Nothing is exciting about this drama

I really tried to like this drama. The premise is interesting telling a story about a woman's personal and career growth. But, a promising start about female empowerment fizzles out into an uninteresting and hardly exciting corporate drama with almost no romance.

The writers build up Lu Ji Ming as an overbearing jerk who constantly undermines Ning Meng's education, career aspirations, and talent. He always berates and insults her abilities telling her that she will never amount to anything other than being his secretary. Based on this characterization, it's very hard to root for him as a romantic lead because no self-respecting woman would ever fall in love with a man with such an abusive behavior. But, after many episodes of being a jerk, the writers drastically change his personality making him suddenly nice to Ning Meng so they can have a happy ending. There is no consistency in character development and storytelling.

The pacing is slow for the majority of the show. There is too much corporate filler, that is not particularly interesting, and not enough romantic development. To make matters worse, the writers introduce love rivals half-way through the show taking the opportunity away from the main couple to spend any meaningful time together. That's why these types of shows should not drag for longer than 20 episodes. There is no consistency in story telling with too many unnecessary plotlines deviating from the main plot and creating a very boring and choppy story. Overall, the drama has a good start but falls flat in later episodes and has very lukewarm romance.

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No plot

The drama has a lot of great ideas but no coherent plot. At the beginning, there are enough engaging moments to keep me interested, but they quickly fizzle out into a boring and draggy marathon of underdeveloped plot lines.

Han Se Gye is dynamic and quirky to Seo Do Jae's low-key frozen face. But, Do Jae never grows on me. He is a carbon copy of Nam Se Hui from "Because This Is My First Life" with zero charm and personality. Their unique conditions could've played a big part in their character and relationship growth. Instead, Se Gye's face change devolves into a series of anticlimactic mini-arcs and the rest of their interactions is boring and pointless banter.

When it comes to the plot, it's a number of half-assed story lines with extremely easy resolutions. The face-swap is interesting for about five minute until it becomes a bunch of mini-arcs that have no impact on the story and character development. The so-called "villains" are passive-aggressive, semi-infantile jerks who are obnoxious for the sake of being obnoxious with no depth or purpose, and, they are dealt with fairly quickly without creating any actual tension. Se Gye's identity crisis becomes an afterthought, devoid of any substance, as the writers choose a safer route with light-hearted comedy and regularly used cliches. What's worse, the mystery behind her condition is never explained.

Secondary characters are shallow and forgettable. I ended up skipping most scenes with Sa-ra and Ryu Eun Ho. They weren't interesting enough to keep my attention as I already struggled with the drama's draggy plot.

Overall, the show is a lot of missed opportunities to create a compelling love story between two odd people with unique issues. The drama is riddled with repetitive moments, overuse of flashbacks, and cheesy dialogue. Serious elements, that made the drama interesting, are reduced to comedy or abandoned altogether. This was a one-time watch for me.

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Misery loves company

The show celebrates the worst of human qualities in relationships. It starts off with an interesting but albeit old premise - two dysfunctional people enter into a contract marriage out of necessity. These two complete opposites are meant to fall in love and help each other grow, right? Nope.

One of the biggest draw backs is a lack a character development. Nam Se Hui is a human robot with a personality of a potato who only has his mortgage and cat on the brain. Yun Ji Ho is at the end of her rope with no job or a place to live. Marriage gives them an opportunity for self-reflection and personal growth, but that opportunity is completely wasted because neither of them learn anything or try to better themselves. We are constantly told that Ji Ho is strong. But, in reality, she is reckless, spineless, and possesses no self-control. To me, she is mindbogglingly unlikable and perpetually miserable. She spends too much time with a toxic co-worker and manufactures a conflict with Se Hui because she suddenly feels guilty about the contract marriage. Instead of sitting down together to figure out what to do next, she divorces and leaves her husband for some pretentious reason that now she needs to find herself. All of her problems seem artificial and self-inflicted to force us to sympathize with her. Se Hui maintains the same bland frozen face for the entirety of the show. Even his feelings for Ji Ho fail to give him a personality.

