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Ascenseur émotionnel et réalité brute (l'amour n'est pas rose)
Beaucoup d'adjectifs me traversent l'esprit pour définir ce drama. Pourtant, j'ai l'impression qu'ils ne suffisent pas à capturer mon sentiment à son sujet. Unique et réaliste, il est fort et n'hésite pas à faire passer le téléspectateur par un éventail d'émotions, tout autant que les personnages, notamment Go Yeong.Derrière son magnifique sourire, Nam Yoon Su est un excellent acteur. Il le confirme en prenant les traits de Go Yeong. Plus encore, il pourrait tout aussi bien être récompensé pour avoir balayé les nombreuses critiques qui lui ont été adressées, et pas toujours de façons correctes. Quoiqu'il en soit, Nam Yoon Su dépeint un personnage auquel il est facile de s'attacher.
Tout d'abord, Kim Nam Gyu. Une relation intense pour laquelle il n'était pas prêt avant de goûter aux regrets. Ensuite, No Yeong Su. S'il voulait plus, son partenaire n'était pas prêt et sûrement un peu égoïste. Puis, Gyu Ho est arrivé. Et cette fois, c'était l'amour parfait. Son idéal. C'était magnifique de les voir, jusqu'au moment où ils se font rattraper par leurs vies respectives. Aussi terrible que ce soit, c'était comme si l'amour idéal avec Gyu Ho n'était pas le bon moment. C'est déchirant, mais réaliste. Combien de couples parfaits ont terminé ainsi, aussi ? Pour finir par Habibi, une sorte d'aventure et de réflexion sur lui-même. Fugace, rapide, mais qui lui a permis de poser certains mots.
L'amour, c'est compliqué. Ça fait autant de bien que de mal. Ça nous rend aussi heureux que malheureux. Pourtant, peu importe les blessures, la plupart d'entre nous cherchons ce sentiment qui nous rend uniques aux yeux d'une personne. D'ailleurs, une grande partie de sa richesse est là, ce drama parle à tout le monde, peu importe son orientation. Go Yeong est gay, ok. Je suis une hétéro, ok. Mais ce qu'il ressent, ce qu'il traverse, ce sont des expériences que j'ai également connues, parce qu'on peut tous s'identifier à ce sentiment.
Mais comment chercher ce qu'on ignore ? Au départ, Go Yeong est sûr d'avoir déjà aimé, mais est-ce vraiment le cas ? Pour moi, son premier amour, son vrai premier amour, c'est Gyu Ho. Ces deux syllabes laissées sur la lanterne. Chaque relation de Go Yeong l'a fait évoluer et grandir. Cependant, celle avec Gyu Ho était vraie, vivante et chargée d'amour.
Pour finir, j'ai souvent mentionné que le jour où nous aurons un KBL avec des épisodes d'au moins 40 minutes, alors ce sera comme un matin de Noël à chacun d'eux. Ce fut le cas.
En bref, Love in the Big City est sans aucun doute l'un des meilleurs dramas de cette année grâce à sa douceur, sa puissance et son réalisme avec un personnage central attachant et parfaitement interprété (tout comme l'ensemble de la distribution).
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KO
Crochet du droit, crochet du gauche, uppecut et même direct à plusieurs reprises! Et KO à la fin!!!Il faut être bien accroché pour regarder cette série queer qui nous montre certaines réalités sur l'Amour et l'Amitié. Bien sûr que c'est violent car elle nous parle de l'homophobie familiale et sociétale. Elle nous parle des difficultés à être soi en tant que gay dans une société patriarcale et réactionnaire comme la Corée (Ce n'est pas toujours mieux dans nos sociétés occidendales!)
De la production aux acteurs en passant par la photographie ou le montage, tout a été fait pour nous prposer une série vraie, de belle facture et sensible. Elle n'a pas eu droit au chapitre en Corée, et c'est une honte.
