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  • Dernière connexion: août 16, 2023
  • Genre: Femme
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  • Contribution Points: 0 LV0
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  • Date d'inscription: août 4, 2020
Search: WWW korean drama review
Complété
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1 personnes ont trouvé cette critique utile
by Rheez821
août 13, 2023
16 épisodes vus sur 16
Complété
Globalement 9.0
Histoire 9.0
Jeu d'acteur/Casting 8.5
Musique 8.5
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers
So glad to see Im Soo Jung back in this female-centric and women empowerment drama written by Kwon Do Eun (the same writer of the hit 2022 masterpiece Twenty Five Twenty One) 2 years after the success of Chicago Typewriter, which was her comeback drama after 13 years of hiatus from the drama world since her last hit I'm Sorry, I Love You with So Ji Sub.

Im Soo Jung joins Lee Da Hee and Jeon Hye Jin as the 3 main female leads here in this office/work-centric drama. Soo Jung plays the role of Bae Tami/Tammy, a strong-willed and competitive woman with an integrity, while Da Hee plays the role Cha Hyeon/Scarlett, a badass and savage one yet has a soft spot when it comes to her crush, the actor Seol Ji Hwan (played by Lee Jae Wook), and Hye Jin as Song Ga Gyeong, Tammy and Scarlett's childhood friend since high school, who is struggling to break free from her manipulative mother-in-law. Despite the polar opposites and misunderstandings between our 3 main female leads, they were able to overcome all of their struggles and rekindle their friendship once again, showing their essence as women.

Their leading men (played by Jang Ki Yong, Lee Jae Wook and Ji Seung Hyun) are all walking green flags, especially Jin Woo, who is a very supportive and understanding husband to Ga Gyung, and not a mama's boy unlike any other husbands out there in the drama world. Though Ga Gyung and Jin Woo didn't end up together, Tammy and Scarlett still got the happy ending they deserve together with their partners, Morgan and Ji Hwan.

The cinematography, locations and settings were perfectly executed. The cherry blossom scene with Tammy and Morgan was iconic, and also the one I loved the most in this drama. The OST was overall good, with Mamamoo's "Wow" topping it all. They also added a very artistic and modern intro on its Netflix version. I highly recommend this drama not just to female fans who seek women empowerment through female-centric dramas, but to fans of all gender as well so that their minds may be opened about the struggles of 21st century women, and how the society deals with them. Girl power at its best! ♀️?✊
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