Good enough

The show was well paced with a very well developed plot centered around political intrigue. All the male characters were interesting, and, thankfully there weren't any convoluted plotlines and cliche tropes. My favorite relationships were between Ha Seon and the Chief Royal Secretary, Eunuch Jo, Guard Jang, and the villains. However, the show should've gone without the romance.

This was probably the first drama where I couldn't care less about the romance. It felt like an afterthought. Nothing against the actors. Everyone did a great job portraying their characters. Big props to Yeo Jin Goo being so young but already so talented. He did a fantastic job playing two completely different characters. But, the romance bored me out of my mind. Yeo Jin Goo next to Lee Se Young looked like a younger brother rather than a romantic partner. Their relationship was completely uninteresting and the chemistry was bland.

The ending was odd having an unnecessary death then returning back to life. The writing choice didn't contribute anything to the story but rather pointlessly dragged the plot for a few extra episodes killing off some very cool side characters and focusing on the boring romance story between Ha Seon and So Woon. The bromance between Ha Seon and the chief royal secretary was way more interesting.

Overall, I enjoyed the plot about duty and loyalty. But the story could've gone without a bland romance between two people who had no chemistry on screen.

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It's ok for a low budget flick

A low budget show is low budget with only 10 very short episodes. It's a shame that this wasn't a full length drama because there was enough plot to write a nicely developed story and characters.

The acting was decent. Na In Woo is still a bit inconsistent. His acting is good in some dramas but stiff in others. Here, he was good.

The plot was mostly straight forward, except for some side stories that went nowhere because of the short length. The writers tried to stick a lot of material into a very short drama without giving any of the new characters and storylines any development. It felt rushed and awkward.

Rewatch value? None. It's a good show to kill time for a few hours and forget about afterwards.

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Left me dazed and confused

I didn't watch the 2019 Taiwanese version, so the review is based on my take on the Korean version alone.

The drama started out pretty strong. Jeon Yeo Been did a great job portraying two completely different personalities between Jun hee and Min ju. One was outgoing and popular, the other was a miserable introvert. The show also did a good job showing the chemistry between Jun-hee and the two boys and Si Heon's growing love for her. The high school timeline was the most interesting with the most chemistry between the three main characters. The adult timeline was kind of bland with Jun hee and Si Heon/Yeon jun having a much less dynamic relationship. This was the second drama I watched with Ahn Hyo Seop and he did a lot better here than in Lovers of the Red Sky.

While the show had a great start, the writers decided to make the plot more complicated than it should've been. By episode 9, I started losing track of who was who because the timelines kept switching and characters kept flip flopping between bodies. I wasn't sure what the connection between the timelines was either. I assume they were parallel universes with two versions of the same person living in both of them, I guess? But, then how did Si Heon and Yeon Jun meet at the airport if they were from different universes? The show also didn't quite explain the connection between them and how Yeon Jun even ended up falling for Jun hee. Maybe I missed it because I was trying to keep track of all the characters and timeline hopping.

Some plotlines got too extreme and others were kind of forgotten. In-kyu disappeared for several episodes, making his character kind of irrelevant, then appeared again towards the end trying to save Min-ju. The murder/suicide plotline was radically extreme. It would've been better if Min-ju just died in a car accident, instead of by some random obsessive classmate turned serial killer who traveled back in time in a body of his brother to train himself to be a serial killer. This is not to mention that the outcomes kept changing as the story progressed from all the timeline hopping, making it even more confusing.

I didn't quite get the significance of Rowoon's cameo as Tae Ha. Did it mean that Yeon jun was gay and was just starting to confess his feelings for his friend before the accident, and that Jun hee really fell in love with Si Heon and not Yeon jun? The writers spent no effort trying to flesh this nuisance out. And, did Tae Ha die in the accident?

The ending was very sweet and left a lot of questions unanswered. The only couple that made sense was Min ju and In kyu because there was no confusion about who was who. With ML and FL, I am not sure whether Jun hee ended up with Si Heon or Yeon jun. They acted like the same person. I think she met Si Heon at the end because Yeon jun was the one who got into the car accident, became a cripple, and got stabbed to death. Not to mention, he might have been gay.

