Cette critique peut contenir des spoilers
sigh, okay...
FIRST of all, jang ki yong what the hell? genuinely, what the actual fuck. alas, i'll come back to this question very soon.
second of all, can we leave time travel k-drama plots behind us? i think we got our fill, & we do not need to see it for another..decade, at least!
— to come back to the story, i think that the side characters of this drama really saved face. claudia kim's character, although amazing for a really long duration of the show, somehow gets a really whimsical plotline & development somewhere around the end of the season. some things just refuse to make sense, but the question that bugs me the most is why the lesbian erasure? you build up a genuine story that has a root, a heavy ass trunk && a crown and you throw it away...what for? to fit a heteronormative standard? sure, okay. fuck you though.
— when it comes to our main couple, i simply couldn't see it. i didn't hate the entire con artist / rich clueless man trope, but it lost appeal as quickly as it earned some. mind you, i was extremely excited to see jang ki yong in another role, but this is potentially the worst role of his career. at the beginning everything's fine, and you're trying to overlook his responses because of his trauma & mental battles, but some things just get fuuucking old. and these writers dragged it so long; they sucked every drop out of the 'helpless dad' trope. grow a fucking backbone, you're not 12.
— and the prepubescent adolescent, ina, pissed me off! but alas, like father, like daughter. some therapy wouldn't hurt their wallets.
—quite frankly, to wrap it up...it was boring, predictable && extremely unreasonable. even the generous 12-episode format felt like too long. ew.
second of all, can we leave time travel k-drama plots behind us? i think we got our fill, & we do not need to see it for another..decade, at least!
— to come back to the story, i think that the side characters of this drama really saved face. claudia kim's character, although amazing for a really long duration of the show, somehow gets a really whimsical plotline & development somewhere around the end of the season. some things just refuse to make sense, but the question that bugs me the most is why the lesbian erasure? you build up a genuine story that has a root, a heavy ass trunk && a crown and you throw it away...what for? to fit a heteronormative standard? sure, okay. fuck you though.
— when it comes to our main couple, i simply couldn't see it. i didn't hate the entire con artist / rich clueless man trope, but it lost appeal as quickly as it earned some. mind you, i was extremely excited to see jang ki yong in another role, but this is potentially the worst role of his career. at the beginning everything's fine, and you're trying to overlook his responses because of his trauma & mental battles, but some things just get fuuucking old. and these writers dragged it so long; they sucked every drop out of the 'helpless dad' trope. grow a fucking backbone, you're not 12.
— and the prepubescent adolescent, ina, pissed me off! but alas, like father, like daughter. some therapy wouldn't hurt their wallets.
—quite frankly, to wrap it up...it was boring, predictable && extremely unreasonable. even the generous 12-episode format felt like too long. ew.
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