They say the Love of Money is the Root of all of Evil

An arch, multi-strand, multi-character three-ring circus movie revolving around a Louis Vuitton overnight bag full of cash that long-suffering sauna worker Joong-man (Bae Sung Woo finds in an abandoned locker at work. While Joong-man sees in the bag a chance to escape his drudgery-filled life, dealing with his overbearing mother and pissed-off wife, other sets of characters are no less invested in acquiring this untraceable fortune.

Everyone from sleazy customs official Tae Young (Jung Woo-Sung), who is on the hook to gangsters for a debt incurred by his missing wife to Yun Hee (Shin Hyun-bin), an escort who is fed-up-and-ready to take revenge on her husband who beats her regularly by trying to pull off a con job on a well-off besotted client of hers. And then there’s the Yun Hee’s imperious boss (Jeon Do Yeon), a goddess in lipstick who knows what it’s like to be hurt by men.

Some of the plot’s maneuvers are quite intricate and interestingly portrayed in chapters akin to one reading a book, with each chapter cleverly tying into the book's main premise, so to speak. At times the story is hard to follow, but that doesn’t in any way take away from the performances, which are all perfectly pitched, from the leads right down to the comic-relief minor characters, such as Park Ji-Hwan’s lowlife sidekick and Youn Yuh-Jung as Joon Man’s overbearing mother. The intense color palette blends neon signs and green-lit interiors with the vast amounts of scarlet blood that flows due to the frequent violence. There is no denying there is much violence but isn’t that expected when money is involved in the mix.

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Perseverance is the secret of all triumphs. Nam as usual overwhelmed with his perseverance but mainly with his ability to see and understand that nothing replaces one’s persistence. One can be talented, a genius, educated, even rich but none of that matters without believing. Persistence and determination alone are omnipotent.

And we saw time and time again Nam stay persistent and determined not only to make the Dreams into a winning team but one that valued the person standing next to them as there is no “I” in “team”. I struggled to understand PF's analogy in not taking Nam on as the general manager (if you haven't watched this drama you will understand what I mean once you do) but took it for what it was – a negotiating compromise to a winning situation – a happy home for the Dreams. It was good to see the CEO despite their (his and Nam's) differences finally have the courage to stand up to his uncle and realize he is nothing without his ideals and in the process gained a friend. Love that the episode was light and fun mingled with a bit of sadness but goodbyes are always sad.

I loved this show, the writer, director, cast, Kang Du Ki (my hero) and Nam, always Nam for showing us week in and week out that patience and insistence have a magical effect before which difficulties disappear and obstacles vanish. That’s what dreams are made of, persistence and determination. With that in mind, I resolve to keep my dream of a season 2 alive, the ending surely left it open to interpretation.

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Law, Order, Justice -- a double edged concept

If the intent with Bad Guys: Vile City’s opener was to be impactful, I have to say it was successful. Not only was it impactful it had me wondering why I had kept off watching it for such a long time. I thoroughly enjoyed the first installation of Bad Guys, not that I see this as a sequel but more as an extension and a pivotal one at that. The extent to which law, order, and justice are marginalized, making gangsters out of those who swore to protect the sanctity of the law, is horrifying. I can only imagine how bad it must’ve been for anyone, let alone a team of prosecutors, detectives, and public service persons, to take extreme measures of hiring and working with lawbreakers to catch criminals.

I couldn’t for a life of me understand why this group of law officials turned gangsters would need Noh Jin Pyung (Kim Mu Yeol), a rookie prosecutor on their team. Not only that, throw him in the chaos and expect him to follow suit blindly. I was baffled until I realized Noh wasn’t just a witness that could bring Jo Young Gook’s (Kim Hong Pa) criminal organization down but was a pivotal member of OH Goo Tak’s (Kim Sang Joong) Bad Guy’s. It all starts to make sense.

Aside from the impressive opener, I hadn’t realized Joo Jin Mo was part of Bad Guys: Vile City’s cast. I genuinely enjoy his method acting style. The way he immerses himself in his roles, and particularly here as Heo Il Hoo, a widely feared, former violent mobster who turns to the right side of the law after an assassination attempt, was fantastic to watch. Kim Mu Yeol, on the other hand, I was not familiar with until this drama, and he has my respect. The way he delivers the role, the conflict between good and evil, always on edge, constantly torn between law and lawlessness, was beyond impressive. Woo Je-mun (Park Joong-hoon) is another actor I am embarrassed to say I had never encountered before as an experienced prosecutor on a crusade. After losing two colleagues trying to follow the letter of the law, he decides to employ the same dirty tricks his target uses.

