Retour à Samdal-ri (2023)

quel dommage !

Mettre des acteurs exceptionnels comme Ji Chang Wook et Shin Hye Sun ne fait hélas pas forcément un bon résultat ! La mise en place de la série démarre quand même par 3 soeurs entre 30 et 40 ans, dont une avec un enfant, et qui habitent ensemble bien qu'elles aient de l'argent ... Du coté de l'acteur principal, idem, il a quasi 40 ans mais habite seul avec son père ... On comprend le très faible taux de natalité de la Corée , le plus faible au monde ... S'ensuit l'intrigue, simple, un enregistrement et une accusation de harcèlement, et les 3 soeurs repartent sur l'ile de Jeju... Ensuite on retrouve tous les ingrédients bien lourds de certaines romcom : les parents pénibles, les voisins ultra-pénibles, l'actrice principale qui passe son temps à (aux choix) : se cacher, pleurer, taper l'acteur principal, crier ... Heureusement il y a de très beaux paysages de l'ile de Jeju, et cela fait toujours plaisir de voir Ji Chang Wook et Shin Hye Sun.
De bons produits ne font pas de bons plats, la recette et la cuisson doivent être bonnes ! Dommage

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Great actors, bad writing!

I thoroughly enjoyed the Jeju scenery and the photography in this series. Some of the support roles were excellently played, and for me Kim Mi-kyung stood out, together with the other Haenyeo women. I found their interactions very believable.

Unfortunately, the lead actors were dealt a different card: Shin Hye-sun, excelling in Mr. Queen and JCW, absolutely great in Healer and Empress Ki, were cast as a couple that (to me) had no chemistry at all. But that would be hard in the first place if you are dealing with a bunch of rather misogynist writers who live in the past century. In that case the 'love' story becomes a rather ridiculous and non-entertaining spiel between two 40-year old "Never Been Kissed' virgins. Because they have been pining for each other for 30 years.... The repetitive whining, 'misunderstandings', temper tantrums, the sentimental look-backs: I found it all unromantic, unrealistic and...boring.

It made the series quite unwatchable for me. All of the actors deserved better writing. Because they are all great actors!

Jeju Island is a wonderful location, and in well-written series like Our Blues or Legend of the Blue Sea, the scenic beauty adds great value. Here it was the main attraction...

Let's hope that these SK drama writers will revert to writing strong female lead-stories, and treat their cast to well written dialogues and realistic story lines. It makes or breaks a series!

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I feel like they could have done more with the characters and paced the story better.

There were parts that were compelling and gripping, and then parts where the plot dragged like crazy and I could only get through it at 1.5x speed, especially the middle. I think they spent too much time on the townspeople gossiping about Samdal and Yongpil when they had their own lives to live. I also felt like Yongpil's dad coming around was too sudden and we should have seen a gradual change start several episodes earlier. I also think the downfall of the villain was too brief for the grief she caused. Overall I feel mixed about it. I think this story could have been told and been better in 10 eps max. My favorite character is probably the little girl. She was too cute for words but was also the voice of reason a lot. I don't think I'd recommend this for most, there's better and there's worse.

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This felt like watching a shortened family drama. Most of the side couple content has been removed & they focused on the family conflict and the main couple, but it still had that family drama presentation. I think this could have worked better in the 50 episode format as well. Not because I would have wanted more of the same, but rather had the side couples each gotten a couple episode's worth of screen time I think the annoying things could have been far less pronounced and we had so many sidelined characters with immense rom-comedy potential, or I don't know we could have watched the younger sister training as a haenyo..

The biggest problems I've had with this drama are the absurdity of the old breakup & the absurdity of the decade long unrequited loves. Of course I found the toxic dad extremely annoying & his sudden change of heart ridiculous as well, but that is ultimately just one bad episode of 16, so that would not have been a deal breaker.

Overall I would say that this drama has been a bit sloppily executed. The cast is absolutely amazing, but many of the actors did not take this very seriously & immersion breaking performances were not corrected. In case there is a problem, it's the director's job to call out the ng, in this drama they settled for "barely acceptable" way too many times. This is very common with family dramas, but those are typically far lower budget, so the lower production values are to be expected.

The writing is all over the place & there are countless problems with character motivations, personality adjustments and just nonsensical stuff, even for this genre.

