Tisser une histoire d'amour (2021) poster
Votre note: 0/10
Notes: 7.6/10 par 1,087 utilisateurs
# de Spectateurs: 3,996
Critiques: 28 utilisateurs
Classé #5561
Popularité #3401
Téléspectateurs 1,087

Sous le règne de l'empereur Taizong, dans un petit village mongol, loin du tragique et des intrigues du palais impérial, naquit une petite fille répondant au nom de Kudi Liu Li (Gülnezer Bextiyar). Fille d'une couturière talentueuse, on supposait que la jeune fille suivrait les traces de sa mère. Hélas, une prophétie décréta qu'elle ne devrait jamais toucher une aiguille ou du fil. La vie au village était difficile et, à mesure que Liu Li grandissait, elle vacillait constamment sur le seuil séparant la vie et la mort. À l'âge de cinq ans, sa mère se retrouva en danger imminent et, dans un geste désespéré pour assurer la sécurité de sa fille, elle envoya Liu Li avec son bon ami, Zhuo Jin Niang (Li Xin Yi). À présent résidente du palais, Liu Li a immédiatement commencé sa formation de dame de compagnie du palais. N'ayant aucun souvenir de la prophétie qui dirigeait autrefois sa vie, Liu Li fut encouragée à prendre l'aiguille et le fil et, à mesure qu'elle grandissait, son talent naturel devint le sujet de conversation du palais. Avec des yeux jaloux toujours posés sur elle, un brillant jeune érudit du nom de Pei Xing Jian (Timmy Xu) voit le danger qui la menace et prend sa protection en charge. Ensemble, ils échappent à de nombreux complots et découvrent un secret du passé de Liu Li, un secret qui la place sur la voie de la vengeance. Alors que Liu Li cherche à se venger, elle se retrouve bientôt prise dans une épouvantable bataille entre les nobles, témoin des sombres secrets du palais royal, alors que le pouvoir interne se déplace vers l'usurpateur, Wu Zhou. Marchant de nouveau dangereusement sur la ligne séparant la vie et la mort, Liu Li et Xing Jian devront employer toute leur intelligence afin de surmonter les obstacles qui se dressent devant eux. (Source: Viki.com) Modifier la traduction

  • Français
  • 日本語
  • 中文(简体)
  • Русский
  • Pays: China
  • Catégorie: Drama
  • Épisodes: 40
  • Diffusé: janv. 27, 2021 - févr. 22, 2021
  • Diffusé Sur: Lundi, Mardi, Mercredi, Jeudi, Vendredi, Samedi, Dimanche
  • Station de diffusion initiale: Hunan TV Youku
  • Durée: 45 min.
  • Score: 7.6 (scored by 1,087 utilisateurs)
  • Classé: #5561
  • Popularité: #3401
  • Classification du contenu: Not Yet Rated

Où regarder Tisser une histoire d'amour

China Zone
Gratuit•e (sub)
Gratuit•e (sub)

Distribution et équipes


18 personnes ont trouvé cette critique utile
févr. 26, 2021
40 épisodes vus sur 40
Complété 0
Globalement 7.0
Histoire 7.0
Acting/Cast 6.0
Musique 9.0
Degrés de Re-visionnage 6.0

Not too bad a series but some sub-plots are quite ridiculous

2 out of 5 reviewers on Douban gave “Weaving a Tale of Love” (WToL) rating 1 out of 5. That is harsh because essentially nearly half of the reviewers felt that this show is absolute trash. However, during its TV run, this series is ranked 3rd among the TV viewers behind only Douluo Continent and Fighting Youth. Granted, Hunan TV always attract higher viewership but that shows this historical costume drama has its share of fanbase, and those who enjoy this drama despite all the negative reviews and disjointed logic and common-sense in its plots and storyline.

How did I get into this c-drama. I was searching for a 2nd c-drama to fill-up the gap left by Douluo Continent, and checked out all the newly premiered costume c-dramas. Dropped Blessed Girl, the Rebel Princess, The Wolf, and A Girl Like Me after a few episodes. This series intrigued me, and kept me watching the next episodes. It is entertaining even though at times, some plots could be downright idiotic. More later on this.