Comme quoi lorsque l'on a quelque chose à dire et que l'on s'en donne les moyens artistiques, on peut faire un sans faute. Bien sûr qu'elle est triste, mais elle offre aussi une porte vers l'espoir.
Je suis sûr que c'est la meilleure série coréenne de l'année. (Le dernier drama coréen qui parle de faits de société qui était à la hauteur de son propos, c'était "My Mister" avec le regretté Lee Sun Gyun.)
Si vous aimez passionnément l'Amour, il faut l'avoir vue. Vous aurez la boule au ventre maintes fois et vous en sortirez ému, mais vous aurez une facette, un petit aperçu des vissicitudes d'être gay dans ce monde.
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Learning to Accept Love and Live Without Regret
The story was written quite well I feel and overall had solid acting from all characters, major or minor. In a time where many k-dramas feel they have grown formulaic, this one felt fresh in many episodes. I felt that it had a strong strong and somewhat flat but overall appropriate ending for the story's meaning and purpose. The few qualms I have with the drama are easily ignored as it truly shines with Go Young's internal monologue and how it never drops the original meaning it wants to convey.I'm truly glad that the ending did not result in a rush to mend Go Young's love life with the perfect guy and end off with a happily ever after. The eight-episode format as well significantly improves the drama's quality and its ability to convey all it has to say in a timely manner. By the end, it was nice to see Go Young grow as a person and understand that while he has changed so much from all his experiences with love, he's still learning. However, he doesn't let his regrets consume him by the end, whereas a more naive version of himself may have.
However, as mentioned earlier, there are a few minor points where the story can feel a bit weak. Particularly, Go Young's friend group's hangouts occasionally. While I'm glad they don't slowly disappear in screen time and the supporting characters have depth to them, it can feel empty watching some of the scenes and seeing nothing happen or be said. This is true with a lot of these pocketed scenes across the plot, where it feels like 5 minutes just passed by and nothing, even in the overall episode, was contributed.
But, again, all of these are more than made up for in the acting, the story overall, music and great depiction of a variety of gay men and how they'd actually interact.
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Yeong's worst enemy....
This series had me until episode 6 and then it just was a dull hum until the end. It's was a beautiful realistic story. One of the greatest joys was watching Yeong move from being self indulgent over exhuberent college kid to a self aware realist, a published writer. This is also the greatest sadness. He drew on his experiences, his environment and poured it into his writing. Along the way he lost his sparkle.Gyu Ho and Nam Gyu both suffered the same fate. Yeong's inability to accept love without expectations caused him to lose two people who truly love him. It seems all his relationships were doomed due to his desire to have the razzle dazzle fireworks to continue throughout, without being able to accept the mundane. Only after they were over, would he be able to see what he truly lost and regretted. Not knowing his true self and his inability to be alone encouraged two relationships that should never have been. Habibi and Yeong Su came with hidden baggage, one abusive and the other just sad. Yeong Su lived in shadows and manipulated Yeong's niaivete to live in his internalized homophobia. Habibi, with a hidden wife and child, embarks on a journey with him, hoping to capture a bit of Yeong's sparkle to relieve his boredom. Seeing him too drunk and overworked, Yeong chooses himself and walks away. Both relationships were poor choices to facing a life of solitude and expected failures.
His mother is shown to have moved from denial, abhorring, to knowing, to minimally discussing. She doesn't accept his life but still loves her son.
The real charmers, the electricity powering his life, were his close group of friends and roomate Mi Ae. Yet, even with them, some bits of his life were closed. His HIV status is only shown to be discussed with Gyu Ho, who loved him enough to truly accept him as he is. Gyu Ho, after the cowardly way Yeong breaks up with him, never contacts him again. Though, through the bartender at their favorite spot, he let's Yeong know, he is still loved. Not yet ready to make any contact, in the end, it is his friends that he is seen enjoying the fireworks.
