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Cette critique peut contenir des spoilers
A blockbuster among Disney+ Series. Action driven, yet luckily with subtle character portraits, too
"Moving" is about people with superpowers. “Moving” tells the stories of a variety of people with such superpowers. These superpowers definitely belong to the realm of fantasy. However, it´s nothing like the 'Marvel' universe, because despite all the action spectacle that "Moving" has to offer, this Disney+ production (based on a successful South Korean webtoon) remains true to the KDrama habitus, that life takes place in the area BETWEEN black and white. It's about shades of gray. Nobody is exclusively good or evil. Well, almost nobody...
“Moving” takes aim at South Korea’s intelligence policy. The KCIA, which became the ANSP and was eventually called the NIS. The connections with the USA and the difficult relationship with North Korea come into play. Difficult, because even within the framework of an official sunshine policy, distrust and hostility are always maintained in the background.
The South Korean secret service has been part of the international elite since the KCIA was founded. The superpowers of the protagonists may be symbolic of this. The name of the secret service has changed several times, as has its official focus. However, this does not mean that the entire workforce can be replaced...
“Moving” finds its balance between political thriller, action thriller and emotionally differentiated Korean habitus. The trick: the tough agents become humanly tangible because they are also parents, worried about their children. And then another trick: the children have inherited their parents' super-powers, but have not (yet) undergone any agent programming. They are children, still relatively naive, pubescent, too...
Worlds collide. The worlds of those, who behind the curtain want to move the world in their favor (for the sake of so called bigger picture and a safer world), the worlds of those executives, more or less blindly obedient (Black Ops) agents who are needed to succeed with their missions, and the world of those, who actually make this world worth living - people with their ordinary families and social relationships.
“Moving” has 20 episodes. Numerous character and relationship portraits are drawn, all of which are somehow intertwined - the old and the young, yesterday and today. And finally altogether now for a tomorrow free from deadly intelligence agency demands.
“Moving” is, first and foremost, a KDrama with a top-class casting that aims to offer streaming delight at the highest international level. “Moving” is explicitly seen as a kind of blockbuster among Disney+ series productions - with a correspondingly hefty budget. As such, the series has entered the streaming market in a self-assured manner and immediately achieved remarkable success worldwide...
However, for my personal taste, this KDrama comes across as a bit too action driven and brutal - with those superpowerful men and women, who (despite their deadly wounds) keep bouncing back again and again and again... I might have dropped it, if not for this variety of subtle and affectionate character portraits, that make a great part of the story, too.
“Moving” takes aim at South Korea’s intelligence policy. The KCIA, which became the ANSP and was eventually called the NIS. The connections with the USA and the difficult relationship with North Korea come into play. Difficult, because even within the framework of an official sunshine policy, distrust and hostility are always maintained in the background.
The South Korean secret service has been part of the international elite since the KCIA was founded. The superpowers of the protagonists may be symbolic of this. The name of the secret service has changed several times, as has its official focus. However, this does not mean that the entire workforce can be replaced...
“Moving” finds its balance between political thriller, action thriller and emotionally differentiated Korean habitus. The trick: the tough agents become humanly tangible because they are also parents, worried about their children. And then another trick: the children have inherited their parents' super-powers, but have not (yet) undergone any agent programming. They are children, still relatively naive, pubescent, too...
Worlds collide. The worlds of those, who behind the curtain want to move the world in their favor (for the sake of so called bigger picture and a safer world), the worlds of those executives, more or less blindly obedient (Black Ops) agents who are needed to succeed with their missions, and the world of those, who actually make this world worth living - people with their ordinary families and social relationships.
“Moving” has 20 episodes. Numerous character and relationship portraits are drawn, all of which are somehow intertwined - the old and the young, yesterday and today. And finally altogether now for a tomorrow free from deadly intelligence agency demands.
“Moving” is, first and foremost, a KDrama with a top-class casting that aims to offer streaming delight at the highest international level. “Moving” is explicitly seen as a kind of blockbuster among Disney+ series productions - with a correspondingly hefty budget. As such, the series has entered the streaming market in a self-assured manner and immediately achieved remarkable success worldwide...
However, for my personal taste, this KDrama comes across as a bit too action driven and brutal - with those superpowerful men and women, who (despite their deadly wounds) keep bouncing back again and again and again... I might have dropped it, if not for this variety of subtle and affectionate character portraits, that make a great part of the story, too.
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