Ji Ho's arcs with Bok Nam and Ko Jeong Min are mind-numbing. Bok Nam is pushy, rude, and creepy. He makes condescending remarks about her husband and disrespects her marriage. Against her better judgment, she goes off at night to drink beer and watch him make passes at her. And this character is written to be smart. The arc with Jeong Min is even more cringe. I am not sure what the writers are trying to convey here, that Ji Ho also likes women or that Jeong Min is so edgy that even women are attracted to her? Getting drunk together and Ji Ho opening up to a complete stranger, while having no communication with her husband, makes her even more off-putting and unlikable.

Now, lets talk about Ji Ho's degree. The writers constantly remind us that she graduated from a prestigious university. But, she has nothing to show for it. At 30, she has no career or job prospects. Neither does she try to pursue self-improvement. All she does is hang out with friends and settle for a part-time job while wallowing in self-pity. Most of these issues have to do with writing. Smart people strive to improve themselves so they can succeed in life. Ji Ho does nothing to do better and gives up writing altogether. The point is that she is not smart.

The ending is a suitable culmination to this marathon of cringe. The writers try to create a relationship that subverts societal expectations where the main couple just loves each other instead of attaching labels and listening to unsolicited advice from the elders. However, the only people who makes sense here are the parents. Marriage is work that is not based solely on love. Ji Ho and Se Hui's shared experiences should lead to a mature and deeper bond. Yet, the final result is an immature, superficial relationship, completely devoid of any chemistry, that doesn't even feel like it's between two genuine people. Apparently, we are supposed to be impressed that they choose to disrespect their parents and enter into household contracts instead of being in a legal marriage. Moreover, Se Hui doesn't even look like he wants this. Everything seems to be Ji Ho's idea as she continues on a quest to find herself. What a crappy message. Avoid this mess.

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Half-assed

The best word to describe this drama is "half-assed" - a half-assed plot, half-assed characters, a half-assed attempt to tackle a genre. The drama starts off as a slap-stick comedy with poop humor. Lee Dam clogs up a toilet after a very cathartic #2, then proceeds to seal it with duct tape. The writers work very hard to create the lolz that would only be appealing to middle-schoolers. Then the drama decides to play a game of musical chairs with different genres going back and forth between romance, melodrama, murder mystery, melodrama, and romance again.

After the first two episodes, the drama becomes somewhat tolerable with a lot less poop humor. However, the writers still fail to make Lee Dam compelling enough for an 1000 year old entity to be romantically interested in her. She is nothing more than a sloppy college girl with a tendency to get sh*t-faced. But, apparently, her almost passing interest in history is totally enough for a demi-god to fall in love with her. And, Shin Woo Yeo is completely bland as supposedly a beautiful and seductive fox demon. He has no game or a personality and is extremely uninteresting as a male lead.

The bead is returned to its original owner somewhere in the middle of the drama. At that point, the writers have no idea what to do next. The love triangle is interesting for about five minutes, yet that plotline is milked until the very last episode with Gye Sun Woo making sad faces at Lee Dam for no reason other than her not falling all over herself for him. The murder mystery is somewhat compelling, but it survives for about one-two episodes until the story devolves into a tropey dramatic angst where Woo Yeo isn't sure whether he wants to bang or eat his beloved.

That about sums it up.

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A whole lotta stupid

I give this drama an 8 for the first half and a 3 for the second because everything becomes stupid. It's pretty unbelievable that the writers are able to create such an engaging story and then turn it into a marathon of stupidity.

Kim Moo Young is built up to be a cold, manipulative, incredibly intelligent sociopath with a sex appeal up the wazoo. He doesn't care about anyone's feelings and shamelessly uses poor Seung Ah as a recreational activity cuz he can. He plays her like a drum while the plot slowly develops his feelings for Jin Kang through playful banter, meaningful conversations, and flirting. His bad-boy charm, cunningness, and insanely good looks are the highlight of the show. Unfortunately, all of this intelligence goes *poof* in the second half leading to some very stupid choices.