Overall, the show left me with a lot of unanswered questions and some confusion about Jun hee/Si Heon/Yeon jun romance. On one hand, I liked their love story. It was very touching and bittersweet. On the other, all the timeline and body hopping made me completely lost about who was who.

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Fanservice disguised as historical drama

This drama should really be taken for what it is - fan service. All the effort was spent on casting idol actors to attract a certain fanbase of adolescent girls and nothing else. There is no coherent plot, just pretty boys running around with fancy hair and lip gloss looking like they belong in an 80s glam rock band.

Romance was a tropey mess. Dude momentarily gains consciousness just to kiss a girl after hearing her confession, then loses consciousness again. Puhlease. The characters were kind of shallow and didn't really have much development. Even if the focus was on fanservice, the writers could've done something with the plot. Instead, we had convoluted storylines that didn't make sense. The queen wouldn't give up the throne to her son and kept hiding his identity to supposedly protect him, instead of putting him on the throne and helping him secure it. Not to mention, there was this lame conspiracy plotline and the queen's self-serving motivations for the sake of pretending there was a plot. The Hwarang were supposed to be the king's guard, but they spent most of their time bickering and doing song and dance. Only towards the end, somebody started doing something interesting. And don't even get me started on the incest plot where the queen wanted to marry her son the king to her daughter the princess because of some "sacred bone" tradition. I understand this is a fake historical drama, but seriously. And, OMFG, Sam Maek Jong's CONSTANT whining about how weak he was as the king during the entirety of the show - while he was in hiding, after he became Hwarang, after he officially became king, every freaken time he was faced with adversity he bitched and moaned about being incompetent.

The OST was pretty underwhelming. The same song with a female singer was playing in most episodes during romantic/angsty scenes as if it was on a loop. Production and acting were ok. I thought Park Seo Joon and Park Hyung Sik did a good job. Seo Yea Ji had the easiest acting gig as the princess, she looked constipated with the same expression in every scene. Ah Ro was forgettable and weak. She never stood up for herself and allowed everyone to make decisions for her and did whatever she was told. Her bland chemistry with Sun Woo did not justify any of their romantic angst.

All the side characters with their stories and romance would've been interesting if the writers took the drama a little more seriously and wrote an actual plot and character development. I ended up skipping most scenes from episode 13 onward because there was no interest in anything other than the three main characters. I don't think I missed much.

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This drama......

This drama will leave you laughing, infuriate you, and totally KO you emotionally.

It started very strong. ML and FL met when they were both young, had quirky and funny interactions and a quick romantic development. Unfortunately, the romance plot, while having a fun beginning, started going in circles to the point of frustration. San chased after Deok Im (DI) begging for her to love him when he was the crown prince and he continued pursuing her and begging her to love him after he became the king.

At some point, I wanted to see DI get a promotion, an upgrade, to move up in life which would've also given a chance for San/DI to develop further aside from just being a king and his maid. But, she did the same things for the entirety of the show and had awkward interactions with San about their relationship, which made the pace and story development a bit stale. Her consistently rejecting him, because she wanted to lead her own life, would've made sense if DI actually had plans to leave and move on after he found a concubine, but she kept coming back to be his maid, which went against the entire premise of her wanting to lead her own life. This plotline needed to either wrap up a lot sooner or the writers should've written more story to avoid the round-about "love me!!!" by San. And, frankly, them always having the same conversation became really boring.

The other plot lines with San living in the shadow of his "traitor" father and having a love/hate relationship with his abusive tyrant grandfather was very well written and made San an extremely sympathetic character. The transition between him being a crown prince and a king was also very well done showing him transforming from a scared little prince to a decisive king who wasn't afraid to get rid of anyone who opposed him, including family members.

I was going to write about the treatment of women, but it would be redundant considering that this is a period peace. It doesn't matter which period and which country. It always sucked for women everywhere until 100 years ago. Enough said.

The ending broke me until it didn't. After DI accepted San and became his concubine, the story quickly switched gears and showed that their love wasn't happy at all. For the majority of show, San was broken-hearted from being continuously rejected by DI, and DI wasn't very happy being San's concubine because she was forced to wait for him, was at the mercy or his schedule, and had to share him with other women. The scene of DI telling San on her deathbed that she didn't want to meet him in the next life really drove the tragedy home and showed the awful predicament women back then. Even a woman who was well loved and lived in privilege had nothing of her own and was just another thing a man owned.

