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  • Dernière connexion: Il y a 2 heures
  • Genre: Femme
  • Lieu: United States
  • Contribution Points: 0 LV0
  • Rôles:
  • Date d'inscription: janvier 7, 2024
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Queen for Seven Days
2 personnes ont trouvé cette critique utile
par Juelin
avril 13, 2024
20 épisodes vus sur 20
Complété 0
Globalement 5.5
Histoire 6.0
Acting/Cast 6.0
Musique 5.0
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Meh

The drama started out strong, but as the story went on it got progressively boring.

I liked Park Min Young in "What's Wrong with Secretary Kim?" and "Marry My Husband". She does well in modern drama. But, here she was completely miscast. Firstly, her character looked more mature than ML. Secondly, they had very little chemistry with Yeon Woo Jin because both characters were really bland. She looked way better with Lee Dong Gun because he looked more mature and because Yi Yoong was a much more dynamic character.

The plot was also a mess. The storyline with the super secret organization went nowhere. The storyline with the super secret pawn shop also went nowhere. Yeok wanted to do everything - become king, be with Chae Kyung, and make up with his brother. But, he ended up being weak, indecisive, and flaky. He kept whining about everything and constantly changed plans making everyone pissed off because they spent way too much effort into trying to put him on the throne. And, after Yeok became king, he wasn't much better than his brother who allowed a corrupt minister run the show. Chae Kyung was frustrating because she meddled too much, had redundant monologues about feelings, and kept pushing Yeok to make up with his older brother when there was no point. She also fainted a lot.

The love triangle between Chae Kyung and the two brothers was pointless. Yi Yoong barely had any romantic interactions with her. But, I wish he did because that would've made her character a lot more interesting. And, as a couple they looked much better together.

And, lets not forget about the ridiculous super sneaky spying scenes where characters stood in plain sight and eavesdropped on other people's conversations without ever being noticed. This drama has perfect the art of invisibility.

The acting was all over the place. Park Min Young and Yeon Woo Jin were both underwhelming and very bland, while Lee Dong Gun was overly emotional and overacted in every scene. He also twitched his mouth a lot.

Overall, weak characters, flat plot, ridiculous writing made this drama pretty disappointing.

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Moon in the Day
2 personnes ont trouvé cette critique utile
par Juelin
avril 7, 2024
14 épisodes vus sur 14
Complété 0
Globalement 5.5
Histoire 6.0
Acting/Cast 8.0
Musique 5.0
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Not completely horrible but not great either

Even good actors and an interesting plot idea couldn't save the drama. It had all the right tools but no oomph.

Han Ri Ta and Do Ha were the most boring two characters. I get that Do Ha was supposed to be a sad person who just wanted to die, but in the very least the writers could've given him a personality and more facial expressions. Han Ri Ta wasn't any better. They were one depressed person falling in love with another depressed person resulting in slow and longwinded conversations about what sad lives they had, which got old very fast.

The most mindbogglingly stupid thing in the whole story was Han Ri Ta's reasons for killing Do Ha. She created a bad situation by killing his father forcing both of them to become fugitives. But, instead of having faith in him to deal with it and moving forward together, she just decided to kill him to end it all because she didn't want to deal with it anymore. Were we supposed to believe this was love? They were portrayed as star crossed lovers, but her motivations were shallow and self-serving .

The villain was one of the most terribly written villains I've seen in a long time. Firstly, the evil dad wanted to kill Do Ha for "disobeying" him, why? Because he brought a girl home and fell in love with her. That's it. Furthermore, the evil dad's ghost spend 1500 years chasing after Han Ri Ta's reincarnations just to kill them as revenge for killing him because he was a terrible father. This was basically a giant recurring temper tantrum, being evil for evil's sake, not for anything substantial or meaningful.

Some plotlines randomly disappeared. Firstly, making FL a firefighter and ML a celebrity was never going to work. There was no situation where they could consistently be together to move the story forward. As a result, nobody ever worked because they needed to spend time together for the story's sake. She was a firefighter for a total of two episodes and he quit being a celebrity altogether except occasional fangirls chasing him when it was convenient, although he was supposed to shoot a super special historical drama at the beginning of the show, which went nowhere.

The finale wasn't well thought out either. There was no point bringing Jun Oh back, unless he and Young Hwa were going to end up together. The giant plot hole why Jun Oh and Do Ha looked identical was never explained. The writers left it as pure coincidence, which was some very lazy writing, especially because Do Ha and Young Hwa future reincarnated selves looked the same. This was a waste of a great story idea, because Jun Oh looking like Do Ha could've been a plot device to give Young Hwa a happy-ish ending too. But Young Hwa did not get her happy ending, neither did Do Ha. Yes, their souls were reincarnated at the end, but they were reincarnated as different people who probably did not remember their past lives. Young Hwa was unique because she was the closest version of Han Ri Ta and because there was still Do Ha's unfinished business. After the curse was lifted, there was no more unfinished business. Do Ha's soul left and Young Hwa continued on with her life without her true love. I thought this ending was rather tragic.

