hum
Cette critique peut contenir des spoilers
Messed-up plot. Try to to be clever but fail. Too many loopholes all over the place.
(Review In Progress
-- done watching, in-progress reviewing, and after that still needs some edit.
-- sorry, it takes me some time as this such a headache.)
[+] This series is like an experimental work. After finishing, I highly admire the team that they really put a great effort in creating this drama. It's a complex story. The messageS they want to convey are difficult, thus meaningful. And the way to convey it isn't simply about plot writing. This series especially need the collaboration between the plot creating and filming/editing processes. So it's not only the story that is complex, the process for the aimed result is also a hard work here. I feel thankful they made this done. With this work of theirs, they challenge the new level of quality series in all aspects from creating to conveying processes.
[-] Anyway, they try too hard to be clever. In the end, there're still too many loopholes both in the main plot and sub-plots. To find a positive excuse for this, I'd blame the time constraint. The time limitation especially affects the writer. I feel that the writer only has solid ideas on the main things she wants to make happen, but she lacks the ideas to logically connect two or more dots, resulting in a messy resolvement that relies on cheating the audience.
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Two main cheating ways of this series that are unaccepatable for me are:-
1) They indulgedly create many conditions in the story on their own without caring the universal laws. These conditions are not the kind of reasonable conditions that would serve them right if they had a unique universe of their own story. These conditions are just to serve their own conveninece in resolving the conflicts the easy way because they can't think of how to resolve it properly without cheating. Let me give an example,
- The conflict is A wants to kill B who is a criminal treated at a hospital, but B is protected by two polices standing guard at the patient door at all time.
- Resolution of this series to let A kill B is to let C who is another police says via the walkie talkie that there's some incident happening near the hospital area and he needs some support at the moment. On hearing that, the two polices both left their position immediately. They shouldn't leave their post in the first place, but when they do, they do it so naturally like it's the way the world normally is as they don't even need to disccuss or hesistate a bit before setting off running away.
The above is just one example. There're A LOT along the way. The plot needs media to be stupid, needs people to be stupid, needs doctors to be able to do things that normally they are not able to. All of these for the sake of connecting the solid point A to point B. Remember what I mentioned above? They only have the solid ideas on main points while have no idea of how to connect them.
Their self-indulgement frustrates me a lot. They look down on the audience like me.
~~~~~
2) Because they can't find the proper way to solve their conflicts, they trick the audience by manipulating the scenes. The plot is mean to deceive the audience at first, so that they can make a surprise twist later. The proper way to do it is to give the same set of information to the audience as to the investigative storyline (= the storyline of solving the conflicts). An improper way to do it is to hide some parts of the information that the storyline knows from the audience. This series make a worse thing by manipulating the information. In some crucial scenes that would become the surprised twists later, they film it in 2 different ways - one is the way that actually happens, the other is the way they want the audience to believe happening. Then, they firstly show the audience the wrong occurrence to mislead the viewers. And later, when they reveal the twist, they show the other occurrence. This is cheating. You don't have skills to make things right. You want to be wise, but if you cheat it doesn't shows that you're wise anymore. It shows that you're just pretentious.
As unskilled as you are, you still need to learn a lot more to not anger the audience this way. Find a place to learn? Go read more works of Dan Brown and Agatha Christie!
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More rants:
(1) Story [-]
- Too many loopholes
- Like ep.1-2 pretty much
- Ep.3 starts to have loopholes in the details.
- Ep.4-5 have too many unrealistic parts esp. about media, human behaviors in society, and decision-making relating to social impact. These surreal parts are essential for story development. If there's none of these, the story wouldn't go on the way it is written, which means the production team is not smart enough to make a proper investigative story without constructing some special conditions that would help them make the story progress easier. What a convenient way to solve a question that outwits them, right? They do it by making a condition that says whatever they say is true. Anyway, in the end, this just portrays that everything in the story is pretentious.
- Ep.8, 10 - more so-called loopholes - the self-conditioned parts that help the story to progress along the way they want.
[[ spoiled note: 8-the surveillance officers / 10-the physical call instead of phone call; the criminal didn't have father at first but now has?? huh; the criminal's mother supposed to give birth after Yohan's mother in the early ep but now she did it before for 6-7 yrs?? ]]
- Ep.14
1) Why the TV producer takes that guy in her car?? -_-
2) How that kid gets to that man's house?? << It's like everyone is a character in an RPG game doing things without motive, no situation progresses in a logical process. It's like these characters and situations happening around them are programmed in a game.
Ep.15
1) Conveniently skip the memory about chasing on the road scene?
2) Suddenly the older police who usually fails to observe the details about everything notices the very subtle details of a victim. How convenient, the writer makes everyone change in a wink, makes any situation to occurs or changes from before like magic.
3) I also don't forget the alibi of everyone in the 1st case and waiting for you to properly explain, writer!
