A Grim Game Of Greed: Play Or Skip?
Trigger Warning: blood, death, gore, gunshots, physical assault, burning, NSFW, flashing lights, graphic imagery, hanging
The recent Netflix hit Squid Game is a thrilling, and emotionally layered survival series which plays off the idea of free will, economic disparity and privilege and turns it into a grim game of greed.
The whole thing starts with when someone offers a desperate man the chance to play a child's game of flip the card and wager on the outcome. As that offer escalates, it turns out that more than 450 other desperate, immensely debt-loaded people have been lured into a similar brutal contest, where they’re playing popular childhood playground games for the chance to win 45.6 billion Korean won (about $39 million), only if they manage to eliminate all the contestants and be the last person standing.
All the nine episodes take place in present-day Korea, and the players are invited who are on the margins of society. It seems like the entire game could very well be secretly undergoing with none the wiser. Recent Korean cine stories like Parasite and Itaewon Class have adeptly addressed wealth inequality and class struggle in real-world circumstances, rather than through the lenses of American fantasies like The Hunger Games and Elysium. Film director Hwang Dong-hyuk (known for My Father, The Crucible) follows this trend with Squid Game, his first drama series. In spite of unrealistic elements, the show seems to have been designed to convey that our present reality can be just as hellish as any imagined world.
The script is a ticking clock that will glue you to the screen as shows of this genre should do by constantly making the audience question "what would I do in that situation?". The whole point of shows like this is to become extremely relatable. Despite the cold violence, gore, and blood, the story does not lack all the emotional impact that it's supposed to generate. The haunting score by Parasite composer Jung Jae-IL only adds to this constant terror and suspense.
However, I could not help but feel disappointed by the final leg of the series. In episode six, which is a total emotional stunner, it feels the series has reached its summit plot-wise but then suddenly veers into unsatisfying and predictable story decisions, with quite a number of glaring plot holes. The last three episodes seems highly underwhelming in terms of intensity and insight of the earlier ones.
Thankfully, everything else appears to be immersive and brilliant. Beautiful scoring, enchanting set design, and immaculate visuals are some of the ingredients that will keep you hooked. Along with exceptional performances from a remarkable ensemble. The personality changes that Ki-hoon (played by Lee Jung-jae) goes through is an acting masterclass. Other notable work from actors came from Anupam Tripathi, Wi Ha-Joon, Oh Young-soo, Kim Joo-ryoung, and Lee Byung-hun. Although, Gong Yoo's cameo acts as the cherry on the top. His brief appearance both in the pilot and the finale episode acts as a captivating device as well as a friendly reminder to our Goblin ahjussi.
Squid Game grips you through 9 episodes that are realistic enough but watching it is uncomfortable and is certainly not for everyone. Keeping the multiple trigger warnings in mind, the show should not be viewed by both kids under 15 and adults undergoing mental health issues as some scenes can get quite traumatic. The drama is tempting to fast-forward, either to skip the gore, or to bypass the sense of dread when the show stretches out some of the lethal rounds. While the discomfort could be written off as the price of admission for watching a deadly game, it really affirms our own humanity. The fact that this show has become an overnight global phenomenon both seems like an irony and a sad reality.
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