A gay man asks his ex of 25 years for a contract marriage to appease his dying mother. She agrees, hijinks ensue, along the way we learn the true meaning of family. It's an average plot but for the word "gay"—what is impressive here is that the gay is just one part of what makes this story special, and not its defining aspect. In addition to family, Gisou no Fuufu explores what it means to come out (not only for the guy but also his fake wife, who has walled herself off emotionally from the world). The lighthearted tone of the show works, and works well—As expected, Amami Yuki and Sawamura Ikki are amazing as the cold, people-hating librarian and warmhearted nursery school teacher. There is plenty of comedic relief from Amami's deadpan, biting "inner voice" and Sawamura's blind over-eagerness. Uchida Yuki and Kudo Asuka also gave wonderful performances as a lesbian single mother and "ally of justice" deliveryman who helped carry the show in its more serious moments. While the story didn't show off the ugly side of some painful topics (discrimination, domestic abuse, the fear of coming out) it never ignored it, and the overall way that homosexuality was treated as something normal was refreshing. The show starts with energy and proceeds at a brisk, tension-filled pace. It's served well by an upbeat JUJU track. The ending was disorienting, but it wasn't a sell-out, or entirely unexpected. It did make me reexamine my own preconceptions about what is truly important. All in all, the show's message seems to be: "There are many different kinds of people, with different types of love that bind them together. But you can't say that any one kind (gay, straight, romantic, platonic, familial, friendship) is worse than any other." I am not a re-watcher, but can imagine getting nostalgic for the leads' banter. Overall, it was a fun and heartwarming ride with a strong message from a great cast, writer and directors (Kaseifu no Mita, Queen's Classroom).