A Tale of Green Privilege.

I am salty, not gonna lie. I was totally in love with the show for the first seven episodes, but the last three were simply a writing joke and left a bad taste in my mouth. For me, the writers completely failed to deal with and give a proper closure to a topic they decided to showcase.

Starting from the positives, I have to talk about acting. I usually keep my standards rather mid range with Thai BLs - here they exceeded my expectations. The performances weren’t Oscar worthy, but damn they were good. I see a trend in Thai BLs with casting new yet extremely talented actors for the main roles - Zee, Win and now Mix. Some actors did a better job than the others, but overall everyone portrayed their characters well.

The production value and the attention to creating realistic settings was quite nice. The village seems like a real close community - the interactions and relationships felt genuine. Loved the kids and how each one of them had their own individual characteristics, and they were not just “a group of kids”.

The slow progression of Tian and Chief’s relationship (excluding episodes 8-9). They were adorable. Well paced and natural way of presenting two people falling in love. Ain’t no “love from the first sight” or “forcing your presence on the other person until they give in” (which is done in many shows both in the physical and emotional aspects). Just two people working around their insecurities while the attachment and emotions grow.

“Your feelings come from your freaking brain” aka clear message that Tian is just Tian, and his character development and feelings come from him and not the heart he received from Torfun. All the similarities in his behavior towards other people did not come from the heart - it was Tian acting on what he read in the diary. I truly appreciate that they clearly expressed that Tian is his own person.

Onto the bad aka everything that happened after episode 7: complete lack of consequences (both legal and social) for people who broke the law. In real life, Tian would be hated by society - a rich kid who got away with breaking the law (organizing an illegal car chase in which someone died, and with how it was presented, it was not the first illegal car race he organized and took part in) thanks to the parents' money.

And I’m sorry, but feeling guilty is not enough of a punishment. We have legal systems for a reason. I’m all up for a redemption arc, but a character needs to pay for their crimes first. Same goes to his parents - all they did the whole show was bribing people for various reasons. The whole show could have happened only because Tian’s parents were able to buy his way out of trouble with money, and the true victims were simply forgotten. Torfun got no justice, nor did her family and friends. Everyone involved in her death got off scot free. That part of the plot and how writers dealt with it just simply angered me and ruined the show.

For everyone who claims that since Tian was not behind the wheel, he should not be held responsible for everything that happened to Torfun, remember that Tian was the one that suggested the car chase. Him and Tul organized the whole thing. When Tian started to feel unwell, Tul suggested forgetting the race, but Tian said no, because he did not want to look like a coward (to this random person he met in a bar and will probably never meet again - pride much?). He sent his friend to take part in the car chase on his behalf. He is not blameless.

And yet, he hasn't once been criticized or even scolded. Everyone just kept telling him how he was not at fault, how Torfun would forgive him, how he should stop feeling guilty, and my favorite and most disrespectful line of the whole show “Maybe, Torfun was the one who chose to give the heart to you” - it came from the person who was close to Torfun, someone who in first episode said “Everything can be settled with money. Easy, isn't it? I will never forgive the person who did this to her” - newsflash Chie’s, Tian was one of the people who did this to her, and his parents were the ones that used the money to make it go away.

Then there is the whole aspect of Tian wanting the freedom of choice, when everyone around him made the decision for him. This could have been a really good arc if they actually showed Tian being capable of making these decisions. Up till the end of the show, while his intentions might have been good, they often led to putting others in danger (sometimes almost dying). Tian is not exactly a responsible human being. How many times his actions need to have negative consequences until he starts to release, maybe double or even triple checking his ideas would be a good way to go?

All the problems I have, were the result of episodes 8 and 9 happening. It turned from a really wholesome story of self-discovery, development and improvement, to overdramatized mess with no cohesiveness. I loved and adored Tian in the first seven episodes, to be left with no sympathy by the end. I just could not stop feeling bad for Torfun and how poorly her character was treated in the show - all as a way to make Tian look better.

The last episode was quite enjoyable. Full of clichés, but since the cast have good chemistry, it did not bother me that much. The MVP was Tian's mom at the airport. Her reactions were comedy goals.

