Renascence (2020)

Renascence Means Revival

There is a reason for this show to be titled Renascence. It’s about vengeance fulfilled, doomed love revived..... and bad editing redeemed (at the very end).

Renascence is adapted from the graphic novel, “The Cry of the Phoenix that Reached Ninth Heaven”, but deviates somewhat from the original plot, according to a number of readers. This is a serious historical drama with sombre themes, intense acting, and a largely experienced cast and crew. Director Liu Hai Bo helmed the exceptional The Rise of Phoenixes while the supporting cast comprises some notable veterans. Even the leads like Chen Zhe Yuan had performed so well in Handsome Siblings. I don’t know much about Li Mo Zhi but looking at her filmography, she seems experienced enough leading dramas, so I had a really high expectation on this one.

In most historical C-dramas, we dread the tragic or open endings while constantly hoping for a happier and positive outcome. Here, we were continuously worried that the conclusion, in any form, would not even be given to us.

What went wrong?
The EDITING, primarily. The show was cut from the originally planned and filmed 70 episodes to 36 episodes. We know why it needed to be cut (new industry regulations, I would think rather than censorship reasons), but why 34 EPISODES CUT, only heaven knows. This affected the entire storytelling and pacing, as well as creating plot holes large enough to inspire viewers to glean invaluable answers from various BTS footage. There were scenes that didn’t make sense, characters that appeared from nowhere and story arcs that suddenly concluded without warning (or concluded too quickly without much satisfaction gained).

There were some acting and casting issues with various characters but that would be nitpicking so I’ll leave it at that.

What went right?
The ending, obviously. Fortunately the producers didn’t destroy the one thing left for viewers to hang on to – a happily ever after ending that mostly ties up the loose ends, which thankfully wasn’t edited out. There were real fears that we would only be shown 30 seconds of that, if at all. Although the final episode did feel somewhat rushed, it’s the closure that counts, and what an end it was!

Chen Zhe Yuan is another redeeming factor for this show. His acting was on point, and he delivered a totally different character in Prince Su here as compared to his previous effort – he was restrained and stoic in comparison with his more carefree and laidback character in Handsome Siblings, and that’s due to his versatility and range. His emotional scenes were convincing, and there were many. Although he doesn’t come close to Cheng Yi - who does anyway? - he did deliver a commendable depiction of the tormented lover who had to see the love of his life abandon him to marry his own brother. Twice.

Initially I wasn’t too convinced with Li Mo Zhi as the FL. I felt Eva Cheng was better suited to lead but, she proved me wrong by gradually growing into her role and showcased such remarkable character development as the show progressed. At exactly the halfway mark (ep. 18, 24:05), she dramatically and majestically turned into an epic badass, giving off serious Zhao Yao, Shen Lige, Chu Qiao, Fu Yao vibes in the process. This was truly the pivotal moment where our completely transformed FL was finally unleashed. It’s interesting to note that Li Mo Zhi bears such an uncanny resemblance to Chen Chiao En (Joe Chen). At times I felt like I was watching the Taiwanese drama queen on screen.

The many plot twists were major talking points throughout the show. New conspiracies and machinations kept coming while numerous villainous characters were introduced and deliciously evolved at frightening frequency. The remarkably fast pacing was no doubt a result of the reduced episodes and lack of fillers, which isn’t entirely a bad thing if only they hadn’t cut the important details out as well. Even till the final stretch of episodes, still the screenwriters kept cramming as many new side plots as possible. This drama truly never ceases to amaze at nearly every turn.

The OST here is outstanding. I’m glad the music wasn’t affected by the editing in the show. The opening theme, in particular, is very good. Track list as follows:

1.叶倾君 - 金润吉 (Ye Qingjun-Jin Runji)
2.涅槃 - 陈哲远 & 李墨之 (Nirvana-Chen Zheyuan & Li Mozhi)
3.春知 - 刘美麟 (Chun Zhi-Liu Meilin)
4. 一诺 - 晏紫东 (Yinuo-Yan Zidong)

It’s worth mentioning how captivating the Emperor’s voice has been in this drama. As commented in the discussion board, he was voiced by a notable voice actor, Bian Jiang (边江) who also dubbed Wang Yi Bo in The Untamed.