The drama's biggest let down is the characters' motivations, actions, and incomprehensible consequences based on those motivations and actions. Everyone hates Moo Young's lack of empathy. But, Yoo Jin Kang has no problem spending time with him while he dates Seung Ah all the while preaching sanctimonious b*llshit about morals. Later on, she unapologetically lies to her brother and goes on dates with her hot boyfriend behind oppa's back while preaching more sanctimonious bs. Oppa gets a little too high on his moral high horse about Moo Young's shenanigans and stabs him in the gut without regrets. It's even more asinine that he does not get arrested for assault/attempted murder or even get questioned after making a confession. Jin Kang throws a temper tantrum about her sexy boyfriend now having a hole in his belly, but doesn't seem to care that her brother is the culprit.

The murder mystery is the most interesting and complex storyline. But, it ends early with Im Yoo Ri's character being largely unutilized while the writers decide to bore us with the childhood trauma plotline, and characters preaching morality and acting illogically. Moo Young transforms from clever and observant to gullible and reactionary. He believes Jang Se Ran's atrocious story, the same Ms. Jang who is an insane sociopath and the least likely to tell the truth, and hastily makes a life altering decision leading to very tragic consequences. Special "thanks" to the genius who decided to make a tertiary character like Ms. Jang into a central plot device. She is an attractive and calculating older woman who is the head of a conglomerate. So, it's totally believable that she would fall for someone like Moo Young, who has no special skills, talent, or money, and then make him a CEO. And that's because Moo Young's biggest asset is dat ass.

Moo Young and Jin Kang have some very spicy chemistry on screen. But, the best thing about the drama is acting. Seo In Guk was made for this role. He wasn't just playing Kim Moo Young. He was Kim Moo Young.

The ending is tragic, but who cares, because everything! is! stupid!

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Ode to Ji Ah

The drama has a promising start with an exorcist and a medium solving ghost mysteries following the familiar ghost-of-the week format. The title is inaccurate because the plot only focuses on the exorcism storylines with the realty business being an afterthought. No actual home selling is being shown in any of the episodes. What I liked about the drama is that every ghost story is not only about sending ghosts happily ever after into the afterlife. Both Ji Ah and In Beom experience ghost memories allowing them to resolve any unfinished business and provide closure to the surviving family, which adds depth to the story and characters.

The drama's weakest link is Ji Ah. When she is not brooding, she is crying. When she is not crying, she is mad. When she is not doing any of these, she is sleeping. She is completely underdeveloped as a character and keeps doing the same things in every episode, which significantly affects her relationships with everyone else. Her and Oh In Beom have many near death experiences and share ghost memories. He even helps to send her mom's ghost into the afterlife. There is so much potential to develop their relationship into a solid friendship, even with a possibility of romance. But, with Ji Ah's perpetually constipated attitude, they always feel like strangers.

Even the promising exorcism plot turns into an endless loop of Ji Ah drama. The story surrounding mom's death becomes a boring array of flashbacks showing the same thing over and over and over with Ji Ah's always losing her sh*t at the end. The egg ghost plotline is the most compelling, but it is completely underdeveloped and ends with a fart, while the writers insist on boring us with scenes of Ji Ah crying hysterically after suffering through another dead mom flashback.

I really enjoyed about 2/3 this drama, but the poor writing at the end and a lack of character development were disappointing.

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Mediocrity r us

The drama had enough to create an engaging story and interesting characters, but for me it fell short. The show felt a lot of like a modern workplace drama with characters playing dress up. The plot didn't delve deep enough exploring the difficulties Haeryung faced trying to fit into a man's world. And, the dethroned prince storyline only picked momentum towards the end.

The chemistry between Haeryung and Yi Rim was a bit bland. She was six years older than him and acted more like an older sister than a love interest. They often looked awkward together and weren't convincing as two young people in love. I was very apprehensive to watch this drama because of SSK's abysmal performance in Captivating the King. But, surprisingly, she did a pretty decent job.

