From the moment I read the synopsis, I was quite taken by the prospect of this drama. A law that requires you to enter into a dating lottery system? With consequences should you come out unmarried? That sounds so much like something you would find in a dystopia! The only other things I knew coming in was that there was social commentary including LGBTQ+ issues and possible ace rep.

And then quickly after starting, i became taken with all the various issues and concerns all the characters, main and supporting, had for choosing or winding up single between the ages of 25-39. Not only were their respective experiences well included, but also the surrounding societal commentary that people seem to think marriage (and having children) is a requirement of being human, instead of a right that people may or may not personally partake in. We see people struggling with this societal ideal for reasons such as career aspirations, infertility, physical or mental health, trauma, gender norms and expectations, sexuality, and many more. It really showed just how many victims of this mentality there are, even if the context it was brought up in during this drama was an exaggeration of real life - as Japan's decreasing birth rate has become a subject of economic and infrastructural concern even in real life.

While we did see lesbians and gay characters, I cannot really confirm any ace/aro rep. Most people were single for other reasons than a lack of sexual/romantic attraction. One could make an argument for our male lead Tacchan (Tatsuhiko), but there's so much intersectionality going on between the plot and his mental illness to say with any certainty. Everything could be explained away. So, a decent headcanon for those who think so (though you don't really need any permission for headcanons, lol), but I wouldn't really advertise it as a story with ace rep.

Another key topic i'd like to discuss is the rep of mental illness. Tacchan has OCD, mysophobia, and misanthropy. I liked that these weren't the product of a gruesome trauma, but rather a moment of humiliation and insecurity that stuck in a different way than most. I liked that it was consistently shown and not forgotten about when convenient. Indeed, the only time he forgets about it is when he's so busy with something else, something that he finds fulfilling and helpful - something that he established in the very beginning of the drama (yay, internal consistency, and i have heard of similar cases in reality). However, I did have a problem with how close we got to "love cures all" with the OCD and mysophobia. We got very close folks. Like a strong hand from a person he cares about will make such an instant improvement. It wasn't cured, but it was so greatly reduced that, well, it could've been. Not to mention that she quite literally says "it's not an illness, it's a habit" and "doctors are just looking to diagnose you" without ever being called out on it.

My main other complaints are that the ending speeches were not satisfying, and even seemed to excuse this inhumane bill to a point. If a government ever did do something of this sort, it should be a program to opt in to, not a bill that has hypothetically severe consequences if you do not follow.

But, I did enjoy the drama for the characters, their growth, and the various perspectives shown in relation to the plot. I can see myself watching this again - especially for the notable character growth from 3 of the 4 main characters that were well paced.


Quotes:
"Saying that marriage is our duty as a human... is a joke."

"If we don't get married, does that mean the country won't acknowledge us as humans?”

"Because all sorts of people live in Tokyo. They're chasing after all sorts of dreams. And escaped from all sorts of things. They may look satisfied... but that's not the case. There are things that they can't let go of. Their feelings become complicated and entangled. It's just a melting pot of those types of people... Tokyo is."