An Ultra Fan's Guide to Kitano Takeshi Murakawa, un yakuza de Tokyo, se fatigue de sa vie de gangster. Avec d'autres hommes de main, il est envoyé par son chef à Okinawa, prétendument pour régler une dispute entre leurs alliés, le clan Nakamatsu et le clan Anan. Murakawa suspecte ouvertement que cette mission est une tentative de l'écarter et finit même par tabasser un de ses collègues, Takahashi, en qui il n'a aucune confiance. Malgré tout, il finit par aller à Okinawa. Il découvre que la dispute entre les deux clans est plus qu'anecdotique et alors qu'il réfléchit sur les raisons de sa présence ici, une bombe explose au quartier général temporaire du groupe. Modifier la traduction
- Français
- 中文(台灣)
- English
- magyar / magyar nyelv
Distribution et équipes
-
![Beat Takeshi in Sonatine Japanese Movie (1993)]( "Beat Takeshi in Sonatine Japanese Movie (1993)")
Beat Takeshi Rôle principal -
![Osugi Ren in Sonatine Japanese Movie (1993)]( "Osugi Ren in Sonatine Japanese Movie (1993)")
Osugi RenKatagiriRôle Secondaire -
![Terajima Susumu in Sonatine Japanese Movie (1993)]( "Terajima Susumu in Sonatine Japanese Movie (1993)")
Terajima SusumuKenRôle Secondaire -
![Watanabe Tetsu in Sonatine Japanese Movie (1993)]( "Watanabe Tetsu in Sonatine Japanese Movie (1993)")
Watanabe TetsuUechiRôle Secondaire -
![Katsumura Masanobu in Sonatine Japanese Movie (1993)]( "Katsumura Masanobu in Sonatine Japanese Movie (1993)")
Katsumura MasanobuRyojiRôle Secondaire -
![Yajima Kenichi in Sonatine Japanese Movie (1993)]( "Yajima Kenichi in Sonatine Japanese Movie (1993)")
Yajima KenichiTakahashiRôle Secondaire
Critiques
THE ASIAN WORLD LOVER
1 personnes ont trouvé cette critique utile
Beat Takeshi has done many yakuza films but this one was the best and so original, although, he always plays a dark character and is very serious but always laughs a little in every film he is in, that's what make his films good.
Cet avis était-il utile?
Joe Hisaishi's music destroys me
From its hypnotic style to its pessimistic plot, Sonatine is a mesmerizing manifestation of Takeshi Kitano's continued revitalisation of the yakuza movie. It is a largely peaceful, contemplative work, punctuated by moments of extreme violence all delivered with purpose balancing the fine line between gorgeously dreamy and grim reality. Kitano's haunting elegy to the gangster way of life, he spends the film exposing the gangster ideal as the myth, of little boys who forget to grow up, doing so with incredible flourishes of style, playfulness and jarring outbursts of his trademark humour. Having only written four scenes, the vast majority of the film was largely spontaneous, often Kitano finding his feet in the moment at hand. Sonatine sees the bleak suicidal tendencies of Kitano's mind coming right to the forefront, especially since he suffered partial facial paralysis after a motorscooter accident not long after this film's release. One he has often mentioned was an unconscious suicide attempt, this alone lends a massive amount of weight to the Russian Roulette sequences, giving Sonatine so much more emotional levity to its already unconventional narrative. With the addition of another stunning musical score by Joe Hisaishi, Sonatine rewards those with patience, offering up plenty of existential dread among its exceptional beauty.Cet avis était-il utile?
