Cette critique peut contenir des spoilers
Leads Insane Chemistry is the Lure......Plot/Story is Nonexistent
This is the first drama I've ever watched of this genre and it's not one I watch or like but what caught my attention was the insane chemistry of the leads. It was enough to give me pause and decide to watch. While I'm still not interested in anything in this genre going forward; the two actors themselves I have added to my following list because they are truly unique, multi-talented individuals. Their work, though regardless of genre, I will watch again in the future. For those unfamiliar with my reviews, I never read the source material so go in solely as a viewer.
Pros: As mentioned above, the chemistry of the leads is off the charts. After doing some research on Twitter and watching War's concert-like fanmeet, I realized these two are literally brothers from another mother and it's because of their close friendship and understanding of one another that it can translate so convincingly onto the screen. Both Yin and War embodied their characters very well, I just wish they were working with a strong script (that will be discussed below).
Out of all of their gaggle of friends, the only few I liked were Bar, his bf, and the Dr. Ana character as they were (to me at least), the only ones that were supportive of the leads no matter what and never had any hidden agendas or preconceived notions. Vee's parents win "parents of the year" for their acceptance and protection of not only their own kids but of Mark as well. Vee's brother was also great as both comedic relief and just in general. The lesson dad taught Vee by way of his motorbike should be taken into account in real life as well; if you break something, it's your responsibility to fix it.
The OSTs were also right on point save one that sounded like it belonged in a circus tent and not in the show. Every time it played like in episode 6 when Mark was sick and Vee was taking care of him after apologizing, it just threw the entire scene off. Another high point was the comedy; so many different scenes to choose from that just added a little bit of hope or just made you bust out laughing at the absolute nonsense happening.
Cons: Just as the title says above, this series had literally no plot nor storyline. It was essentially a group of university students acting out emotions. It was very unbelievable, considering that save for the two sets of parents, some thugs, the "token" straight female friend, and a little girl, everyone else was gay. You don't see that in real life; I may be straight but I have many close gay/lesbian/bi friends all over the world that I've met throughout my travels that can attest that's just not the way it is.
I saw someone in the comments saying that the characters getting plastered every night was a normal American thing in college and as someone with 2.5 degrees in America, I can tell you that's not the case at all. Are there parties, people going to clubs, getting wasted? Hell yeah! But not every single night unless they want to flunk out of school; especially blackout drunk. Every single episode or half of one ended with someone needing to be carried home or passing out by the toilet. These folks needed AA (Alcoholics Anonymous)!
The conversations were always about the same thing; I questioned the need for a script even; could have handled everything through improv. It was always who liked or didn't like whom, who should date whom, whining about being alone, innuendos up the wazoo, and what bar they should hit up that night; rinse, repeat, please pass the cheese. There was no ingenuity whatsoever. This script carried very little weight other then heavy on many emotions especially angst and a ton of miscommunication.
Tropes were insane (especially not closing the door in 9; like come on! That was beyond ridiculous and extremely foolish on the production's part) and the same situation kept repeating itself especially with Ploy; felt like we were on a hamster wheel getting very dizzy. Ploy was like a Jack in the Box popping up in the most in opportune of times and I do feel she overstayed her welcome. Also, a bunch of unnecessary characters like the creepy as hell boxer dude who was harassing Mark in episode 9; what was his purpose? Confusion, filler, to make Mark who stands up for himself always, forget how to speak words? Or those random girls hitting on Vee in 10 and then badmouthing Mark behind his back to make him have doubts about his relationship again? These people were completely unnecessary; made me question just how much and of what production was smoking.
The only thing I'll say about that crazy train second ending that I'm still trying to wrap my head around, is that it should have been incorporated a lot better then the way it was and perhaps in the middle of part 2 of that episode somewhere. The first ending really brought the relationship full circle while the second one turned Mark into a combo of Daenerys and a hyena ready to devour its prey with a side order of rock music lol!
Would I recommend it? This one is out of my hands. I leave it to the viewers discretion. For me personally, it introduced me to two young men who I see having very bright futures regardless of what paths they take in life and I want to see them succeed.
Pros: As mentioned above, the chemistry of the leads is off the charts. After doing some research on Twitter and watching War's concert-like fanmeet, I realized these two are literally brothers from another mother and it's because of their close friendship and understanding of one another that it can translate so convincingly onto the screen. Both Yin and War embodied their characters very well, I just wish they were working with a strong script (that will be discussed below).
Out of all of their gaggle of friends, the only few I liked were Bar, his bf, and the Dr. Ana character as they were (to me at least), the only ones that were supportive of the leads no matter what and never had any hidden agendas or preconceived notions. Vee's parents win "parents of the year" for their acceptance and protection of not only their own kids but of Mark as well. Vee's brother was also great as both comedic relief and just in general. The lesson dad taught Vee by way of his motorbike should be taken into account in real life as well; if you break something, it's your responsibility to fix it.
The OSTs were also right on point save one that sounded like it belonged in a circus tent and not in the show. Every time it played like in episode 6 when Mark was sick and Vee was taking care of him after apologizing, it just threw the entire scene off. Another high point was the comedy; so many different scenes to choose from that just added a little bit of hope or just made you bust out laughing at the absolute nonsense happening.
Cons: Just as the title says above, this series had literally no plot nor storyline. It was essentially a group of university students acting out emotions. It was very unbelievable, considering that save for the two sets of parents, some thugs, the "token" straight female friend, and a little girl, everyone else was gay. You don't see that in real life; I may be straight but I have many close gay/lesbian/bi friends all over the world that I've met throughout my travels that can attest that's just not the way it is.
I saw someone in the comments saying that the characters getting plastered every night was a normal American thing in college and as someone with 2.5 degrees in America, I can tell you that's not the case at all. Are there parties, people going to clubs, getting wasted? Hell yeah! But not every single night unless they want to flunk out of school; especially blackout drunk. Every single episode or half of one ended with someone needing to be carried home or passing out by the toilet. These folks needed AA (Alcoholics Anonymous)!
The conversations were always about the same thing; I questioned the need for a script even; could have handled everything through improv. It was always who liked or didn't like whom, who should date whom, whining about being alone, innuendos up the wazoo, and what bar they should hit up that night; rinse, repeat, please pass the cheese. There was no ingenuity whatsoever. This script carried very little weight other then heavy on many emotions especially angst and a ton of miscommunication.
Tropes were insane (especially not closing the door in 9; like come on! That was beyond ridiculous and extremely foolish on the production's part) and the same situation kept repeating itself especially with Ploy; felt like we were on a hamster wheel getting very dizzy. Ploy was like a Jack in the Box popping up in the most in opportune of times and I do feel she overstayed her welcome. Also, a bunch of unnecessary characters like the creepy as hell boxer dude who was harassing Mark in episode 9; what was his purpose? Confusion, filler, to make Mark who stands up for himself always, forget how to speak words? Or those random girls hitting on Vee in 10 and then badmouthing Mark behind his back to make him have doubts about his relationship again? These people were completely unnecessary; made me question just how much and of what production was smoking.
The only thing I'll say about that crazy train second ending that I'm still trying to wrap my head around, is that it should have been incorporated a lot better then the way it was and perhaps in the middle of part 2 of that episode somewhere. The first ending really brought the relationship full circle while the second one turned Mark into a combo of Daenerys and a hyena ready to devour its prey with a side order of rock music lol!
Would I recommend it? This one is out of my hands. I leave it to the viewers discretion. For me personally, it introduced me to two young men who I see having very bright futures regardless of what paths they take in life and I want to see them succeed.
Cet avis était-il utile?