The same goes for Ji Soo as Han Gang-Joo, a young man, a killer who lived his entire life as an underdog, making every sacrifice to support and protect his younger sister. After an assassination attempt on his sister (meanwhile, the mayor’s secretary), Gang-Joo joins the investigative team, both for revenge and atonement. There is no forgetting Jang Sung Cheol (Yang Ik-June), psychopathic gambling, drug addict detective, broken to no repair but ironically determined, without compromise, to fight corruption to his last breath. Of course, there’s no forgetting Ji Seung Hyun as hitman Joo Jae Pil for the short time he was in the drama. He is a versatile actor who seems to excel in any role he takes, be it a sensitive veterinary in You Are My Spring to a morally ambiguous newspaper report in The Good Detective or a straight and narrow conglomerate in Hello Me.

A lot happens in Bad Guys: Vile City and when one takes a closer look at the totality of what makes a group of prosecutors and police detectives unafraid to deal out random violence and torture, but not only that band with an ex-mobster and an assassin, one can understand why they become determined to cross the line to battle organized crime, get revenge, and end institutional corruption in their city. More than the method Bad Guys: Vile City uses to reach its goal, it’s the journey it takes where a group of people who have nothing in common bond and come together beyond their common purpose sets it apart from other like dramas in a way including Bad Guys.

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Hooked

Oh, my heart, I am so completely head over heels with Lee Joon Gi and refuse to believe he’s on the wrong side. I’m so desperate for him not to be the killer that I find myself coming up with excuses as to why things are unfolding the way they are – he must have a reason, of course, there is one, please let there be one. He’s working to clear up his name even if events unfold to belie that thinking, and I am sticking to that. I am also holding out to the hope that when Ji Won figures out HS’s reality, and she will sooner than later, she’ll instinctively trust he isn’t a cold-blooded killer. Boy is this is one stellar drama or what -- I am hooked!

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A Seemingly Fun Drama Addressing Family Pressure on South Korean Kids to Succeed Academically

My take on this drama now that we are almost to the midpoint.

I love, love watching Jeon Do Yeon. She is a natural and has this way about her, making me believe her in every role she takes. Here she is funny, fun, and almost over-indulged as a mom trying to keep up with other moms way over-involved, if not obsessed with their children's education. I adore Jung Kyung Ho; he is such an expressive actor and so much fun to watch. He is my third favorite South Korean Actor. I have to admit I wasn't sure what to expect from him in this role, but I love this fun side of him, and his love and dedication to math and teaching make me want to go back to school and re-do all those math exams I took as a senior in high school -- who knew math could be so appealing.

The twist I didn't expect from this drama is the murder/crime/suicide aspect. It makes sense to have that twist, seeing how much pressure parents, schools, and the education system puts on these kids. I am all for pushing your kids to excel in school, but it shouldn't be at the expense of their mental health or life, for that matter. One of the biggest tragedies of the Korean education system is that children and teenagers must always study. They have little time left over for fun, relaxing, vacations, or enriching themselves in non-school-related activities. It's not forced on them, but they are given few options for success; if they do not excel, it's as good as forced on them. Some kids study 18 hours a day, spend 10 hours at school, go to cram-school classes after school, and spend their time studying at home to secure a good college and standard of living, and acceptance is beyond tragic. I wish the parents, especially the moms, would put as much time into providing their children with a more balanced life as they do with their education. It would amount to a much happier society with students/children who aren't as stressed or pressured to study all the time and wouldn't need to cheat, lie, scheme, or bully to be accepted, feel good about themselves, or stay ahead.

Not only Koreans but most Asians see education as a way of gaining success and bringing esteem to one's family. And what's even more bewildering is the extent these mothers would go to secure that success for their children even at the expense of other children, resorting to cheating, lying, and scheming -- which in turn leads to bullying others and harming others and themselves, even murder and suicide. I don't even know if a solution exists. Still, I think the system itself needs a massive overhaul, and so does the role of the family and education-crazy mothers who believe their child's life is not about freedom, personal choice, or happiness; it is about production, performance, and obedience -- life is so much more than that and just because one birth a child it doesn't mean then own them.