Overall, the drama started out with an epic bang and fell completely flat with shallow characters and villains acting like cartoon bad guys. There were moments where it tugged at my heart strings, but the badly written plot and characters' stupid decisions made the drama a chore to watch. This was definitely not Kim Young Dae's best work.

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My Dearest
2 personnes ont trouvé cette critique utile
par Juelin
mars 22, 2024
10 épisodes vus sur 10
Complété 0
Globalement 9.0
Histoire 9.5
Acting/Cast 10
Musique 9.0
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers

Great drama

This has got to be one of my favorite historical dramas.

The story started out resembling Gone with the Wind. FL is a beautiful and spoiled noble woman who has a slew of young men pining after her and who loves attention, and who happens to idolize her childhood friend. ML is a mysterious older man who doesn't put up with her shenanigans and tells her how it is. Everyone enjoys a carefree life until the war breaks out. This is where the drama starts to get really interesting. FL is forced to flee her home and survive against the enemy onslaught and we get to find out that there is more to ML than we originally thought. The drama does a great job switching gears to a more serious and intense tone showing what people, especially women, had to do to survive and the absolute gender disparity between the sexes. On top of that, FL is forced to undergo some very intense character development and transitioned from a spoiled young brat to a serious, dependable, empathetic young woman with a strong sense of responsibility.

The first part is not so much about romance, but survival and building a bond. ML and FL did not spend very much time together, but the few moments together were very meaningful where he had to save her life allowing her to see him differently in a more positive way. Moreover, he didn't allow her to be spoiled with him and made her think, making their dynamic completely different from her relationship with other men around her.

The message here is that a person cannot be stuck in perpetual childhood and will eventually have to grow up either by virtue of life's circumstances or if they want to be taken seriously, as Jang Hyun told Gil Chae.

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A Journey to Love
2 personnes ont trouvé cette critique utile
par Juelin
févr. 9, 2024
40 épisodes vus sur 40
Complété 0
Globalement 9.0
Histoire 9.0
Acting/Cast 8.0
Musique 10
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers

So good!

This is easily one of the best c-dramas of 2023. It does not use the same lame tropes so many other dramas fall victim to. There are no unnecessary plotlines or characters, no continuous cycle of misunderstanding and miscommunication. The drama has meaningful character development, romantic chemistry, and one of the most wholesome and healthy relationships I've ever seen.

There were, of course, some problems. Li Tongguang's (LT) was a terribly written character. His continuous obsession with Ruyi was extremely frustrating . The writers went out of their way to keep him incompetent until the very last episode. His immaturity caused a lot of people to die unnecessarily. After the emperor was killed, it was pretty unbelievable that the first thing he chose to do as the new regent was to poison Ruyi and force her to marry him, just for her to be rescued by Yuanzhou in the same episode, and for Yuanzhou to tell LT for the 100000000th time that he was a creep and a coward. This was especially frustrating because it happened after LT had really good scenes with Princess Yang Ying making it seem like he was getting over his infantile obsession with Ruyi. The show also fixated too much on the Ruyi and Yuanzhou's love story. Yes, we all loved them. They became a couple early and it was refreshing to see them having mutual understanding, respect and love, without falling back on jealousy and miscommunication. But, the writers should've given more screen time to other couples too. I really wanted to see more romantic chemistry between LT and Princess Yang Ying.

Princess Yang Ying was one of my favorite characters who went through the most intense character development. She started as a meek and weak girl just to grow into a strong person taking charge of her life. There was no character regression from better to worse. Everything that happened to her was on point and only contributed to her character growth.

The romance between Ruyi and Yuanzhou was unbelievably wholesome. Yuanzhou was written as every girl's dream man - tall and handsome, strong, kind and attentive, loving and understanding, not obsessive or overly-jealous, intelligent, a friend, a leader, a fighter and protector. The guy was perfect. He let Ruyi handle her business but also protected her when she needed protecting. And, Ruyi didn't magically turn into a damsel-in-destress as soon as a man entered her life.

The message of the show was incredibly meaningful - friendship, loyalty, country, love, and staying true to yourself. I was also impressed by how the characters went out of their way to stress the importance of having respect for women and often said things that we as audience were feeling when someone *ahem* Li Tongguang *ahem* acted like a mentally deranged creep.

