In my review for season 1, I talked about how the show had a really compelling premise that was let down by lackluster character development, and sadly, that trend continues in season 2. For starters, the time jump to the modern day removed the most compelling part of season 1 - the theme of maintaining one's humanity while fighting against oppressors whose weapon of choice is dehumanization. The backdrop of Japanese-occupied Korea was one of the best (and honestly only) things I enjoyed about the first season and without that context, this turns into a more run-of-the-mill revenge story with a supernatural bent.

The story itself is extremely muddled. With only 7 episodes, it needed much tighter writing but instead we got a mish mash of private investigators, well-meaning but mostly useless cops, memory loss, long-lost lovers, a shady conglomerate conducting illegal human trials, superpowered ninjas (??), hideous tentacle monsters, and numerous double crosses and betrayals. Sprinkled throughout are some genuinely interesting points about justice and human connection, and in the last episode, Chae-Ok has a really gut-wrenching line where she says she's not afraid of death but of living forever alone without being able to die and I wish we'd gotten this insight about her character earlier in season and I wish we'd gotten it via showing instead of just telling.

On that note, character development is practically nonexistent, which is a shame because, again, the potential is there. Lady Maeda has consistently been one of the most interesting characters on this show but she was criminally underutilized here. She and Chae-Ok could've been incredible foils for each other as they both keenly understood the loneliness of the decades they endured after the events at Onseong Hospital but they only have 1 brief scene together. The Kuroko captain guy was also fascinating - he clearly had his own agenda in trying to save his girlfriend but again, none of that is revealed until the very last episode and then nothing really happens with any of that? Lee Moo Saeng is very good at playing a sociopath though, love that guy. Seung-Jo is another character whose shifting loyalties made him a wild card and I wanted to see more of his friendship with Tae-Sang/Ho-Jae. His struggle to embrace his inner monster vs following in his hyung's footsteps and being a good person was so compelling, which made his choice in the post-credits scene to basically unleash the naijin on the entire population of Korea all the more disappointing. Boo hiss, I was rooting for you, Seung-Jo! I don't even know what to say about Tae-Sang/Ho-Jae. With his superpowers, he seemed less like an actual character and more like a plot device this season. Again, Park Seo Joon did his best but it says a lot that my favorite scenes of his were the flashbacks to the 1940s, especially when we got to see the old House of Golden Treasure crew again. Chae-Ok, my sweet girl, how this show failed you. I loved seeing her continue her work of finding missing people in the first episode, but after that, it seemed her only purpose in the story was to get injured and be held hostage to trap Tae-Sang. The love story did not move me in season 1 and it moved me even less this time around but they deserved a happy ending so I'm glad they got it.

Will there be a season 3? I sure hope not and I will definitely not be watching if there is one. After watching these 7 episodes, season 2 doesn't even seem like it was really necessary as it just re-hashed many of the same plot points from season 1. To be honest, I think the multi-season format is kind of ruining kdramas but that's a rant for another time. This show would've been better off ending with one of the flashbacks we saw this season, with Tae-Sang and the rest of the House of Golden Treasure crew celebrating Korea's independence while Chae-Ok watches from afar. In the midst of the celebration, he notices her, and instead of walking away, she approaches him, and they get the future they deserved.