Can Triangle haters watch this drama? Well, I'm not sure. The second ML does not really do anything, there are no three way handgrabs and whatnot, but I found his character to be extremely annoying. (It's a poorly written character, doubt any of the triangle lovers would be able to feel SLS for him)

To say something good as well, I found the non-gloomy parts of the drama quite funny & it's nice how it's relatively low on product placements. Jeju Island is the product placement, but this is the best kind there can be :-)

Ah, I almost forgot. While this drama is not very tropy, it's really annoying how 30 somethings who have dated in the past for many years acted like preteens in love & we have even gotten two typical sleep together, but do nothing scenes.

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Based on this review it may not seem like it, but there really was a lot of wasted potential here. They had most of the ingredients to cook a great meal, but unfortunately the cooks were drunk.

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A Mixed Bag of Emotions: Ji Chang Wook Shines, but Empowerment and Chemistry Fall Short

I recently immersed myself in Welcome to Samdal-ri, eager to witness the brilliance of Ji Chang Wook's acting prowess after watching him in Healer. While he undoubtedly delivered a stellar performance that left me in awe, I couldn't help but feel a void in terms of female empowerment and on-screen chemistry.

Ji Chang Wook's portrayal was nothing short of captivating. His nuanced expressions, impeccable delivery, and undeniable charisma added depth to the character, making it difficult to look away. His acting prowess alone almost carried the entire show for me, and I applaud his dedication to his craft.

However, the storyline left me yearning for more when it came to female empowerment. Despite the potential for a strong, empowering female lead, the narrative fell short of delivering a character who could stand on equal footing with Ji Chang Wook's. It felt like a missed opportunity to showcase a more balanced dynamic between the male and female characters. I guess her wanting to lean on him was literal.

The chemistry, unfortunately, failed to ignite the screen. While both actors individually gave commendable performances, their on-screen connection lacked the spark that could have elevated the romantic aspects of the plot. This absence of palpable chemistry and incomplete storylines (like what happened to Sazal Kim's character Man-Su) left me somewhat detached and wanting more.

While the show had its moments, the missed opportunities in character development and resolution left me with mixed feelings about the overall viewing experience.

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Underwhelming

I think this is really down to preference. I guess there was no promise of revenge from the start and the drama is meant to focus on Samdal’s self discovery, heading back to her roots. But I was expecting a little bit more drama to be honest.

They created this pretty nonchalant character at the beginning when Samdal was so cool about her ex-boyfriend cheating on her. Then they also built up a story about how bitter and just jealous this Bang Eun Joo was. And it stops there. The rest of drama, we witness all the back and forths between Samdal and Yong Pil in which till this day the break up was still a little stupid to me.

We spent a good amount of time digging way back to why the couple broke up and then got back together; seeing the sub-plots between the other two sisters and their partners; making sense out of why Yong Pil’s dad hated the family. With a lot of draggy built ups and fillers, we’ve finally reached the part where the drama comes to a close. At this point, I had given up hope of seeing any drama comeback from Samdal, the big revenge or karma on Eun Ju and this big mystery of why Samdal couldn’t go back to her hometown and breaking up with Yong Pil. Spoiler alert, none of them was interesting.

This drama is probably nice to watch if you are looking for something to play in the background - uneventful, peaceful and non-dramatic.

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Overall an enjoyable ride with great acting and scenery but plot and some characters are amiss

I really struggled to decide on a rating for this show. Overall I liked it but there are a couple of things that irked me.

There are two main things I really liked in this drama, one of them was the scenery and photography with such beautiful landscapes. The other one was the acting. I think most of them did a great job, but I have to mention especially Ji Chang Wook, Kim Mi Kyung and Kim Do Eun, their characters and the way they portrayed them are of the best of the show for me.
The relationships between characters were very good and I liked the banter and funny bits in this show.

I like slice of life dramas so it's no surprise that I found the plot interesting and entertaining and I thought they generally did a good job in also including the sisters' story lines, although I do wish Jin Dal's story had gone in a different direction ultimately and didn't end up with her ex, but I give it a pass; and I wish they had dwelled more on Hae Dal's past as well as the present relationship with Gong Ji Chan. Other than that I do not have complains about the subplots in this drama, they were all entertaining. I wish I could say the same of the main plot but alas, I can't.