The story was beautifully told, and with flashbacks in the last two episodes, we get a fuller history of the reality of his best relationship, Gyu Ho. The sad part for me is that he began to let his status have an effect on him and as he took stock of his life, became more subdued. The last two episode felt like a gradual slide down from the high.
Every character was skillfully brought to life. Yeong was a free spirited over the top whitty self accepting non judgemental dreamer who was scared to dream and Nam Yoon Su killed it. This is a must see at least once.
Note to directors and editors at large:
Flashbacks: This is how it's supposed to be done. Ever flashback should reveal something new and actually propel the story being told.
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A Different Take On Love
I'm not really into BL dramas, but, this one got me curious and gave it a shot. First, I really like the realistic approach. As far as I've seen, Korean entertainment is starting to loosen up their conservative side in terms of doing this type of genre, which is a good move I may say.For the story, I got hooked on the first 6 eps. of the story. It was a roller coaster of emotions. I honestly liked Go Young's character. Not only he is cute, literally, but has a pure heart as well. The friendship he made with Mi Ae was truly priceless. I really loved the strong bond between these two. Though, at the back of my mind, I was hoping they would notch up there friendship beyond sisters. Still, the bond remained inspite of pursuing their different track in their lives. And yes, Mi Ae's wedding was so heartwarming to see. The song between these sisters show how bonded they really are.
Go Young's squad was another epic characters in this drama. Having friends through thick and thin are truly priceless. I'm just not sure if he was able to open up with them about his sickness. As far as I remember, he was too cautious for them to learn about it after seeing their reactions of one person they know who was infected.
The sad fate of Go Young's mom was another heartwarming moment in this drama. Though, I know there are times that he needed to vent out by going out to the club with his friends while his mom was being taken care of by a caregiver. It just felt a bit off. Like, thinking his mom was suffering and there he was clubbing. But, yeah, as youthful as he is, probably that's really his way to ease out his burdens. It's just sad that he never admitted to his mom his preference but yeah, his mom learned about it through the photo and yes, when she gave her full savings to Young, it's a sign of her acceptance. Am sure it was a really tough decision for the mom knowing she's active in Church based on the background given.
And yes, for Go Young's series of relationships, the first cheater boyfriend who eventually gave him the virus on the latter part of the drama. And the very serious, Nam Gyu, the photographer who also ended up in a sad fate. In which, Young was really not into him. Then, there was Young So, the hideous activist. Really not the right partner for him, though he was very passionate with Go Young. The real deal Gyu Ho. I really liked how they met at the bar. and I think, GH was the one who truly cared for him. Accepted as who he was. Yet, they have different paths to take. I guess, their love for each other wasn't truly enough.
I was a bit confused with Habibi's character. He suddenly popped at the last 2 eps of the drama that felt drag for me. I probably missed how he met Habibi as I tried to forward some parts. Am not sure how he was related to Gyu Ho. And it seems he met him in a dating app I think or social media page, this I'm unsure of. But, his character seems just a filler towards the end. Nothing significant since he has a family and his work confused me as well. He is Japanese but speaks good English. He travels a lot I presume since they met in Korea and also in Thailand.
Anyways, the ending is just okay for me. But, not what I'm hoping for. The relationship of GY with his dad is another complicated story. Overall, it was a good drama. Actors absolutely nailed their roles specially, Nam Yoon Su. The steaminess in this drama were very well portrayed. It made me believe that it is their gender preference in real life. But like I said, the final 2 eps. simply drag for me. Lots of flashbacks of GY and GH that I find irrelevant since their not even getting back together.
This is really recommendable who's really in to BL dramas. Not really my cup of tea. But, the actors are truly commendable, honestly.
