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  • Dernière connexion: mai 3, 2014
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  • Date d'inscription: février 10, 2012
Proposal Daisakusen japanese drama review
Complété
Proposal Daisakusen
29 personnes ont trouvé cette critique utile
by impactt
juin 20, 2012
11 épisodes vus sur 11
Complété
Globalement 10
Histoire 9.0
Jeu d'acteur/Casting 10.0
Musique 10.0
Degrés de Re-visionnage 9.0
Cette critique peut contenir des spoilers
[Warning: long review] This isn't just a show. It's a story close to life; a story of great moral value and lessons to be learnt. This is an amazing journey through the eyes of a man who can be similar to many of us at some point in our lives. And I believe many people, including myself, have come out of this journey a better person. The below is more an in-depth review more for people who've already watched the show, but if you are curious to what exactly is so good about the show, feel free to read on, since there are no big spoilers in this review. The story is simple enough; Ken is a shy guy who never managed to express his love to his childhood friend, Rei, and now he is attending her wedding to another man. A fairy pops up to grant Ken the ability to correct some regrets of his past so that hopefully he will face an improved situation in the present. The idea of time-travel seems to contradict the idea of the show being close to life; if you think about it, however, everyone faces some regrets of action or non-action in the past; time-travelling back to change these is an ability we always wanted, and we simply see Ken doing what we wished we could do. These timeslips create a blueprint in the show which becomes obvious very quickly; in fact it is so faithfully replicated that the show is always in danger of becoming repetitive. However, each episode is executed masterfully such that the repetition doesn't become tiring; it instead gives the viewer a standard framework from which to view the characters, their story and the outcome of Ken's actions, making them seem all the more clearer and connected to the present. More importantly, you get to see Ken's gradual emotional development through the series. It is argued by many watchers that this format isn't the best way to present the show due to the repetitiveness; but for me it possesses a mesmerizing charm and cuteness that endears me to the show. The characters are excellent, and I totally mean it when I say that. Many shows out there create characters to suit the story, which results in disjointed personalities and actions that seem out-of-character in some scenarios; ProDai is one of the rare few that have wholesome, complex characters whom you get to understand and relate to as the story progresses. It is as though the story is written to suit the characters, which is how real life works; this makes the show so much closer to life. Sometimes, it even angers the audience when they see how stubborn a person's personality in the show can be, because at times the show simply stagnates when Ken cannot bring himself to change the past; to me however, this is also one of the charms of the show, the rigidity of personalities is just so like life. Nevertheless, the genius scriptwriters have churned out enough twists and turns in the story to keep it interesting throughout, and effortlessly blended in moral lessons which never seem to be forced into the story (something J-doramas are bad at). Most importantly, the show was brought to a complete end, albeit an open-ended one, which was satisfying for most, but completely amazing for me. Acting is top class as well; vintage performances are seen from Nagasawa Masami, Hamada Gaku and Mikami Hiroshi, as well as of course the star of the show, Yamashita Tomohisa. His acting isn't particularly fantastic, but he gave his character a personality unique to himself; he became Ken, Ken became him. In all, his was an absolutely memorable performance. The OST is another highlight of the show, with BGM that is always at the right places, at the right time, and invoke heavy doses of emotion and goose-bumps that really bring the show up to another level. Who could forget the inspiring themes of Rising Road and Hallelujah Flash, and their rearranged emotional renditions that play in heart-tugging scenes? The ending theme, Ashita Hareru Kana, and the insert Chiisana Koi no Uta are, well, I don't think I have to say more. Personally I have Ame Agari (translated as 'after the rain')as my favourite as well, because of the scenes that it plays in, and the meaning of the song towards the show: after the rain, sadness will vanish and everything will start anew. With all that being said, the show has its flaws as well. Particular aspects that stuck out include the lack of development in one of the main characters, Mikio, and the convenient shafting of Tada, portrayed as the guy everyone hates but really, is just a good man fighting for his own love. Even so, I give the show a 10. I have to admit that I'm biased in the score and in this review; but it is really because I love the show so much. My advice is really to follow the show in its entirety, indulge in the characters and feel the fun, the anguish, the anxiety, and the exhilaration in the show. And most importantly, learn from it, and I promise any watcher that it will be a enjoyable and memorable journey for you as well.
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