I appreciate this drama for bringing up the many issues related to the education system in South Korea, particularly the pressure families put on their kids to succeed academically and the consequences of those actions.

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Daily Dose of Sunshine Indeed --- This is why I am drawn to K-dramas

Wow, just wow, I am overwhelmed by this drama. What a gem! The story, the acting, the cinematography, the imagery, the colors, the brilliant and creative visuals inside the minds of those who have mental illness and those working so hard to help them reach that healthy spectrum and how it affects them mentally but most importantly emotionally. Where to start: I will begin with the story and the message and then talk about the different actors who touched me throughout the journey. I loved how it loudly and clearly called to attention how thin the line is between mental health and mental illness and how important it is to understand that mental health is a scale, and there is no clear-cut line between what is considered normal and abnormal. We all experience various emotions and struggles in life, and seeking help is not a sign of weakness but rather a courageous act of self-care. I read somewhere that has stayed with me where the writer said that mental health is a continuum, and we all fall somewhere along the spectrum. Another thing that this drama did very well is bring much-needed awareness to the importance of quality health caregiving, spending time with patients, listening to them, interacting with them, and not just giving out prescriptions to maximize time.

I was particularly drawn and impressed by this message -- asking for help is not a weakness, no matter how much a taboo it may be, and debunking the idea that mental health is only relevant when one is struggling with a mental illness. I loved the message, I loved the delivery, and I loved the importance of clarity of the message. I also loved how it raised the question of who cares for mental health carers, from doctors to nurses. The show did a great deal of showing snippets of this with trainee Nurse Ji Seung Jae and others. But the best was how it gradually showed the bond caregivers create with patients while helping ease their mental illness and the constant exposure to human suffering, and sometimes death can lead to mental illness. Jung Da Eun's loss and how she tethered the mental health scale was, to me, the core of this drama. And how her mind naturally decided to lean into Kim Seo Wan's world for her grief was a touch of brilliance. Just because someone (doctor, nurse, layman) may seem perfectly normal on the outside, it doesn't mean they aren't suffering from a hidden mental illness, and it doesn't mean they are crazy; it just means that life has become so difficult to handle that they lose touch with reality for some time and need help finding their way back. How long that takes doesn't matter; what matters is that they make it back all the way.

Now, actors Park Bo Young, Yeon Woo Jin, and Jang Dong Yoon were brilliant together; their friendship with each other separately and eventually together was uplifting to watch, as was Chang Ryul as Doctor Hwang Yeo Hwan—his struggle with love and acceptance along with Nurse Lee Hye Won. Her mother is an entirely different story. It seems every K-drama must have one of those; I have come to accept it. I wish the message with those types of mothers, fathers, and siblings is to cut ties with the toxicity. Just because they are family doesn't mean they deserve to be in your life. I wish to see this loud and clear in kdramas and pray it translates to life, back to Bo Young, Woo Jin, and Dong Yoon, among others. I loved the bond they had as kids and how they built on that and, in adulthood, worked in the same field more or less and cared for each other's mental health, be it in a professional or personal setting. I don't typically like how kdrama depicts love triangles because it doesn't do it correctly. A love triangle is when one person in a romantic relationship with someone is at the same time pursuing or involved in a romantic relationship with someone else. It is not a love triangle when one person loves a second person, who loves a third person; to me, that's just unrequited love. But that's just how I see it. That said, I loved how neither of them, especially Song Yu Chan, let it come in the way of his friendship with Jung Da Eun but, more importantly, Dong Go Yoon.

