pash
Italy
Cette critique peut contenir des spoilers
Nao deserves a standing ovation, WOW!
First things first: Nao alone would've deserved a "perfect 10" with a standing ovation on top.
I'm impressed, seriously. I had already appreciated her talent and beauty in the movie "Mio's Cookbook", but getting the leading role here really allowed her to shine; such a magnificent actress!
Unfortunately, there were a coupla details about this drama that I personally found a bit "meh", which explains why I'm not giving this the afore-mentioned "perfect 10"; it's still a pretty solid 8, though! ^___-
Considering the similar premise (a group of weird avengers à la "Leverage") and the identical last name of both FLs (Honda Tsubasa there, Honda Nao here - although she goes by first name), it was pretty obvious for me to compare this with "Cheat", and I'd sum it up as "this is, like, the more adult version of that one".
And here comes indeed my main problem with "Enjiya": I think the serious parts were by far the best ones (for example, the second story - episodes 3 and 4 - and its terrible, yet so powerful, ending), whereas the "comic relief" was at times excessive and felt out of place here and there (I hope Kasahara Shinji's fans won't resent me for this, but I really think the drama would've worked better without him, sorry...).
The other thing that disturbed me was the CEO's character; I didn't pay him too much attention the first time he appeared, as it was part of the whole "let's start with a BANG!" strategy, and I honestly couldn't say that it didn't work (quite the opposite!), so I was more than willing to overlook the (imho) disturbing detail. But since they chose to have him back for the finale, I couldn't overlook it anymore; even more so as the series had shown, as I mentioned above, to really shine at being more serious, adult and mature (both in the plots and in the delicate topics touched); given all that, I couldn't help but think that the guy shouldn't be indulged, but rather put away: sorry for not being a fan of the whole "he's loaded, so he can afford to hire people to enact his homicidal fantasies without actually hurting anybody". What will happen when he runs out of money? Or if the urge strikes him while he's thousands of miles away? Or when the act won't satisfy him anymore?
Sorry, but that guy's a ticking bomb and, as far as I'm concerned, he belong to an asylum.
I'm impressed, seriously. I had already appreciated her talent and beauty in the movie "Mio's Cookbook", but getting the leading role here really allowed her to shine; such a magnificent actress!
Unfortunately, there were a coupla details about this drama that I personally found a bit "meh", which explains why I'm not giving this the afore-mentioned "perfect 10"; it's still a pretty solid 8, though! ^___-
Considering the similar premise (a group of weird avengers à la "Leverage") and the identical last name of both FLs (Honda Tsubasa there, Honda Nao here - although she goes by first name), it was pretty obvious for me to compare this with "Cheat", and I'd sum it up as "this is, like, the more adult version of that one".
And here comes indeed my main problem with "Enjiya": I think the serious parts were by far the best ones (for example, the second story - episodes 3 and 4 - and its terrible, yet so powerful, ending), whereas the "comic relief" was at times excessive and felt out of place here and there (I hope Kasahara Shinji's fans won't resent me for this, but I really think the drama would've worked better without him, sorry...).
The other thing that disturbed me was the CEO's character; I didn't pay him too much attention the first time he appeared, as it was part of the whole "let's start with a BANG!" strategy, and I honestly couldn't say that it didn't work (quite the opposite!), so I was more than willing to overlook the (imho) disturbing detail. But since they chose to have him back for the finale, I couldn't overlook it anymore; even more so as the series had shown, as I mentioned above, to really shine at being more serious, adult and mature (both in the plots and in the delicate topics touched); given all that, I couldn't help but think that the guy shouldn't be indulged, but rather put away: sorry for not being a fan of the whole "he's loaded, so he can afford to hire people to enact his homicidal fantasies without actually hurting anybody". What will happen when he runs out of money? Or if the urge strikes him while he's thousands of miles away? Or when the act won't satisfy him anymore?
Sorry, but that guy's a ticking bomb and, as far as I'm concerned, he belong to an asylum.
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