Okay, all jokes aside, Ji Soo seems to be in a couple of kinds of boxes-tragic figure boxes and "the one who doesn't get the girl" boxes. This one is indeed a tragic figure, so whew, at least he has a drop dead gorgeous girlfriend truly deeply in love with him.

If you want something that is deeply heartwarming, this show is very much it, BUT only if you can spare some tears and snot for the box of tissues you'll want near you. This is a really unusual series in a lot of ways, the most obvious being that we enter the lead's dreams, dreams impacted by his brain being altered by both disease and painkillers mind you, through beautiful animations-they are straight out of someone's half-asleep stream of consciousness in design/flow, only the person having them is terminally ill, so the fluffy and swooping and cuddly characters and rock robots etc we see and go on an adventure with are spiked with some fear, bitterness, despair, and anxiety.

When not in the lead character's dreams, we see his real world suffering along with the pain his friends and family go through. A new character in the lead's life also comes to us in the form of a convenience store clerk who is transported into the same dreamscape as the lead-it is certainly unusual, but by the end, the least seen character (physically-we see his cartoon form, of course) ends up having one of the most poignant, important roles in the whole story.

Watching this when apart from family during a pandemic is certainly an unexpected situation (the pandemic in particular). With everyone (well, who is conscientious) living a bit more constantly aware of how easily illness and indeed death are taking hold of so many around us, with our lives a bit uprooted in most of the world and our day to day lives quite different from a year ago, the time of release of this could, if it were not so thoughtfully crafted, get a bitter reaction. Instead, though, the creators seemed very aware of how delicately they needed to handle it-the balance of the moments of adventure, the smiling moments, and the tears was important to get right, and by my estimation, they could not have gotten that much better. While not a perfect production (the camera/lighting work made me wish at times it had been a Whynot TV or even Playlist Global production-still, that is a minor detail-especially for a webseries), I was immersed in the story and acting so it only briefly made it a little less perfect than the slicker productions that don't have nearly as intriguing a set up to begin with.

I'd LOVE more animation to be integrated into dramas. I really enjoyed (crime thriller-ish drama) Sketch largely because of the namesake, the sketches, and the animations really made this special; if it had JUST been the humans, it probably would have felt like a Lifetime daytime tear jerker TV movie; instead, it has its own memorable place and the tears I did shed don't feel like someone manipulated me emotionally to make me shed them.