The main plot, this is what I consider the two story lines of main leads love story and the "scandal" of FL are unnecessarily unsatisfactory. I say "unnecessarily" because they had more than enough time to explore this in detail and have a more realistic and natural progression than the one they chose.
I didn't like how the conflict with Yong Pil's father was tackled and solved. If the change of that man had happened slowly from the start of the show and they had shown the change progressively it would have had a pass but as it is, that man didn't deserve redeeming in such a quick way. He was abusive both verbally and physically to both his son and the neighbours and it had been 20 years of the passing of the wife. He never had the excuse, but with the amount of time it had passed even less so. The man doesn't even stop to think twice about how his wife would feel at the way he was acting. I don't think he deserved forgiveness in the manner it was given considering how that plot line was developed. But I wish the story with Yong Pil's father was less melodramatic if it was going to be tackled like that. The show really made me despise him a lot, and I was very annoyed when it ended like that after all the drama. The script just decided to make him think in the end but realistically a man behaving like that doesn't change that easily or quickly, more so when everyone around him is enabling him and he's playing the victim. His sense of ego was way too big to see the light in that manner but of course we were running out of time in the drama so it had to be done quickly.

On the other hand, the plot with Eun Joo was also solved too quickly for my liking, especially when it was a major plot point in the story. This again should have been solved slowly throughout at least a couple or three episodes. I do also partially agree with some of the other comments here in the fact that FL should have been more active in the solving of the issue and that her character did suffer inconsistency throughout. At some points she was shown as independent and head-strong, and at others weak and very passive. There are a few instances in which I could see or agree with that passiveness, in a way in which when you're being attacked constantly it gets to a point you just want to avoid the drama and sit still and do nothing because you are just too fed up. But if they were going more for this idea I think it should have been done better in terms of execution. Her stance changed and was ambiguous at times so it could get a bit frustrating.
So I do think it was solved too quickly but I'm half half when it comes to the "how" it was solved. A part of me thinks it's realistic that we don't even see major consequences other than Eun Joo reading the new's article because life be that unfair in real life too, or because we can more or less imagine how it continues. But another part of me just wishes we had seen the consequences of her actions because she pissed me off so much lol

As usual, SML romantic interest tends to be very pointless and it's not exception here. He really added nothing to the story and had he been just another friend in the group it wouldn't have made any difference to the plot. Also although I do know people in the characters ages that hasn't had a relationship ever, I still think that having more than one character like that is a bit unrealistic. At least they should have mentioned them dating around but not settling or other things like that. Especially in the case of Sang Do I think it would have worked well. Oh, but you want Sang Do be interested in FL? Easy. Make him a divorced man for example, and he had a crush for her when young and when seeing her again he gets a bit of a crush back. I don't know, there are many ways. As it is, his story line was pretty absurd.

The ending is a bit, I don't know, I'm not disappointed but also not super happy and the cameo of whoever-that-woman-was was pointless. It reminded me of that pointless ending in "Behind Your Touch" with another cameo that added nothing to anything. I'm not going to lie I did wish FL had gone with ML to Switzerland. After being apart for so long I get it was not a deal-breaker to have a long distance relationship for some more time, but at the same time she being a photographer made so much easier in my eyes to move with him for a while and work from there. Either way, it was a cliché of one of the leads going away last second and it could have been avoided entirely, but oh well.

This drama doesn't portray the typical romcom love story with fireworks, so if you're looking for that kind of romance this might not be for you. It's a slow rekindling of a relationship in a more muted and realistic way. Sure, especially FL does act more like a fangirl with the butterflies at times but the progression is more subdued.

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Conflicts Aren’t Great but Enjoyed Light, Positive Vibes

My 4 categories are Acting/Cast, Writing, Direction/SFX/Music, Entertainment Value.

I picked this drama up because I like the lead actors. Actually, I don’t like Ji Chang Wook (지창욱) in any roles other than action, but I decided to give it another shot. This seemed like it could be a cute romance, but in order for it to work, the chemistry needs to be on point.