Overall, I have no idea. I am extremely conflicted - it’s not like the whole show was bad, good or decent. There were things I loved with all my heart (Tian’s and Longtae’s friendship being truly the best part of the show), but some were laughably bad (I did laugh throughout episode 8-10). I guess this show just made me feel frustrated on a whole new level just because of the two episodes close to the ending.

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RamKing is life and Thara is amazing.

Now that we have that behind us, let’s talk about the drama itself. It was a mess. They didn't try to be serious for sure, and some silly scenes were borderline dumb, but somehow it did not bother me. But then… My expectations were extremely low to begin with. There was an imbalance in the quality of writing between couples. Some were good and executed well with interesting characters, some were based fully on cliches and made me want to either sleep or smash my head on the wall.

Let’s talk about couples. The leading babies, Duen and Bohn, had a strong start. Their interactions were funny and cute, but then, it led to nowhere. About halfway through the show I was asking myself: what is happening with them, why does every episode have more or less exactly the same plot for them? There was not much creativity behind who they are, what they do and how they behave. They are basically every cute BL couple from every BL put together to create this monster. Not to mention how frustrating their dynamic was - Bohn always being jealous about the smallest and most random stuff and Duen apologizing and pleading.

King and Ram… how were they so good? How could the same person write them and Duen/Bohn? The quality is vastly different. There was something fresh and fun, yet cute and innocent behind their interaction. King was a perfect senior who, with his mature and bubbly personality, brought some peace and happiness to the soft boy Ram. Since season one focused on Ram's development, I can’t wait to see what will happen to them and King in the 2nd season.

I don’t have anything to say about Boss and Mek. Their story might have been amazing, but I did not witness it at all. Sadly, I could not look past Mek’s dubbing, and skipped all his scenes. I just could not focus on whatever was happening because of the poorly done dubbing.

I also have a complaint about Thara and Frong - there was not enough screen time for them! Another pairing that, to some extent, relied on the stereotypes, but brought a bit of a twist to it. The slow, but adorable change we saw in how Frong treated Thara made my heart melt a few times. Loved how they became so open and were able to communicate with each other, say sorry when it was required, and support each other when needed.

The acting would be fine if it was not for Poy. His crying scenes were some new level of comedy. The rest did well. I did feel a bit awkward with Talay's delivery at times too, but since his character was so nicely written, I could ignore it.
The editing, set design, directing - everything was meh. It was not bad, but it was not good either.

Overall, it’s a nice “I want to watch some sweet show that does not require a lot of brain power and I am willing to skip 50% of the scenes if needed”. There were some scenes more ridiculous than others (the fact Duen was hit by a car in episode one and it was never addressed still makes me laugh), but I guess the confusion it created in my brain was also its charm?

Would I recommend watching? Yes and no. Watch RamKing and TharaFrong, feel free to skip the rest.

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Hits many cliches but still likeable

It’s a really simple story that we all saw hundreds of times. A shy boy and a popular boy on their journey to getting to know each other. Nothing groundbreaking or new about it.

What makes it worth the watch is the acting and the simple concept. Many times the writer and director tries to shock the viewers with over the top plotlines to compensate for a limited length of the shows - it’s truly unnecessary. The Best Story keeps it relatively simple, with few characters and plot lines. What’s best in my eyes was War’s acting. He truly aced the “shy teen crush” portrayal.

Some characters are more likeable than the others. Some you will just end up hating, it’s inevitable. Be ready, because it might be a frustrating watch, especially since the show tries to tackle some sensitive issues by the end, but has not enough time to dwell on it more.

For a mini series like that, the production quality was quite good. I loved the few aesthetic shots and that they did what they could with a probably limited budget.

That said, the ending caught me by surprise and left me with a big “WHAT” on my face. My initial reaction was closer to: That’s it? Wait… there’s more, right? There will be a 2nd season or something, right? After a few minutes of calming down, I don’t hate it. I don’t think it fits the vibes of the show that well, but it fits reality.

Overall: Since it’s a short watch, I’d recommend it if you want to watch a simple inducing frustration teen love story with little to no plot, but good acting. Going with no expectations would be best.

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Perfect movie if you decide not to use your brain for two hours.

