"#Alive" is a variety on hip zombie stories. First things first: it doesn't have much new to offer in this respect - zombies as a plague that spreads fear and terror, a horde that you want to shake off or destroy, like disgusting, annoying vermin. Well, that's not why I would recommend this KMovie.

I also don't think that you have to overstrain the reference to the Covid pandemic and the sometimes grueling current lockdown experiences that come with it.

Even fans of the horror genre won't be really happy with "#Alive", because "horrifying" can surely be done even better.

So why am I mentioning the KMovie here? The script revolves around surviving in an almost hopeless situation. However, the focus is not mainly on the action, but rather on the quiet moments in which the protagonist is ruthlessly thrown back on himself. There he is alone with himself and his inability, facing his insufficient survival skills, his loneliness and hopelessness ... and finally the desire to leave this world.

Oh Joon-woo isn't a born hero - perhaps he was trying to be in the day-long, night-long computer games, with his joystick in hand. But then the Internet connection is gone, no water supply, no food, no one can be reached. The self-chosen isolation in his room with his virtual game world, which has shaped him to this day, is one thing. Real isolation with real threats and no virtual team is something completely different. It's about that juxtaposition and the painful process of waking up to a NOW that's so different from the gaming world. Ultimately, the impulse comes from outside, which helps him to venture out of his safe cocoon into the real and thus truely threatening world.

However, the movie isn´t anti-technology. On the contrary, in playful creativity technical gimmicks, old and new, give the story new impetus again and again.

In the first half, the KMovie is actually a one-man show. And that, I think, is the strongest part. It's never boring. Actor Yoo Ah-in once again uses the chance to show what he's made of. In this way, the viewers accompany him through his very personal Hall of Pain, and there he hardly omits any physical form of expression. For this he has meanwhile been awarded the Cine 21 Award for best actor. After almost half the distance he gets support from Park Shin-hye, who embodies a character who pursues a completely different survival strategy - namely, she has one, even if she also reaches her limits with it. As is well known, more than one person form a group and a group develops its own dynamics, which can do more than each individual on their own. Here too. Both of them grow together. Heroes are rarely born as such...