Acting/Cast: I was pleasantly surprised by the cast. There were some actors that I was very happy to see again and some actors I’ve seen for the first time. I think everyone did great acting-wise (except for the female lead’s dad). However, like I mentioned before, the chemistry is the most important aspect here. All of the friend groups had good chemistry as well as the side romances, but I’m not sure the two leads quite got there -- at least not as more than friends. Maybe it’s because they were so overly cutesy with each other or maybe it’s because there weren’t any - even remotely - steamy scenes between them. I just wasn’t completely sold on them. Especially, after that ending with the choice that the male lead made. Careers were obviously way more important to everyone over love, which is strange for a “romance”. 7.5/10

Writing: I like the plot and the side stories. I like the characters. However, there’s some details that bothered me. The useless love triangle is one of those things. Literally, it was only there to motivate the male lead to make a move. They really built up this second male lead like he was going to be a huge threat, but no, just another poor victim of second male lead abuse. I think he was an interesting and unique character, too, so it’s such a shame. Another issue I had with this drama is the forced conflicts (apart from the love triangle). The initial conflict that sets the plot in motion is fine, but later on, things happen that make it feel unrealistic. There’s also another conflict between the male lead’s father and the female lead that just feels annoying and childish. I wanted to just skip over all of that nonsense. Then, the “plot twist” at the end with the foreigner seemed so pointless… I was like ‘Why??’ Blink and you’ll miss it. Fortunately, this drama has good side stories and likeable characters all around. 4/10

Direction/SFX/Music: The ending was so cliché that it didn’t feel consistent with the male lead’s personality. The pacing was decent despite using so-so conflicts to push the story along. The OST isn’t really my cup of tea, but I did add two of the songs to my playlist. Beautiful Day by Gemini (제미나이, 아름다운 날) is really pretty and of course the drama’s theme song: DK (도겸) (Seventeen) - Short Hair (단발머리). 6/10

Entertainment Value: It was an easy, light watch. Nothing very exciting to make me want to binge watch this drama, but also nothing so irritating that it would make me want to drop it. The second half is when I started feeling a bit of a drag (episode 9) and episode 10 or 11 is when more conflicts are forced in which began to annoy me. The ending was cliché, too. Although one of the side love stories was solidified, which was a pleasant surprise. 4/10

Overall, I gave this drama a 5.5/10. It makes me wish I had a rabid posse of male friends. It almost made me want to start taking photos...I hate taking photos.

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Has everything except for the plot

I really loved the first few episodes — there wasn’t much of a plot but the “city girl escapes to the countryside” premise promises comfort and I definitely felt that. There was the overarching plot of Samdal’s career, the yearning of an exes-to-lovers romance, and the three sisters providing the family aspect — all of which I loved.

And then as the show went on it started to drag, and I found that there weren’t that much of the countryside vibes, and they introduced plots that were detrimental instead.

First there’s the love triangle, which is the most unnecessary part of the show, and I’m saying this as a love triangle trope defender. The love triangle where the second lead has zero shot, who the FL never once considers a potential love interest, and who has no plot other than the romance and standing in the shadows looking at the main couple steadily progress…we have to leave that behind because all it does is waste screentime.

And then there was the reason behind the main couple’s initial breakup: parental disapproval. It’s a common trope in kdramaland too, and one that I also think is really outdated and frustrating, especially for a drama like this where there’s really nothing else going on.

A third thing that got too much screentime was the gossipy old ladies, who were frustrating even if they weren’t completely horrible by the end.

In terms of the subplots, I think they started out strong but also fizzled out a little. The eldest sister’s romance with her ex-husband was really funny but I wish it was more serious at times rather than making it all so slapstick. The youngest sister’s romance and relationship with her daughter was the best part of the show, especially in connecting the theme of motherhood throughout the show. It’s a fantastic theme that I wish had a better throughline rather than coming in and out, because the mother-daughter scenes always hit really hard.

I also actually really like the focus on Samdal’s career and her adversary, and I wish it didn’t come so late in the show. I also wish they didn’t lean so much into one character being downright evil, and it doesn’t quite give you the satisfaction of karma getting her in the end due to lack of screentime. The plot line of Samdal rediscovering her love for her hometown and photography was really heartwarming still.

Another thing I wish got more screentime was the friend group. We had some at the start of the show when Samdal returned and some at the end when they were helping her, but overall the show leaned into the love triangle and other scenes instead and I felt like we never really got to feel how close they were the way we grow to love the friend groups in dramas like the Reply series.