The Call has a lot of pros, not gonna lie. The acting is amazing, especially from Jeon Jong Seo. Her character is truly the best part of the whole production. You end up loving and hating her at the same time. Jong Seo's portrayal of the initial vulnerability that moves into the direction of desperation and then madness is an intriguing ride.

Park Shin Hye is good. As good as in any other production she was in the past few years, as she is playing exactly the same character. Kind of strong and driven to survive, but not really. Sometimes making smart choices, but that are built on a chain of dumbness. There isn't anything fresh or interesting about her.

The other characters are barely there, only serving the purpose of moving the plot forward or being an external motivation for the two main characters.

The visuals - truly stunning. That's the part of the production that shows a lot of work and planning. The moments when two worlds are colliding and affecting each other was done in an exciting and beautiful way.

So what is the problem?
I'm fairly certain that Lee Chung Hyun did not have a storyboard for this project and he could not decide what exactly are the rules of the time. He presents a linear concept of time (compared to "alternative universes"), when past events affect future events. One reality, but two different points in time. But the way the movie presented the concept was as if the two timelines were parallel and progressing the same way.

Currently happening event in the past affects the currently happening event in the present, but we don't see how the past plays and affects the present in between these events, as if the time between these two events does not exist. The past is the past. Seo Yeon should have access to all the information about the events that happened, not just the ones currently happening in the parallel timeline. Not to mention the fact Seo Yeon had no memories of the past events that affected her. Why?

All events in the movie happened in the linear way, except for the ending. Which was also not explained. The plot twist just opened the door to so many plot holes. If you could call the past at any given time on that timeline, why didn't Seo Yeon use it to her advantage?

The more I think about the way the plot was structured and the time connection explained, the more I get annoyed. It truly looks as if no time was put into making sure the events follow any line of logic. On the surface, it's the basic "action-reaction" deal. But when you start asking questions, you see that time travel/connection plot lines cannot follow this simple logic, because that's what makes them illogical. As time is not that simple...

Anyway, I can see why people enjoyed the movie. It was entertaining for most parts even though quite predictable. If you won't try to understand the logic behind the events or the rules of the time aspects, you will like it. So, the piece of advice: put your brain on the shelf before starting it.

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Was it scary? No. Was it innovative? No. Was it fun? HECK YEAH.

I truly do not have much to say. It was a series of short (most are around 5-6 minutes long) stories presented to us without much context. The urban legends they are based on are not explained, and I myself recognized only two from episode 3 (Special Guest) and episode 6 (Dimension). Did it bother me that I was dropped into the dark and by the end of each episode I was still in the dark? Not really.

I saw a lot of people commenting on the lack of the lore explanation before each episode, but most of the time there is nothing to explain. Urban Legends usually leave more questions than answers, as they are supposed to be simply entertaining and not complex masterpieces. For example, the Dimension is based on the elevator game. Follow the rules and you might end up in a different dimension. If you break any: you're dead. That's it. That's how creepy pastas and urban legends work: they have little content, no explanations and a lot of "plot holes" but they are fun to read (or watch, in this case).

The story that stood out the most to me was Dimension. It got me excited. The choice for the music was true perfection, I was smiling the whole time (damn... this makes me sound like a psychopath when you think about the content of the show and this episode). I also appreciated how the stories were all connected and clearly took place in the same area/universe, as they referred to each other.

The production value was inconsistent, that I must admit. The directing and editing itself was nice and the team did a good job with creating some interesting pictures, but at times, they tried to do more than they were capable of. The CGI was a bit painful in a few episodes. Thankfully, more often than not, they used practical effects, which saved it. Being perfectly honest with you guys, I enjoyed the bad CGI. The whole show was a fun, silly ride for me so the "creepy CGI baby" was just a cherry on top.

Would recommend it for anyone who likes silly creepy pastas and urban legends and does not expect any complex and interesting lore. It's fun and entertaining, and even though it's supposed to be a horror, it brought me more laughter than scares.

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Rom-com turned psychological thriller

Imagine all the unhealthy relationships in dramas. Now, multiply that image by 100. And guess what, it still does not get close to the toxic ride I’ve got from this show.

Truth to be told, the first 10-11 episodes were a top grade hate watch. I had so much fun with how ridiculous the plot was, how toxic the ML was and yet no one saw any problems with it. After that though, it turned into a snooze fest. It was not even entertaining enough for a solid hate watch anymore.