Now, to the positives. Beautiful costumes, props, settings, and color-palette. Watching this c-drama, you can’t but admire the color palette that stimulates you visual enjoyment. It is bright, vibrant, and very discerning and easy on the eyes. The color-palette and visual stimulation was much better than that in Douluo Continent. Incidentally, I was re-watching Nirvana in Fire at the same time and could not help but notice the huge gap between 2015 production and WToL. While Nirvana in Fire is better than WToL in almost all aspects, it pales in comparison in color hue and palette post production aspect. The costume is simple yet beautiful especially on the Female Lead. Then again anything would look good on Gulinazha whether she is dressed as a female or crossed-dressed as a very effeminate young physician. The series setting is also beautiful, even though it was filmed primarily at Hengdian World Studio. At least the Director/Producer did not use the shot of the Qin Shi Huang palace as the backdrop for this drama as this is set during the Tang Dynasty. Nevertheless, it is refreshing to see lesser known buildings at Hengdian WS because they are just as beautiful as the main attractions of Imperial Palace, Forbidden City, Palace of Ming & Qing Dynasties, the capitol of Song Dynasty – Bianliang, etc.

The only CGI in this drama was the opening overhead shot showing the capital, but it looks kind of fake especially those city folks roaming the streets. This shot was replayed time and time again throughout the 40-episode series. On the action front, there are not much fighting scenes in this series because the storyline is geared more towards revenge and palace politics rather than wuxia and adventures in the jianghu.

I especially enjoyed the closing track by Zhou Shen – Moon Legend. This is a guy with a girl’s voice. There are just a few c-dramas which I really enjoyed the sound tracks like Chi Sheng Wei Ni in the Heavenly Sword & Dragon Slaying Sabre, Yisheng Deng Ni in Bloody Romance or Mo Wang in Ever Night 2. But the rendering of Moon Legend By Zhou Shen is hauntingly beautiful. When you like the song, ultimately you will love the series as well.

Now to the negatives. While the story line is generally your typical palace politics coupled with revenge and past injustice subplots, some of the story details are just plaindumb. This is probably why many viewers gave it a bad review. Some of the “idiot sub-plots” are :-

- Nobody knew that the FL was a girl even though while cross-dressing, she looked more beautiful than 99% of women on this planet;
- Despite the need to remain low-profile, the FL time and again showed her embroidering skill to the public which linked her to her disgraced mother;
- Despite jumping off the cliff into bottomless void to survive an assassination attempt, the two fellas entered the palace hours later without as much as a scratch;
- Having a Mei Chang Su like character in Concubine Wu assisting the Crown Prince at every opportunity against 14th Prince scheming and dealing;
- FL surviving an attempted fatal poisoning in jail because the guard was too hungry, and could not take his hands off free food;
- ML saved FL from death by hanging by shooting on the rope. FL would have been dead if the ML was a second late and the assassin conveniently left his badge for ease of identification;
- The Emperor easily believing in a quack who predicted Concubine Wu would be a female emperor of the Tang Dynasty after 3 generations;
- Crown Prince bringing a hired help in the form of a single person knowing that the 14th Prince would try to assassinate him;
And the list goes on and on and on…..

I had seen Guli Nazha in previous c-drama, so her acting has never been an issue – she is a terrific and talented actress. However, for some reasons, her acting here is a bit out of place especially when she is portraying an innocent and naïve FL.

Nevertheless, despite many shortcoming of this series, I managed to complete all 40 episodes. 7.0/10.0 score from me.

Lire davantage

Cet avis était-il utile?
29 personnes ont trouvé cette critique utile
févr. 25, 2021
40 épisodes vus sur 40
Complété 2
Globalement 9.0
Histoire 9.0
Acting/Cast 8.5
Musique 9.0
Degrés de Re-visionnage 8.5

Part Fictional Part Historical Story

Despite the really vile and annoying antagonists, this drama has done quite an incredible job by incorporating a romance fiction into the actual historical characters and events during the period of Emperor Taizong (626 – 649) and later Emperor Gaozong (649 - 683) of Tang Dynasty. This is the love story of Kudi Liu Li (Gulnazar aka Guli Nazha/Gülnezer Bextiyar) and Pei Xingjian (Xu Wei Zhou aka Timmy Xu) who was an actual historical figure.