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Unenjoyable Art
This is ART, no doubt about it. Stellar acting, exquisite editing & script and gorgeous, breathtaking shots. This Korean BL shouldn't be called just a "BL". This is "the BL" of the year for sure. This is the result when the directors & scriptwriters finally took its audience seriously. It's a near-perfect series. Beautiful & honest. But as it stands, I could NOT wait for it to be over.STORY & CHARACTERS: It's painful. The whole story. And no, I'm not talking about the heartwrenching scenes. I'm just saying that it drags. GOD, it drags. Painfully dull. I bet that the majority of the people here who rated this a perfect TEN for a rewatch would never watch this again. Because the story is all the same. It's a repetition of self-sabotage. The MC Yeong jumps from one guy to the other and sabotages the relationship himself. Honestly, it's one disappointment after the other. And here lies the pain. It's too realistic that it fails to be enjoyable anymore. I can't even root for the MC because he's a raging asshole. He' a hypercritical, pretentious coward who demands so much from his partners but in the end, he's the one who's going to run away. And I get that this is a drama and supposed to show an honest portrayal of relationships but it just feels dismal and almost cruel.
The ACTING is at least superb. I must say, the casting is so good. Everyone really stepped up to the plate. I just want to give Yeong's gay friends a shoutout too. They stole the spotlight for me. Their shenanigans are very entertaining and very real. Speaking of them, I should mention that whoever wrote the summary for this BL is tripping. What a misleading summary. Thought for sure the girl BFF, Mi Ae would be there for the MC throughout the whole series. Made it looked like she'll play a huge role too, but she was barely there. She was not even there for Yeong's mother's funeral. Why put her in the summary at all? The summary should've mentioned Yeong's very loyal and wonderful gay friends instead! Not the hetero girl who barely did anything for Yeong. She even outed him just to save her boring-ass relationship with the judgmental guy.
MUSIC: Could not remember any memorable bg music or soundtrack for this BL because I must have fell asleep halfway thru. (Not kidding).
REWATCH: Obviously 1. Would not touch this again. It's not a waste of time. At least I learned something. There were a LOT of memorable quotes and nuances. The scriptwriter really did a great job with MC's lines and POV but they're not just enough for me to care at this point. MC should just be single forever. He's perfect alone. He has great talent and have such great friends. I don't know why he has to feel like he needs to be in a relationship just to feel happy or feel complete.
Bottomline: Most definitely NOT a love story. It's ART & a critical success for sure, but its hopeless and bleak, and awfully unenjoyable. It's like a painting you'd admire for its details but will never keep.
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Passionate romance that heteros don't get
Most heterosexual plots simply don't get an exclusive passionate romantic plots like this one. They usually have a bunch of other things going on and a bit of romance thrown in. Not here. The focus is on the ML and his journey to discovering love and himself. And it does make me a tad envious because they really don't beat around the bush in Love in the Big City. They explore friendships which are mostly wholesome and endearing.The show is not all roses and sunshine though. There are some dark topics explored. However, most of the show tries to be positive because the male lead is a cheerful individual making the best of difficult circumstances. Maybe even a little toxic positivity that can be frustrating or concerning for others around him at times.
The beginning few episodes were funny and enjoyable but somewhere towards the end, the show started to feel slow and dull. Not sure if that was intentional. Overall the characters and situations are mostly realistic.
I wasn't too happy about the way the series ended especially since the last 2 or 3 episodes weren't as interesting.
The opening theme is nice but the OST in particular did not stand out to me.
For the most part it is an easy binge watch with good cinematography, interesting characters, good acting and a job well done by Nam Yoon Su.
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A Vivid Portrayal of Queer Struggles against Heteronormative Society
“With or without it, you’re still you.”I should warn you now: this review may not make much sense. I’ve just finished Love in the Big City, and my thoughts and feelings are a bit scattered. But isn’t that what Love in the Big City is all about? It’s about thoughts, regrets, and emotions that seem all over the place, yet somehow come together in a relatable and bittersweet culmination of life’s chaotic realizations.