I have to say something about the ending. A lot of people hated it, but I thought it was ok. I don't think the main couple died. Some people interpret the ending as symbolic or metaphorical or just Chu Yue's dream. I can't agree. We never saw anyone actually dying, but a lot of suggestive scenes that someone supposedly died. For characters who successfully faked their death throughout the show, they faked it again to be able to walk away and to start a family in seclusion, just like Yuanzhou wanted from the very beginning. And, Ruyi followed him because she couldn't imagine life without him. If it was Yang Ying in the last scene, the death scenario would've made more sense because she was very close with Ruyi and Yuanzhou. Chu Yue - not so much. When Chu Yue saw the boy, she immediately imagined Yu Shisan because that was her last memory of him. Instead, it was someone else who was named after Yu Shisan bearing Yuanzhou's last name. Yuanzhou named his son in honor of his best friend who died. The only red flag was the boy wearing white and riding a white horse, white traditionally being the color of mourning in China. But the idea that death came to reunite Chu Yue with her friends in the afterlife, most of whom she didn't even have a chance to develop a relationship with, looking like Ruyi's and Yuanzhou's son who was never even born, is some crazy mental gymnastics I am not willing to entertain.

The acting was good. I loved Alen Fang's portrayal of Yu Shisan, who was so goofy and adorable. This was such a pleasant surprise after my disappointment with his performance in the Long Ballad. And, of course, Liu Yuning will forever be my favorite.

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Mr. Queen
3 personnes ont trouvé cette critique utile
par Juelin
mars 24, 2024
20 épisodes vus sur 20
Complété 2
Globalement 6.0
Histoire 8.0
Acting/Cast 8.0
Musique 7.0
Degrés de Re-visionnage 1.0
Cette critique peut contenir des spoilers

No Ta chi

The story was very unique. It had some LGBT elements that had to be handled with a certain level of care and awareness. Unfortunately, at least in my opinion, the writers decided to go down the safe, less gay, route without realizing that the ending completely destroyed the plot.

** SPOILERS **

The drama was about Bong Hwan (BH), a 21st century man, traveling back in time and waking up in a body of a princess soon to be a queen. It was filled with very funny and clever moments that kept me very entertained. But, after episodes 14-15, the plot kind of became stale. The scenes were not as funny anymore but annoying. I eyerolled at the scene where the queen threw a temper tantrum over Lady Choi eating all the yogurt. However, this wasn't the biggest problem with the show. The biggest problem was the ending.

The story was about BH's relationship and subsequent love story with the king. Nowhere in the drama did the writers elude that BH and So Yong (SY) ever fought for control of the body, or that sometimes it was BH and sometimes it was SY who was in control. It was always BH. This was even confirmed in the queen's last conversation with Byung In telling him that "she" did not know where So Yong was or whether she was even alive.

The king, Cheoljong, fell in love with BH in SY's body. BH's unorthodox behavior, unpredictability, straight forwardness, lack of manners was what was attractive. If the king wanted a meek and polite young lady, he would've stayed in love with Hwa Jin.

Everything the king did - writing the queen's dictionary filled with new words that BH introduced to him, writing a journal about new fighting and exercise techniques that BH taught him, reforming the country, was because of his relationship with BH, not SY. SY by herself was a very minor character and appeared in only a few flashbacks. Even SY's ideas about women's rights were BH's ideas and not hers.

And, what do we get at the end? BH goes back home without even saying "good-bye" to anyone. The king ended up with SY, who was not the person he fell in love with. But, that's ok, so long as SY looked exactly like the person he loved, we were supposed to accept it. What a terrible, horrible, no good message.

I am not sure why the writers did not go down the incarnation route where SY and BH were the same person living in different eras, and, at the end have SY and BH's souls and personalities merge as one in SY's body. There was already a premise for that with the queen's identity crisis "her" being a man in a woman's body and having a romantic/sexual relationship with the king.

It was also strange how the king did not pick up on the fact that after BH left, his wife became a completely different person who could no longer cook and had an entirely different personality. Or, that SY ended up lying to the king about who she was and did exactly what Hwa Jin did. But we are supposed to ignore it.

Shin Hye Sun is an actress from god. She did an amazing job portraying BH and SY as completely different people, they even spoke differently. SY was soft spoken. BH was coarse and aggressive. It was rather strange to assume that the king, who was head over hills in love with BH, did not see that his wife was different, considering that the differences in SY's personalities after the suicide incident were consistently addressed in the show. We did get a scene where the king somewhat realized that he lost something, but that scene looked like an afterthought rather than a serious and tragic realization that something important was lost.

Even Byung In, whom I hated, became a sympathetic character at the end because he actually confronted BH about SY and was the only one whose love was authentic. The writers made it look like it didn't matter to the king who he was married to so long as that person looked a certain way.