Just as I thought that my depression couldn't get any worse, it turned out that the ending was San's dream. Waking up in cold sweat and realizing that DI was alive was a second chance of sorts for San to appreciate what was truly important to him. I wasn't particularly thrilled with that twist because it messed up the chronology and made the story more complicated than it should've have been. And, it felt emotionally draining after having to witness DI's death and San's loneliness and longing for years to come after he lost the one woman he ever loved. Nevertheless, this was a beautiful love story.

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Really good

Season 1 (episodes 1-27) had slow start. It took a whopping six episodes for Shaoshang and Ling Buyi to finally meet face to face. Before that, nothing was happening aside from Shaoshang showing absolute disdain towards everything and acting like a spoiled brat. She was supposed to be a neglected and abused teenager who was left as a baby with her relatives while her parents served in a war. The writers didn't do a really good job flushing her out her character at the beginning. She stumbled between being portrayed as a neglected teen to acting very whiny and entitled. In every scene she would go out of her way to act out and complain about everything, instead of trying to reconnect with her parents. Fortunately, the writers didn't let her fester into an unlikable shrew and her character development picked up nicely. It turned out she loved to learn about how things worked. She was very sympathetic to other people problems. And she was a great problem solver.

Her mother's actions were very confusing. For someone who was a seasoned general, mom showed extreme shortsightedness when it came to parenting. She knew very well about her daughter's accomplishments, but instead of looking at the big picture and appreciating the fact that Shaoshang did not grow up to be shallow and spoiled, mom always fixated on her daughter's smaller problems - a lack of education and etiquette. Mom's inconsistency showed even more during Shaoshang's engagement. She did not want the marriage with Lou Yao because he was unintelligent, weak, and wasn't able to protect Shaoshang. Mom also picked up on the fact that Ling Buyi liked her daughter. However, when Ling Buyi proposed, mom immediately put her daughter down to be some awful and unintelligent simpleton who was unworthy of anything. It was no wonder Shaoshang wanted to get away from that house. The icing on the cake was mom's favoritism towards the cousin, instead of trying to reconnect with her daughter.

I really wanted to see the mom and daughter's relationship grow where Shaoshang realized that her mom wanted to prepare her for the adult life and teach her how to navigate society. In return, mom would realize that Shaoshang was a very special and beautiful person and finally got over her fixation on Shaoshang's upbringing. There were some very good moments where I thought mom and daughter would finally grow close - the one where mom slapped one of the ladies at Lou Yao's house. But then there was the scene with Lin Buyi's proposal where mom was a total let down.

The way the Cheng family was portrayed as a "military" family was odd. General Cheng was a general, just like Ling Buyi. But General Cheng didn't seem to have any kind of influence or power at all. At 21, Ling Buyi had an awful lot of power and influence, and even an army to command. General Cheng was nowhere on that level even thought he spent his entire life fighting and was at least twice as old as Ling Buyi. The only person who seemed to have any kind of military discipline in the Cheng family was mom. The two brothers, who were with the parents when they were away, acted like spoiled and pampered aristocrats, instead of military children. They also looked like they never handled a weapon in their lives.

Some storylines needed serious cropping, like the very long engagement to Lou Yao that wasn't going to work out anyway. Shaoshang and Ling Buyi playing catch up with each other could've been sped up a little bit too. I wanted to see more of them hang off the roof together instead of watching Lou Yao bringing her snacks.

There were also some very great scenes showing the build-up of Shaoshang and Ling Buyi relationship. The scene where she pulled an arrow out of his chest was hot and very intimate.

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Not as good as part 1

While I absolutely loved part 1, part 2 felt disjointed. ML and FL had a lot more interactions but before they did, but the story had way too many useless characters and frustrating plotlines.

