Queenmaker (2023) poster
8.2
Votre note: 0/10
Notes: 8.2/10 par 3,798 utilisateurs
# de Spectateurs: 8,736
Critiques: 21 utilisateurs
Classé #1461
Popularité #2168
Téléspectateurs 3,798

Stratégie. Influence. Corruption. Deux femmes accomplies forment un duo improbable qui brigue le poste de maire de Séoul face à un puissant conglomérat. (Source : Netflix) Modifier la traduction

  • Français
  • Arabic
  • Русский
  • Українська
  • Pays: South Korea
  • Catégorie: Drama
  • Épisodes: 11
  • Diffusé: avril 14, 2023
  • Diffusé Sur: Vendredi
  • Station de diffusion initiale: Netflix
  • Durée: 1 hr. 7 min.
  • Score: 8.2 (scored by 3,798 utilisateurs)
  • Classé: #1461
  • Popularité: #2168
  • Classification du contenu: 15+ - Teens 15 or older

Où regarder Queenmaker

Netflix
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Distribution et équipes

Critiques

Complété
unterwegsimkoreanischenD
48 personnes ont trouvé cette critique utile
avril 15, 2023
11 épisodes vus sur 11
Complété 0
Globalement 9.5
Histoire 10
Acting/Cast 10
Musique 8.5
Degrés de Re-visionnage 8.5
Cette critique peut contenir des spoilers

Sisterhood in a man´s world. Let yourself get both annoyed & inspired by politics behind the scenes

What a wonderful power show inside out politics. Yes, it's ugly and you might want to smash right into it. Often enough and plentifully. But it also has its heart in the right place. Repeatedly. Dealing with politics may make you doubt the meaning and purpose of democracy. But it doesn't get any better without those intrepid heroes willing to stand up for a better world. One may sometimes lose faith in something like a democratic gene in people. But one can always hope and fear. The game is only over when it is over. The election is not over until the votes have all been counted.

Stupendous women. On both sides of the front. And the men? Oh well. So and so. (And if many people complain about Lee Geung-young because of his scandal, he at least prefers to choose the role of the challenging guy, where one can wholeheartedly consider him disgusting...)

Well, I consider the sisterhood thing being the crucial message for me in this story. Yes, there are strong, competent women, who, against better female instincts, cling to old structures and customs - in the wake of the Jaebeol clan. Yet there are those competent, motivated, witty, loyal to higher ideals women, too, who are sharing those ideals with others and walking side by side. Even if tempted and seduced they still sense what is right and wrong and act on that when in doubt. Using and abusing (interchangeable lackeys) for personal gain vs. appreciation and recognition (of brothers and sisters) are very sensitively compared here as common HR strategies and management styles.

With 11 episodes (only), Netflix slips through the story fairly quickly - only the most necessary input about the protagonists are given. However, especially the actresses don't let the story rush past you. Kudos to (in this case in particular) the heart and soul of the Ahjummas and a storytelling that, while strikingly handling the political landscape for its stringency, nevertheless spreads the complex mixture of motives, hopes and fears in a well-sorted manner.

Does the end justify the means? This age-old question apparently never ages. "Queenmaker" makes you think, but also often leaves you terribly annoyed about the way things are. The KDrama makes you angry, demoralizes, and yet: at the same time it gives hope. Strong women, a strong story, an often enough an ugly world in which, however, once again each individual contributes to the fact that it could be one way or another...

Obviously I would recommend it - if you´re in the mood for something like that. And: obviously there are no Idols and no Love Story involved. People may die, but it is no crime story. It isn´t funny, either. Nevertheless, I would say, you should check it out and let yourself get both annoyed and inspired by politics behind the scenes.

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Complété
JustCruisin
12 personnes ont trouvé cette critique utile
avril 26, 2023
11 épisodes vus sur 11
Complété 0
Globalement 6.0
Histoire 5.0
Acting/Cast 5.0
Musique 4.0
Degrés de Re-visionnage 4.0
Cette critique peut contenir des spoilers

Good premise marred by cliche storytelling

Firstly, this show blows the bechdel test out of the waters. There really is nothing more attractive than powerful women, ambitious women, women being straight out "badasses". This was something Samuel L Jackson said often about The Long Kiss Goodnight, that the industry needed to produce more of these "women being badasses" shows because they just rock. Despite this, I could not give this series a high rating.

To begin with, I found Do Hee's redemption arc implausible, to say the least. The plot pivots around her "awakening" from having seen an employee "commit suicide" after Do Hee had been hard with her. Really? She's never caused someone's death before in all the years she's worked under psychopathic chaebol matriarch Young Shim? Really?!? Mine eyebrow is duly raised. Secondly, how did Kyung Sook manage to camp herself on conglomerate property for her protest for so many days? That's clearly trespassing. How did she manage to evade security?