I honestly thought that BH would return to the king in one way or another, but the ending left me completely flabbergasted. Nobody ended up with the person they actually loved and the king's relationship with the queen was based on a lie. The attempt to paint SY to be more like BH because she started cursing was a lousy cop out. What made BH different was his boldness, a sense of justice, and ability to form close relationships with servants and nobility alike. SY just capitalized on it and ripped rewards from everything BH accomplished, without achieving anything on her own. What a stupid way to destroy an awesome story.

The rewatch value is like in the Game of Thrones. Everything is awesome until it all falls apart at the end.

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De Retour du Gouffre
3 personnes ont trouvé cette critique utile
par Juelin
févr. 2, 2024
40 épisodes vus sur 40
Complété 0
Globalement 6.0
Histoire 6.0
Acting/Cast 5.5
Musique 7.0
Degrés de Re-visionnage 3.0
Cette critique peut contenir des spoilers

Disappointing

The story started out great until about episode 17. The humor gave me endless laughs, the adventures of the main characters were fun to watch, and ML and FL had a lot of chemistry. The villains were compelling and gave us plenty of reasons to hate them. Then, the story went off the rails and started introducing new plotlines and characters who didn't need to be there. I normally don't like love triangles because they usually follow the same tropes and deviate from the plot. This show was no exception. Bai Xiaosheng (BX) was a fun and neutral character who should've stayed neutral. Suddenly, we had to watch multiple episodes involving a love triangle between BX, Tianyao and Yanhui because Tianyao and Yanhui had some tension in their relationship. There were better ways to get it resolved and to get Tianyao gain back Yanhui's trust, instead of sticking BX between them for several episodes. In the second half and towards the end, BX mostly disappeared from the plot making the entire love triangle angst completely pointless.

Even the chemistry between Tianyao and Yanhui became stale in the second half. They had no physical or even romantic chemistry although they were married. They kind of regressed from being a dynamic due to an old boring couple. When Tianyao protected her from any threat, she looked at him in surprise like he wasn't supposed to do it. Ya'll are married. Why are you surprised? Thankfully, or not, they finally shared a very chaste kiss in episode 38 after being married for how long? Pretty damn long,

An endless slew of minor characters and their stories, too many flash-backs, and fillers made the story progression very slow. An entire episode was dedicated to some weird demon capturing Tianyao so she could marry him just to be defeated and never seen again. We did not need to watch short lived romances between minor characters, who all died an episode later, or flashbacks from Yanhui's childhood in the Taoist sect. It was all boring and irrelevant. We also did not need to see Suying's sad romance with the general. There was nothing redeeming about her. She was a reprehensible person, so there was no point trying to make her even a little bit sympathetic.

The end boss was incredibly boring. He was a cookier cutter villain without any motivation or personality. He did bad things because villains do bad things, not because he had a compelling reason to be bad. Taoists were much more interesting and complex.

There were problems with the acting too. Zhou Ye was really cute as Yanhui who was lively, dynamic, and funny. Neo Hou was the opposite. This is the first drama I watched with him and I was completely unimpressed with his acting. He spent a huge amount of the time standing around and staring - forlorn staring, sad staring, observant staring, romantic staring, staring, staring, and more staring. In many scenes involving multiple characters, he just stood around and stared like a place holder. It seemed like the actor either needed more lines or the dialogue needed to be sped up. After some time, the constant staring became very noticeable. Tianyao was the main character with the plot revolving around him, but he looked like Yanhui's side kick most of the time.

Overall, I enjoyed the first half of the show because it was funny and engaging. Unfortunately, the story that started out as an interesting tale of redemption, forgiveness, and new beginnings turned into a constipated mess of stale plotlines and a crusade against a cliche villain. I am actually very disappointed with the way it turned out because it had such a great start.

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Mariage Impossible
2 personnes ont trouvé cette critique utile
par Juelin
mai 20, 2024
12 épisodes vus sur 12
Complété 1
Globalement 3.0
Histoire 4.0
Acting/Cast 4.0
Musique 2.0
Degrés de Re-visionnage 1.0
Cette critique peut contenir des spoilers

Laughably bad

I watched this drama exclusively for Moon Sang Min because I loved Under the Queen's Umbrella. This was just terrible.

None of the characters had any b*lls to speak up and tell the truth. Lee Do Han didn't have the courage to tell his brother that he was gay and that the marriage was a sham. Na Ah Jung didn't have the courage to tell her "fiance" that she liked his brother and to Ji Han that the marriage was fake. Lee Ji Han didn't have the courage to tell his brother that he liked his fiance. But, Ji Han still had the audacity to get on his moral high horse and get upset at Ah Jung and Do Han for supposedly keeping things from him after sneaking around with Ah Jung behind everyone's back.