Overall, it ends on a satisfying note and wraps things up in a neat little bow, but I feel like I didn’t quite get as many comforting vibes I wanted.

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Highly overrated

Ji Changwook is a versatile actor and we all know it. Shin Hyesun is the toughest and one of the most elegant actress and we know that too. But here, both of their potentials were wasted big time. I can't even get started on the sheer ridiculosity of the story. The writer made some unbelievably stupid and irritating characters and just dumped them without a proper background. One of them is Cho Samdal herself. That woman's fake pride was high up the sky, and she was living in denial all along that she can never fail, because according to her, she is supposed to be the only one to succeed in Seoul from Jeju. Her bratty behavior and her demeanor was a pain to watch tbh. Next is Yongpil's dad, Sangtae. He definitely has some serious woman issues and was almost a lunatic. He blamed Samdal's mom for his wife's death when in reality it wasn't anybody's fault. I have never seen such a spineless man ever in my life. Imagine blaming someone else for your own incompetence. All in all, it was a forcefully curated slice of life drama where there's no slice of life in it. The only saving grace was the natural backgrounds, at least they were pretty. Eunju, the antagonist, was supposed to be annoying, but she was less annoying than Cho Samdal actually.

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need a lot of patience to sit through the first half

first half is both annoying AND boring but if you have patience, the second half is truly beautiful.

The goods :
1. The way this drama showed grief and how different people confront it. The lack of healthy communication was frustrating at times but very realistic and relatable. Yongpil was the first one who realized they were drifting apart cuz they were all running away and decided to put an end to it.
" why you didn't run? why you didn't try to forget?"
" but what if I did forget you?"

2. Go Mija. easily the best character in the whole series. She is the most well written character along with Yongpil. Her character has layers and I cried each time a new layer was revealed. She was so kind and brave. A great mother for her daughters and Yongpil.

3. Go Mija and Bo Mija flashbacks. tear jerkers.

4. Yongpils dad redemption arc. God knows he is one of the most annoying characters I've seen in my 12 years of being into Kdramas but I'm happy with the result.

5. Samdals family ( minus Samdal herself ) are all intriguing both in characters and their relationships with each other. I wished we knew more about the sisters pasts. Their love stories were more interesting than the main couple in my opinion. The family dynamic is very fun to watch.

6. Samdalri island and its beatiful beaches and gardens.

Now the bad;
1. Our female lead Samdal. I dont know why she and her collogues were so dumbfounded that she fell into a scandal given the fact that she's both unprofessional and a BRAT. Samdal is unlikable from episode 1 to the very end. She is an immature girl with a big ego who constantly throws tantrums.

2. Alcoholism. Samdal developed a horrible drinking habit after going back to samdalri and I think its an irresponsible portrayal if none of the other characters in the drama mention it in a bad light. She wasnt just sad, she was Addicted.

3. Samdalri people and their big mouths. small villages where everyone know each other have their own problems for sure ( gossips, lack of personal space, fear of being judged etc etc) and this has been touched upon in few other dramas but it doesn't make watching them any less insufferable. Yongpils friend had nothing else to talk about other than Samdal.

4. Second male lead. What was the point of his existence?

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Lackluster and Ultimately Disappointing Series With Cowardly Characters!

By the time you reach the last few episodes, the series becomes like a plate of mushy carrots. You choke them down just to get through them, so you can move on to something better.

I’m going to start this review by saying that Shin Hye Sun is one of my favorite actresses, and I started watching this series because I saw that she was in it. However, I will say that this is the worst series that I’ve seen with her. It’s not her fault, however. As always, she gives an illustrious performance, given the lackluster and convoluted story and a very unappealing character in Cho Sam Dal.

The series is pretty solid through about the first eight episodes or so, but then it’s all downhill from there. No, it’s actually more like dropping off a cliff because the lack of story, quality, and direction, are suddenly nowhere to be found.

Cho Samdal is a prominent photographer, rising to near the top of stardom as one of the most sought-after photographers in the business. She photographs model and celebrities. Her protégé torpedoes Samdal’s career, forcing her to retreat to Jeju Island, where she is from. She hates the island, viewing it as a primitive locale where no one can possibly succeed in anything. What we end up having is a character who whines, drinks, and cries—often in that order too! At heart, she’s a true coward and unable to deal with her thoughts, feelings, or desires as well as her inability to stand up for herself. There is very little that is actually appealing about Cho Samdal.