There were a lot of scenes where ML and FL almost met but missed each other by a hair. At first, it was ok, but later became very frustrating because the writers overdid it. Some characters and storylines were pointless. What was the deal with the Chinese princess and her unrequited love for Jang Hyun? It didn't move the plot forward, but created unnecessary conflict that was more frustrating than meaningful. The princess got no character development and her arc ended in a very underwhelming way. She was cruel and selfish, and I expected Jang Hyun to deal with her in a smart way. But he told her he was leaving and she accepted it, the end. Gil Chae getting abducted to Qing also felt off. It was a tool for her to meet Jan Hyun, but the plotline felt like a forced cop out, rather than a natural story progression.

It also felt like the writers changed their mind with the direction of the story. They made a big deal about women being abused in one household because of a jealous wife. But Gil Chae spent very little time there, then left, and that was it. The arc with Gil Chae marrying the sergeant was also completely pointless. It was another tool to keep ML and FL apart for a bit longer without serving any other purpose.

The entire part 2 felt like a forced attempt to continue with the story post war, except there was not as much conflict and action. A lot of story arcs felt uninspired and forced. I wish the war plotline wouldn't have ended in part 1. This was when the story was at its best.

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Nope

Honestly, I didn't expect much from this adaptation because the plot of Hana Yori Dango (HYD) is quite awful. Yes, it is a beloved classic, but it can't get away from its very horrible storylines - normalization of bullying and abuse of power, entitlement, abusive male lead, toxic relationships, betrayal, flaky female lead, absent parents, abandoned children. A re-make means recycling these terrible storylines because they make up the main plot.

One of my biggest gripes with HYD is that the F4 are portrayed as rich and popular boys who are good at everything, except they don't do anything to be good at everything. This show did a very good job at showing them wasting time not going to class, bullying their classmates, partying, and drinking alcohol all the damn time. I would think a modern adaptation would flush out this plotline to show them participating in some activities to make their talents more believable and to give them some goddamn personalities. When Domyoji /Thyme is not a psychotic bully, he obsesses over Makino/Gorya making her want to get away from him.

To make up for the lack of character development, the actors overacted the characters' feelings making the scenes look very forced. There was very little motivation behind their actions and everything looked thrown together just to move the story forward. Thyme's mother had a lot of screen time, but the writers didn't give her any personality. In the original, she was already very cold. Here, she was a female terminator in pursuit of some mythical "perfection" while treating her children as stepping stones to achieve that perfection. Some plot lines were not in chronological order, and I quit the show as soon as the fiance showed up. I hated that storyline anyway.

Gorya and Thyme spent most of their time yelling at each other and having no romantic chemistry. Watching them together quickly became a chore. The cheating kissing scene with Ren was turned into an awkward hugging scene which wasn't properly resolved. And, the acting altogether was quite terrible. I did like that Gorya's parents were tolerable and not as stupidly annoying as in the original.

Overall, this show was just another awkward attempt at resurrecting an old skeleton that should stay buried.

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A cliche mess

This drama is a testament to everything that is wrong with the xianxia genre. It's too stylized with little to no room for imagination. A stoic ML in a position of power? Check. A childish FL with a baby voice? Check. Immortal realm - good, demons - bad? Check. Self-righteous Taoist sects? Check. Incomprehensible love rectangles? Check. Everyone under the sun falling in love with an immature FL? Check. Rebirth and amnesia? Check. B*tchy and jealous side chicks? Check. This drama follows the same tired tropes without skipping a beat, and it only gets worse with the next episode.

The first 15 or so very slow episodes were mostly about the relationship between ML and FL. FL started out as a child-like fairy and became more serious as she developed feelings for ML. It was a good character development for her because of the life-changing trauma caused by heartbreak. Unfortunately, as the story moved to the mortal realm, Yan Dan regressed back to the childish turd that she was in the immortal realm, but even more so than before. Even though she lost her memories, I thought the trauma she suffered would be a life changing experience leading to a more mature and thoughtful person who was given a second chance at life. But, that was not the case here.

The drama reminded me of Ashes of Love, which was a dumpster fire, with Yan Dan being a slightly smarter version of Jinmi. This was a stark contrast to Love and Redemption, where FL was only clueless about love, but she was sympathetic and thoughtful otherwise, and, her interactions with ML were meaningful. Similar to Jinmi, Yan Dan acted like a child continuously bickering with ML and having a multitude of braindead males falling in love with her. And, because of her over-the-top behavior, her interactions with ML lacked romantic chemistry looking more like an adult babysitting a kid rather than two adults falling in love.