All the actors were impressive, but three stood out to me the most: Jeon Bae Soo as Nurse Yoon Man Cheon and, last but not least, Lee Jung Eun as Head Nurse Song Hyo Jin. The care and reserved passion Nurse Yoon showed to the patients and his colleagues, especially Da Eun, won me over each time. What a great actor, indeed. The other was Noh Jae Won as patient Kim Seo Wan, a fantastic actor. How he articulated Kim Seo Wan's struggles, bridging the world in his head with the reality on the ground, was utterly brilliant. Kudos to the writer; ingenious. He had me all twisted up in him and the world he created for his peace of mind. I was also totally impressed by his physical changes as he took us on that journey with him, which is why losing him was such a blow. I understood how and why Da Eun's mind decided to deal with it the way it did. As for Head Nurse Song Hyo Jin, she was a rock throughout everything that happened despite having to deal with hurtful stigma on her sister and, ultimately, her. Nothing is worse than defining one by one's illness rather than who they are as an individual. The same goes for Da Eun; having to deal with discrimination from the families of mentally ill patients, she was trying so hard to help for being on the spectrum herself. That was hard to watch, but I loved her determination more than anything, not letting it trigger or pull her back. I pray this drama is a stepping stone to overcoming the stigma of mental illness, helping many of us speak out against stigma, and instilling courage in others facing similar challenges as outlined in Daily Dose of Sunshine. I highly, highly recommend this drama!

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Life Should be About More than just Surviving

When I first started watching this drama, I wondered if there was a message to it. Only when I got to the end, I realized it had a powerful message about survival and sacrificing for the person next to you. The drama was almost like a warning for people not to lose touch with their humanity, especially in today's world where watching other people's misfortunes has become entertainment. I enjoyed Squid Game, the concept, and everything from how the events unfolded flowed seamlessly, even as grim and bloody as it got. I felt the writer, director, and all the actors did a fantastic job delivering and actualizing the story. I particularly liked Wi Ha Joon in the role of the cop and brother, who does the impossible to find and save his brother, only to find out he was the one who needed saving and from his own brother. It was a grim moment to take, but as they say, sometimes family can be your worst enemy. I was pleasantly surprised to see Lee Byung Hun in the drama. I didn't expect that.

I must say I loved Lee Jung Jae for learning and teaching the remaining survivors Park Hae Soo and Jung Ho Yeon, through such a twisted and blood ordeal, that maybe life should be about more than just surviving alone. But to find out that the journey was nothing but one person's sick attempt to have fun with their bored life, and to think nothing of the many lives lost was appalling. So in that sense, I completely understood why, despite getting what he so desperately wanted, and especially after working as fiercely as he did to not want it anymore. It's like they say, be careful what you wish for, you might get it only to find it wasn't something you needed after all, because the loss far outweighed the gain. Money isn't everything after all. I cannot wait for a second season. There has to be one.

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I loved this drama, and hopeful the open-ending means we may have another season. The moral of the story is good always triumphs over evil, no matter what. I commend Jo Min Soo for being such an elegant shaman in her channeling of the spirit world. I enjoyed her a great deal. Jeong Ji So, what a great young talent, I will be looking out for her in upcoming dramas as well as for Uhm Ji Won, she thoroughly impressed me in her role as Im Jin-Hee. Im Jin-Her’s husband totally redeemed himself in the end, loved how he tricked Lee Hwan, a great job. I must say the role of Lee Hwan suited Kim Min Jae; I loved his demeanor throughout the drama, his voice, the way he carried himself, and his approach to the role.

And last but not least, Sung Dong II, what a talent, he embodied the evil spirit to perfection. All in all, a great job with the writing, directing, casting, acting, and producing of this drama; I enjoyed it and hoping for a season 2. Stay healthy and safe, and hopefully, I see you on the next one!

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Human Evolution

What a fiery opening scene to LUCA. I have to say everybody looks exceptional; Kim Rae Won, in particular; he looks fantastic; I've missed him and his captivating voice, truly glad to have him back. The same goes for both Lee Da Hee and Kim Sung Oh; they look great, if not better than the last time I saw them. Good to have them back as well. An explosive first episode with amazing OST. The OST reminded me of the drama The Cursed. I've had my eyes on LUCA for a while now, and I am pleased to see it was definitely worth the wait. And the fact that this drama is based on Charles Darwin's proposed theory of evolution, that species can change over time, and that new species come from pre-existing species share a common ancestor -- descent with modification. Now, if this premise is not interesting, I don't know what else it would be. I, for one, am beyond exhilarated; I get the feeling this will be an action-filled, roller-coasting great ride. I like that it also gives me Awaken vibes; it feels good to have the continuation of sorts as I was not ready to bid Namgoong Min farewell in that drama.