Adapted from Park Sang Young’s novel, Love in the Big City is less a love story and more a journey of finding peace and acceptance with yourself and your circumstances. It follows Ko Yeong (Nam Yoon Su), a gay man navigating multiple relationships, from his best friend Choi Mi Ae (Lee Soo Kyung) to his mother Eun Suk (Oh Hyun Kyung) to his lovers—Kim Nam Gyu (Kwon Hyuk), No Young-Soo (Na Hyun-Woo), and Gyu Ho (Jin Ho Eun)—all while coming to terms with his HIV diagnosis, which he refers to as “Kylie.”
It’s a story about failure, success, and facing the parts of yourself that’s been through both.
Read the complete article here-
https://the-bl-xpress.com/2024/10/23/love-in-the-big-city-series-review-ep-1-to-8/
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An okay drama that could've been better
This "queer" story falls short of the heights of excellence. Among its flaws, none are as detestable as the violation of a gay male space (a gay club) by a "straight" identifying woman (31:59 of episode 1). The sanctity of a gay male space is not to be disturbed, it's a space for men of like mind and heart to be unabashed in their same-sex desires, away from the harsh gaze of the heteronormative society. Entering a single-sex space with the intention of pursuing someone of the opposite sex to carry back to one’s bed reveals a lack of understanding of, and respect for, the space's true purposeWhat was that sudden, unceremonious reference to HIV? HIV isn't a gay disease and a character's sexuality doesn't warrant the inclusion of HIV in a storyline
The doctor's assumption that the main character's HIV was sexually transmitted is inconsistent with his assertion that the chances of transmitting HIV through sex are low (39:50 of episode 5). The main character's life was unaffected by the disease, and there was no reason why he should be among the rare cases of sexual transmission. HIV is being used for dramatic effect
The narrative device of "straight" identifying female characters befriending gay male characters and becoming the medium through which gay stories are told is tiresome and troubling. Why a "straight" identifying woman, and not a gay woman, a fellow member of the community who shares the same struggles and experiences of discrimination? Can't a gay woman and a gay man get along and be depicted as friends for once?
The conclusion isn't a happily ever after; it's more of an anticlimactic question mark, tinged with the bitterness of an uncertain future. Sad or open endings are a trademark of most "queer" stories, their writers seem to have a vendetta against gay happiness
I find greater comfort and warmth in BLs/gay stories that celebrate the joy of the romantic fulfillment and validation denied to gay couples. They surpass their sad or open-ended "queer" counterparts
Although "Love in the Big City" isn't a masterpiece, its depiction of a gay person's life prevents me from rating it too low. I've decided on a score of 8 that acknowledges the value and the flaws of the story
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A Journey Too Late
This was originally 2 different comments I made on the message board that I have slightly reformatted to make a review. I get it lacks some of my normal wordsmithing and is brief, but it gets the job done easily enough.Watched entirely in 1 sitting starting at realease time to around 6:30 am in the morning in my neck of the woods. I wont go too in depth here.
So let's quickly breeze over the strengths.
Great acting, good intimacy, some strong chemistry, appropriate realistic skinship, 3 dimensional characters, some real-world struggles, heartbreaking moments, and adorably cute moments. Directing was strong, cinematography solid, texture and feel to the series was complete and both realistic yet simutaneously dreamlike. Hour long episodes in a Netflix-like 8 episode dosing with a decent budget and a cast with some recognizable faces and not just no-name-this-is-their-start actors.
I do want to interject here that our main lead Nam Yoon Su gives an outstanding performance. He brings the character to life and doesnt hold back allowing our Ko/Go Young to be a fully realized being. He should be proud of his performance, and more than any role he has yet had, shows his acting chops.
I also want to give a shout-out to the deft Jin Ho Eun. He is a true chameleon on screen. He has a sturdy list of shows under his belt and has skillfully shown how to be both a monster to, as in this series, a cute as a button bright eyed engenue. I feel he is overlooked a lot as he has delivered strong performances one after another and again doesnt dissapoint here. I also am happy to see him in a role that actually highlights how attractive he can be.