The ending was very underwhelming. The drama had a very progressive message for women to pursue their dreams and not being shackled by society's expectations. However, neither Haeryung nor Yi Rim achieved any tremendous heights at the end. They lived together like a married couple, but they weren't married and nobody paid too much attention to that. This was especially strange considering the historical period they lived in. Yi Rim abandoned his princehood and became a nobody while Haeryung blissfully continued to bebop through life as a historian. At the end, they achieved nothing and their so-called "freedom" consisted of them blissfully living in an extramarital relationship. I didn't get anything out of this message except that being mediocre was ok.

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Mixed feelings

I have mixed feelings about this drama. On one hand, the political intrigue was very interesting and the action scenes were fun. The chemistry between the couples was very good leading to nicely put together love stories. On the other hand, some characters had very bad motivations leading to very questionable choices.

Prince An was an awful villain. He concocted an entire revenge plot to kill multiple people because of a years old incident where a child accidently knocked over a candle. He had no substance, bats*t crazy motivations, and extreme shortsightedness. His love for Fu Rong seemed very superficial. All he did was plot, manipulate, and lie to her.

ML and FL were cute together and had good chemistry, but FL made some very awful choices. Her relationship with ML had very little trust. Whether it was the murder of her teacher, divorce, or Ruyi pavilion, she never gave ML the benefit of the doubt or allowed herself time to verify the information given to her. Instead, she gave in to rumors and manipulations and jumped to conclusions. For someone who made a big deal about trust, she never trusted the person she supposedly loved. Moreover, the fact that FL stabbed ML on their wedding night should've been the end of their relationship because that was a huge breach of trust. But, that was not the case here.

Even though the second couple also had great chemistry, they became boring because their relationship stopped at flirting and did not move further until almost the end of the show. They were obviously in love, but neither of them made any steps to move forward for a very long time. I ended up skipping most of their scenes after episode 20.

One of my biggest gripes with the drama was young women running around with men they were not married to. This was supposed to be a huge taboo where reputations were ruined. Not the case here. Nobody ever addressed the fact that ML and FL spent the night alone in a cave, that the second couple spent the night alone in a cabin, that Fu Rong was often alone together with Prince An, and so on. This nonsense led to more ridiculous behavior by Fu Rong. She constantly snuck out for one reason or another and was found by ML usually in the company of his love rival Prince An. For someone who was supposed to be intelligent, Fu Rong didn't have enough sense to realize that Prince An had feelings for her and that it wasn't the best idea for a married woman to fraternize with a man who had feelings for her and who wasn't her husband. At that point, it was hard to see what Prince Su, or even Prince An, saw in her. She was reckless and childish, and had no common sense.

A lot of plotlines were a tropey mess. It's pretty obvious that the writers wanted to give ML and FL scenes were ML heroically rescued FL, but it was done in such a clumsy manner. He would go away on a mission then randomly appear out of nowhere and catch her from falling. The plotline where she was buried alive was a cringe fest. Zhang Yan was a very minor character who completely disappeared from the plot after they returned each other's birth cards. Yet, the writers just randomly threw him back into the story to create romantic drama without actually thinking it through.

Some of the martial arts scenes were a bit silly. ML could jump on top of a tower as tall as a skyscraper to admire the moon with FL. But while running away from assassins, he couldn't jump over a river or over a gate.

The story started out well but it turned into a cliche mess of misunderstandings, mistrust, jealous side chicks, and awful behavior. Even after the trust issues were resolved, I couldn't get over the fact that FL tried to kill ML on their wedding night based on sketchy information. There are plenty of historical dramas with good character development and interesting plots. This drama is not it.

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Great romantic chemistry

This is a romance drama with some gothic fantasy elements. The production and acting was great and the story was very entertaining.

Caiwei was a young woman with a troubled past . She was a serious character who lived quietly as a coroner and inadvertently found herself mixed up in murder mystery. After the face swap, this characterization was completely gone. It's not that Ju Jing Yi (JJY) is a bad actress. She is typecast to play a specific character. So, herein lies the problem with characterization by JJY where she portrayed a variation of Fu Rong and Yunxi, instead of a solemn girl introduced by Zheng He Hui Zi. Curiously enough, her characterization of the original Shangguan Zhi was on point. The showrunners should've done a better job at coaching her about the role because she obviously can act outside her usual stereotype.