Ep.17 - The new paint on the wall can be removed by tissue paper??!!
- This story shows that polices are generally stupid. The supervisors would choose their subordinates to make an important decision instead of them while the subs are not clever enough.
- The media in this story breaks the law and their ethics all the time. It's the circle that there're only people who think about their own benefits. They dare to publicly take advantage of the situations even when there are other people's lives at stake. And no one at all blames the media. Nor does the media get sued. Very weird society.
- The story shows the people of Korea are stupid, always ready to be pulled to the left then dragged to the right without the ability to think on their own. They believe whatever words from TV. The people/audience in this story is much stupider than those characters in the novel 1984.
- Let me yell at this series a bit:- The real media don't work like that. The real polices don't work like that, either. And the people of Korea or most of the places in the world are not like that. The production team of this drama is just an imposter pretending to know what social psychology is, pretending to know how journalists and polices work while they actually Know NOTHING. What they do is just spreading the wrong perceptions about everything.
p.s. Damn to this drama, where the hell in the world that a TV channel would intentionally live broadcast a crime as a criminal wants? Furthermore, two TV channels even argue/criticize/condemn each other on TV-live-broadcasting to make the situation benefit the criminal. The media here are very much stupid and very much immature. Nonsense. In reality, this kind of TV station would surely be heavily investigated by law and backfired by social pressure.
P.S.2 And the ER doctors don't work in patients' rooms! You don't know how doctors work, either. You -writer, director, producer of this series- truly Know Nothing.
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(2) Acting [~]
- The older police always overacts. The paradox is they mention about overacting represents the lack of understanding in the thing the overactor tries to depict (ep.7).
- The acting of the TV program's female producer is substandard. She doesn't know the way to show her character's expressions through her face. I don't feel that she feels what she acts. She just makes a subtly disturbed face, and continues to make it the whole time. There's only one kind of facial expression from her, which is the kind of expression that I don't feel that she feels it.
---------------------------------------
(3) Script [-]
- Bad script. It's like the characters in the series are the RPG-game players. They walk around talking to witnesses, interviewing people in the RPG-game style that we have to stop and talk on the way to certain people to get more information to complete each mission. The conversations in that kind of interviewing/asking strangers in the series are blocked and unnatural - if we get to the right person, the convo would flow as well as directly get to the point, no small talk, no introduction. No matter how weird or rude the questions of the characters are to the strangers, those strangers answer along the way that the characters want to know without opposing. No matter how private the information they get asked, they don't feel it and are willingly answer them.
---------------------------------------
-- done watching, in-progress reviewing, and after that still needs some edit.
-- sorry, it takes me some time as this such a headache.)
[+] This series is like an experimental work. After finishing, I highly admire the team that they really put a great effort in creating this drama. It's a complex story. The messageS they want to convey are difficult, thus meaningful. And the way to convey it isn't simply about plot writing. This series especially need the collaboration between the plot creating and filming/editing processes. So it's not only the story that is complex, the process for the aimed result is also a hard work here. I feel thankful they made this done. With this work of theirs, they challenge the new level of quality series in all aspects from creating to conveying processes.
[-] Anyway, they try too hard to be clever. In the end, there're still too many loopholes both in the main plot and sub-plots. To find a positive excuse for this, I'd blame the time constraint. The time limitation especially affects the writer. I feel that the writer only has solid ideas on the main things she wants to make happen, but she lacks the ideas to logically connect two or more dots, resulting in a messy resolvement that relies on cheating the audience.
---------------------------------------
Two main cheating ways of this series that are unaccepatable for me are:-
1) They indulgedly create many conditions in the story on their own without caring the universal laws. These conditions are not the kind of reasonable conditions that would serve them right if they had a unique universe of their own story. These conditions are just to serve their own conveninece in resolving the conflicts the easy way because they can't think of how to resolve it properly without cheating. Let me give an example,
- The conflict is A wants to kill B who is a criminal treated at a hospital, but B is protected by two polices standing guard at the patient door at all time.
- Resolution of this series to let A kill B is to let C who is another police says via the walkie talkie that there's some incident happening near the hospital area and he needs some support at the moment. On hearing that, the two polices both left their position immediately. They shouldn't leave their post in the first place, but when they do, they do it so naturally like it's the way the world normally is as they don't even need to disccuss or hesistate a bit before setting off running away.
The above is just one example. There're A LOT along the way. The plot needs media to be stupid, needs people to be stupid, needs doctors to be able to do things that normally they are not able to. All of these for the sake of connecting the solid point A to point B. Remember what I mentioned above? They only have the solid ideas on main points while have no idea of how to connect them.
Their self-indulgement frustrates me a lot. They look down on the audience like me.