HOWEVER, it has some flaws and shortcomings which hold it back from being an exceptional experince. Which I'll list in a spoiler tab below. Thus, it's held back from being great to instead being a solid good show. It is worth your time but its real world approach and overall sad and depressing ambiance and general story will keep it from being most peoples favorite or go to series.
BELOW WILL CONTAIN SPOILERS
The flaws:
1) Usage of time.
There are a lot of missteps in how the 8 episodes covers almost 10 years of the main characters life. This is aggrivated by how they break the story into 2 episode mini stories, thus the 8 episodes tell 4 different love/encounters. Making large swaths of time defaulted and inserted inbetween the blackout of 1 story and the fade in of the next.
Since they only have 8 episodes many of the significant relations come and go very quickly and are delt with too clean and neatly. Our main character's relationship with Mi Ae seems little more than a blip on the radar with no lasting significance. Same goes with the loss of his complicated relationship with his mother, who if you add up the time jumps had a very slow march towards death over at least 3 years. The main characters childhood is told in blink or your miss it clips that bring up some serious trauma and issues that are mostly left unexplored or dealt with but seem just to be reasons for his bahavior, sadness, and state-of-mind.
Also, the clothing, accessories, look of the world and characters doesnt change from begining to end...which for a decade of time...especially for hip 20something city boys, is not realistic.
The final 2 episodes are dreamlike in their delivery and feel like a very different show compared to the previous 6 which make it a pain point that this is where we end our journey with these characters. In a weird sexual depression fever dream while having an affair with a married man who takes our lead to various hotels around the world while he recalls the love of a relationship he had ended, as far as i could tell less than a year ago, these episodes are supposed to symbolize the end of this era in our leads life, but they are so whimsical and non-concrete, it comes off more like a mental exercise than true substantial growth and a solid seal to this slice of our pritagonists life. The relationship that plays in our Go Yeoung's mind didnt yet seem to hold the gravity and importance it should as it was still very fresh. Youd expect this type of story after many years have expired and with age you look back and realize that was love and you lost it. The wisdom of old age making you see your regrets. It was further exacerbated by the relationship being mere minutes ago in the viewers mind as we had just spent 2 episodes moving through it begjning to end and seeing many of the scenes already...again a failure of how they use time
2) Stunted emotions and growth.
Possibly it was just the time limit but a lot of the emotions came and went with the wind. Like mentioned above in the time problem, it bleeds over here into a stunted growth and emotional problem. Our main lead has many revelations but changes very little of himself due to them. He deals with major life altering hurtles, death of a lover, death of his mother, suicide, and of course contracting HIV, but all of it comes in a scene and leaves in the next. This could be a societal issue, yet other Korean shows do not operate as such. This could be a character issue, but then the whole point of the show is about the emotional and mental growth of our lead andnwhat he wants and expects out of life which makes this here then gone approach to the story feel misplaced. It may be the fault of the writer of the original work or the writer of this adaption, as in they all have Peter Pan complexes, much like our lead, and thus do not know how to write true explorations of healing, moving through trauma, overcomming, and changing ones life. Instead its shed some tears then run to the bar and get trashed and then never talk about or deal with it again. Its solved, the emotions were let out...
It makes a lot of the issues, which are devstating and hefty, feel skin deep and easily managable. When he is driven to suicide by a toxic closeted self hating lover while trying to mend the broken relationship of his mother dying from cancer who has the same Christian damnation outlook on him...it grows until he tries to check out...but then wakes up saved, gives a thumb heart to his friends, and then moves on never talking about it again. Like well he didnt die...lets go get drunk....and party. And this his how the show handles every truly emotional milestone. As if acknowledging it happened is the same as healing through it.
3) The HIV card....
It is the gay plague after all...even though world wide, it is more prevelant in heterosexuals than homosexuals since the late 90s...but still this is a gay story, we must have HIV.
