This is The Sign: TO WATCH
2023 and 2024 have shown to be such swoon-worthy years of LGBTQ+ Dramas from South East Asia. Episode by episode, series by series, they leave me baffled. Especially "The Sign" has been playing a big role in this immensely well-written and successful plotting.
Sometimes I’ve been just sitting there, pausing the drama and contemplating about my life and how a series can fuse all aspects and tropes I’d love to see displayed. I know that there are generally a lot of different and individual affinities, but this series has BLOWN MY MIND.
I am fond of this show, however, the trigger warnings are too soft. "The Sign" has brutal elements, therefore it should not be watched carelessly and it should also be less accessible for underage humans.
STORY/ PLOT 9.5:
The story has started strong but didn’t give away what this series by IdolFactory would be about just that easily. The portrayed story is a well-fused mixture of action, suspense, fantasy (mythology, paranormal activity) and, of course, a very gentle kiss of romance.
ACTING / CAST 9.0
We’ve come such a long way in micro-acting that I have hardly anything or anyone to criticize fiercely. I would say at most, it would be some of the supporting cast, some "over-expressive" ‘antagonists’ and Tack’s comic relief character Khem. But that’s just something that I thought of after a while, and over-expression is also a nice tool to carry the plot.
I was so invested in the story that my nerves were on a string, many characters came alive and their behaviour started to enlighten and annoy me. As a viewer, you often have a better insight into what’s happening, so it’s so nerve-wracking when characters seem to be so ignorant and oblivious to it. I mainly had my issues with Tharn when it came to the described obliviousness. EDIT: Everyone, not just Tharn, E-V-E-R-Y-O-N-E ...
My all-time favourite cinematographic scene is the transition of Tharn´s grandmother in episode 11. That was next-level pleasing to the eye of a drama-obsessed viewer. I could argue that this is one of the most terrifically beautiful implementations of breathtaking cinematography I have seen in this genre for a long time.
Sometimes I’ve been just sitting there, pausing the drama and contemplating about my life and how a series can fuse all aspects and tropes I’d love to see displayed. I know that there are generally a lot of different and individual affinities, but this series has BLOWN MY MIND.
I am fond of this show, however, the trigger warnings are too soft. "The Sign" has brutal elements, therefore it should not be watched carelessly and it should also be less accessible for underage humans.
STORY/ PLOT 9.5:
The story has started strong but didn’t give away what this series by IdolFactory would be about just that easily. The portrayed story is a well-fused mixture of action, suspense, fantasy (mythology, paranormal activity) and, of course, a very gentle kiss of romance.
ACTING / CAST 9.0
We’ve come such a long way in micro-acting that I have hardly anything or anyone to criticize fiercely. I would say at most, it would be some of the supporting cast, some "over-expressive" ‘antagonists’ and Tack’s comic relief character Khem. But that’s just something that I thought of after a while, and over-expression is also a nice tool to carry the plot.
I was so invested in the story that my nerves were on a string, many characters came alive and their behaviour started to enlighten and annoy me. As a viewer, you often have a better insight into what’s happening, so it’s so nerve-wracking when characters seem to be so ignorant and oblivious to it. I mainly had my issues with Tharn when it came to the described obliviousness. EDIT: Everyone, not just Tharn, E-V-E-R-Y-O-N-E ...
My all-time favourite cinematographic scene is the transition of Tharn´s grandmother in episode 11. That was next-level pleasing to the eye of a drama-obsessed viewer. I could argue that this is one of the most terrifically beautiful implementations of breathtaking cinematography I have seen in this genre for a long time.
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