Ling Yi Zhou is easily the worst main lead in the history of romance dramas, and yet, no one had much problems with his awful schemes, including the female lead.

I don’t even want to talk about Xia Lin. Girl needs some serious psychological help. Honestly don’t know who had more issues, her or ML.

Anything good about the show? Chu Yan, one of the semi realistic people. The chemistry between Xu Kai Cheng and Simona Wang was really good and natural. I almost enjoyed their domestic scenes when I was able to block the toxic parts out of my brain for a few seconds here and there.

Overall: I don’t know. I had fun at first because of the ridiculous writing - the plot twists were so over the top and gross (if we talk about real life) I was crying from laughing, but after some time it got boring… There are some makjang plot lines that cannot be topped. The show picked at episode 11, and went downhill from there.

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Seeking the chance without regret

Beautifully written and directed tale on chasing after your dreams and hopes regardless of external factors, whenever they are your age, family, social expectations or past demons keeping you away from taking that chance.

The true star of the show was Shim Deok Chul played by Park In Hwan. Both, how the character was written, and then portrayed on screen made me as a viewer relate to him, empathize with his journey and root for his success even though, practically speaking, we had close to nothing in common. The story was so touching and beautiful that it left me dehydrated because of all the crying (not all the tears were sad).

Acting wise, I had a small beef with Song Kang - his emotional scenes were just… not emotional. The sadness, fear, loss, frustration his character was supposed to feel, were not translated via his acting on screen.

Sadly, Shim Deok Chul arc was both the blessing and the curse of the drama. All the other plot lines felt flat when compared - there were just too many characters that at the end of the day, were relaying the same message. Dropping some characters from the script, and allowing the rest to present better structured and developed plot lines could have potentially elevated the quality of the overall storytelling.

The production quality was, dare I say, perfect. Props to Song Kang double and the director for filming the ballet scenes in a way that was consistent and it did not feel like I’m watching two completely different people doing completely separate takes of the same scene.

The OST is one big bop, having both slower and sentimental songs and faster tracks.

Overall, it was a ride that, at times, was tough to emotionally deal with, but still worth all the tears. It did not leave me completely depressed, as I was fearing, taking into consideration the used themes. What I’ve got was a beautiful conclusion to a beautiful story.

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How to enjoy a disaster movie when I don't feel the connection to any of the characters, but the movie relies on me feeling something?

Since the disaster happened relatively fast, I didn't have enough time to get to know the characters. They all were just nameless random people to me. I didn't care about the mains more than any other background person running away. Will they die? Will they survive? Who knows? But also, who cares?

The political aspects just frustrated me to the bone. Since various terms and procedures had to be explained to the viewers via narration, everyone making the important decisions about the disaster looked incompetent - everything had to be explained. The president was spineless until the plot decided it was time for him to act the role. The same "miraculous change" happened to the main hero, who was first to try to leave and then out of a blue first one to try to save others. The "development" of the characters just happened in between scenes, and there was no nice and logical progression.

The acting from the main cast was good, but some of the supporting actors could tone down the over dramatic acting a bit.

Overall, a nice movie to play as a background as you do other daily activities. Far too long for what it presents and offers.

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Why make it so complicated?

I will never understand why Korean writers are so obsessed over adding so many external conflicts to every drama ever, while also making them so over the top and not relatable for the majority of their audience. Love in Contract is a rom-com, not a business politics drama, we do not need this much focus, or even any focus on the shenanigans of the chaebols.

I honestly think removing the whole aspect of the “rich elites” from this show and making it at best 12 episodes long would vastly improve the quality. The whole second half was just a dramatic mess. All the important bits about learning how to rely on others, trust them, move on from past traumas, heal, find your own dreams and goals - drowned in the pool of misogynist powerful men and overprotective mothers.

That said, the first half of the drama was a blast to watch. Choi Sang Eun is a great female lead with a strong personality, clear views that impact her behavior, but also a solid dose of insecurities that we get to explore as the drama progresses. Jung Ji Ho, being one of the most unique male leads in dramaland, had some of the most solid character developments - improving his communication skills, creating social connections, improving his understanding of other people’s views and perspectives, while still keeping the core of his persona true.