Secondary characters were meaningless and boring. None of the older siblings got their comeuppance for continuously scheming against their younger brothers. Dead mom's husband didn't get punished for causing her death. Ji Han's "first love" was the most pointless and non-confrontational love rival ever. Nobody's actions had any consequences and nothing really mattered. The three main characters made some very strange moral choices and were never called out on anything. Zero thought was put into creating a meaningful story and character development.

The acting was mediocre. Moon Sang Min did a decent job. But, Jeon Jong Seo was terrible. She had one resting b*tch face in most scenes like the drama was a chore for her. Her and Moon Sang Min had no chemistry. Overall, the show was a complete waste of time with zero entertainment value.

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Do Bong Soon, une force de la nature
2 personnes ont trouvé cette critique utile
par Juelin
avril 24, 2024
16 épisodes vus sur 16
Complété 0
Globalement 8.0
Histoire 7.0
Acting/Cast 9.0
Musique 7.0
Degrés de Re-visionnage 8.0

Great chemistry between ML and FL

I don't have a lot to say about this drama except that it should be watched just for ML and FL. They had amazing chemistry, romance, kissing, you name it. Everything else was forgettable.

I ended up skipping through the scenes with the parents, gangsters, high school kids. They were not interesting and felt more like fillers than part of the actual story. Even the villain was kind of disappointing because the writers did not really develop him. He had no backstory and his motivations were kind of just doing bad things for the sake of doing bad things, kidnapping just to see his victims suffer, and that's it. He was a one dimensional personality with no substance. However, the actor who played the kidnapper was very handsome and I wish he was cast more in main roles.

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Under the Queen's Umbrella
2 personnes ont trouvé cette critique utile
par Juelin
avril 2, 2024
16 épisodes vus sur 16
Complété 0
Globalement 9.5
Histoire 10
Acting/Cast 10
Musique 8.0
Degrés de Re-visionnage 10
Cette critique peut contenir des spoilers

So good

There aren't enough words to describe how I feel about this drama. It tells a story of a mother's love for her children while navigating through betrayal, a struggle for power between the family members, murder, and political intrigue. Not a single character was out of place. Not a single plotline was unnecessary. All the characters got their proper screen time and development. The villains were written for us to hate and the protagonists were written for us to love and root for. This is undeniably one of the best Asian dramas I have ever seen.

The show treats each relationship between the queen with her sons with tender love and care showing that each prince is unique and has a special relationship with his mother. The queen loves them in spite of all their shortcomings and unusual personality traits and makes them feel loved and accepted. I particularly appreciated this take because in Joseon certain lifestyles would have absolutely been condemned, regardless of how much a mother loved her children.

Even other princes, who were not the queen's children, got character development showing their own personal trauma and relationships with their own mothers. The queen was so loving and compassionate that she was able to connect with every single character, even the ones who at first were against her, through her love and compassion and good deeds. And, the acting was phenomenal.

Overall, the show has a very well written plot, amazing character development, and extremely likable characters we can actually relate to.

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What's Wrong with Secretary Kim
2 personnes ont trouvé cette critique utile
par Juelin
mars 19, 2024
16 épisodes vus sur 16
Complété 0
Globalement 6.0
Histoire 7.0
Acting/Cast 7.0
Musique 6.0
Degrés de Re-visionnage 5.0
Cette critique peut contenir des spoilers

Needed more plot

My main complaint with the show is that it reached its logical conclusion in episode 12. This is when ML and FL were already a couple and the mystery behind the kidnapping was resolved. The rest of the episodes were just filler without a plot. When there is no conflict and nothing to resolve, the story becomes stale. There wasn't even that much conflict with the older brother. He just kind of became irrelevant after the kidnapping mystery was resolved. The animosity between the brothers also looked forced because of the lack of plot development. When Young Joon told Mi So that his brother was a "bastard" and there were issues with their childhood friends, it implied that there might've been past bulling or some other conflict which had nothing to do with the kidnapping. But, it was just the kidnapping. To make matters worse, the issue between the brothers was forced on them by their parents who lied about the kidnapping for their own good, which was a pretty stupid plot device because it did not justify all the animosity. And, after it was resolved, everyone acted like nothing happened for the last 4 episodes, which was especially disappointing because the kidnapping and resulting trauma were an important plot point central to ML's and FL's character development and the writers made it completely superficial and unimportant at the end.

The resolution to the plotline of Mi So wanting to find herself felt like a cop out. At the beginning, she wanted to leave the company to find a husband. Then, that plotline was abandoned just to resurface at the end where Mi So realized she wanted to continue being Young Joon's secretary because she loved him. And, she remained his secretary after marrying him. This was rather a strange choice for a wife of a CEO to have the same position as his office employees, instead of holding a higher position for which she was actually qualified.

