carefree child and teenager. Love how Kim Hye Joon was able to present the duality of the character in such a great manner.

Shoutout to the cute guy who helped Ji Ahn when she was a child, if you watched, you know.

Production was great - the soundtrack was full of bops, the fighting scenes had amazing choreographies, the practical effects of blood and other painful “things” were on point.

Overall, left a lot to explore, by the end felt like a borderline bait for possible second season with quite a few aspects not being fully explored. And yet, I’m not mad. It was highly entertaining, had many interesting characters on both the good and the bad side (and let me tell you, the bad side is BAD). Keeps you interested and engaged from episode one till the last scene of episode eight.

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We Best Love : Le premier pour toujours
22 personnes ont trouvé cette critique utile
par Kate
févr. 5, 2021
6 épisodes vus sur 6
Complété 2
Globalement 9.0
Histoire 8.5
Acting/Cast 9.0
Musique 7.0
Degrés de Re-visionnage 9.0

Cat and dog dynamics done in the best way possible.

For the main couple, this is close to perfection. Simple story that presents both enemies to lovers and friends to lovers trope, depending on the perspective taken.

The relationship progression between Shu Yi and Shi De was really well paced. It didn't feel rushed, the milestone moments were happening at the right times, and never felt out of place. The dynamics between them sold the show. Both Shi De and Shu Yi have this trickster quality to their actions, which makes We Best Love that much more entertaining. The plot could be simply described as: two main leads getting closer to each other, one step at a time.

Speaking of the cat and dog dynamics, Shi De reminded me of a Golden Retriever with his warm and patient demeanor, and Shu Yi was like a small cat - playful and curious. Seeing them interact with each other just brings happiness to my heart and a smile on my face.

Shou Yi was one of the characters I was the most curious about. Sadly, if his story gets any more depth, it will happen in season two. That said, him being the relationship MVP for Shu Yi and Shi De was one of the funniest aspects of the show. I never enjoyed someone being such a busybody as I did with his character.

Being perfectly honest, some side characters were unnecessary, or rather, they got unnecessary side plots. Some of the scenes and developments came out of nowhere since there was not enough screen time to dive deep into the side plot progression.

The production value was amazing. I especially appreciated the transition scenes, which are usually extremely generic, but here they became either pretty or fun screenshots (shout-out to best supporting character - Mr Skeleton). Music wise, I cannot remember one song. On one hand, it means OST was not that memorable for me, but on the other, it also means they were fitting for the scenes they were used for, since I was not bothered by them.

Overall, amazing chemistry that, at times, almost set my laptop on fire. On point acting, especially from Sam Lin - boy shocked me in one scene (good acting always gets me overexcited). One of the nicest and well paced BLs that tells a simple yet extremely engaging love story.

See you in season two!

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Meet Yourself
9 personnes ont trouvé cette critique utile
par Kate
avril 1, 2024
40 épisodes vus sur 40
Complété 0
Globalement 10
Histoire 9.0
Acting/Cast 9.5
Musique 10
Degrés de Re-visionnage 9.5

Finishing this drama is like saying goodbye to your good friend…

And all you have left are warm memories. As I watched, I started to feel like part of the community - I truly knew these characters, I understood their struggles, hopes and motivations and I wanted them to succeed and find happiness.

Healing is the best way to describe it. There are no exciting plots and crazy twists. It’s all daily struggles, small talks, forming friendships, moments of compassion, reminiscing of the past, dealing with the present, planning for the future. The magic of mundane existence in the beautiful surroundings.

Meet Yourself is a story filled with diverse and unique characters - each presenting a different perspective and ways of dealing with their traumas, mistakes, shortcomings and fears. This is a drama that holds many life lessons and precious moments that warm your heart and soul and leave a smile on your face. One of the aspects I appreciated the most was it did not solely focused on the younger cast. Older people were not just a background to showcase the passage of time, to show the future struggles the youngsters might face. They were their own people with vibrant personalities - sometimes far more energetic and driven than their kids and grandkids. I love how the drama took its time to establish well written and developed elderly characters.

It also presents a beautiful variety of relationships - be it romantic or platonic. Family, friends, partners, acquaintances - clearing showing how other people have a big impact on our life, but that we also leave some traces even after what seemed like meaningless interactions. Some people will forever be part of our life, even after they are gone, some were a tiny peace, a passing memory - even if we don’t see it now, all these moments mold us into who we are, and change us into who we are meant to be.