LUCA is impressive not only in its visual effects but also in its storytelling, and despite it only being the first two episodes, it does promise to be outstandingly good. The fight scenes are so very well-choreographed, especially those in tight spaces like elevators, and great directing and editing. I like that Ji-ho (KRW) has a nemesis in Choi Yoo Na (Jung Da Eun looks fantastic, I love the red on her). And there is no denying that Kim Sung Oh is a formidable villain; he looks imposingly great. That said, he will forever remain the creepy younger brother from The Man from Nowhere to me. I guess it's a good thing Ji Chang Wook turned down the role as Kim Rae Won surely owes it. I cannot wait to explore the fated connection/relationship between Ji Oh and Gu Reum (Lee Da Hee is brilliant in her role too) and how they change, if not better, each other's lives. I am already on pins and needles until the next episode.

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Uncanny Counter

Two episodes in and I find myself wanting more. The first week's outing had a bit of everything, action, humor, fear, a sense of justice in the face of injustice, and, of course, evilness. It might only be the first episode, but I didn't want it to end as I was having so much fun. I love the concept of this drama. A group of ordinary humans turned super-beings, each for their ability to possess or be a unique power that helps a higher beings' quest to hunt demons who come to earth wanting immortality. I must say I loved seeing Kim Se Jong; she looks great, and so do Yoo Jun Sang, Yum Hye Ran, and Jo Byung Gyu. It's good to have JBG back.

There's no denying evil exists in this world, but the light will always conquer the darkness. This drama quickly became my happy place and besides Yoo Joon Sang, Im Joo Yeon Moon's best friend is my favorite persona. I love how endearing the story is in that it's not just about capturing evil spirits, but also about righting the wrongs of ordinary people along the way. As they say, evil lurks in places where one would never imagine to charm its way into one's life and one always needs uncanny counters to help combat if not completely irradicate them (if only possible). I am in love!

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Creative - I am in love

Yes, we have another nonbeliever. They say an arrogant person considers himself perfect; this is the chief harm of arrogance. It interferes with a person's main task in life - becoming a better person—the difference between Kim Sabu and Cha Jin Man (I'm already tired of him, and we are just getting started) and anyone else that goes up against him. I missed everyone, and it's good to see them all back, but Im Won Hee is the best—I love him. It's so good to see him here again. I loved how Cha Eun Jae grew into herself in the second season despite all her challenges, especially regarding Seo Woo Jin. And this season doesn't look any different except that they would have to face them together. I hope their love is strong enough to withstand it all.

I love that there is always something new to learn from this drama. Acknowledgment, appreciation, recognition, and acceptance that's all anyone wants in what they do, how they do it, and where they do it, whether they are a doctor, a lawyer, a prosecutor, a plumber, or a janitor. It's the one thing we all have in common. Appreciation has the amazing habit of bringing more reasons to be grateful, do better, and be better. It's what Eun Jae wanted from her father and what Jang Dong Hwa needed to hear from Seo Woo Jin as his mentor to be confident in his choices.

I so appreciate this drama for how it tackles the social, medical, personal, and professional issues that arise as doctors work hard to save patients in a world where the main concern is who takes responsibility for a doctor's oath to do whatever it takes to save a patient's life -- that a Kim Sabu is an anomaly to squash rather than the benchmark to strive for and emulate. I can only imagine how hard it must be to become a doctor; the schooling, training, residence, sacrifices, yelling, humiliation, and hurtful words residents and fellows are subjected to, and it's why I understand the many Jang Dong Hwa's out there.

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Wow

Wow, what a catching drama. I've been looking forward to this mini-series. I'm not familiar with Kang Sung Yun but know Jo Han Sun from Stove League. I must say the way the series started creeped me out, I wasn't sure if it was real or a dream and was relieved to see it was just a dream, but only to find out it was all real. We start with Su Jin, who was strangled and thrown off her apartment balcony or pushed off. But what I found quite intriguing and seriously peculiar was that there was something quite off about the apartment complex, the residents, and the whole neighborhood.

In the beginning, I couldn't figure out why Miss Lee took the cell phone from the scene, but I see she is trying to protect the madly in love, Tae Hwa. There are plenty of suspects from Tae Hwa to the guy Su Jin was in love with to even Miss Lee, and others. I found myself so wrapped in this episode that I didn't want it to end. Jo Han Sun, as Lieutenant In, is superb. I also find myself liking Miss Lee, something about the way she carries herself. I look forward to tomorrow's episode and hate that this is just a mini-series I hope they make a full drama out of it soon with the same cast.