One of the things I liked was that FL had enough sense to pick up on the nuisances about ML's behavior to discern that there was a lot more to the kidnapping story than what she was told. I loved that she did not just blindly believe everything she was told and started having a crush on the older brother, which would've resulted in a very stupid love triangle. She suspected from the very beginning that Young Joon was the one who was kidnapped, which led her to the truth. In return, Young Joon transformed from a self-centered person to a thoughtful and caring boyfriend and employer. The main couple also had very nice chemistry and some very steamy scenes.

Other than that, there wasn't much else going on. The side characters were not interesting enough to carry the plot. I ended up skipping most of scenes in episodes 13-16 and just watched the ones with the main couple to get to the end faster.

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Monarch Industry
2 personnes ont trouvé cette critique utile
par Juelin
févr. 24, 2024
68 épisodes vus sur 68
Complété 0
Globalement 7.0
Histoire 6.0
Acting/Cast 9.0
Musique 7.0
Degrés de Re-visionnage 6.0
Cette critique peut contenir des spoilers

Good story with some pointless characters

A lot of people criticized this show for casting older 40+ y/o actors to play teenagers. This is the least of the show's problems. Although I like Zhang Ziyi, she is not an extraordinarily beautiful woman as Wang Xuan is supposed to be, and of whose unmatched beauty we were constantly reminded throughout the show. There are plenty of prettier and younger actresses who would've been more suited for the role. For this reason, I think Ziyi was miscast. Everyone else was on point. It was very refreshing to see a more mature actor playing the role of a battle-hardened, undefeated general, instead of a 20+ y/o idol with mediocre acting skills and baby fat still intact.

** SPOILERS **

The titular Wang Xuan/Awu "rebel princess" hit her peak character development half-way through the show. She matured from a care-free and spoiled princess to a level-headed young woman who learned the meaning of duty and country and was able to skillfully navigate through the court intrigue. Wang Xuan wielded the power of the Wang clan which shaped the course of the empire and produced future kings. Unfortunately, after Ma Zilong took the throne, her character was reduced to nothing more than a beautiful object of men's desires with an abnormally large number of braindead males chasing after her. Even the mighty Helan Zhen regressed from an arrogant warrior to a lovesick fool bringing her wedding dresses and begging her to love him. One of the most ridiculous twists was Song Huaien going through a 180, becoming a traitor, and wanting Awu to be his "empress". What a way to turn an interesting character into a cliche. The drama basically dumbed down from a political thriller-ish to an uninteresting soap opera regurgitating the same old tropes.

One of the dumbest things about the drama was a complete lack of insight from most characters. They either wanted Awu or to kill Xiao Qi. Wanting to kill Xiao Qi was an especially ridiculous plot idea because he was the only honorable and loyal subject who was the less likely to usurp the throne. Yet, all of the royal inbreds continuously plotted against him thinking he wanted power, which backfired in the most ridiculous way. Some of Wang Xuan's motivations were also very confusing. She tried to sit on two chairs at once - being Xiao Qi's wife and a member of the Wang family, which led to some questionable choices. One of those questionable choices was her fraternization with Helan Zhen, drinking and dancing with him, something that was completely inappropriate and put a wedge between her and Xiao Qi.

Zitan was one of the least interesting characters and the biggest waste of screen time. Tony Yang is an absolute eye candy, but his good looks weren't able to save the character from being unbearable. The writers could've done so much with him instead of reducing him to exist solely to pine after Awu. And even that was comical because he had one chance at the beginning of the show to be with her and he completely squandered it. Even Awu had to spell it out to him why he was unworthy because he had no spine and couldn't care less about anything other than his childhood crush. And, that hasn't changed throughout the show, which later led to a lot of people getting killed just so he could get into Awu's pants.

Contrary to the criticism, Wang Xuan and Xiao Qi's big production in the throne room to get Zitan to confess his crimes was actually quite clever. I did not particularly enjoy her spending so much time with Zitan afterwards trying to save him, but I attribute it to her still caring about him as her childhood friend. This was later confirmed in her conversation with her father when she told him that her love for Xiao Qi and Zitan was "different".

The most complex character was Wang Lin. Cynical, pragmatic, and unrelenting, he understood the complexities of ruling a country and the responsibility that came with it. Usurping the throne wasn't just his blind quest for power but to also remove an incompetent ruler and to bring stability to the empire. He was truly the only person who was fit to sit on the throne.