Another issue was Yan Dan's lack of motivation. In the immortal realm, she had some purpose to protect her sister. After she lost her memory, she went wherever the wind blew. First, she swore allegiance to Yu Mo and became his "concubine". Then, she ran off with Tang Zhou and did not give a second thought to Yu Mo or the fact that he could be looking for her. I also thought that the writers spent way too much time on Yu Mo's and Yan Dan's relationship. It was apparent from the start that they will never be a couple, so milking that unrequited love and giving them more screen time than necessary completely deviated from the plot and unnecessarily dragged the story.

In all honesty, I hardly have any interest in finishing part 1. So, it's unlikely I will be watching part 2.

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Toxic dumpster-fire of a love story that needs to be burnt with pure glass fire

STORY AND CHARACTERS
The show just wasn't that great. The story dragged on for 60 episodes with unnecessarily long story arcs that could've been cut down to one or two episodes. It took fifteen episodes to reveal who Jin Mi was. The girl had no character development. Her one talent was to inadvertently get the two most eligible bachelors to pine after her. This is such a stupid trope because it is completely undeserved.

One of the creepiest things was everyone going along with Jinmi getting engaged to Runyu. She was a child in a woman's body who didn't know the difference between friendship and romantic love. Everyone knew she was a moron but they still went along with her agreeing to the engagement, even though they should have known she had no idea what she was agreeing to. The fact that the flower realm raised her to be a blissful idiot was extremely shortsighted too. Jinmi was supposed to be protected from any future heartbreak, but she was given no tools to be able to protect herself from it. Everything and everyone was stupid.

The mortal arc unnecessarily dragged on for 10+ episodes. The whole point of it should have been to move the character development forward and to show that no matter how much Jin Mi and Xu Feng were separated, they would always find their way back to each other. Everything else was irrelevant. We didn't need to see the drama inside the mortal lives of immortals who were going back to being immortal in just a few episodes.

The chemistry between Jinmi and Xufeng was very stale. Watching them together was as exciting as watching the paint dry. Jinmi was pretty, but she wasn't particularly bright and there was nothing special about her. She didn't even know what gender she was at the beginning. Their kisses resembled toddlers pecking each other on the lips. Everything was dry and passionless.

After the mortal arc, the only thing left to look forward to was the emperor and empress getting their comeuppance. But the cringe didn't end there. The biggest problem with the writing was that good characters did very awful things, nobody held them accountable, and the story never addressed their bad behavior. We were supposed to just ignore it and continue cheering for team Jinmi/Xufeng. A perfect example was Xufeng getting into Jinmi's pants. I didn't fault them for falling in love. But I found it reprehensible that Xufeng did not wait for Jinmi to break her engagement with Runyu before sleeping with her. She was still a moron. But he reached a whole new level of awfulness for treating his brother that way. By doing this, Xufeng showed that he was just as immoral, callous, selfish, and entitled as his crappy parents.

On the other hand, the writers went out of their way to demonize Runyu and to portray him as a villain. All of the characters who sided with Runyu and complained about how awful the heaven was suddenly decided to abandon him after he deposed the emperor. The writers never explained why. Characters just randomly decided that they wanted to go a different way. This made them look very cowardly and cynical. Meanwhile, everyone kept cheering for Xufeng, who was written as the golden boy who could do no wrong.. He also seemed to forget that he was a prince with responsibilities. Chasing after Jinmi was all he cared about.

In episode 45, Jinmi finally realized that she was in love with Xufeng. But, really, who cares at this point? I was honestly fed up with their bs. They did Runyu dirty repeatedly and nobody held either of them accountable. Instead, everyone judged Runyu and held him to some arbitrary moral standard when he did nothing wrong. Jinmi ended up marrying him for no good reason, even though she was told she didn't have to. Runyu still kept holding on to her even after she ran off to find Xufeng. "But what about our marriage?" Seriously? I sympathized with Runyu a lot but him still trying to hold on to her knowing she was fully committed to his brother was an idiotic plot development. He should've let her go as soon as he found out she slept with Xufeng.