From brilliant and well paced writing to amazing performances, Meet Yourself is truly a whole package. Almost 1000 screenshots I took are a statement of itself - this show is stunning, a visual feast accompanied by a charming soundtrack (Validate being one of my favorites songs).

Honestly, it just feels like this drama was crafted with love and care.

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The Silence of the Monster
9 personnes ont trouvé cette critique utile
par Kate
janv. 8, 2023
36 épisodes vus sur 36
Complété 7
Globalement 7.5
Histoire 7.5
Acting/Cast 8.0
Musique 10
Degrés de Re-visionnage 7.0

Slice of life with touch of investigation and grim undertones.

Technically The Silence of the Monster had all the typical slice of life elements - a group of characters creating a bond with each other, learning many useful and meaningful life lessons and learning how to overcome their struggles and traumas. It was cute and fun to watch. And yet, the drama managed to add the darker twist to it all, making it seem like the happiness was diluted, and the bubble could burst any time.

It was all possible thanks to the characters and how they were portrayed - especially for Luo Bin and He Chu Feng. The events of their past were still haunting them in the present, and even though they tried to move on, sometimes you need to face the tragedy, before you can build your happiness.

Luo Bin and Chu Feng had a great dynamic going on - one more reserved, the other not being able to stay still and quiet for more than a few minutes. What the show did well was giving small tweaks to who we thought the characters were. Chu Feng was not really this cold and quiet type, and Lou Bin was not as happy and carefree as it seemed.

On the other hand, while I enjoyed Sui Yi a lot, her character had nowhere near as much depth and complexity as the two male leads. For me, she represented the normality in the show - pretty, smart, hardworking, good natured. She brought the sunlight and warmth to Monster Vintage.

But then, we have Xiao An, whom I would not even consider one of the main characters. She showed up really late, she had little to no personality and presence on the screen. The development of her relationship with other characters was poorly paced and she never truly seemed like a part of the team for me.

The plot of The Silence of the Monster might seem like an investigation focused story, but for me, playing Sherlock Holme was more of a means to deliver the messages. It never felt like the focus was on the cases themselves, but rather on the people involved, especially the victims. Through the investigation, the drama presented many important social and personal messages. It tackles subjects like stalking and cyber crime, prejudice, animal cruelty, divorce/remarriage and the impact it might have on the child, mental health issues, trauma, the consequences of the white lies, and many more.

Sadly, plot wise, around episode 20 it all slowed down and I started to lose interest. The cases were nowhere near as interesting as the ones at the beginnings, the transition from the case by case scenario, to linking them to create a bigger picture was questionable. And the big bad guys were simply laughable.

The performances in most cases were great. I especially liked the raw emotions Annie Sun showed in the last few episodes. Both Bi Wen Jun and Zhu Zheng Ting had a strong delivery throughout the whole show. Ye Peng was capable of portraying Gu Nam in a way I had moments when I did empathize with him, even though I completely disagreed with his actions. The only performance that did not convince me at all was Baby Zhang, but it’s hard for me to judge how much was it the actress's fault, and how much I should blame the writing of the character.

The thing that stood out the most in a positive way were the costumes, styling, set designs, sceneries and the soundtrack. The whole show seemed like a piece of art, proven by 468 screenshots I took. I loved the vintage vibes they used, that felt stylish and not outdated. I liked a lot of the wide shots with the focus point not being in the center, but rather on one of the sides.

Soundtrack wise, I think Clare Duan - Tao Hao was my favorite song, but honestly speaking, literally every song was perfect and a gem worth adding to the playlist. Well fitting the drama, the scenes and the atmosphere created by the visual means.

Overall, it was a great watch, but the few complaints I had, had quite an impact on the overall quality of the show. It’s still worth watching and diving into the mysterious, but somehow welcoming and warm world of Monster Vintage.

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Senpai, Danjite Koide wa!
11 personnes ont trouvé cette critique utile
par Kate
août 12, 2022
8 épisodes vus sur 8
Complété 0
Globalement 7.0
Histoire 6.5
Acting/Cast 8.0
Musique 8.0
Degrés de Re-visionnage 6.5

Strong beginning, mediocre middle, lackluster ending.

Not gonna lie, I thought it’s going to be more comedy based with focus on Kaneda being a massive fanboy and trying to deal with working alongside, and later dating his idol. It was not. While it still had some scenes here and there focusing on that aspect, it was mostly just an office romance, with not that much romance.

