Renseignements

  • Dernière connexion: Il y a 1 jour
  • Genre: Femme
  • Lieu: United States
  • Contribution Points: 0 LV0
  • Anniversaire: October 30
  • Rôles:
  • Date d'inscription: novembre 30, 2012
  • Awards Received: Flower Award1

alienshore7

United States

alienshore7

United States
Hello Monster korean drama review
Complété
Hello Monster
12 personnes ont trouvé cette critique utile
by alienshore7
août 12, 2015
16 épisodes vus sur 16
Complété 0
Globalement 9.0
Histoire 10.0
Jeu d'acteur/Casting 8.5
Musique 9.0
Degrés de Re-visionnage 9.0
I love this drama! I think it is one of my favorite of 2015. And that's why I'm so sad that it didn't do well with the Korean audience, although, much like another beloved drama, Healer, IRY does seem to have a rabid fan base outside of S Korea and that makes me smile. I'll just never understand the Korean viewers I guess. So, why do I love this drama and more importantly love it enough to review it, which I don't do that often? Reasons 1, 2 and 3 FRESH PLOT / GREAT WRITING! Based on the original synopsis for this drama which was vague and sounded like a bit of mismash, this should have been a total trainwreck at worst and average at best. But this is one of the most original and well thought out dramas I've ever seen (and at this time I've watched 191 Kdramas to completion). This writer knew from the start exactly how every little detail would play out and NEVER deviated from it. It is so obvious in the small touches that are added throughout the show that if you blink you might miss. It all builds to something and every detail has a purpose. So often dramas start out with this kind of attention to detail just to start dropping balls all over the place in the second half, but not IRY. And this fact is made extra surprising and noteworthy because of the live shoot system that I know had them filming part of final episode the day of its airing and because this show had such low ratings. Too often with low rated shows in SK, the plot goes haywire as they make changes to try and get viewership back. This NEVER works, btw and the results are always TERRIBLE! But IRY was too cohesive, too well thought out. It just felt like such a nice whole beginning to end. The pace NEVER flagged. They never did the around the wheel mess so many dramas do to stretch it out (actually, I think this drama would not have been hurt by one more episode). And then as if the plot itself didn't make it enjoyable enough, the writer throws in these deep philosophical themes that you have to peel back like an onion because you think you know what the theme is until the very last episode actually reveals the most important theme (and message) to be something else, which you then realize was hinted at all along if you weren't so caught up in all the other greatness. Finally, I love how unpredictable the plot was. Just when you thought it would go one way it went another. It was seemingly predictable but then you realize that was a feint. There were big reveals to be had that really weren't and you could think the writer messed it up, but then you realize that was never the point and the writer was totally above the big reveal gimmick that so many dramas stake their plot on. So great not falling into that trope trap. Reason 4 this drama is so great: CHARACTERS! So I guess that is actually 3b since really this is also great writing. Cha Ji An is one of the best female Kdrama characters of all time. Seriously. And by far the best female cop character ever. She is real; she is good, but not a supergenius. She is capable, but not unbelievably so, rather realistically so. She is honest with her feelings and her thoughts. She is emotional when it is appropriate but can rein it in when she needs to be logical. She makes decisions and behaves like a real human being. I never found myself yelling at her for being an overemotional idiot or a noble idiot or any other kind of idiot. I love her! I love her sooooo much! My love for Ji An, though, doesn't mean I also didn't love our male lead because oh boy did I! It's just great male leads are a lot more common in Kdramas where great female leads are like emeralds in Minecraft. Everything I said about Ji An in a way also applies to Hyun. Even though we get the set up of Hyun being a geeeeeeeenius, he still feels very real. He is honest when he should be even though he does hide things from other characters, I always felt like there were good reasons (or at least good within the context of the character). His character was always true to himself, even when he was conflicted as heck and well should have been. And all the other characters are wonderful too, especially Min! #5: ACTING! I never thought much of Jang Nara before this drama. I thought was was a cute, perfectly serviceable although not even remotely interesting or charismatic actress. But, you know what, she freaking kills it in this! I guess that is what great writing will do for you! I have been a Seo In Guk fan since Reply and he certainly did not let me down here. He is his always awesome self! Park Bo Geom was incredible. He embodied his very difficult character perfectly. There wasn't a weak link in the bunch. #6: THE ROMANCE. Or, more to the point, the lack thereof - sort of. And if you are confused, let me explain. Kdramas are all about the romance - right? Usually anyhow. It's what they do so well that keeps the ahjummas swooning and tuning in. But the problem with all of that focus on romance in Kdramas is that it usually becomes a caricature of itself. Case in point, the currently airing Scholar Who Walks the Night where they pushed the romance so hard and fast that it sucked all the life and logic out of it. Romance in Kdramas is fun, but it also is often ridiculous. The OTP will just die if they are not together. Everything in their lives becomes about their true love to the sacrifice of logic and story. Then you throw in forceful male leads that grab and pull their lady loves around and it all gets a bit ridiculous. IRY does romance in a realistic way that never feels forced and where the leads never let romance get in the way of logic or the other aspects of their lives and jobs (thus the writer doesn't let it get in the way of plot). And best of all, they are always considerate of each others' space - physically and emotionally. And that makes it swoon-worthy to me. Screw wrist grabs and forced kisses, I'll take Lee Hyun and Cha Ji An! #7 Soundtrack: I don't normally mention the soundtrack to a drama, but I really liked how this one set the mood and was never overbearing. The instrumentals were just right, especially the Erik Satie-like piece that was played during dark scenes. (Or maybe it was Erik Satie - I haven't checked yet.) Well, that's it. This is a great drama and the most underrated of 2015.
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