For Korea, and where they currently are on LGBTQ+ representation and stories, as well as real laws and overall societal view of homosexuals, I can see how having a realistic story that represents the trails of a realistic homesexual and what he faces including the taboo HIV seems bold and groundbreaking....
As a westerner this is 30 to 40 years too late...this whole series was reminiscent of a 90s gay story. From the film Jeffrey to the show Queer as Folk to even the 80s independent film (which too has a splattering of famous male leads) Longtime Companion. Let alone award winning Angels in America...which is currently being performed by famous Korean actors in Seoul as I type this.
At least they didnt make him die in the end.
But Korea has had films, that have dealt with these themes already, and are much older, let alone the western stories that can be watched. It made the story seem archaic and out of place. Made too late.
This is exacerbated by the fact the story would not have changed at all, if the character DIDN'T have HIV. It affects nothing. It is even brought in only half way through as an almost suprise twist. His contracting it is a brief monologue. He tells only 1 person that he even has it, he has no health issues because of it. It does not cause him to loose any relationship or sexual encounter. And it is little more than a plot point. Thus, simply having him NOT have it was an option as its only point is for him to say its with me till i die. Again it feels superficial and a stunted and an unneeded poor use. Thus, just as point 1 bleed into point 2, now point 2 bleeds into this point 3.
Last note on this, the way they introduce the HIV was confusing..as in did he contract it between his mothers dying and meeting this new boy. But then he meets the boy on the night of his mothers funeral. And it has only been 1 year since his last relationship...and then he says hes had it for 5 years...and then your like...did i miss a time jump...there are alot of them...and then you relaize wait...this happened b4 the show started. Hes been HIV positive since the first frame. And it slowly sinks in that you watched him have sex with mutliple partners and carryon two meaningful relationships without telling anyone involved that he is HIV positive. He then has more partners and doesnt tell them...this weirdly, at least for me, makes the HIV have a detrimental effect on the character. This is a serious sexually transmuted disease and he selfishly and irresponsibly goes around and does whatever he wants while hiding it so he wont be stigmatized or ostricized. He pretends....and it kinda makes him a really bad person.
8.0 = B+, 4-Stars. A solid all around entry that will likely not disappoint.
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To All The Boys I've Loved Before
Gyu Ho was God's apology to Go Young for all the boys he'd loved before, and I cried when he fumbled that blessing for a half eaten hamburger. But, thank God they met again in that bar, moved in together to the new place and decided to get married in the finale. #heartheart XDXDXDListen, this drama coming from SK in itself is a wonder. I went into this with high anticipation and I wasn't disappointed. I enjoyed it a lot. I liked the characters, the story, the education it gave me when it came to Kylie, and how realistic it was. I laughed, cried, and related so hard in some parts, I cried some more.
Go Young had three main lovers, one who was too boring to take karaoke-ing, a pretentious prick who came with a side of abs and left scars, and a happy-go-get it boy who wanted a home, and broke our hearts when he left the one he found. Let me explain.
MR SPLENDID:
Listen, Go Young and Nam Gyu could have worked. Sure, he was slow, a classic and drove like his grandmother, but my man was committed and serious. Frankly, I thought he was fast... he pulled out that ring faster than my internet connection. He genuinely loved Go Young. A bit obsessed, sure, but he came off as someone who loved with all his heart, and I felt sad when he was turned down, again and again. In the end, even his marinated crabs got rejected...poor guy. This is another guy, Go Young fumbled, and it's sad he only realised that when it was too late. Also, are we going to ignore the reason he was speeding or... anyway, rip.