The romance was nicely written. Pen Yue's original obsession with Caiwei was a bit off-putting. But as he rediscovered the "new" and "improved" Shangguan Zhi (SZ), he slowly started falling in love with her. The writers did a good job showing the personality change, that SZ was no longer a mean-spirited woman, but a very nice person. I loved Pen Yue's and SZ's interactions and situations they were thrown in where Pen Yue gradually started seeing the differences between the old SZ and the new SZ drawing similarities between the new SZ and Caiwei. I also liked that Pen Yue went through internal struggle feeling guilt over the fact that he started developing feelings for SZ while still mourning his dead wife. Not to mention, the chemistry between the actors was amazing. This is one of the fewer romance dramas where adults act like actual adults, instead of awkward teenagers.

I did not love the ending. Some good characters were wasted just to draw an emotional reaction from the audience. And, instead of tying up all the loose ends, it ended on a giant cliff hanger not revealing who the actual mastermind was. Will this lead to a sequel or are we just supposed to wonder? Who knows.

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Do not snack while watching

Sifeng was easily the best character in the show. He was loving, patient, loyal, and had convictions. The writers did a good job developing his relationship with Xuanji. Although, she was frustrating at times due to her cluelessness, it wasn't completely without merit. She was missing her six senses, so it was natural for her to not understand love. But, she understood friendship and bonds that brought people together. And, due to her bond with Sifeng and his help to get her senses back, she gradually fell in love with him.

Normally, a slew of misunderstandings would be frustrating. But, here, they were necessary to show character development and Xuanji's struggle to reunite with Sifeng and to get him to forgive her. I liked that the writers did not just make Sifeng take her back as soon as she showed up. She had to work for it and she never gave up. This showed that her love was as strong as his, which I liked.

Now, the worst part of the show was the constant blood spitting. We really need to go away with that. It's disgusting and completely unnecessary. Characters don't need to spit blood in every fight or with every physical injury. It looks forced and ridiculous. Watching the show completely destroyed my snack time.

I also did not care for most of the secondary characters. Linglong was spoiled and annoying. The sixth brother was boring. Wu Tong falling in love with Linglong was completely nonsensical and poorly written. If the writers went down the redemption route and wrote Wu Tong as less of a psycho, their relationship could've been interesting. None of the sects had any redeeming qualities. They were narrowminded, pompous, and thought very highly of themselves while committing atrocities. The demons were a lot more relatable and sympathetic.

Because I absolutely hated Hao Chen/Bailing for his continuous meddling and self-righteousness, I wanted to see him die a horrible death. But his defeat was rather underwhelming. He just realized that he was wrong and was demoted. I thought it was anticlimactic. I wanted to see him defeated in battle like the villain that he was.

Overall, I could watch this show again because I absolutely loved the love story.

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Good enough

The show was well paced with a very well developed plot centered around political intrigue. All the male characters were interesting, and, thankfully there weren't any convoluted plotlines and cliche tropes. My favorite relationships were between Ha Seon and the Chief Royal Secretary, Eunuch Jo, Guard Jang, and the villains. However, the show should've gone without the romance.

This was probably the first drama where I couldn't care less about the romance. It felt like an afterthought. Nothing against the actors. Everyone did a great job portraying their characters. Big props to Yeo Jin Goo being so young but already so talented. He did a fantastic job playing two completely different characters. But, the romance bored me out of my mind. Yeo Jin Goo next to Lee Se Young looked like a younger brother rather than a romantic partner. Their relationship was completely uninteresting and the chemistry was bland.

The ending was odd having an unnecessary death then returning back to life. The writing choice didn't contribute anything to the story but rather pointlessly dragged the plot for a few extra episodes killing off some very cool side characters and focusing on the boring romance story between Ha Seon and So Woon. The bromance between Ha Seon and the chief royal secretary was way more interesting.

