Cain and Abel (2009)

This is the first time I would actually describe a KDrama rich in makjang in terms of ´cool´.

"Cain and Abel" from 2009 presents itself in the best KDrama tradition of early 3rd Millenium makjang productions. In the background, the OST is repeatedly setting the rhythm proclaiming doom with implacable beats. The dramaturgical motifs are basically familiar: there are 2 more or less competing brothers, a wicked stepmother, a comatose father, amnesia in the meantime, two queens of the heart ... and what the hospital environment (specifically the neurosurgical department) has to offer is not just a brain tumor... It´s makjang at its finest. Eventually the scene is temporarily shifting to China, there also focusing on the unfortunate issue of North Korean refugees. It becomes action-packed and exciting. All in all, the plot doesn't seem too surprising at first glance, but as it progresses you might all of a sudden realize, how the story has long since grabbed and pulled you in.

This is the first time I would actually describe a KDrama rich with makjang in terms of ´cool´.

Admittedly, here the bad guys are actually truely bad guys. Forgiveness is not a foreign word, but sometimes one may want to question this concept in principle, regarding the unscrupulousness and maliciousness of the perpetrators.

Title and story explicitly refer to the biblical motif: the first murderer case in human history told in Christian terms, where the older brother chose his younger brother as a victim. Out of envy. In the competition for recognition. Here it is the recognition as a brilliant neurosurgeon ... by the father, by the professional world, by the supervisory board (as head of a new center for neurosurgery) and as a man (by his queen of hearts). The mother wickedly helps and sows the bad seed, which grows effortlessly.

This fraternal quarrel (in which obviously not everything is and always has been quarrel) comes to live with high intensity by the performance of So Ji-sub (who appears in a quite bold manner for long stretches) and Shin Hyun-joon (who has already perfected his characteristic ´sad look´ in "Stairway to Heaven"). The two really get into their roles and take the viewers with them. The story gains as 'little Abel' covers a good distance in a parka and among refugees in China. So the story not only takes place in the elitist world of doctors, between surgical gowns and suits, but also gets more down-to-earthness in the struggle for survival of simple and non-privileged people at the opposite pole of social life. The two female leads Han Ji-min and Chae Jung-an also embody the contrast of these worlds in their own way.

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Even though I decided not to write reviews long time ago but this drama pushed my button. I had to calm myself for a while before deciding to write anything about this wonderful work of art.

So Ji Sub and Shin Hyun Joon, what more could a viewer possibly ask for? I’m so glad, genuinely glad that I waited 7 years to watch this! Why? Because it made me appreciate it even more than I would have back then considering that NONE of the recent dramas could ever match up to. We tend to value things more if we know it’s no longer available and is no longer easy to get by, thus I value this drama very much now.

Let me say this, a huge part of this review is dedicated to SJS's and SHJ's phenomenal performance! Because with all do respect to the very well-written story, those two wonderful men will steal you from the very first scene before the story gets to take a place! Their chemistry, is simply breathe-taking and heart-wrenching at the same time!

SJS’s trademark is his “sad eyes” and people have known it since I Am Sorry, I Love You (and what a trademark it is!) Trust me it is not easy to show such a sincere sad eyes like he does when he acts. His “sad” act, his crying scenes…he looks so damaged and destroyed it looks so real that you’d lose where you were at when you watch him act. His sincere-heartfelt act changes the “too overused” plots into a piece of art and a classic one even if it is a 10/20 years old. If you want to truly "feel" SJS, it has to be I Am Sorry I Love You and Cain and Abel.

Cho In has became my favorite character for SJS because he is a warm-hearted decent person, with cute smile and soft voice. This character has allowed SJS to show different side of him, different expressions… mixture of many expressions that I’ve seen for the first time while watching him. I loved Cho In’s kindness, naivety, innocence, sweetness, softness and vulnerability.

If SJS’ Cho In is half the reason why I loved this drama, Shin Hyun Joon ‘s Sun Woo is definitely the other half! This is the 2nd time that this man pushes me to tears (first time was in Stairway To Heaven). His portrayal of the antagonist is simply majestic and too beautiful to be put in words. Sun Woo is definitely a worthy rival of the great Cho In.

The story is very well written plot-wise and character wise. It struck me as slightly slow and scattered in the first episode, but things quickly gathered together and progressed in a way that really draws in the viewer. The characters and settings that were introduced kept things new and exciting without being overwhelming or hard to follow. I especially appreciated Young Ji because she was flawed! But not in ways I found to be cliché. She felt real to me! Which something I don’t normally see when it comes to the main female character especially this genre.

I have always for *some reason* thought that this is a revenge-themed drama but to my surprise this drama had so much more to offer other than plain revenge and for a revenge drama fan such as myself I still loved it very much, that didn't disappoint me at all, so kudos to the writer!

The OSTs are wonderful, the painful lyrics make the drama even more sad which contributes very well to the story. I loved it.

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