2
Saeng
in my Pillowfort
Cette critique peut contenir des spoilers
The premise is great; the runtime too short.
The idea to blend an office setting / a boss-employee-dynamic with a fantasy plot of reincarnation and curses which have to be broken, is interesting.
Unfortunately, the boss-employee-dynamics with its inherent power imbalance is only kind of important in the beginning -- for me, Dong Baek was much too accepting of Yu Dam's story. But that may be because I did not feel a connection between the director and his employee. The director was so standoffish at the beginning, and then suddenly, he is concerned annd worried? The employee is confused and more than a bit uncomfortable, and then, suddenly -- love? A bit more time for character development would have been nice.
I think there's a lot of more character back-story and world-building here than we get to see; and this is what makes the whole series feel unfinished. It is as if we get an incomplete puzzle and are asked to fill in the missing pieces ourselves, and the pieces that are there are just the people, and none of the surroundings.
We don't know why it was so important that the "child of god" / "the kid who grew up in the shaman's house" not get a name. We don't know who it was who shot Dong Baek (looked like Dennis, maybe?) and why. We don't know what kind of curse it is and how exactly it can be broken. And we don't know how Yu Dam knows. We don't know who is was who possessed Dong Baek that one time. We don't know anything about Dennis, and why he thinks so lowly of Yu Dam.
The list could go on and on.
I don't understand why those who were responsible chose this story when it was clear that there's not a lot of time to fully explore it. Even a 10-episode drama of 25 to 30 minutes per episode would have been enough to at least explain the most pressing questions.
But if you know that you don't have the time, then why not choose a much simpler story?
As it is, most of the episodes felt rushed or disjointed (or both); which is a pity since the acting and most technical aspects were fine.
The ending .... is probably something people love or hate. It's open-ended bt hopeful; and I think it fits so I like it.
If you're interested and have the time, you could watch it -- it's short enough and certainly not bad enough -- and form your own opinion.
Unfortunately, the boss-employee-dynamics with its inherent power imbalance is only kind of important in the beginning -- for me, Dong Baek was much too accepting of Yu Dam's story. But that may be because I did not feel a connection between the director and his employee. The director was so standoffish at the beginning, and then suddenly, he is concerned annd worried? The employee is confused and more than a bit uncomfortable, and then, suddenly -- love? A bit more time for character development would have been nice.
I think there's a lot of more character back-story and world-building here than we get to see; and this is what makes the whole series feel unfinished. It is as if we get an incomplete puzzle and are asked to fill in the missing pieces ourselves, and the pieces that are there are just the people, and none of the surroundings.
We don't know why it was so important that the "child of god" / "the kid who grew up in the shaman's house" not get a name. We don't know who it was who shot Dong Baek (looked like Dennis, maybe?) and why. We don't know what kind of curse it is and how exactly it can be broken. And we don't know how Yu Dam knows. We don't know who is was who possessed Dong Baek that one time. We don't know anything about Dennis, and why he thinks so lowly of Yu Dam.
The list could go on and on.
I don't understand why those who were responsible chose this story when it was clear that there's not a lot of time to fully explore it. Even a 10-episode drama of 25 to 30 minutes per episode would have been enough to at least explain the most pressing questions.
But if you know that you don't have the time, then why not choose a much simpler story?
As it is, most of the episodes felt rushed or disjointed (or both); which is a pity since the acting and most technical aspects were fine.
The ending .... is probably something people love or hate. It's open-ended bt hopeful; and I think it fits so I like it.
If you're interested and have the time, you could watch it -- it's short enough and certainly not bad enough -- and form your own opinion.
Cet avis était-il utile?