It worked so well at first. Kaneda was sweet and in the constant panic mode because of any most basic interaction with Yanase. Yanase was a nice and helpful mentor, who slowly started to see how adorable Kaneda is. And then they moved to the most basic rom-com stuff one has seen and all the spark was gone - still enjoyable, but ain’t special.

Sadly, they apparently wanted to finish with something more emotionally charged? The artificial, overexaggerated identity crisis Yanse has at some point just seemed so not fitting and out of place, I wish it was never included.

That said, the most frustrating aspect must have been the last two episodes - the fillers. This is the stuff writers add in their 16 episodes dramas when they run out of ideas. It was a completely unnecessary new chapter added at the end of the show. If they truly wanted to dive into the change of dynamics and unsureness in their current situation, it could have been quite a nice short second season - why add it at the end of this one?

Still, I did enjoy the characters a lot. Yanse was such a sweetheart and such a good boy, it was hard not to love him. He was smart, caring, trusting and hardworking. Kaneda gave me some good comedy bits that made me laugh. Sadly… the side characters were extremely forgetful. There were two female co-workers with questionable hobbies. That one guy who complained how he is not valued at work, while also not doing his work well. There was that white/half-white dude who showed up just to cause some emotional trouble. They filled the space, but that’s it.

Production wise, it was really nice. Good camera work, good set design and smooth editing. The transition between the scenes was decent and it never felt like they were completely jumping from topic to topic without caring for cohesiveness.

What was great? The outro. Expanding it after each episode was a great idea, so - to people who are about to watch - don’t skip it, watch till the end.

No complaints about the acting. I was honestly quite impressed with Seto Toshiki - he delivered both the over the top, and more subtle performance, and they both felt natural.

Overall, it’s a nice show with some fun scenes and good chemistry. Better as a binge watch.
Random side note: it had quite a few questionable falls with questionable physics.

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F4 Thailand : Boys Over Flowers
37 personnes ont trouvé cette critique utile
par Kate Flower Award1
avril 9, 2022
16 épisodes vus sur 16
Complété 2
Globalement 6.0
Histoire 5.5
Acting/Cast 8.0
Musique 7.0
Degrés de Re-visionnage 5.0

Downhill we roll, as the quality drops with each episode.

Here’s the thing - I was extremely vocal on feeds and while talking to my friends about how this will be my favorite adaptation of the story and how much they improved with making it more realistic and less over the top toxic. And then, slowly, with every episode my enthusiasm started to drop. A show I started with genuine love, I finished as a hate watch. I cried watching the last episode, cried from laughing so bad.

Rich guy with family issues falls for a poor girl with financial issues - we all know the stories like that, most of us watched at least one adaptation of F4. Was this a fresh and groundbreaking take on this cliche plot? No. It started really well with a more realistic approach to the characters - Gorya was less in your face superhero bully fighter and Thyme, while still rude and cruel, had some type of limits to how far he is willing to go. I truly enjoyed how it was more grounded in reality - they managed to make me like the female lead more, and hate the male lead less. Then it lost that spark as it played into all the toxic over the top semi-makjang ideas.

Honestly speaking, the biggest issue was Thyme. To people saying he got amazing character development, where? There was one episode left for the drama to end and he still needed his friends to tell him what is good and moral and what is not. Dude literally threw a chair in Gorya’s direction when he was angry. How was I supposed to root for him, when I saw close to zero improvement in his behavior - every time things got tough or he got angry, he went back to his old abusive and impulsive ways.

Saying it’s realistic that he did not change so easily would make sense if the drama was realistic as a whole - it was not. They clearly did not care about realism, so why try to excuse the character with that logic?

Gorya was fine during all scenes, except the ones with Thyme. They both used violence against each other and sometimes it was played as a fun little comedy bit. On the other hand, she strived for better and grew as a person when she was with Ren.

And here we face the biggest issue - they made Ren too good to be true. Yes, he made one mistake and acted rather toxic towards Gorya with the misguided actions based on his good intentions, but he learned from that and never did that again. He was so fine. That’s that.

Then we have that completely useless and not developed romance between Kavin and Kaning. I am not going to lie, the side couple was my favorite part of the Korean version - the story was interesting, the conflicts were well built, the resolution was satisfying. Here, we’ve got none of that. They made zero effort to convince me why Kavin was hesitant to start things with her. They were just in the background, occasionally being cute.

