Cette critique peut contenir des spoilers
Ode to Shin Hye-sun
Mr. Queen is a historical, gender-bender comedy that is extremely fun and definitely binge-watchable.
I don't know the original works inspiring this one (both the webtoon and Chinese web series are known as "Go princess go") but I can tell that it functions well both as a parody (especially in the first episodes) and as a proper Korean historical drama.
The plot has the right amount of palace intrigue and power plays all experienced throughout the eyes of a 21st century man that effectively becomes the audience avatar.
His internal commentary is our commentary and, most of the time, it is hilarious.
Queen So-yong is the absolute protagonist of this drama and Shin Hye-sun rises to the challenge gloriously.
I've met her in Stranger and loved her character back then too.
She is versatile and talented with both perfect comedic timing and dramatic skills.
The romantic chemistry with Kim Jung-hyun (funny and sexy man whom I've absolutely loved in Eulachacha Waikiki and Crash Landing on You) is through the roof and they have steamy scenes that are going to make you laugh and blush at the same time. The supporting cast is solid (shoutout for Cha Chung-hwa and Jeon Bae-soo) although their characters are mostly just cartoonish comic relief.
The pacing is well sustained and it makes you forget eventual plot holes, however the gender-swap theme is the true weakness of this drama (and the main reason why my rating was lowered one full point).
Clearly Korean television deems the exploration of unconventional romance (namely a possibly gay relationship) as too controversial. Jang Bong-hwan's return to his reality was rushed, perhaps to avoid any consideration on said romance. Pity, because I was very curious to see how his emotional growth, resulting from experiencing the world in a woman's shoes, translated to a male, modern environment.
Female Empowerment Score 2/5: the only kickass girl in the series is possessed by a man. The evil queens are either petty or blinded by the fear of aging. The king's first love is an insecure liar who at least is able to redeem herself towards the end (and secure the second point on this score).
I don't know the original works inspiring this one (both the webtoon and Chinese web series are known as "Go princess go") but I can tell that it functions well both as a parody (especially in the first episodes) and as a proper Korean historical drama.
The plot has the right amount of palace intrigue and power plays all experienced throughout the eyes of a 21st century man that effectively becomes the audience avatar.
His internal commentary is our commentary and, most of the time, it is hilarious.
Queen So-yong is the absolute protagonist of this drama and Shin Hye-sun rises to the challenge gloriously.
I've met her in Stranger and loved her character back then too.
She is versatile and talented with both perfect comedic timing and dramatic skills.
The romantic chemistry with Kim Jung-hyun (funny and sexy man whom I've absolutely loved in Eulachacha Waikiki and Crash Landing on You) is through the roof and they have steamy scenes that are going to make you laugh and blush at the same time. The supporting cast is solid (shoutout for Cha Chung-hwa and Jeon Bae-soo) although their characters are mostly just cartoonish comic relief.
The pacing is well sustained and it makes you forget eventual plot holes, however the gender-swap theme is the true weakness of this drama (and the main reason why my rating was lowered one full point).
Clearly Korean television deems the exploration of unconventional romance (namely a possibly gay relationship) as too controversial. Jang Bong-hwan's return to his reality was rushed, perhaps to avoid any consideration on said romance. Pity, because I was very curious to see how his emotional growth, resulting from experiencing the world in a woman's shoes, translated to a male, modern environment.
Female Empowerment Score 2/5: the only kickass girl in the series is possessed by a man. The evil queens are either petty or blinded by the fear of aging. The king's first love is an insecure liar who at least is able to redeem herself towards the end (and secure the second point on this score).
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