Out of all the supporting characters, I for sure enjoyed Jung Ji Eun the most. Appreciated her understanding nature and willingness to improve and not just be a menace to the main couple. And it would be a crime not to mention Woo Gwang Nam. I have to say, that’s honestly a solid representation - a character that is gay, but his whole existence, personality, internal and external conflict do not only resolve around his sexuality. He was neither comedic relief, nor the typical tortured soul. Easily the most complex and well established supporting character this drama had to offer.

Would be lying if I said I was impressed by any of the performances, since I feel I have seen similar characters from these actors in their previous roles. I’d even say it’s impressive how type-cast the drama was.

I have little to nothing to say about the production value. There was nothing bad, nor outstanding about the directing, editing, soundtrack, set design. Sure, the female lead’s outfits were amazing, but that’s not enough for me to praise the overall quality.

Overall, the show was simply basic. It had great moments, nice supporting characters, but when it’s surrounded by mediocrity, I question if it’s worth watching the whole show for scraps.

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Went into it for a sweet romance and it’s mostly what I’ve got. Natural development of feelings between the leads and beautiful friendships were for sure the highlights. The issue was the second half of the show and all the overdramatic plotlines added. It worked the best as a chill slice of life, why add more?

The first half of the show is everything one might want from high school romance: playful, smart, caring male lead. Smart, positive and driven female lead. Friends with good comedic timing delivering a fun side romance. Plot touching on internal struggles like not knowing what you want to do in your life, wanting to both please your family, but also do what feels right for you. The chemistry between all the cast was amazing, the innocent jealousy, the bickering - butterflies in the stomach mode on.

But then something happened in the second half that made me lose a bit of my interest. The plot surrounding Zhou Si Yue’s family and how it made him hesitate and take a step back was literally enough to fill all the remaining episodes. Why add more to it? Why focus on the 2nd male lead after such a long time? Why add the whole “crime and business” related aspects? A lot of random plotlines were introduced and concluded in 2-3 episodes, so why even bother making them happen if they did not plan to develop them in a proper manner?

All that considered, I still enjoyed Our Secret for fluffy romance, heartwarming friendships and great performance from the cast. Honestly, can we talk about Chen Zhe Yuan? Because he aced the role. I am completely in love with this man right now. He was so natural in his performance. He made me want to go back to my high school days, and that was for sure not the best and most exciting part of my life…

Meng Jie Xu also did a great job with the presentation of Ding Xian. I wish some of her emotional scenes were a bit more… emotional? I don’t think the character was written in a way she would try to restrain her feelings, but that’s the vibe I’ve got a few times.

Overall, a high end of the decent high school romances. Surprisingly not cheesy, not leaving you with second hand embarrassment.

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Going into this show one needs to understand this is not really a dating show. It definitely focuses on the hardships of existing couples and any “dates” seem more like a distraction from what’s going on. You won’t really get butterflies watching it, there is no “hot tea” of who likes whom and why. It’s more frustration, pain and a lot of sadness and this is kind of why I liked it.

Quite quickly you can figure out no new couples will form here. While the dates provide a new perspective for the couples to view their own relationship, it would be painfully ridiculous and unrealistic for any of these people to fall in love with a new person in just two weeks. And that’s one of the aspects I did not like - short duration. I honestly don’t think 2 weeks is enough of a time for a show with a premise like that. It probably would be better if the filming took a month - just keep them all in Seoul and let them go to work, so they don’t take a full 2 weeks off.

Because the duration was so short, a lot of things felt rushed and we kind of got bombarded with new developments, constant arguments and unresolved issues. I cannot even imagine how exhausting it must have been for the participants.

That said, it’s still a surprisingly great show. Somehow, no matter how flawed the relationships might have been, I rooted for most of them to stay together. It was nice to watch them learn how to communicate with each other and appreciate the bond they have.

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“Okay, but why?” and “Okay, but how?”

Were the questions I kept asking as I was watching, and I did not receive answers for the majority of them. The only things the movie had to offer were gore and the performances. The writing was nonexistent just like the logic behind the rules of the curse/hypnosis.