I don’t even want to talk about M.J. getting his plot thanks for KFC commercials at the end.

I did enjoy the friendship of F4 a lot. Their scenes, excluding the bullying ones, were fun to watch. They always had each other’s back and tried to solve issues as a team - well, the 3 of them tried to solve Thyme’s issues while he acted like a moody toddler either turning them down or running away.

Putting characters aside, the show did attempt and made some good remarks about the social differences, the responsibilities and struggles people might have depending on their social status. I appreciated how it was not all black and white - rich people have all the privileges and no real issues, and poor people are the only ones struggling.

Acting wise I don’t really have complaints. I’m not the biggest fan of Bright’s acting, but he was truly born to play this role. Thyme was rather dumb of a character, and the faces this guy was making just elevated it, making me crack a smile quite a few times. Tu did an amazing job as Gorya - I bought everything she was selling on screen. I would say, the only performance that was questionable was Win as Kavin - his delivery was a bit on one note and the lines just did not sound natural at times.

Production wise though, probably one of the best quality we have seen from Thailand for some time. The show was simply beautiful. It was impossible to watch even one episode without taking countless screenshots. They played with angles, depth and light and I appreciated that alot.

Music was fine? I honestly cannot remember one song from it. They were not that memorable, but if they were bad, I would for sure remember them not fitting the scenes.

Overall, what a journey it was. By the end I was rooting for Thyme’s mother to keep them apart. What a badass she was. Might be evil, but with a class. The most terrifying mother of all the adaptations.

I don’t regret watching, I enjoyed it a lot during the first half, and had fun making fun of it during the second half. It’s like, slightly better than Boys Over Flowers? In some aspects… but not all.

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Florida Banjeom
35 personnes ont trouvé cette critique utile
par Kate
oct. 15, 2021
8 épisodes vus sur 8
Complété 0
Globalement 6.0
Histoire 5.5
Acting/Cast 8.0
Musique 7.0
Degrés de Re-visionnage 5.0

Overly dramatic considering the actual content.

I sadly have to say, the only things I enjoyed about this short BL were Kim Yoo Hwan’s performance and the set design for the café.

From the strong jealousy that can mess up a friendship that lasted 15 years, through the magical speed of learning how to cook, to uncomfortable skinship Ji Soo was doing, I am just confused. The overreaction on the character’s parts did not correspond well with what was truly happening on screen too.

Even though Cha Woo Min's acting was lacking, the chemistry between Hae Won and Eun Gyu was quite nice - the problem was the lack of development. They presented it as quite a strong connection and love, while they barely knew each other. Considering they are all adults, the scale of the problems that Hae Won’s pretty face brought to the café was ridiculous.

This whole “lost dad” story came out of nowhere, and felt like an afterthought. Even the dynamics between Ji Soo and Eun Gyu were simply confusing.

Truly felt blessed by Kim Yoo Hwan - he delivered the internal struggle so well, it was easily visible on the screen even without any dialogues.

Overall, I don’t really have thoughts. It’s just one of the shows that happened, I saw and then moved on. I feel like it could have been a really nice short BL if they toned down the dramatic aspects - it was not that deep.
Will be paying attention to Yoo Hwan’s future projects since he impressed me a lot.

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Sh**ting Stars
33 personnes ont trouvé cette critique utile
par Kate
juin 11, 2022
16 épisodes vus sur 16
Complété 8
Globalement 6.5
Histoire 6.0
Acting/Cast 7.5
Musique 8.0
Degrés de Re-visionnage 5.0

별-똥-별 - quite a fitting description of the quality of this show.

Fun, entertaining, sometimes clever elements, with a crappy core.

What’s good? What are the reasons I somehow finished watching it? Everything except for the love story of Han Byul and Tae Sung, and both plot lines surrounding male lead. None of these 3 things work well - poorly written, with ridiculous resolution and out of the blue miracle ways out of the problems.

The convoluted way they tried to tell us the story of Han Byul and Tae Sung was some next level of bad presentation. Rom-coms are not thrillers, you do not need 10 different plot twists to make it exciting. The worst part of it was the fact, this type of non-linear storytelling made it close to impossible to understand the characters at the beginning, which led to me simply not caring about them at all.

