Based upon the eponymous webtoon by Ji Min, Navillera was adapted onto the small screen by screenwriter Lee Eun Mi ( Tunnel-2017) and director Han Dong Hwa ( 38 Task Force, Miss Lee) with the hope of bringing to life this story’s heartwarmingly atypical friendship between 70 year old Shim Deok Chul ( Park In Hwan) , and a young man his early 20s Lee Chae Rok ( Song Kang) who are both united through their shared adoration of ballet . A heartwarming friendship tale, Navillera tackled some profoundly upfront issues about ageism, mortality, mental and physical illnesses as well as social prejudice also.

Park In Hwan was undeniably brilliant with his role as our main protagonist Shim Deok Chul. Although older characters are not uncommon in K-dramas , it was a breath of fresh air to come across a character in his twilight years who took central stage as a less glamorised or “ fresher” protagonist in a Korean drama with an equally heartbreaking character growth over the course of the series .

Naturally, it is important to respect South-Korean culture and expectations, however, ‘ Navillera’ pivotal focus is highlighted by the peculiar friendship between two individuals of different ages, with different backgrounds and personalities, who learn to surpass these boundaries through their friendship. Deok Chul respects Chae Rok both as his teacher and being his “ manager”, both inside and outside of the practice room. This allows Deok Chul to take on both the “encouraging figure” and the “friend role” for Chae Rok by his kind actions and standing up for him especially against his young mentor’s rival Yang Ho Beom ( Kim Kwon). ( As well as developing a friendship with this individual also.)

This of course moves us onto the deuteragonist of ‘ Navillera’ Chae Rok. Whilst actor Song Kang’s previous performances have been a little stiff , he seemed to truly capture something vividly brilliant behind his character Chae Rok; a young ballet dancer caught between the pain of the past, and struggling to move forwards to a brighter future. Yet whilst ironically Chae Rok’s archetype does undeniably fall into the cliche of the “ young and good looking main character”, his role in the series is nonetheless just as multifaceted as Deok Chul. This did not push Chae Rok down the stereotypical root of being a ‘ heinous and bitter person’. He’s seemingly aloof and judgemental as well as quick to complain about Deok Chul, however, he is shown to constantly battle with loneliness due to the circumstances of his father Lee Moo Young ( Jo Sung Ah) . He possesses also a similar streak of altruism and kindness as Deok Chul, which manifests throughout his actions over the course of the series.

Over the course of 12 episodes, the duo’s friendship begins to truly bloom. Even Deok Chul’s normally hypercritical wife Choi Hae Nam ( Na Moon Hee) taking a later shine to the younger dancer .

However, against all odds of cliches,the side characters of the series were often given intriguing backgrounds also. Chae Rok’s mentor Ki Seung Joo ( Kim Tae Hoon) has had a complicated divorce and past due to his career as a former- ballet dancer and is determined to not let his young prodigy walk down the same route. Similarly, Deok Chul’s youngest son Shim Seong Gwan ( Jo Bok Rae) ‘s changed career decision often leads to tension during family meetings, whilst the eldest Shim Seong San ( Jung Hae Kyun)’s harsh attitude towards his daughter and wife is certainly more complicated than it seems whereas Deok Chul’s daughter Shim Seong Suk ( Kim Soo Jin) supporting her husband Byun Young Il ( Joong Hee Tae)’s decisions were equally endearing storylines .

Yet the notable story arc which should probably be mentioned along the way can be seen within the staged romance between Chae Rok and Deok Chul’s granddaughter and Chae Rok’s colleague Shim Eun Ho( Hong Seung Hee).There was nothing inherently “ terrible” about this romantic pairing.Eun Ho and Chae Rok were mutually respectful of one another , and shared common ground within their close relationship with Deok Chul. On the other hand, it is fair to say that whilst partially necessary for allowing both characters to overcome their own lack of self-esteem in different ways, the romance respectfully wasn’t the most intriguing or exciting part of the show.

Similarly, another major focal point of the series occurs within Yang Ho Beom’s long-held “ enmity” towards Chae Rok. Without revealing too much about the reasons behind Ho Beom’s contempt of Chae Rok ( due to feeding into the main storyline), it is pivotal to point out that this “ rivalry” begins to filter into the storyline many cliche events, though, this does gradually begin to fizzle out due to their circumstances. However, this is what was refreshing about Ho Beom as a character and minor antagonist . He was far from being a “flawless person ”, but, he wasn’t entirely shown onscreen as having “ no humanity” either. Without any spoilers , there is one particular scene in which Ho Beom later approaches and sits down for a meal with Deok Chul, in a heartwarming moment of the drama.

Besides some minor flaws of the series, the ending of “ Navillera” was bittersweet. An amazing ending point to see just how far the characters had come and the difficulties which Deok Chul is taking one step at a time.

It is easy for shows like “ Navillera” to become overwhelmed with cliches by detracting from the more important points of character growth and storyline. Admittedly, the drama didn’t entirely stray away from these angst-ridden tropes, however, they were used to screenwriter Lee Eun Mi’s advantage allowing " Navillera" to become a heartwarming, tearjerking from beginning to end about family, friendship and self-determination. An enjoying and heartfelt watch with prominent character-growth and pivotal and universal messages throughout.