There were maybe 2 decent characters, but none that truly caught my attention. Most of the teens were either boring and just there to die in creative ways, or borderline psychos, and the laughable attempt to make it seem like “everyone would act this way in a similar situation” just made me laugh. There is a difference between doing awful things for survival, and doing awful things for survival while also laughing and enjoying yourself.

The ending is just dumb. Makes sense in the most shallow perspective, but when you start to think about it even slightly, it all falls apart.

Overall, they should have used some of the money from special and practical effects of gore to hire a better writer. Unless the source material is also this dumb, then there is no hope.

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Vast improvement in storytelling compared to previous movies.

I always had exactly the same issue with Whispering Corridors - they always try to make the audience question if the events happening are the result of supernatural or not, but they also always dump over the top spooky stuff in the last 15 minutes. Here, the pacing and storytelling was more gradual and the ending actually gave a solid answer to the events happening.

For sure my favorite installment. You still need to pay more attention than while watching other horror movies to get the story and not get confused by anything, but it is possible to truly understand everything, and that’s something I cannot say about all Whispering Corridors films. The Humming was simply a solid plot with good storytelling.

It does tackle some triggering issues (TW in the comment under spoiler), but it’s not explicit - they set it so everyone knows what happened, but they don’t slap you in the face with scenes you would rather not see. Can’t say the same about gore - while nothing bothered me (I’m not exactly easily grossed out), there is some blood, there are some mutilated bodies. Nothing too intense, but better know about it before picking up the movie. Especially since the previous Whispering Corridors movies were not exactly known for bloody content.

I liked the acting a lot. A lot of characters were rather basic, but Kim Seo Hyung as Noh Eun Hee delivered a perfect performance. Well presented gradual transition of where the characters started and where it ended.

Production wise it was a well made horror, honestly nothing spectacular. Two semi-jumpscares bothered me, because they were painfully unnecessary and cheap. Glad we did not get more of it.

Overall, that’s the Whispering Corridor movie I would recommend with no regrets. You can skip all the rest.

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Fanfic like story we all crave in the middle of the night.

I have hardly any thoughts about this show except for the fact that the female lead was amazing and the character deserves a full length drama. Strong, smart, confident - we need it.

The political schemes are complex as a set up and deserve a more in depth exploration too. The delicious angst this could bring if it was longer - I can only imagine.

The fanfic-like romance between confident and domineering female lead and puppy male lead with deadly skills was everything one might ask from a short show like this.

What surprised me the most was quite decent acting for a short, low budget web drama. This could have been a cringe fest and not fun entertainment if delivered with poor acting.

Overall, confident, hot male lead who? I only know Li Yun Zhen.

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Love the sismance, hate the dad.

One thing for sure - the dad in this movie will not win the award for the best father. While the sismance between the three sisters was amazing, I kept getting slightly frustrated every time they mentioned the dad, and how little reaction everyone had with the fact he had basically 3 different families in 3 different countries.

Hsia Ru Shu? A saint. The way she just took everything in, did not really complain much, never freaked out or yelled at anyone - is this emotionally detached reaction even possible in real life? It’s not that she did not care, just just accepted everything, as if it’s normal. Maybe it just shows her attitude towards her father at the beginning of the movie - she had such little expectations, even a big news like that did nothing to faze her.

That said, I did love her interaction and bond with the other two sisters. I loved how fast they clicked, and more realistic and emotional reactions from any of them would make it far less enjoyable. As long as I did not try to dive deep into their current situation, and just enjoyed what was happening on screen - it’s quite a well paced and moving journey.

The one thing I disliked about the show were the countless excuses made for the dad. I had no issue with him being a questionable parent, my issue was the fact they tried to make him look like a good, but misunderstood one - which was not true. The framing matters, and I hated it here.

One of the best parts of the movie? How visually beautiful it was. I am one that appreciates nice shots a lot. I’m willing to watch a bad movie, as long as it’s beautifully done. This had both good writing and amazing filming.

Performance wise, I especially enjoyed Sammi Cheng and Megan Lai. Their emotional delivery, even though quite different, just worked so well with who the characters they were playing are.

Overall, I would definitely recommend it. There is not much plot, and the whole movie focuses on forming relationships, grieving, reconnecting with people in your life and letting go of past misunderstandings and regrets.

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