The story is adapted from the well-loved novel “The Bright Moon of Great Tang”. According to readers, like many other adaptations, the original characters and plots have been relentlessly butchered, rendering the final production with incoherent logic and badly modified characters that could cause viewers to spew blood. They claim the screen writers have made the Liu Li character stupid, impulsive and annoying. The screen writers have also given unlimited power to the seemingly unimportant head of the palace seamstress shop, making the Zhuo Jin Niang (Li Xin Yi) character vile and despicable, which to many, is bizarre and a total hogwash. They have also made the Cao Wang (Prince of Cao) character extremely dislikable, turning him into a nincompoop who does not receive equal retribution for his heinous acts, like trying to murder the Crown Prince, umpteen times. Many viewers also criticize the acting of the main leads for being mediocre and unbelievable.

The Characters and Acting
Kudi Liu Li (Gulnazar) is the daughter of the world number one best embroiderer and seamstress who is framed and executed in the palace. Little Liu Li escapes execution and has been disguised as a boy living in the palace. Inherited her talents from her mother, Liu Li becomes a gifted embroiderer/seamstress for the Emperor. I really love the beautiful little girl who portrays the juvenile Liu Li. Her acting is wonderful and believable. Many viewers dislike the grown-up Liu Li character and complain about Gulnazar’s acting. I can see why viewers are frustrated because Liu Li has the tendency in running into trouble because she is too impulsive and naïve. However, in times of trouble Liu Li can analyze her situations quickly and come out with good solutions, hence saving herself and those she cares. According to actual historical record, Pei Xingjian’s second wife was of Turkic ethnicity. Gulnazar’s Uyghur background appropriately fits her role as Liu Li. For me, Gulnazar’s acting is not totally a flop; I quite like her as Liu Li, even as the disguised Xiao Douzi, she is rather cute and believable.

Pei Xingjian (Timmy Xu) is a super intelligent person, well verse academically as well as an incredible fighter. He later becomes a good friend and the bodyguard of the Crown Prince Li Zhi, saving him from all kinds of danger and near-death situations. Timmy Xu is very good looking with a wonderful physique. However, I wish he were more relax in his acting with more natural movements and facial expressions. As Pei Xingjian, he does make the character very lovable and enjoyable.

My verdict
Apart from Pei Xingjian, this drama makes references to many real historical figures including Wu Zetian (the famous/infamous female Emperor), Li Shimin (Emperor Taizong of Tang), Li Zhi (Emperor Gaozong of Tang), among others. As expected, many of the events in the drama are fictional, including the exaggerated wickedness of the antagonists and their blatantly heinous schemes and crimes. Many viewers feel such acts are overdone and illogical. Some viewers even claim, rightly or not, the plotline and characters are copied from the Korean drama "Jewel in the Palace" (2003). Whatever it may be, don’t let the low ratings mislead you. From the perspective as an entertainment, the story is indeed entertaining with clear line between love and hate, black and white, right and wrong; there's simply nothing in between.

For me, I find the fiction ties in very well with the actual history, romanticizing historical figures and events, giving the viewers a part fictional and part historical story. I love the beautiful Tang era dresses worn by the ladies, the street scenes, the palaces and the overall settings – all carefully done and shot. The embroidery, especially the double-sided embroidery, one of China's pride, talents and legacies, is exquisite and breathtaking.

Until the final few episodes, the writers still continue to add on more outrageous antagonists and twists at whims. I believe they really enjoy watching viewers being disgusted.

Enjoy the ride!

Lire davantage

Cet avis était-il utile?


Ode to Daughter of Great Tang
Ode to Daughter of Great Tang
Bian Liang Meng Hua Tu
Story of Yanxi Palace
Dr Cutie
Jin Xin Si Yu


  • Drama: Tisser une histoire d'amour
  • Pays: Chine
  • Épisodes: 40
  • Diffusé: janv. 27, 2021 - févr. 22, 2021
  • Diffusé On: Lundi, Mardi, Mercredi, Jeudi, Vendredi, Samedi, Dimanche
  • Station de diffusion initiale: Hunan TV, Youku
  • Durée: 45 min.
  • Classification du contenu: Pas encore classifié


  • Score: 7.6 (marqué par 1,087 utilisateurs)
  • Classé: #5561
  • Popularité: #3401
  • Téléspectateurs: 3,996

Top Contributeurs

108 éditions
65 éditions
37 éditions
24 éditions

Listes populaires

Listes apparentées d'autres utilisateurs
Chinese Historical Drama
418 titles 542 loves 3
Which C-Drama Are We Watching Next?
506 titles 99 loves 13

Récemment vu par