The three semi-mystery plot lines, with two being part of a larger picture? Extremely unnecessary. The setting was all that needed to happen for the show to be interesting. Everyone wants to know what the behind the scenes looks like. What type of problems the actors face. How much of that glamorous life is try? What about the ugly side? The “mundane” celebrities life is interesting enough, no need to add over the top plotlines.

Not to mention, they were simply not well integrated in the story. Instead of showing bits and pieces of it throughout the show, they dropped larger portions here and there and it messed up the pacing. I don’t even want to talk about that Disney resolution, or lack of any closure for some.

That said, I did enjoy the main couple when they interacted with other characters. Han Byul and her gossip time with Ho Yeong and Gi Peum? Fun. Her friendship and working relationship with Yoo Sung? Interesting. Tae Sung with his manager? Adorable. Him bickering with Soo Hyuk? Some of the best comedy bits of the show. It amazes me how well these two worked with everyone except each other.

I just feel like their relationship was too juvenile. They presented some middle school type of behavior I just did not connect with. And it’s not like it’s impossible to show a sweet, cute romance - they did it with the side couple. Yes, it was over the top cute, but that’s who the characters were from the start - adorable, so it fitted the overall picture.

They also showed a more mature and chill approach with another side couple - a lot better paced even though they had 1/10th of the screen time compared to the mains. All the supporting plots showed me there is a skill and good writing hidden in the show, but somehow they failed to use it for the most important aspects.

I definitely enjoyed the few small commentary bits on the entertainment industry. Some were presented in a more serious manner, some leaned towards comedy. Sh**ting Stars has also one of the best “breaking the 4th wall” scenes I have seen in dramas for ages. I replied that one scene many times - perfectly executed if you ask me.

Performance wise, it varies depending on the actor. Probably one of the worst performances in Lee Sung Kyung’s career. She delivered close to nothing. The lines felt flat, the crying scenes evoke zero emotions. She presented little to no variety in her facial expression. And I know for a fact she can do better, she did in her other dramas. She is not an amazing actress, but should be capable of leading a rom-com.

Kim Young Dae did fine. I enjoyed his more emotional scenes, he did a good job portraying the vulnerability of Tae Sung. At the same time Tae Sung was just a poorly written character, so it’s not easy to judge the performance of the actor.

Most characters did not have enough depth for the cast to truly showcase the skills they might have. Yes, Yoon Jong Hoon delivered the sweet hard working senior, Kim Yoon Hye was the cute and innocent junior, Park So Jin did an amazing job as a journalist with some internal conflicts and Lee Jung Shin was able to make the arrogant and distant lawyer more approachable and fun. But that’s it. The characters don’t really serve more than these short descriptions.

The production value was nice. Quite a number of scenes had an aesthetic appeal that supported whatever was happening on screen. Talking about the production, we cannot ignore the initial wave of criticism surrounding the uneducated and ignorant depiction of Africa. I still believe this just shows how lazy the writers are (honestly, the same problem happens in all countries, and is not limited to Korea). 15 minutes of google search is too much work for them. Finding a more appropriate way to present a specific plot line? Why waste time, when you can apologize later if it gathers some bad press.

Overall, it was painfully mediocre. I enjoyed following some side relationships (be it romantic or platonic) and plot lines, but close to nothing concerning the main two characters was good. They just put random events and ideas together, and did not spend enough time to figure out how to present them in a cohesive way. The show just did not flow well.

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The Sadness
17 personnes ont trouvé cette critique utile
par Kate
déc. 11, 2022
Complété 8
Globalement 1.0
Histoire 1.0
Acting/Cast 1.0
Musique 1.0
Degrés de Re-visionnage 1.0

Horny zombies? Did we really need this movie to exist?

When I started the movie, I was ready to keep my finger on the skip button. I read so many people talking about how explicit it is. Even though I am not easily fazed, better safe than sorry. I also got my drink ready… And oh boy I needed that drink double strong to survive this.

This is basically a torture porn here to only deliver shock value content. I don’t know what the movie is supposed to be? It’s not the case of people just losing control over the primal urges, because violence is not one of them. We are literally wired as social creatures by nature. So while the zombies were not brainless, they were still zombies with little to no agency since the virus turned them into violence seeking assholes. So it’s not like an amazingly fresh take on zombies…

The only thing the movie has to offer is gore and, for some twisted people, content fitting their rape fantasis. Some of the gore was gross, some was so ridiculous I actually laughed out loud. One dude lost the amount of blood that no human can possess in their body. There is literally nothing worse than a movie that is both gross AND dumb. I gave up everything when the female lead just sat down in the staircase chilling and also took her shoes off. SHE TOOK HER SHOES OFF DURING ZOMBIE APOCALYPSE.