The drama has a terrible message. Deposing callous and self-serving tyrants is bad. But, acting without honor and a sense of duty is ok. Also, blind favoritism, betraying family members, abandoning friends, and breaking promises is acceptable and even encouraged. By episode 47, I was done. I knew that Jinmi and Xufeng were going to end up together, but I couldn't fathom why. His family killed her family and she stabbed him in the back for thinking he killed her father. They crossed the point of no return so many times. Their relationship was based on betraying those closest to them, abandoning their duties, and having no faith in each other. What kind of values are these and why were we supposed to root for them?

ACTING
The acting by the two main leads was mediocre. Xufeng always had a blank look when he was pouring his heart out to Jinmi. If he was telling her what he ate for breakfast that morning, we wouldn't know the difference. His expression conveyed no emotion of love, despair, confusion, or heartbreak. It was an awful performance, just like most of his acting throughout the drama. Yang Zi's portrayal of Jinmi wasn't good either. She had no personality.

Luo Yunxi delivered a solid and sympathetic performance as Runyu. He is very good at playing tragic characters. I thought his performance in this drama was better than in Till the End of the Moon. And Kathy Chow was fire as the Queen B---ch. RIP

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Crappy soap opera disguised as a medical drama

If you are looking for a medical drama showcasing professional ethics, you won't find it here. The so-called doctors act like hoodlums constantly yelling in front of patients and purposely setting each other up to fail. Instead of writing a story about complex medical issues, the writers proceed to bore us with a trashy soap opera and hospital politics filled with juvenile bickering and medical malpractice. There is also no plot. The show just moves along from one medical emergency to another without a central idea tying everything together. The characters are shallow and unlikable, focused too much on their interpersonal relationships instead of doing their job as doctors, and, there is hardly any romance. Do In Bum could've been interesting, but he is just a prop with no purpose or a personality. The writers do attempt to utilize cliches but they go nowhere. The reason behind Yoon Seo Jung's silly trauma is incredibly asinine and feels like a half-assed attempt to manufacture tension that is pretty much forgotten in later episodes. And, the love rectangle between the main couple, Im Bum, and Woo Yeon Hwa fizzles out as soon as it starts.

The villain is a cookie cutter bad guy with shallow motivations and no coherent reason for any of his actions. He mindlessly tries to destroy Master Kim's career because of some medical mishap over a decade ago and behaves like a petulant child rather than an experienced medical professional in charge of a hospital. Moreover, he has an absurd amount of power for a hospital director who is somehow able to influence the military, press, politicians, and pretty much everyone around him without any explanation why.

I don't understand all of the positive reviews. The show is a marathon of trashy melodrama with no plot or interesting characters. Pass.

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Starts with a bang, ends with a fart

Don't be fooled by the drama's clever start - fantasy/crime thriller with a splash of romance. The first few episodes are interesting with a promise of a compelling story and characters. The dream plotline is very easy to follow, which I liked. But, then the plot devolves into a series of comedic tropes, filler characters, overused flashbacks, workplace gossip, and a very boring romance. Instead of developing interesting crime story arcs, the writers proceed to bore us with immature behavior by the main characters and recurring childhood flashbacks.

One of the biggest issues is the writers being unable to pick a genre. The plot randomly changes between drama and comedy and makes the characters act differently in every scene. One moment, Jung Jae Chan is a serious prosecutor trying to solve a murder, the next, he is a clumsy, blubbering idiot. Because of this inconsistency, it is very hard to take any of the characters seriously. Jae Chan is completely unconvincing as a prosecutor looking more like a young guy playing dress-up with his father's suit. And, the best way to describe Nam Hong Ju is "annoying". She is argumentative and full of herself while doing close to nothing as a reporter. Working at her mom's restaurant would've been more appropriate for her characterization. But, she is a professional reporter with no class and self-restraint, and, similarly to Jae Chan, looks like someone playing dress-up.

Another issue is there being no character development. All of the characters are bland and one-dimensional. Being able to see the future through dreams is the one interesting thing about them. The investigator is the only character who has any depth. Choi Dam Dong is thoughtful, meticulous, and takes his job seriously. He is very convincing at what he does, while the rest are goofy caricatures larping as professionals.