~~~~~
2) Because they can't find the proper way to solve their conflicts, they trick the audience by manipulating the scenes. The plot is mean to deceive the audience at first, so that they can make a surprise twist later. The proper way to do it is to give the same set of information to the audience as to the investigative storyline (= the storyline of solving the conflicts). An improper way to do it is to hide some parts of the information that the storyline knows from the audience. This series make a worse thing by manipulating the information. In some crucial scenes that would become the surprised twists later, they film it in 2 different ways - one is the way that actually happens, the other is the way they want the audience to believe happening. Then, they firstly show the audience the wrong occurrence to mislead the viewers. And later, when they reveal the twist, they show the other occurrence. This is cheating. You don't have skills to make things right. You want to be wise, but if you cheat it doesn't shows that you're wise anymore. It shows that you're just pretentious.
As unskilled as you are, you still need to learn a lot more to not anger the audience this way. Find a place to learn? Go read more works of Dan Brown and Agatha Christie!
---------------------------------------
More rants:
(1) Story [-]
- Too many loopholes
- Like ep.1-2 pretty much
- Ep.3 starts to have loopholes in the details.
- Ep.4-5 have too many unrealistic parts esp. about media, human behaviors in society, and decision-making relating to social impact. These surreal parts are essential for story development. If there's none of these, the story wouldn't go on the way it is written, which means the production team is not smart enough to make a proper investigative story without constructing some special conditions that would help them make the story progress easier. What a convenient way to solve a question that outwits them, right? They do it by making a condition that says whatever they say is true. Anyway, in the end, this just portrays that everything in the story is pretentious.
- Ep.8, 10 - more so-called loopholes - the self-conditioned parts that help the story to progress along the way they want.
[[ spoiled note: 8-the surveillance officers / 10-the physical call instead of phone call; the criminal didn't have father at first but now has?? huh; the criminal's mother supposed to give birth after Yohan's mother in the early ep but now she did it before for 6-7 yrs?? ]]
- Ep.14
1) Why the TV producer takes that guy in her car?? -_-
2) How that kid gets to that man's house?? << It's like everyone is a character in an RPG game doing things without motive, no situation progresses in a logical process. It's like these characters and situations happening around them are programmed in a game.
Ep.15
1) Conveniently skip the memory about chasing on the road scene?
2) Suddenly the older police who usually fails to observe the details about everything notices the very subtle details of a victim. How convenient, the writer makes everyone change in a wink, makes any situation to occurs or changes from before like magic.
3) I also don't forget the alibi of everyone in the 1st case and waiting for you to properly explain, writer!
Ep.17 - The new paint on the wall can be removed by tissue paper??!!
- This story shows that polices are generally stupid. The supervisors would choose their subordinates to make an important decision instead of them while the subs are not clever enough.
- The media in this story breaks the law and their ethics all the time. It's the circle that there're only people who think about their own benefits. They dare to publicly take advantage of the situations even when there are other people's lives at stake. And no one at all blames the media. Nor does the media get sued. Very weird society.
- The story shows the people of Korea are stupid, always ready to be pulled to the left then dragged to the right without the ability to think on their own. They believe whatever words from TV. The people/audience in this story is much stupider than those characters in the novel 1984.
- Let me yell at this series a bit:- The real media don't work like that. The real polices don't work like that, either. And the people of Korea or most of the places in the world are not like that. The production team of this drama is just an imposter pretending to know what social psychology is, pretending to know how journalists and polices work while they actually Know NOTHING. What they do is just spreading the wrong perceptions about everything.
p.s. Damn to this drama, where the hell in the world that a TV channel would intentionally live broadcast a crime as a criminal wants? Furthermore, two TV channels even argue/criticize/condemn each other on TV-live-broadcasting to make the situation benefit the criminal. The media here are very much stupid and very much immature. Nonsense. In reality, this kind of TV station would surely be heavily investigated by law and backfired by social pressure.
P.S.2 And the ER doctors don't work in patients' rooms! You don't know how doctors work, either. You -writer, director, producer of this series- truly Know Nothing.
---------------------------------------
(2) Acting [~]
- The older police always overacts. The paradox is they mention about overacting represents the lack of understanding in the thing the overactor tries to depict (ep.7).
- The acting of the TV program's female producer is substandard. She doesn't know the way to show her character's expressions through her face. I don't feel that she feels what she acts. She just makes a subtly disturbed face, and continues to make it the whole time. There's only one kind of facial expression from her, which is the kind of expression that I don't feel that she feels it.
---------------------------------------
(3) Script [-]
- Bad script. It's like the characters in the series are the RPG-game players. They walk around talking to witnesses, interviewing people in the RPG-game style that we have to stop and talk on the way to certain people to get more information to complete each mission. The conversations in that kind of interviewing/asking strangers in the series are blocked and unnatural - if we get to the right person, the convo would flow as well as directly get to the point, no small talk, no introduction. No matter how weird or rude the questions of the characters are to the strangers, those strangers answer along the way that the characters want to know without opposing. No matter how private the information they get asked, they don't feel it and are willingly answer them.
---------------------------------------
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