I give half a point for the acting and half the point for some gore. That’s it. There is no plot, some violence scenes are painfully dumb, all rape scenes are gross. This movie literally serves nothing worth watching.

I want to be clear though, I have no issue with excessive violence in movies, but it has to serve a purpose. Violence for violence is just boring. When the credits rolled I am sure I just looked like a disappointed parent, when your child acts so stupid you have hardly anything to say and just leave the room.

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Listening Snow Tower
17 personnes ont trouvé cette critique utile
par Kate
juil. 28, 2020
56 épisodes vus sur 56
Complété 9
Globalement 9.0
Histoire 8.5
Acting/Cast 9.0
Musique 9.0
Degrés de Re-visionnage 8.0
Was it a perfect show? No. Did it have some flaws? Yes. But holy hell it was amazingly entertaining. Rarely ever I don't skip any scenes while watching a drama, but I truly did not even once think about smashing that right arrow. So what exactly worked for me, what could have been better, and what was so bad I actually loved it?

THE GOOD

Dare I say this had one of the best set of supporting characters I have ever seen? They all were competent in their areas of expertise, but flawed in other departments, which made them more realistic and relatable. They had their own side stories that were simple enough not to overshadow the main plot, but engaging enough for me not to skip any scenes. The number of badass ladies this drama has is also amazing. I would be confident in saying this show was run by the girls.

The romance. I know a lot of people complain it was not this epic love story, but that's exactly what I loved about it. The romance felt natural and slow paced. The characters had so many important issues to deal with, the fact we didn't spend too much time on them being lovey dovey made sense. It made me appreciate the small moments between them more, as they all felt special.

The main characters and cast. Good stuff guys. I want to compliment Angela Yuen especially, seeing as it was her first main role in a drama. She made me hate Ming He so much, but also enjoy each and every scene with her. All the actors and actresses did a phenomenal job portraying their characters. Few Crystal Yuan scenes felt slightly off, but not to the point it made me annoyed or frustrated. Her performance was still quite solid.

The storytelling. Exactly my type. We had the main plot slowly unfold as we followed the main characters dealing with side plots. And these side plots were quite entertaining. With each story we were introduced to a new side character, that later on had an impact on the main plot. Nice! Not to mention the progression from revenge to justice leading to the well being of others that main characters wanted to achieve. The moral dilemmas they had to face and the choices they had to make were interesting to watch.

The fighting scenes and aesthetics. This show is simply beautiful. The fight in the rain between Yi Qing and Ah Jing was probably the most beautiful scene I have ever seen. The set design, camera angles, editing - it all contributed to this visual feast.

My boi Bi Luo.

THE BAD

The last episode felt... flat? Especially with how intense the few leading to it were. Quite anticlimactic. They were building up to something epic, but they did not deliver. It wasn't bad, not even that disappointing. I was just expecting something more.

Qing Lan reasoning in the last few episodes. Maybe I am dumb, but the lack of logic behind his actions was amazing. I think they have wasted a little bit of potential this character had.

Slight lack of consistency with the skill sets of few characters by the end of the show. For the sake of the plot progression, some characters that were known to be amazing fighters suddenly weren't that strong anymore. It wasn't that easily noticeable, but since I paid a lot of attention to them, it did make me sigh with a bit of frustration.

Too much poisoning, not enough death caused by it.

THE "SO BAD IT'S GOOD"

GLORIOUS UNDERWATER SCENES! The thing is, in all shows I hate bad CGI, but somehow in wuxia, I love it. The whole show is amazing and beautiful and set perfection, but then the underwater scenes and CGI used there was so bad I loved it. Had the same experience with The Untamed - the bad CGI was one of the reasons I loved the show so much.

Yi Qing's coughing... slowly... I started laughing about it and appreciated it more.

Overall, if you want a show that focuses heavily on romance, this is not for you. While the romance is ever present, it's not slammed into your face every second. For me it was a perfect combination of nicely done characters, interesting plot lines, great production value and pure entertainment.