Confusing elements?
Concerns and confusion were regularly voiced out by viewers regarding the “soul switching” and usage/ abuse of the bodies in question. The horrendous editing and resultant plot holes, as well as the inclusion of an amnesia arc, all added to the uncertainty of what exactly is going on and WHO the FL actually is. With the plot of the drama deviating significantly from the novel, it was left to the screenwriters to then devise an alternative outcome to the story.

My take on this is that from Day One, it had always been Mo Xin who took over Mo Wan’s body. She did lose her memories at one point, but it was still the amnesiac Mo Xin in Mowan’s body. The person whom Prince Su was attracted to and fell in love with (again) had always been Mo Xin in the guise of Mo Wan. And so it proved, right to the devastating end…although I wished it could have played out a little differently without that tragic sacrifice…

Overall
Regardless of the problems this drama faced, and the confusion it caused because of the poor editing, I still enjoyed Renascence very much. The unpredictable twists and turns in the plot kept things interesting, and because everyone was informed of the impending happy outcome at the end, it balanced out the (minor) angst and frustrations from certain events in the show. I would recommend that you give this show a chance, enjoy it for what it is and really suspend disbelief for as long as you can (hopefully till the end).

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Convoluted, Great Plot, Great Scenes

This could have been an intriguing watch had it not been the senseless editing, cutting from 70 to 36 episodes; the drama should have been made into a 2-season series. As it is, many scenes are cut relentlessly, rendering it confusing and disjointed with new characters popping up out of the blue. Without proper background and explanation, the characters seem to be god-like, knowing everything in advance. Having said this, I have enjoyed the overall story.

The Story
Two brothers of royal blood fall in love with the same girl. Due to a misunderstanding, the girl marries the older brother who later becomes the emperor and she becomes the empress. As always with palace politics and harems, the empress is poisoned and died, but not before her soul and memory switch with her younger sister’s. Though her body has died, she lives in her sister’s body and vows for revenge. As her younger sister, she meets the younger brother of the Emperor and both fall in love with each other.

Had the story played out as described, it's pretty straight forward and easy to understand. However, this is not it. When Yao Moxin's and Yao Mowan's spirits switch, it appears that Yao Mowan's memory still partially remains within her body. Then the confusion arises: who has fallen in love with Ye Junqing, Mowan or Moxin? It's unclear until towards the end when Mowan confesses that she is indeed Moxin who has fallen out of love with the Emperor due to his evil deeds, and in love with Ye Junqing after all the years of yearning for her. Their love for each other is unmistakable and their bond is enviable.

The Acting
The overall acting is commendable. As having a more mature face, acting as a naïve and funny girl may be a tough sell for Li Mo Zhi portraying Yao Mowan, but as the consort whom she later becomes, she’s perfect – stunningly beautiful, regally elegant and poised. Cladding in dark red garments and somber, she exudes a fearless badass aura and commands respects from all including her enemies. I applaud Li Mo Zhi for her amazing acting.

Chen Zhe Yuan’s acting here renders me speechless as well. As Ye Junqing, he is tormented for the loss of his true love whom he can only view from afar. The yearning and heartache distinctly exhibit on his face and are felt by the viewers. Though having a baby face giving viewers the impression of a very young actor (Chen Zhe Yuan is in fact very young), Chen Zhe Yuan’s acting is mature. He’s able to capture all the essence in his character and has given a wonderful performance.

I must also applaud Zhang Junning (aka Johnny Zhang)’s performance. As a dark, insecure and angry emperor in Ye Hongyi, he is perfect. Good looking and yet devious at times, viewers can totally feel his inner torments and come to empathize with him and at the same time, despise him.

My Verdict
I have really enjoyed this story despite its seemingly randomness and disjointed editing. It doesn’t only just have the usual palace politics and harem fights, it also has dark supernatural witchcrafts as in spirit swapping and face changing, among others. Viewers can never be certain who they are watching and if the characters are who they say they are. Though with all the usual tropes such as memory loss, falling off cliff etc, the production is impressive with good sound effects, epic battle scenes with thundering war horses and soldiers, thick plot with twists and turns, lovable characters, wuxia, great CGI and more.

Though I can’t say this is a must-watch because of the poor editing, this production deserves some praises for its plot and acting, and a very satisfactory ending that viewers love.

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