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  • Dernière connexion: août 29, 2021
  • Genre: Femme
  • Lieu: catch me in the latest flying spaceships
  • Contribution Points: 9 LV1
  • Anniversaire: February 07
  • Rôles:
  • Date d'inscription: juin 13, 2011

yankumicho

catch me in the latest flying spaceships

yankumicho

catch me in the latest flying spaceships
The King of Dramas korean drama review
Complété
The King of Dramas
8 personnes ont trouvé cette critique utile
by yankumicho
janv. 8, 2013
18 épisodes vus sur 18
Complété
Globalement 10
Histoire 10.0
Jeu d'acteur/Casting 9.0
Musique 10.0
Degrés de Re-visionnage 10.0
I originally began The King of Dramas because I was looking for a comedy and saw it on a list of currently airing comedies. What I found, though, was much more than a comedy. KoD was comedy, drama, meta-narrative, and intertext all rolled into one package. Dramas-within-a-drama have been around since Shakespeare, but in k-drama, we rarely see the interworkings of the drama world. We don't see the bitter battle of production companies for time slots, the schemes of networks, or the interactions of actors, producers, directors, and of course, the writer. In KoD, we see all of these while focusing on the work of one fledgling writer and the resurrection of the career of one crazy Representative. A drama like this could have gone south were it not for its acting. KoD's actors stood up to the challenge of producing two dramas at once. Although almost every character is of mention, Kim Myung Min, Jung Ryeo Won, and Choi Siwon were my personal favorites. Each brought such abandon to their portrayal of their characters. Dramas also rely on good music. I liked every song in this drama, and probably had the songs memorized by the end of the show. Overall, King of Dramas not only gives a glimpse of the drama world from the production's eyes, it also teaches us the importance of hard work and hopefully exposes to us how dramas work (or how they don't, at times). I can't wait to watch this again!
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