Overall, I enjoyed the plot about duty and loyalty. But the story could've gone without a bland romance between two people who had no chemistry on screen.

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It's ok for a low budget flick

A low budget show is low budget with only 10 very short episodes. It's a shame that this wasn't a full length drama because there was enough plot to write a nicely developed story and characters.

The acting was decent. Na In Woo is still a bit inconsistent. His acting is good in some dramas but stiff in others. Here, he was good.

The plot was mostly straight forward, except for some side stories that went nowhere because of the short length. The writers tried to stick a lot of material into a very short drama without giving any of the new characters and storylines any development. It felt rushed and awkward.

Rewatch value? None. It's a good show to kill time for a few hours and forget about afterwards.

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Left me dazed and confused

I didn't watch the 2019 Taiwanese version, so the review is based on my take on the Korean version alone.

The drama started out pretty strong. Jeon Yeo Been did a great job portraying two completely different personalities between Jun hee and Min ju. One was outgoing and popular, the other was a miserable introvert. The show also did a good job showing the chemistry between Jun-hee and the two boys and Si Heon's growing love for her. The high school timeline was the most interesting with the most chemistry between the three main characters. The adult timeline was kind of bland with Jun hee and Si Heon/Yeon jun having a much less dynamic relationship. This was the second drama I watched with Ahn Hyo Seop and he did a lot better here than in Lovers of the Red Sky.

While the show had a great start, the writers decided to make the plot more complicated than it should've been. By episode 9, I started losing track of who was who because the timelines kept switching and characters kept flip flopping between bodies. I wasn't sure what the connection between the timelines was either. I assume they were parallel universes with two versions of the same person living in both of them, I guess? But, then how did Si Heon and Yeon Jun meet at the airport if they were from different universes? The show also didn't quite explain the connection between them and how Yeon Jun even ended up falling for Jun hee. Maybe I missed it because I was trying to keep track of all the characters and timeline hopping.

Some plotlines got too extreme and others were kind of forgotten. In-kyu disappeared for several episodes, making his character kind of irrelevant, then appeared again towards the end trying to save Min-ju. The murder/suicide plotline was radically extreme. It would've been better if Min-ju just died in a car accident, instead of by some random obsessive classmate turned serial killer who traveled back in time in a body of his brother to train himself to be a serial killer. This is not to mention that the outcomes kept changing as the story progressed from all the timeline hopping, making it even more confusing.

I didn't quite get the significance of Rowoon's cameo as Tae Ha. Did it mean that Yeon jun was gay and was just starting to confess his feelings for his friend before the accident, and that Jun hee really fell in love with Si Heon and not Yeon jun? The writers spent no effort trying to flesh this nuisance out. And, did Tae Ha die in the accident?

The ending was very sweet and left a lot of questions unanswered. The only couple that made sense was Min ju and In kyu because there was no confusion about who was who. With ML and FL, I am not sure whether Jun hee ended up with Si Heon or Yeon jun. They acted like the same person. I think she met Si Heon at the end because Yeon jun was the one who got into the car accident, became a cripple, and got stabbed to death. Not to mention, he might have been gay.

Overall, the show left me with a lot of unanswered questions and some confusion about Jun hee/Si Heon/Yeon jun romance. On one hand, I liked their love story. It was very touching and bittersweet. On the other, all the timeline and body hopping made me completely lost about who was who.

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Fanservice disguised as historical drama

This drama should really be taken for what it is - fan service. All the effort was spent on casting idol actors to attract a certain fanbase of adolescent girls and nothing else. There is no coherent plot, just pretty boys running around with fancy hair and lip gloss looking like they belong in an 80s glam rock band.