Also, the whole series relies on Do Hee's capability in the performance of her duties however, when the employee says that those messages were not txted by her, that should've alerted Do Hee to the need to verify. Something as simple as ringing the phone number on the txt msg, which she does later on, should've been the first point of order, but no. She just brushes the employee's comments aside. She believes the guy's word for it completely without doing any investigation into the veracity of his claims which doesn't come across as competence but extremely incompetent. One doesn't investigate because one distrusts a party's claim but to know the full scope of what to expect, what needs to be protected, and what reprisals would be forthcoming from the victimised party. Queenmaker? Hmmm...

The rest of it are stereotypical "gotcha" games where a male powerbroker's weakness is always connected to his groin (mistress, indiscretion etc) and so he is easily blackmailed that way. As someone who's familiar with legal procedures the rest of the series really devolves into WTFs. While finding out the truth of corruption on the enemy side, it's all easily subverted by them with tearful pretentious displays and mercurial social media moods. However, when the enemy side makes up a "truth" about Kyung Sook and her campaign, we are led to believe that her past allies will just forget about their past friendships and loyalty and public won't ask for an investigation into whether the evidence stacks up or not. For the enemy, there needs to be solid evidence which is easily subverted; for Kyung Sook's team, the enemy side just needs to fart a BS and the whole house of cards crumble to the ground. It is just too implausible. Are the Korean public idiots? The part where her son was charged with a criminal offense was just... what am I seeing here...?!?! I don't know how the Sth Korean justice system works but it's not a given that the minor will go to jail just because the antagonists say so. There are systems in place to ensure a fair trial. I'd like to believe that the prosecution isn't so incompetent as just to be easily bought out. Plus, there are evidentiary requirements too. And I'm making this conclusion from legal kdramas I've seen which shows that Sth Korea's criminal justice system doesn't deviate so much from where I'm at.

Plus the male counterpart strategist was just another WTF buildup to a nothing. Dragging an old senile man and leaving him in an unfamiliar place where he eventually got run over was not strategy. It was criminal. For all the talk about Carl being THE kingmaker, the character was nothing but an amateur and a thug who brought a chainsaw to a surgery that required a delicate scalpel.

There were several, several, nails on the coffin—when Do Hee doesn't even clean up her loose ends well enough to ensure that her father is out of danger, when she doesn't even ensure her own safety, but the crowning one: when there were moles in Kyung Sook's team. It's always the same sh#t—they need money so they're willing to betray their principles. Seriously? Why even bother doing anything if money is the common denominator. It's too cheap and too easy of a plot device to use and, as a psychological motivational tool, too illogical. Kyung Sook has spent time with the protestors. She's put in effort and heart into their fight. She represents their suffering and the overcoming of it. To have us believe that a single parent would go against her own survival, and that of her children's, by doing something so short-term as getting monetary gratification now... these people were screwed over by the very conglomerates offering them bribes now, are we to honestly believe they'd side with them again to stab Kyung Sook in the back? The writers need to research into the various electoral results in the democratic countries that Sth Korea shares governmental constitution with, as well as union members' community spirits. Corruption has not been met well regardless of how much a politician has tried to show a "caring parent" side to them nor do union members forget whom their allies were in their times of fight.

Despite all this, I do look forward to season 2 as it looks like they're pushing for one. It would be interesting to see if the writing would get less cliche and much more in line with the premise of this project.

Would I recommend this? Honestly... I would. If only because I know series like this are rare as a hen's tooth so the first few attempts would be shite to begin with but, as per economies of scale principles, it should improve as more of these types of shows are made. Plus... there is one memorable part in the series where I ended up applauding at the screen. There was a scene where young Dong Joo slams himself against a moving vehicle to stop them. I had never seen such a ridiculous move before—using a flesh and blood body against a hard, metal and iron object. It was memorable for the extremely creative application of physics.

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Renseignements

  • Drama: Queenmaker
  • Pays: Corée du Sud
  • Épisodes: 11
  • Diffusé: avril 14, 2023
  • Diffusé On: Vendredi
  • Station de diffusion initiale: Netflix
  • Durée: 1 hr. 7 min.
  • Classification du contenu: 15+ - Adolescents de 15 ans ou plus

Statistiques

  • Score: 8.2 (marqué par 3,798 utilisateurs)
  • Classé: #1461
  • Popularité: #2168
  • Téléspectateurs: 8,736

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