The drama did a good job at characterizing the relationship between Wang Xuan and Xiao Qi. This is probably due to the fact that the characters were played by mature actors and not idols. Their relationship had chemistry, meaningful interactions, mutual understanding, and respect. The drama did a good job at flushing out why Wang Xuan fell in love with Xiao Qi and let go of her childhood love for Zetan. Zetan represented her care-free childhood. Xiao Qi represented mature love where she learned duty, loyalty, and the hardships of life. She appreciated Xiao Qi for his bravery and heroism and looked down on Zetan's continued callousness and immaturity. I appreciate the fact that the drama did not go down the cliche route creating a love triangle between the three of them.

The ending was ok, although I wanted to see stricter justice served against the characters who committed crimes. Overall, the drama was very entertaining for the first half and for the last 10-15 episodes, but it could've gone without some storylines. And, I definitely wanted to see more of Xiao Qi, instead of the abominable Helan Zhen arc and Zitan's forlorn expressions.

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The Romance of Tiger and Rose
2 personnes ont trouvé cette critique utile
par Juelin
févr. 16, 2024
24 épisodes vus sur 24
Complété 0
Globalement 5.5
Histoire 7.0
Acting/Cast 5.0
Musique 5.0
Degrés de Re-visionnage 2.0
Cette critique peut contenir des spoilers

Not sure what it was

I'm not sure why this show has such high ratings. The story had no direction and the characters were unlikable. FL was spineless, whiny, had no motivation, and made incomprehensible choices over and over. ML just keept following her and trusting her after she repeatedly disappointed him and broke his heart, cuz reasons.

The first half was funny and even interesting. By episode 15, it became a directionless mess. Nobody communicated anything. Characters didn't stand up for themselves or their convictions. Qianqian just ran around doing random crap without any clear motivation. She obviously liked Han Shuo, but she tried to set him up with someone else. And then, everyone was suddenly in love with her. Pei Heng showed up 20 times to "save" her, without her actually needing saving, and repeatedly got his ass kicked by Han Shuo. Chuchu became a villain for no reason and started doing absolutely obnoxious schit. It's ok for shows to be funny and have a simple plot. Not everything has to be deep. But, this was just painful. Thank god the show only had 24 episodes.

I did like the ending. It was very sweet, reminded me of Fushigi Yugi.

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Abandonné 8/16
King the Land
6 personnes ont trouvé cette critique utile
par Juelin
mars 30, 2024
8 épisodes vus sur 16
Abandonné 0
Globalement 5.0
Histoire 5.0
Acting/Cast 7.0
Musique 4.0
Degrés de Re-visionnage 3.0
Cette critique peut contenir des spoilers

An expensive production with a whole lot of nothing

I was really looking forward to this drama solely for Lee Jun Ho because I loved him in the Red Sleeve. But, the show is so utterly underwhelming and shallow, there is nothing to look forward to. The characters only exist to pine after each other without trying to accomplish anything in life making for a very boring and uninspiring story.

This is a cliche rom-com where a rich guy falls for a working class employee. It would've been interesting if the writers treated the characters like adults, instead of high school students, and gave them mature interactions and meaningful conversations. Instead, they proceed to bore us with every single overused cliche known to k-drama making the plot extremely predictable. Gu Won has no personality outside his crush on Sarang. At the beginning, he is shown as a sophisticated and rich bad-boy skydiving in a suit and landing on a helicopter pad James Bond style. Later, we find out that he is nothing more than a nepotism baby with no social awareness, no competence, no charisma and exists solely to pine after Sarang. Even his feud with his sister is superficial because he doesn't do anything other than pursue his love interest. He finished an MBA at the beginning of the show, which could've been a nice plot device for him to start serious work in the hotel and eventually become the owner. No, he is a director in name only and doesn't do anything or show any particular interest in work. Even his employees have to tell him that he needs influence and support in order to succeed, instead of spending so much time obsessing over FL.

Some story arcs are completely asinine. The Arab prince is reduced to a total simp for Sarang competing for her affection with Gu Won. God knows why we need another atrocious love rival trope where everyone falls in love with the heroine because she is so precious. And the arc with the flight attendant friend isn't interesting enough for me to care about because she is such a minor character.

Overall, the show felt like a high school drama filled with overused cliches. Characters have no motivation and there is no real plot. Pass.

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The Beauty Inside
1 personnes ont trouvé cette critique utile
par Juelin
Il y a 1 jour
16 épisodes vus sur 16
Complété 1
Globalement 5.0
Histoire 5.0
Acting/Cast 7.0
Musique 6.0
Degrés de Re-visionnage 1.0
Cette critique peut contenir des spoilers

No plot

The drama has a lot of great ideas but no coherent plot. At the beginning, there are enough interesting moments to keep me interested, but they quickly fizzle out into a boring and draggy marathon of underdeveloped plot lines.