Cho Young-Pil is a weather man based on Jeju Island and Samdal’s former boyfriend. Young-Pil is a man dealing with the tragic death of his mother—a haenyeo diver (women who dive for mollusks and other sea life) eight years prior. At the start, all we know is that Young-Pil and Samdal broke up, leaving the viewer to question why the breakup occurred as well as who instigated it. We find that one of the most cowardly characters of the entire series is Sang Tae, Young-Pil’s father.

A drowning man will always try to pull someone down, and Sang Tae is the spitting image of a man so lost within his own grief, that he sabotages Young-Pil and Samdal’s relationship. He holds Samdal’s mother responsible for the death of his wife, despite the two women being the best of friends. What is sad is that Young-Pil never really confronts his father about his irrational and self-destructive behavior. Even when Sang-Tae is verbally abusing Samdal, Young-Pil simply stands there without offering any defense or attempt to pacify. Sang Tae is a man who can’t see anything beyond his own pain, which literally mars and threatens to destroy the true memory and love of his wife. However, nobody bothers to even bring up this point with him. He spends his time drinking and sulking. The ultimate coward is the one who won’t let go.

In the midst of this, Go Mi-ja (Samdal’s mother) is suffering from a heart condition, which we might well connect with her own grief and guilt. I found her character the most appealing, and I wished the story had focused more on her and the friendship she shared with Young-Pil’s mother.

One side-story that was also far more appealing than the main one, involved Hae Dal Cho, the youngest sister and widow of Samdal. Her interactions with Ji Chan—a dolphin expert—were sweet and far sweeter than anything between Samdal and Young-Pil. I would have preferred a story surrounding her than Samdal.

By the end of the series, we have a cast of characters who are largely cowards at heart. Samdal is unable to deal with her past or even truly fight for her future. Doormats are only appealing because you can wipe your feet on them, and yet Samdal allows her protégé to use her as one three times throughout the course of the story. Samdal only wags her finger at her protégé, which does absolutely nothing. And I’m not entirely sure why Samdal would allow her ex-boyfriend to work with her after he betrayed her. So many things in this series made absolutely no sense at all.

It's sad how everyone believes that a “better life” must be in Seoul rather than in Jeju. I would have preferred seeing everyone make a success in Jeju, rather than treating it as the hindquarters of Korea where success goes to die. Who said you have to go to a big city in order to be successful? Not only is this deluded thinking, it’s also untrue. Samdal only succeeds in revealing her level of immaturity by how much disdain she has for her hometown.

Also, are you seriously going to tell me that someone with her wealth and notoriety doesn't have an attorney on retainer?! That was about the most ridiculous thing of this series as if the writer had no clue!

The writer and director clearly had no idea where to take the story, and we have everything magically being resolved within the last few episodes without any viable explanation. Samdal doesn’t bail herself out. Everyone else does it for her, leaving the viewer to realize that she’s still never grown up or known how to take care of herself. True strength isn’t as much about helping someone out of trouble as it is about helping them figure out how to get themselves out of trouble! The story would have been far better served had they chosen that road.

Despite having some truly hilarious moments—especially the seaweed fight—Samdal is just a very annoying and largely unlikable character. She acts like a 14-year-old child most of the time. She gets angry with Young-Pil over the smallest things. She peeks at him through her bedroom window, and then gets angry when he confesses his feelings for her. She then runs off like a scared child and barricades herself in a shed because she can’t deal with any challenges or forms of confrontation. She’s about as big of a coward as you will ever find! I also lost count of how many times she hits Young-Pil. It was supposed to be humorous, but by the tenth or eleventh blow, it just becomes silly and tiresome.

Given the great cast and acting performances that this series had, it’s a real shame that it was all wasted on this unappealing story, which lacked both charm and sophistication.

I went back and watched “Our Beloved Summer” again just to get the bad taste of this series out of my mouth. I wanted to revisit a series that was well written with smart, likeable characters, because this series just doesn’t have either one. “Welcome to Samdal Ri”? More like, stay away!

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