Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
-Both is about a love story between a korean man and a japanese woman, and the subsequent cultural clash between korean and japanese culture
-Both have an attractive korean male lead: T.O.P. in TSM and Won Bin in F2002
-Both are short: TSM is 18 eps x 15 min and F2002 is 4 eps x 50 min
DIFFERENCES:
-TSM is more artful/deeper meaning and has the better stunning cinematogtaphy and a more darker and mystical tone
-F2002 focuses more on the cultural difference, while TSM more on past hurts and love itself
-TSM is better than F2002
ALSO, Check out:
-Ueno Juri's AMAZING acting in TSM!
-Yoo In Na (Goblin, Queen In Hyun's Man) as side character in TSM
-Lee Dong Gun supporting role in F2002
-Both have an attractive korean male lead: T.O.P. in TSM and Won Bin in F2002
-Both are short: TSM is 18 eps x 15 min and F2002 is 4 eps x 50 min
DIFFERENCES:
-TSM is more artful/deeper meaning and has the better stunning cinematogtaphy and a more darker and mystical tone
-F2002 focuses more on the cultural difference, while TSM more on past hurts and love itself
-TSM is better than F2002
ALSO, Check out:
-Ueno Juri's AMAZING acting in TSM!
-Yoo In Na (Goblin, Queen In Hyun's Man) as side character in TSM
-Lee Dong Gun supporting role in F2002
In the romantic-comedy "Boku to Star No 99 Nichi", top Korean actress Han Yoo Na falls in love with a quiet man named Kohei Namiki. Kohei Namiki is a single man approaching his 40's. He works part-time at a security company. He has a sweet and handsome appearance which some people take advantage of as he is easily swayed by those around him. Kohei often takes care of his sister's three kids because his sister has a habit of wandering around. He is a passionate man and dreams of finding his star, but because of his family and economic situations, Kohei can't follow through on those dreams. One day, Kohei is assigned security detail for the beautiful actress Han Yoo Na. Even though she has a near perfect appearance and style, she prefers to act like a normal person. She enjoys eating simple Japanese foods, and on the filming set, Yoo Na goes out of her way to help others. Yoo Na has a pure and kind spirit and seems to be the envy of all. Inside, however, Yoo Na is lonely working in the entertainment field and she has a big secret. At first, bodyguard Kohei and top star Yoo Na don't get along. With time, they become closer. Over the next ninety-nine days, their relationship changes. But on the hundredth day when the contract ends, what choice will they make?
Two people from different countries meet in Hong Kong, romance ensues.
They both also use english to communicate since neither know each other's language at first. Female leads make an effort to learn more of male leads's language.
They both also use english to communicate since neither know each other's language at first. Female leads make an effort to learn more of male leads's language.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Korean - Japanese Romance. Only difference here is this is between a Korean man and Japanese woman.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Next Door (Hong Kong): It is July of the lunar calendar; the month of the ghost festival. On a fateful night when Taiwanese girl Jane returns to look for her policeman boyfriend Joe, only to discover that he has started an affair with his neighbor Hosie, a girl from China. Dark Hole (Japan): Bride-to-be Yuki has suffered from nightmares. One day, she notices a boy in a yellow outfit appears in real, who has been visiting in her dreams. However, he is only visible to Yuki and he vanishes when she recognizes his presence, only leaving a puddle of water behind. Her finance Satoshi suggests she go to see a psychiatrist. One day, she finally reveals her secret under hypnosis that she used to have an unknown creature as a pet. The Lost Memory (Thailand): Prang is a single mother who lives with her young son. A mysterious man seems to shadow Prang wherever she goes. The mother believes that the man has been sent by her ex-husband Wit, with a malicious intent of stealing her son. Prang lives in a constant state of paranoia. Prang's memories keep slipping out of her grasp. The more she searches, the more the scary incidents of her turbulent past come back to haunt her.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.