The pacing slows down around episode 7-8 when the plot starts to flip flop between romance and a crime drama. Jae Chan and Nam Hong have no chemistry making their romance as exciting as watching the paint dry. Most of their scenes are very bland and worth skipping. Because the writers do such a half-assed job with the plot and characters, the story fizzles out into a snooze fest very quickly. Hooray to the fast-forward button.

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The show continues to be funny, clever, and very very entertaining. However, the story is missing a central plot that ties everything together.

It's not clear what the drama is trying to achieve. Is it a find your origins story? A quest for power? I have no idea because the plot is all over the place. Season 2 gave more explanation about Fan Xian's background, where his mother came from, but still left a lot of questions unanswered. Several key characters discussed finding the temple where mom came from, but no steps were taken to actually find it. Fan Xian constantly talked about bringing justice to the world, but the never-ending slew of conflict between the royal family and officials always kept him occupied with the current problem at hand. What is the end goal here?

I liked what the writers did with Waner's character. In season 1, I didn't think she fit Fan Xian's personality very well being very submissive and non-confrontational. I always found him having way more fun and chemistry with other female characters. But, in season 2, she came a little bit into her own and started making her own decisions. I also liked how she was able to figure certain things out without falling victim to someone else's manipulations.

Some of the character personalities completely changed. The crown prince was a lot meaner in season 1. In season 2, he is a lot friendlier and nicer. The second prince went from being kind of ambiguous to more villainous. The show spent too much effort subverting viewer expectations, than creating a central plot.

The best part of the story is the music. It's very goofy and completely out of place. We go from fighting sequences with Spanish-esque party music to Nordic yodeling. It's completely ridiculous and hilarious.

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Cringe fest

Clearly, the show didn't know whether it was a comedy or a drama. The plot had very serious elements relating to mental health, trauma, and PTSD. And, then we had Jeong Woo rolling in bed and throwing temper tantrums in every episode. If that was supposed to be comedy, it was cringey as hell.

The romance was underwhelming with very bland chemistry. I wasn't sure why because they did have some cute moments. Maybe because it took them half the show to finally kiss. Maybe because the funny scenes looked stupid and extremely overacted, mostly by Park Hyung Sik. Maybe because their trauma was undermined by immature behavior that was completely unnecessary. If a man acted like Jeong Woo in real life, no amount of good looks would make him attractive to women.

The villain who caused the medical incident was also badly written. His motivations were just so very shallow. He decided to punish Jeong Woo because his mom didn't let the villain see his dad and dad died. So, Jeong Woo, who happened to be his best friend and who did nothing wrong, had to be put through hell and back for the villain to feel vindicated. Crappy reasons, motivation, and extremely lazy writing.

I like Park Hyung Sik and I was looking forward to this drama, but it left me extremely disappointed. I am going to take a break from him and watch something else for a while.

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Overrated

Interesting premise, definitely something new. I really enjoyed the first half with fun cases and all the whales. After episode 12, it was time to wrap up.

The romance needed work. Firstly, it's already difficult to write romance between an autistic and healthy person. Secondly, the romance between FL and ML was rather shallow. He started liking her after he saw her in a wedding dress. It was hard to root for them because there were more red flags in that relationship than the positives. Yes, he at first listened to her talk about whales, but it became apparent that he was getting tired of it. The recurring theme of her having no social cues and consistently disregarding his feelings was not looking good for them. Perhaps, breaking up or just having a platonic relationship would've been better for the plot. Young Woo showed no signs that she could adapt to his emotional needs and he was increasingly hurt and frustrated by her disregard of his feelings. They broke up, then they got back together and that was it. The writers showed no growth in their relationship or her fundamental understanding of how to treat her partner. That would've been an interesting plot idea to teach an autistic person how to navigate relationships.

And what was Joon Ho's position with the law firm anyway? He wasn't a lawyer. A paralegal? A secretary? An errand boy? While Young Woo was running around with other lawyers solving cases, he was mostly in the background getting far less screen time than everyone else. The romance felt like an afterthought.

The acting was really good. Park Eun Bin did a very good job portraying an autistic person. Kang Tae Oh is also talented and very very hot. I want to see more of him in major roles.

Overall, the legal procedural was mostly fun, although it became kind of boring after episode 12. The romance was pretty underwhelming.

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