Cette critique peut contenir des spoilers
Drop any expectation you might have, at the door
Somehow I made it through...
Did I almost drop it? Many times along the way.
Until the end, I really did not feel a strong, deep connection, friendship or bromance between Prince Chong Li Ming and Ayi.
Chong Li Ming was always the one, showing all of his emotions (Ayant le sensibilité à fleur de peau); however, I could never really read Ayi’s attachment toward Chong Li Ming.
I am not sure if was the actor’s lack of skill or it was the way the character was written...
I was prepared for everyone to die, except Wagner. Wagner was an unnecessary casualty.
*All in all, not the worst turn-of-era, Qing to Early Chinese Republic drama.
However, the complete change of concept from the original storyline and the strange adaptation were rather hard to swallow. Although, the choreographed fighting sequences were excellent.
*Also however atrocious the writing of his dramas might be, no viewer or fan of Z. Tao can stay upset at him... With that glorious honey-colored skin of his;)
Did I almost drop it? Many times along the way.
Until the end, I really did not feel a strong, deep connection, friendship or bromance between Prince Chong Li Ming and Ayi.
Chong Li Ming was always the one, showing all of his emotions (Ayant le sensibilité à fleur de peau); however, I could never really read Ayi’s attachment toward Chong Li Ming.
I am not sure if was the actor’s lack of skill or it was the way the character was written...
I was prepared for everyone to die, except Wagner. Wagner was an unnecessary casualty.
*All in all, not the worst turn-of-era, Qing to Early Chinese Republic drama.
However, the complete change of concept from the original storyline and the strange adaptation were rather hard to swallow. Although, the choreographed fighting sequences were excellent.
*Also however atrocious the writing of his dramas might be, no viewer or fan of Z. Tao can stay upset at him... With that glorious honey-colored skin of his;)
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