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  • Dernière connexion: Il y a 14 jours
  • Lieu: USA
  • Contribution Points: 75 LV2
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  • Date d'inscription: mai 16, 2018
  • Awards Received: Flower Award5 Coin Gift Award1
Weaving a Tale of Love chinese drama review
Complété
Weaving a Tale of Love
29 personnes ont trouvé cette critique utile
by ChineseDramaFan
févr. 25, 2021
40 épisodes vus sur 40
Complété 2
Globalement 9.0
Histoire 9.0
Jeu d'acteur/Casting 8.5
Musique 9.0
Degrés de Re-visionnage 8.5

Part Fictional Part Historical Story

Despite the really vile and annoying antagonists, this drama has done quite an incredible job by incorporating a romance fiction into the actual historical characters and events during the period of Emperor Taizong (626 – 649) and later Emperor Gaozong (649 - 683) of Tang Dynasty. This is the love story of Kudi Liu Li (Gulnazar aka Guli Nazha/Gülnezer Bextiyar) and Pei Xingjian (Xu Wei Zhou aka Timmy Xu) who was an actual historical figure.

The story is adapted from the well-loved novel “The Bright Moon of Great Tang”. According to readers, like many other adaptations, the original characters and plots have been relentlessly butchered, rendering the final production with incoherent logic and badly modified characters that could cause viewers to spew blood. They claim the screen writers have made the Liu Li character stupid, impulsive and annoying. The screen writers have also given unlimited power to the seemingly unimportant head of the palace seamstress shop, making the Zhuo Jin Niang (Li Xin Yi) character vile and despicable, which to many, is bizarre and a total hogwash. They have also made the Cao Wang (Prince of Cao) character extremely dislikable, turning him into a nincompoop who does not receive equal retribution for his heinous acts, like trying to murder the Crown Prince, umpteen times. Many viewers also criticize the acting of the main leads for being mediocre and unbelievable.

The Characters and Acting
Kudi Liu Li (Gulnazar) is the daughter of the world number one best embroiderer and seamstress who is framed and executed in the palace. Little Liu Li escapes execution and has been disguised as a boy living in the palace. Inherited her talents from her mother, Liu Li becomes a gifted embroiderer/seamstress for the Emperor. I really love the beautiful little girl who portrays the juvenile Liu Li. Her acting is wonderful and believable. Many viewers dislike the grown-up Liu Li character and complain about Gulnazar’s acting. I can see why viewers are frustrated because Liu Li has the tendency in running into trouble because she is too impulsive and naïve. However, in times of trouble Liu Li can analyze her situations quickly and come out with good solutions, hence saving herself and those she cares. According to actual historical record, Pei Xingjian’s second wife was of Turkic ethnicity. Gulnazar’s Uyghur background appropriately fits her role as Liu Li. For me, Gulnazar’s acting is not totally a flop; I quite like her as Liu Li, even as the disguised Xiao Douzi, she is rather cute and believable.

Pei Xingjian (Timmy Xu) is a super intelligent person, well verse academically as well as an incredible fighter. He later becomes a good friend and the bodyguard of the Crown Prince Li Zhi, saving him from all kinds of danger and near-death situations. Timmy Xu is very good looking with a wonderful physique. However, I wish he were more relax in his acting with more natural movements and facial expressions. As Pei Xingjian, he does make the character very lovable and enjoyable.

My verdict
Apart from Pei Xingjian, this drama makes references to many real historical figures including Wu Zetian (the famous/infamous female Emperor), Li Shimin (Emperor Taizong of Tang), Li Zhi (Emperor Gaozong of Tang), among others. As expected, many of the events in the drama are fictional, including the exaggerated wickedness of the antagonists and their blatantly heinous schemes and crimes. Many viewers feel such acts are overdone and illogical. Some viewers even claim, rightly or not, the plotline and characters are copied from the Korean drama "Jewel in the Palace" (2003). Whatever it may be, don’t let the low ratings mislead you. From the perspective as an entertainment, the story is indeed entertaining with clear line between love and hate, black and white, right and wrong; there's simply nothing in between.

For me, I find the fiction ties in very well with the actual history, romanticizing historical figures and events, giving the viewers a part fictional and part historical story. I love the beautiful Tang era dresses worn by the ladies, the street scenes, the palaces and the overall settings – all carefully done and shot. The embroidery, especially the double-sided embroidery, one of China's pride, talents and legacies, is exquisite and breathtaking.

Until the final few episodes, the writers still continue to add on more outrageous antagonists and twists at whims. I believe they really enjoy watching viewers being disgusted.

Enjoy the ride!
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