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Dark Hole
21 personnes ont trouvé cette critique utile
par Kate
juin 6, 2021
12 épisodes vus sur 12
Complété 4
Globalement 7.0
Histoire 6.5
Acting/Cast 8.0
Musique 8.0
Degrés de Re-visionnage 4.5

Missed opportunity

I am sad. This show had such an amazing opportunity to mix crime investigation with supernatural elements, and they decided to ruin it by adding tons of boring plotlines that had less than satisfying conclusions.

Imagine this, the show focuses on Lee Hwa Sun, as she tries to catch the serial killer that murdered her husband while the “end of the world” is happening. Instead of giving us paralel plotlines, make it more procedural - her meeting different types of survivors in different places while investigating. Keeping it rather simple is the way to go with a short format like that.

What we actually got were boring characters with typical stories, and literally no valid resolution for any plotline. Props for the writers to be willing to kill the characters, but even that was not satisfying at all, since I was not attached to any of them.

The whole mutants/zombie/alien deal: don’t waste screen time on plots trying to figure out what it is, if you won’t deliver any answers. How about redistributing that time to develop the characters more so I can actually give a shit about what is going on?

Conflicts resolution? Let’s just find a cheap way to either write it off, or deal with it in one clean way, no matter if it’s just lazy writing. ALL the conflicts (and I truly mean ALL) were resolved in the EXACTLY same way.

What was the purpose of Yoo Tae Han even existing in this show? No idea. He had no personality, no clear motivation, no goals, no nothing. He just showed up whenever convenient to help the “good guys”.

It’s hard to even comment on the acting, when the majority of the characters had little personality or were the typical stereotypical assholes. Song Sang Eun did the best and had the most diversity of the emotional performances from the whole cast.

Overall: Honestly speaking, it’s not a bad show, but it’s just amazingly frustrating because it could have been so much better. We do not get fresh and fun new concepts that often, so for it to be wasted like that does not sit well with me. I watched it being mildly entertained, but I kept thinking how every scene and plot line could have been easily improved.

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Eighteen Again
56 personnes ont trouvé cette critique utile
par Kate
nov. 10, 2020
16 épisodes vus sur 16
Complété 10
Globalement 7.0
Histoire 6.5
Acting/Cast 9.5
Musique 9.5
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Beautiful moments surrounded by nothing.

Here’s the thing - I liked the show when it started airing. I knew few people thought this type of plot might not work out with a drama format, but I was still full of hope. At some point, though, I had to admit they were right and I was wrong.

This show should be 12 episodes long at best. Preferable 6 to 10. It should focus on exactly 3 plotlines: Da Jung and Dae Young, Dae Young and his kids, and Da Jung’s job/dream. They should fill the episodes with school drama, as a lot of interactions were happening there. You can even keep the bullying and teen romance. But why, oh why do we need a love triangle? Why do we need a 2nd couple/romance? Why do we need all the scenes and interactions between Deok Jin and Ae Rin? Why do we need that Il Kwon mess? Or what was the point of this mystery photographer guy? There is so much going on in this show, and yet it feels like nothing is happening. All the most memorable moments that were truly meaningful were the family interactions. We do not need that many filler plots.

The last two episodes were some whole new level of cliche and stereotypes. When you have 2 cars of doom for the price of one, you know you've hit the jackpot. The back story about Ji Hoon's brother being connected to Dae Young was unnecessary and presented in the worst possible way. Such an emotional scene and yet, I could not stop laughing when the 2nd car came out of nowhere.

I don't even want to talk about the last minute "I'm breaking up with you for your own good" plot, because that trope just needs to die, or at least take a few years break from appearing on screen.

The highlights? All the scenes between Dae Young and his kids, both in the past and present. The slow realization he had about mistakes he made, the gradual learning that Dae Young actually cared a lot for Shi Ah and Shi Woo. These are the scenes I will remember after the show ends, and these are the ones that moved my heart the most. These were the gems that made me cry so many times, and if the show focused more on the actually important parts (relationships between main characters), chances are it might have gotten a 10 out of me.

For the acting, Lee Do Hyun aced the role. There are quite a few shows with the “younger actor playing an older character after body switch”, but none of the actors were as believable as Do Hyun. I trust this guy with my life. What do I see? Bright future ahead of him. His talent will lead him to some great roles and amazing projects.

Overall, the acting was on point. The emotional scenes were emotional, happy and funny scenes were just that: happy and funny. No areas of complaint here. Some people might dislike a few overacting moments from Lee Mi Do, Kim Kang Hyun and Kim Yoo Ri, but it was clearly a stylistic choice that has nothing to do with the acting skills of the actors themselves.