Romance was a tropey mess. Dude momentarily gains consciousness just to kiss a girl after hearing her confession, then loses consciousness again. Puhlease. The characters were kind of shallow and didn't really have much development. Even if the focus was on fanservice, the writers could've done something with the plot. Instead, we had convoluted storylines that didn't make sense. The queen wouldn't give up the throne to her son and kept hiding his identity to supposedly protect him, instead of putting him on the throne and helping him secure it. Not to mention, there was this lame conspiracy plotline and the queen's self-serving motivations for the sake of pretending there was a plot. The Hwarang were supposed to be the king's guard, but they spent most of their time bickering and doing song and dance. Only towards the end, somebody started doing something interesting. And don't even get me started on the incest plot where the queen wanted to marry her son the king to her daughter the princess because of some "sacred bone" tradition. I understand this is a fake historical drama, but seriously. And, OMFG, Sam Maek Jong's CONSTANT whining about how weak he was as the king during the entirety of the show - while he was in hiding, after he became Hwarang, after he officially became king, every freaken time he was faced with adversity he bitched and moaned about being incompetent.

The OST was pretty underwhelming. The same song with a female singer was playing in most episodes during romantic/angsty scenes as if it was on a loop. Production and acting were ok. I thought Park Seo Joon and Park Hyung Sik did a good job. Seo Yea Ji had the easiest acting gig as the princess, she looked constipated with the same expression in every scene. Ah Ro was forgettable and weak. She never stood up for herself and allowed everyone to make decisions for her and did whatever she was told. Her bland chemistry with Sun Woo did not justify any of their romantic angst.

All the side characters with their stories and romance would've been interesting if the writers took the drama a little more seriously and wrote an actual plot and character development. I ended up skipping most scenes from episode 13 onward because there was no interest in anything other than the three main characters. I don't think I missed much.

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This drama......

This drama will leave you laughing, infuriate you, and totally KO you emotionally.

It started very strong. ML and FL met when they were both young, had quirky and funny interactions and a quick romantic development. Unfortunately, the romance plot, while having a fun beginning, started going in circles to the point of frustration. San chased after Deok Im (DI) begging for her to love him when he was the crown prince and he continued pursuing her and begging her to love him after he became the king.

At some point, I wanted to see DI get a promotion, an upgrade, to move up in life which would've also given a chance for San/DI to develop further aside from just being a king and his maid. But, she did the same things for the entirety of the show and had awkward interactions with San about their relationship, which made the pace and story development a bit stale. Her consistently rejecting him, because she wanted to lead her own life, would've made sense if DI actually had plans to leave and move on after he found a concubine, but she kept coming back to be his maid, which went against the entire premise of her wanting to lead her own life. This plotline needed to either wrap up a lot sooner or the writers should've written more story to avoid the round-about "love me!!!" by San. And, frankly, them always having the same conversation became really boring.

The other plot lines with San living in the shadow of his "traitor" father and having a love/hate relationship with his abusive tyrant grandfather was very well written and made San an extremely sympathetic character. The transition between him being a crown prince and a king was also very well done showing him transforming from a scared little prince to a decisive king who wasn't afraid to get rid of anyone who opposed him, including family members.

I was going to write about the treatment of women, but it would be redundant considering that this is a period peace. It doesn't matter which period and which country. It always sucked for women everywhere until 100 years ago. Enough said.

The ending broke me until it didn't. After DI accepted San and became his concubine, the story quickly switched gears and showed that their love wasn't happy at all. For the majority of show, San was broken-hearted from being continuously rejected by DI, and DI wasn't very happy being San's concubine because she was forced to wait for him, was at the mercy or his schedule, and had to share him with other women. The scene of DI telling San on her deathbed that she didn't want to meet him in the next life really drove the tragedy home and showed the awful predicament women back then. Even a woman who was well loved and lived in privilege had nothing of her own and was just another thing a man owned.

Just as I thought that my depression couldn't get any worse, it turned out that the ending was San's dream. Waking up in cold sweat and realizing that DI was alive was a second chance of sorts for San to appreciate what was truly important to him. I wasn't particularly thrilled with that twist because it messed up the chronology and made the story more complicated than it should've have been. And, it felt emotionally draining after having to witness DI's death and San's loneliness and longing for years to come after he lost the one woman he ever loved. Nevertheless, this was a beautiful love story.

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