WATCH THIS SHOW, NOW!
Dali and the Cocky Prince was an absolute treat from start to finish. I don’t give 10’s easily, but this show grabbed me almost from the first moment and took me along on a journey that was special and, frankly, just almost more fun than I could stand. I found myself smiling through most of this, but there was also enough mystery and drama to balance it out. Overall, it’s a light, bubbly, sunshine-y show, juxtaposed with the seedy underbelly of greed and corruption. I’m not going to retell what the show is about, you can read the synopsis for that. I can’t say that the story is completely original, but the way it was handled was very original. The storyline was always interesting, with no lag, and the writers/director were clever in the way that they used flashbacks to reveal missing scenes that tied everything together.
ACTING: Everyone was excellent. The woman playing Moo Hak’s stepmom was very over-the-top, but I believe that’s the way she was supposed to be portrayed. She brought a lot of humor to her character. I won’t bore you with my thoughts on the whole cast, but I would like to address three of the actors/characters.
Park Gyu Young as Kim Da Li – she was wonderful. First, she had an ethereal kind of beauty, and her character was very, umm, “contained” for lack of a better word. Her voice was quiet and well-modulated. She didn’t often show a lot of emotion, but you could tell that she was honestly a nice person. A retro flapper-like haircut, with pin curls surrounding her face, was something you don’t see in Asian dramas and was a brilliant call. Her beauty, along with her demeaner could lead you to believe that she was a pushover, but that belief was eradicated right away. She was no one’s fool. Her character, at the beginning, had so much, but she was such a lovely person you couldn’t be jealous of her, then when things started to go bad for her, it was heartbreaking to watch.
Kim Min Jae as Jin Moo Hak - I’ve seen him in some other dramas and have always enjoyed him, but the character he portrays in this show was so special! First, Moo Hak doesn’t appear to be the sharpest knife in the drawer. He knows business, but completely messes up phrases and is always saying the wrong things. He starts out being ONLY about money, and he’s not apologetic at all about that fact. He’s loud, tacky and uncouth. As time goes along, we get to see his priorities change. His facial expressions were spot-on here, from cold businessman, to wonder when he first sees Da Li, to love, to happiness. He has dimples that you could literally land a plane in, so when he smiles, you’ve got that treat to enjoy.
Hwang Bo Ra as Moo Hak’s secretary – This character was fabulous. Men usually have male secretaries in Asian dramas, so it was a treat to see a woman in this role. They put her in boxy, oversized suits with dress shirts and ties and her hair was short and slicked back, almost as if to make her androgenous. Bo Ra, in the other shows I’ve seen her in, tends to play a wacky character, with exaggerated facial expressions (think Lucille Ball), playing strictly for laughs. She did provide a lot of comedic relief here, as well, but there were times that she just faded into the background of the story, not taking us away from the main storyline. I loved the respect that Moo Hak had for his secretary and their working relationship.
CHEMISTRY: I’d like to address the powerful chemistry between Gyu Young and Min Jae. They played so well off of one another throughout the whole show. Min Jae’s character fell before Gyu Young did, and that was wonderful to watch. There were times when he was looking at her that his gaze was so intense, I felt kind of like a voyeur. The first kiss was, unfortunately, very awkward, but we were treated to many more opportunities for skinship that were way up there on the hotness scale. The relationship between the characters was so lovely. There was sweetness, protection, as well as a good amount of playfulness, which, unfortunately, doesn’t normally get included in dramas. They spent time laughing together, and I loved that they didn’t continue to call one another by their last names throughout the whole show. We actually got to be with them as they got to know one another, and I could totally understand why they started liking one another.
I also loved the chemistry between Moo Hak, Da Li, and her cop friend, Won Tak. I was watching a behind-the-scenes about this show and Min Jae came up with the idea to call him “Our Won Tak”, so we got to see Moo Hak be jealous every time Da Li called him Our Won Tak. But Moo Hak even called him that! I loved the direction the writers took with the character of Won Tak and the fact that they didn’t try to make him be competition for Moo Hak.
MUSIC: Oh, my goodness, the music was exceptional. There was a song that sounded like something you would dance the Charleston to, it was fun, peppy and upbeat. There were multiple other songs that I enjoyed as well. My favorite, however, was them weaving classical music into the soundtrack. Pachelbel’s Canon in D Major/Memories was used, and Carmen’s Habanera, especially when it was used during tense scenes, with no instruments, only using whistling, was so clever. The music fit in so well with the feeling of the museum and the world of art.
CINEMATOGRAPHY/COSTUMING/SET DESIGN: Exemplary. Buildings painted in bright colors, with Da Li riding her bike. The beautiful artwork in the museum. The clothing everyone wore. There were a few instances where I especially appreciated the camera work: 1) Side-by-side shots of Moo Hak and Da Li when they were sitting across from one another at a table. In one instance, they were both wearing white and I loved being able to see the interplay of their emotions happening “in real time” as opposed to cutting back and forth. There was also a scene in the museum where both Moo Hak and Da Li were in their own worlds, walking through fog and laser lights, lightbulbs hanging from the ceiling, and when they got close to each light bulb, there was a scene from earlier in the show, reviewing all of their interactions with one another. The scene at the museum at the end with artwork full of color and movement. This show was definitely a treat for the senses.