Usually I don’t pay that much attention to the soundtrack, unless it’s truly outstanding. Here, I liked quite a few songs, especially Sohyang’s Hello, which truly elevated the emotional scenes to a new level. Not to mention Sondia, who became one of my favorite ost singers, with an amazingly sweet and warm voice.

Overall, nice show, but skippable. I stayed for the parents and kids relationship and Lee Do Hyun’s acting. Even though I am massively disappointed by the obvious ending and last two episodes, the scenes between the family still made me tear up a bit and it shows how amazing this drama could have been if it was not for the unnecessary sub-plots.

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Today's Webtoon
30 personnes ont trouvé cette critique utile
par Kate
sept. 17, 2022
16 épisodes vus sur 16
Complété 8
Globalement 6.0
Histoire 5.5
Acting/Cast 8.0
Musique 6.5
Degrés de Re-visionnage 5.0

Great moments rather than a great story.

This could have been a perfect warm, cheerful, positive and destressing show with some fun and quality characters and great messages and dialogues, if it only had a solid direction of the plot. But it turned out to be a bit of a mess, with few gems here and there and a lot of unresolved frustration for me.

At first, they set the stage perfectly. We know who the main characters are and what their goals are. Who they need to fight against and what are the stakes. And then it all gets sidetracked and everything loses focus as we get more and more not well established side conflicts that are resolved in a half-assed manner.

Instead of truly diving deep into these underdogs trying to survive and strive in the company, keeping their webtoon team on board, we got a lot of random side stories and problems that were loosely related to the overall plot. Honestly, it’s the first time when the villain did not have to do anything, because the issues kept showing up even without his involvement. Things started moving forward in that aspect only in the last few episodes. Quite a weird and not engaging plot progression, if you ask me. Overall, there were just too many side plots and characters, so nothing felt truly developed and all conclusions anticlimactic.

The good point in how some messages were delivered was the fact the viewers get the "lecturing" and life lessons WITH the main character, and not delivered BY main character. Thanks to that, it never came across as preachy.

Onto the characters, On Ma Eum was amazing, until she wasn’t. Extremely optimistic and hardworking. What's important - she did not think things would just go well, she believed she could work hard to make them go well. She bet on her work, not luck. While she is a bit stuck in her "positive" world and attitude and fails to instinctually see how other people might have different approaches, once confronted, she tries to understand other people and act according to the new information.
Where her character failed was any and all interactions with Shin Dae Ryuk. Calling her approach as “ignorant” would be a compliment to how it truly went. On the surface it was all cute, nice and uplifting, but by the end, I just wanted this girl away from this child.

Seok Ji Hyung and Jang Man Cheol were amazing seniors and great mentors. I appreciated how I got no romantic vibes from Ji Hyung and Ma Eum. I loved to see their mentor-mentee dynamics. They tried to stir the pot with previews, but I learned not to trust them early on. I think we as viewers are conditioned to see romance everywhere, so even deep, platonic relationships seem to hint at romance for us.

Goo Jun Yeong might have seemed like this asshole cold main lead, but he was actually quite cute and harmless. He was straightforward with what he said, reacted well to people guiding him and took suggestions and advice to heart. He was far more open to new things than I thought he would be. It’s true that he had his ups and downs, but that’s what made him an interesting character.

All that said, with the great cast of the main characters, the one that truly stole my heart was Shin Dae Ryuk. It’s literally a crime how such an interesting character with such a complex background was not more of a prominent figure in the show. That wasted potential just makes me sad, and the conclusion to his story - mad. I don’t say it a lot when thinking about dramas, but this was truly offensive. It was so bad, I cannot even simply dismiss it as an ignorant take.

I don't have that much to say about the acting - everyone did a great job. Kim Se Jeong's existence is just unfair to us all. Not only is her singing just phenomenal, but she is also an amazing actress. She is so natural, no matter what role she takes. Also, the scene stealer, show stealer and hearts stealer - Im Chul Soo.

Production wise - typical kdrama. It was not breathtakingly beautiful, but it had some great moments screenshot worthy. Can’t remember one song, so that sums up the OST quiet well.

Overall, it was a nice watch. You know how there are some books with amazing quotes, but when you have to talk about the plot, you have barely anything to say? This drama is similar.

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