Han Se Gye is dynamic and quirky to Seo Do Jae's low-key frozen face. But, Do Jae never grows on me. He is a carbon copy of Nam Se Hui from "Because This Is My First Life" with zero charm and personality. Their unique conditions could've played a big part in their character and relationship growth. Instead, Se Gye's face change devolves into a series of anticlimactic mini-arcs and the rest of their interactions is boring and pointless banter.

When it comes to the plot, it's a number of half-assed story lines with extremely easy resolutions. The face-swap is interesting for about five minute until it is reduced to a few mini-arcs that have no impact on the story and character development. The so-called "villains" are passive-aggressive, semi-infantile jerks who are obnoxious for the sake of being obnoxious with no depth or purpose, and, they are dealt with fairly quickly without creating any actual tension. Se Gye's identity crisis becomes an afterthought, devoid of any substance, as the writers choose a safer route with light-hearted comedy and regularly used cliches. What's worse, the mystery behind her condition is never explained.

Secondary characters are shallow and forgettable. I ended up skipping most scenes with Sa-ra and Ryu Eun Ho. They weren't interesting enough to keep my attention as I already struggled with the drama's draggy plot.

Overall, the show is a lot of missed opportunities to create a compelling love story between two odd people with unique issues. The drama is riddled with repetitive moments, overuse of flashbacks, and cheesy dialogue. Serious elements, that made the drama interesting, are reduced to comedy or abandoned altogether. This was a one-time watch for me.

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Because This is My First Life
1 personnes ont trouvé cette critique utile
par Juelin
Il y a 10 jours
16 épisodes vus sur 16
Complété 0
Globalement 5.5
Histoire 5.0
Acting/Cast 6.0
Musique 6.0
Degrés de Re-visionnage 2.0
Cette critique peut contenir des spoilers

Misery loves company

The show celebrates the worst of human qualities in relationships. It starts off with an interesting but albeit old premise - two dysfunctional people enter into a contract marriage out of necessity. These two complete opposites are meant to fall in love and help each other grow, right? Nope.

One of the biggest draw backs is a lack a character development. Nam Se Hui is a human robot with a personality of a potato who only has his mortgage and cat on the brain. Yun Ji Ho is at the end of her rope with no job or a place to live. Marriage gives them an opportunity for self-reflection and personal growth, but that opportunity is completely wasted because neither of them learn anything or try to better themselves. We are constantly told that Ji Ho is strong. But, in reality, she is reckless, spineless, and possesses no self-control. To me, she is mindbogglingly unlikable and perpetually miserable. She spends too much time with a toxic co-worker and manufactures a conflict with Se Hui because she suddenly feels guilty about the contract marriage. Instead of sitting down together to figure out what to do next, she divorces and leaves her husband for some pretentious reason that now she needs to find herself. All of her problems seem artificial and self-inflicted to force us to sympathize with her. Se Hui maintains the same bland frozen face for the entirety of the show. Even his feelings for Ji Ho fail to give him a personality.

Ji Ho's arcs with Bok Nam and Ko Jeong Min are mind-numbing. Bok Nam is pushy, rude, and creepy. He makes condescending remarks about her husband and disrespects her marriage. Against her better judgment, she goes off at night to drink beer and watch him make passes at her. And this character is written to be smart. The arc with Jeong Min is even more cringe. I am not sure what the writers are trying to convey here, that Ji Ho also likes women or that Jeong Min is so edgy that even women are attracted to her? Getting drunk together and Ji Ho opening up to a complete stranger, while having no communication with her husband, makes her even more off-putting and unlikable.

Now, lets talk about Ji Ho's degree. The writers constantly remind us that she graduated from a prestigious university. But, she has nothing to show for it. At 30, she has no career or job prospects. Neither does she try to pursue self-improvement. All she does is hang out with friends and settle for a part-time job while wallowing in self-pity. Most of these issues have to do with writing. Smart people strive to improve themselves so they can succeed in life. Ji Ho does nothing to do better and gives up writing altogether. The point is that she is not smart.

The ending is a suitable culmination to this marathon of cringe. The writers try to create a relationship that subverts societal expectations where the main couple just loves each other instead of attaching labels and listening to unsolicited advice from the elders. However, the only people who makes sense here are the parents. Marriage is work that is not based solely on love. Ji Ho and Se Hui's shared experiences should lead to a mature and deeper bond. Yet, the final result is an immature, superficial relationship, completely devoid of any chemistry, that doesn't even feel like it's between two genuine people. Apparently, we are supposed to be impressed that they choose to disrespect their parents and enter into household contracts instead of being in a legal marriage. Moreover, Se Hui doesn't even look like he wants this. Everything seems to be Ji Ho's idea as she continues on a quest to find herself. What a crappy message. Avoid this mess.

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