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dead lilies
Sapporo, Hokkaido
Sweet drama with romance and friendship themes; progressive modern ethics amidst feudal laws.
This drama is set in a fictional ancient world that consists of nine different regions, where Xinchuan rules over all of them. As the synopsis dictates, the story starts with the triennial event of where maidens from all nine regions are selected to be married to the princes in Xinchuan, and so after the girls were quickly paired off, we learn the different ways in how each of the princes treat their wives. And of course, how the main pairing met and fell in love.
The story makes clear to us what a loving and supporting relationship means, what constitutes an abusive relationship, and how love overall enables one to tolerate and sacrifice for, as well and accept the other person. The theme of sisterhood and friendship is central to this drama, and it is the main selling point for me. I lost count of the times I have shed monstrous droplets of tears over the girls' friendships and their devotion to these friendships. What I deeply appreciate is how the author writes the female characters in this story. The main female character is not the only perfect, unflawed, "mary-sue" who triumphs over all the other girls. She forges friendships with almost everyone who comes in contact with her, is an ordinary girl who behaves and reacts naturally faced with situations where most of us would react. Supporting female characters in the story are amazing women with traits that make their characters distinct - and yet at the core of it all, they know where their priorities lie. They love their men, but they also treasure their sisterhood and friendship - and this is what is most precious to me in this drama.
The unavoidable political plot is light and easy to understand. It also seems that the cultural practices and laws of governance in Xinchuan resemble feudal times in non-fictional China the most, compared to the other regions like Mochuan, Danchuan, Jinchuan, Jichuan, and so on. And thus, this is where the characters' efforts in trying to bring modern and progressive changes to unreasonable traditions comes into place. This is a well-written and well-paced story with a reasonable amount of character development, and in my opinion, one of the best period dramas in 2022.
The story makes clear to us what a loving and supporting relationship means, what constitutes an abusive relationship, and how love overall enables one to tolerate and sacrifice for, as well and accept the other person. The theme of sisterhood and friendship is central to this drama, and it is the main selling point for me. I lost count of the times I have shed monstrous droplets of tears over the girls' friendships and their devotion to these friendships. What I deeply appreciate is how the author writes the female characters in this story. The main female character is not the only perfect, unflawed, "mary-sue" who triumphs over all the other girls. She forges friendships with almost everyone who comes in contact with her, is an ordinary girl who behaves and reacts naturally faced with situations where most of us would react. Supporting female characters in the story are amazing women with traits that make their characters distinct - and yet at the core of it all, they know where their priorities lie. They love their men, but they also treasure their sisterhood and friendship - and this is what is most precious to me in this drama.
The unavoidable political plot is light and easy to understand. It also seems that the cultural practices and laws of governance in Xinchuan resemble feudal times in non-fictional China the most, compared to the other regions like Mochuan, Danchuan, Jinchuan, Jichuan, and so on. And thus, this is where the characters' efforts in trying to bring modern and progressive changes to unreasonable traditions comes into place. This is a well-written and well-paced story with a reasonable amount of character development, and in my opinion, one of the best period dramas in 2022.
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