This movie is made for people who are already familiar with the life of Dogen Zenji - it skips from event to event throughout his life with little exposition. As someone who watched this because I am interested in learning more about Buddhism and who had not heard of Dogen Zenji before, I was left disconnected from the story and did not take much away from it. I wasn't sure WHY anything was happening; it just did, and then we skipped ahead a few more years.

The positives were that the acting was solid, the music was nice, and the production had a pleasant slice-of-life approach (except for a few CGI missteps, as The Butterfly mentions in their review). The film covered some Buddhist teachings, but it didn't go as deep into them as I expected from a biopic about someone who introduced a new form of Buddhism to Japan.

Where this movie most offends me, however, and the reason that I rated it so low, is that the writer looked at the real life story of Dogen Zenji and thought, "You know what this story about a Buddhist master needs? Sex appeal!" And then they introduced one (1) female character, with no basis in history (I checked), only to show her having dubiously consensual sex and then later getting actually sexually assaulted. Obviously these scenes do not include or involve Dogen Zenji, so they're just there because the writer thought they spiced up the story. Thankfully, this female character does get her own arc and character development, but there was absolutely no reason to show those particular scenes, neither of which is addressed with the seriousness that breaches of sexual consent deserve. I'd rather have no added fictional female characters than have this kind of crass and traumatic representation. I came to this movie expecting to learn more about enlightenment and left with a sour taste in my mouth.