RE-WATCH VALUE: Absolutely! It’s one of those shows that, now that I know what is going to happen, I want to go back and re-visit, watching for clues and nuances that I missed the first time around.
ACTING: Everyone was excellent. The woman playing Moo Hak’s stepmom was very over-the-top, but I believe that’s the way she was supposed to be portrayed. She brought a lot of humor to her character. I won’t bore you with my thoughts on the whole cast, but I would like to address three of the actors/characters.
Park Gyu Young as Kim Da Li – she was wonderful. First, she had an ethereal kind of beauty, and her character was very, umm, “contained” for lack of a better word. Her voice was quiet and well-modulated. She didn’t often show a lot of emotion, but you could tell that she was honestly a nice person. A retro flapper-like haircut, with pin curls surrounding her face, was something you don’t see in Asian dramas and was a brilliant call. Her beauty, along with her demeaner could lead you to believe that she was a pushover, but that belief was eradicated right away. She was no one’s fool. Her character, at the beginning, had so much, but she was such a lovely person you couldn’t be jealous of her, then when things started to go bad for her, it was heartbreaking to watch.
Kim Min Jae as Jin Moo Hak - I’ve seen him in some other dramas and have always enjoyed him, but the character he portrays in this show was so special! First, Moo Hak doesn’t appear to be the sharpest knife in the drawer. He knows business, but completely messes up phrases and is always saying the wrong things. He starts out being ONLY about money, and he’s not apologetic at all about that fact. He’s loud, tacky and uncouth. As time goes along, we get to see his priorities change. His facial expressions were spot-on here, from cold businessman, to wonder when he first sees Da Li, to love, to happiness. He has dimples that you could literally land a plane in, so when he smiles, you’ve got that treat to enjoy.
Hwang Bo Ra as Moo Hak’s secretary – This character was fabulous. Men usually have male secretaries in Asian dramas, so it was a treat to see a woman in this role. They put her in boxy, oversized suits with dress shirts and ties and her hair was short and slicked back, almost as if to make her androgenous. Bo Ra, in the other shows I’ve seen her in, tends to play a wacky character, with exaggerated facial expressions (think Lucille Ball), playing strictly for laughs. She did provide a lot of comedic relief here, as well, but there were times that she just faded into the background of the story, not taking us away from the main storyline. I loved the respect that Moo Hak had for his secretary and their working relationship.
CHEMISTRY: I’d like to address the powerful chemistry between Gyu Young and Min Jae. They played so well off of one another throughout the whole show. Min Jae’s character fell before Gyu Young did, and that was wonderful to watch. There were times when he was looking at her that his gaze was so intense, I felt kind of like a voyeur. The first kiss was, unfortunately, very awkward, but we were treated to many more opportunities for skinship that were way up there on the hotness scale. The relationship between the characters was so lovely. There was sweetness, protection, as well as a good amount of playfulness, which, unfortunately, doesn’t normally get included in dramas. They spent time laughing together, and I loved that they didn’t continue to call one another by their last names throughout the whole show. We actually got to be with them as they got to know one another, and I could totally understand why they started liking one another.
I also loved the chemistry between Moo Hak, Da Li, and her cop friend, Won Tak. I was watching a behind-the-scenes about this show and Min Jae came up with the idea to call him “Our Won Tak”, so we got to see Moo Hak be jealous every time Da Li called him Our Won Tak. But Moo Hak even called him that! I loved the direction the writers took with the character of Won Tak and the fact that they didn’t try to make him be competition for Moo Hak.
MUSIC: Oh, my goodness, the music was exceptional. There was a song that sounded like something you would dance the Charleston to, it was fun, peppy and upbeat. There were multiple other songs that I enjoyed as well. My favorite, however, was them weaving classical music into the soundtrack. Pachelbel’s Canon in D Major/Memories was used, and Carmen’s Habanera, especially when it was used during tense scenes, with no instruments, only using whistling, was so clever. The music fit in so well with the feeling of the museum and the world of art.
CINEMATOGRAPHY/COSTUMING/SET DESIGN: Exemplary. Buildings painted in bright colors, with Da Li riding her bike. The beautiful artwork in the museum. The clothing everyone wore. There were a few instances where I especially appreciated the camera work: 1) Side-by-side shots of Moo Hak and Da Li when they were sitting across from one another at a table. In one instance, they were both wearing white and I loved being able to see the interplay of their emotions happening “in real time” as opposed to cutting back and forth. There was also a scene in the museum where both Moo Hak and Da Li were in their own worlds, walking through fog and laser lights, lightbulbs hanging from the ceiling, and when they got close to each light bulb, there was a scene from earlier in the show, reviewing all of their interactions with one another. The scene at the museum at the end with artwork full of color and movement. This show was definitely a treat for the senses.
RE-WATCH VALUE: Absolutely! It’s one of those shows that, now that I know what is going to happen, I want to go back and re-visit, watching for clues and nuances that I missed the first time around.
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