MR. ACTIVIST:
Yeong Su was a fun hating, people pleasing, pretentious bummer! God, I couldn't stand his arse. Yes, I have eyes and went dayummm Susan, come here often?? And that table sexy time scene was... but damn, that brother sucked! I literally wanted to throw rocks at his head whenever he was on screen. Dafug you mean you don't celebrate Halloween because of its history and you look down on people who do? And the mfker even hated pasta. I clapped when Go Young finally clocked him, and threw his stupid arse case study away in the trash. I couldn't get why Go Young didn't see that glaring red flag, and kept letting himself be hurt to the point he took those meds. But then I understood, some hurt goes deeper than others. Either way, he was a beef cake, but if I ever see his arse on the street, it's on sight.
MR. NURSE
Gyu Ho, Gyu Ho, Gyu Ho, how I would have loved to be friends with you. Sure, they were not perfect, and his dingdong went on and off like a light bulb whenever they were doing the devil's tango--protected, but, these two were my main ship and I loved every moment with them. In the end, I understood that Go Young was scared, and perhaps wasn't sure why Gyu Ho was so accepting of Kylie and didn't even seem to care about it. Perhaps he didn't trust that Gyu Ho was truly okay with it, and that's why he had one foot out the door and took the first chance to accept their broken fate, but I still cried. They were in-tuned with each other, and Gyu Ho finally seemed so happy to have found him. In my head, I am full on delulu, and imagining them living together with a dog.
Anyway, I also liked the friendship between Choi Mi Ae and Go Young. I was sad when they had a fallen out, brought back memories of all the friends that were everything at one point, and then... we sort of dimmed out. Seeing their friendship from start to finish brought back memories that added to the tears.
All-in-all, a great show that many dramas and bl lovers would enjoy. It's a realistic portray and the ending would knock you back into reality. I highly recommend it. Kudos to the cast, especially Nam Yoon Su who did his thing. My man was on, and I loved him for it. I can't wait to see their future works.
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Cette critique peut contenir des spoilers
Watching a lovable asshole struggle will touch your heart and soul
Let me break it down into some random categories:BL?
No, not a BL. But it is marketed as one in some places. I totally forgive them :) They should get all the views!
Does it support the gay agenda?
Oh, so very well! So fabulously! Is it a rainbow? It is a DOUBLE RAINBOW! This is so refreshing, even on an international level. But even more so as it is Korean. Everybody and their mother loves a good Korean queer-baiting bromance. But sometimes it is nice to get the real deal. And this is so unapologetically gay. Every time they delivered a line or story aspect where I imagined the backwards protesters lining the pride parades in Seoul (who were watching for sure) to gnash their teeth in anger, I couldn’t help but loudly laugh in blissfulness. And the main actor unapologetically and publicly not giving a shit about the haters is better than any fan-service ever could be. Especially as he absolutely MEANS it. A mainstream Korean actor who plays a role that says – and I quote here – “Fuck me deep!” – oh the joy! At times it felt that they really wanted to tick off every item from the things-that-gays-suffer-from list and I can’t have been the only one thinking “What is it now? Can’t you give this guy a break?” I was surprised we didn’t get assault during an app hookup or a good old gay bashing in the streets. Remember the olden days, when gay characters could only exist as a joke or in depression? I felt that there were traces of the latter in this too (but probably unintentionally).
And I wrote gay agenda and not queer agenda on purpose – diversity is not a forte of this series. This is a story about stereotypical gay guys only (the first lover is a bit of an exception, but he doesn’t get much love). And of course all the actors are super hot. This is Korea after all. Shut up and lust after them!
Acting?
Great. Except the Japanese guy. One thing all the reviews can agree on :)
Creativity?
Hm, not sure. The storytelling was pretty standard for a story that isn’t really plot-driven. And for a story that in its core is about one character only, character development was quite limited. And I had a hard time understanding some of the character’s actions. I feel there was some symbolism that went over my head. And the hints of reality and fiction being mixed were a bit too vague for me. But maybe I’m just too stupid. Or didn’t focus enough.
Should you watch it?
If you liked my review: yes. If you didn’t: yes.
Take-home message: Two men eating pasta in public is gay. Seafood is fine!
Also: Life can be struggly.
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