Cette critique peut contenir des spoilers
"Can I ... Can I carry you on my back?"
"You know ... I'm getting married soon. But it has been so hard for me these days. I should ... I should get married... I have to soon ... but ..."
This is not a story about a middle-aged man lusting after a boy. This is a story about a man, who once was young, who denied himself his chance with his first love, who is feeling the societal pressures to get married -- who mourns his loss and tries to say good-bye to what once could have been.
Even though this film is short, it's slow. What we hear is not what Jin Tae says -- do not listen with your ears, listen with your heart and your mind; what you can feel and know about him.
Everything is subtle and muted; the excellent melancholic acting, the autumn colours, the quiet sounds -- the story's in the details.
This film will not be for everyone; it's been hard for me to "get it" too -- but maybe you'll find yourselft a bit more open the next time a middle-aged queer person tells their story.
This is not a story about a middle-aged man lusting after a boy. This is a story about a man, who once was young, who denied himself his chance with his first love, who is feeling the societal pressures to get married -- who mourns his loss and tries to say good-bye to what once could have been.
Even though this film is short, it's slow. What we hear is not what Jin Tae says -- do not listen with your ears, listen with your heart and your mind; what you can feel and know about him.
Everything is subtle and muted; the excellent melancholic acting, the autumn colours, the quiet sounds -- the story's in the details.
This film will not be for everyone; it's been hard for me to "get it" too -- but maybe you'll find yourselft a bit more open the next time a middle-aged queer person tells their story.
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