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Power corrupts, but does it have to corrupt one's soul, too?

I wholeheartedly believe there is some truth in every fictional story. Blood Free is no exception, especially in the way it depicts how the 1% delusional wealthy believe themselves to be superior to everybody else and think, not just accept but demand that the laws of man and land not apply to them in any way, shape, or form. They deserve not only elitism, amorality, but immortality just because they are wealthy boggles the mind. It makes me wonder. I know power corrupts, but does it have to corrupt one's soul, too? How can a parent such as Seon Woo Jae's ( I love me some Lee Hee Joon) mother, who loves her child so much, have such disregard for someone else's child; what makes them think only their child is precious? I will never understand. That said, what a brilliantly made drama!

Watching a fantastic show on TV or a great movie in the theatre sometimes leaves us thinking about what made that so great and why it moved us or made us nervous. I have come to understand that a TV show or movie can only become influential when all the key elements such as plot, character, thought, diction, spectacle, musical score, mystery, action, directing, and acting are done correctly -- all of which were intelligently weaved in Blood-free to make it beyond excellent, superb in fact. I think Blood Free is undoubtedly one of the best K-dramas Disney+ has ever produced, right there with A Shop for Killers, if not the best. Kudos to all, especially Han Hyo Joo. She was outstanding, and so was Ju Ji Hoon and everybody else. When I started this drama I thought Yoon Ja Yoo the most impactful character but by the end of it On San (Lee Moo Saeng) left an even bigger mark. The mere fact that this was only 10 episodes, made me believe there would be a second season to it. I await it, patiently.

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There is Human in Humanity

They say the function of wisdom is to differentiate between good and evil. But the residents of happiness do not make it easy to do that. It's crazy how some infected seem to have more humanity than the so-called humans. Whoever said I see humans, but no humanity must've been talking about the true nature of humans in a crisis, just like the one Happiness depicts. I must commend the writer, I didn't expect the twist about Andrew and Kim Se Hoon (Han Joon Woo). And I hate that it had to turn bad, just as I started to appreciate them. But looks can be deceiving, and there is no better camouflage than a crisis situation to serve as a cover for evil. And as strange as Kim Se Hoon was, I knew he wasn't necessarily a bad guy and thought the same of Andrew, but I couldn't have been the furthest from the truth with my assumptions.

Everything about how the story unfolded, from the time Yi Hyun is infected to the time Sae Bom returned to the resident building, spoke directly to how infinite the greed of man can be even in an emergency situation. Despite being infected, Yi Hyun proved to be a better human than all the non-infected combined. The hardest thing to comprehend was that even as people were fighting to stay alive, all Representative Yeon Ok, Joo Hyung, his shady girlfriend Woo Sang Hee (Moon Ye Won), creepy lawyer Hae Sung, and SY cleaning crew Gi Se Gyu (Kim Young Woong) and his wife Ji Moon Hee (Lee Ji Ha) could think of was how to personally benefit from the situation regardless of the danger the posed to others. So it was only fitting to finally see them get what they deserved. Their greed in a way was their own self-punishment. This was an exciting drama, I enjoyed every minute of it. A thousand kudos to the writer, director, all the actors, but especially Han Hyo Joo, Park Hyung Sik, and Jo Woo Jin for keeping invested to the end.

Happiness as a drama made me realize that the events that seemingly brought out the dehumanization of humanity and fundamental ills of society weren't in Next as a drug, but in mankind's selfishness, hatred, anger, jealousy, fear, stupidity, distrust, greed and love of power. I like the message Happiness advocates. It's true that crisis situations expose mankind's struggle to deal with sudden changes and unexpected events, and there will always be those who try and benefit, be it the elites of society or even the government. But just as there are people and institutions driven by their fear, greed, hatred and selfishness, there are those driven by their desire to help others in a time of need. Most human beings are like that. They want to live by each other’s happiness - not by each other’s misery. They don’t want to hate and despise one another, because even in a residential apartment building, let alone the world, there is room for everyone. The ending of this drama is what happiness is about, because in life it's not where you live, but who you live it that matters.

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