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  • Dernière connexion: Il y a 5 heures
  • Genre: Homme
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  • Date d'inscription: juillet 25, 2023
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Hit Bite Love thai drama review
Complété
Hit Bite Love
1 personnes ont trouvé cette critique utile
by ariel alba
mai 4, 2024
6 épisodes vus sur 6
Complété
Globalement 9.5
Histoire 9.5
Jeu d'acteur/Casting 9.5
Musique 9.5
Degrés de Re-visionnage 9.5
Cette critique peut contenir des spoilers

Relatable teenagers discovering sexuality in a fairy tale with LGBT+ characters

With a police investigation for the possible murder of a "Rose Garden College" student, 'Hit Bite Love' introduces the viewer to a story that follows six teenagers who decide to break all the taboos and learn the real truth about love, pain and growth.
Directed by Jakkaphong Pachara (Yuan), the daring series adorned with sexual scenes revolves around three couples with Shokun (Woraphon Charoensuk - Bigboss) as the protagonist and main narrator.
The plot of the Thai romantic school drama comedy could be described as a modern, youthful fairy tale with LGBT+ characters, although in this case, the prince has been replaced by an attractive student council president of a high society high school named Matteo (Alan Campana), who likes to enjoy the pleasures and dangers of BDSM, and Cinderella is played by a music-loving boy who has just broken up with his partner, because he wants to have a romantic relationship that is not secret, like the one you have experienced until now.
After experiencing a tumultuous romance with Ken (Napolpong Sooksombut – Pure), a star player on the basketball team, Shokun decides to put an end to the toxic relationship because he does not feel satisfied: Ken is afraid to publicly acknowledge his sexuality and has condemned him to only having sex secret and hot in the locker room, while appearing to be heterosexual.
Shokun will be captivated by the attractive, seductive and also very intimidating Matteo, a young man with a strong narcissistic personality, who will take advantage of Shokun's innocence, candor, broken heart and desire to be part of the music club, to force him to participate. with him in his erotic games or else he would expose his sexual encounters in the showers.
The scriptwriter Orachat Brahmasreni (Poy) has created a narrative text that, in addition to faithfully portraying the concerns of adolescents in any current society, with their fears, their dreams and their lack of experience with life, also represents some of the elements of the usual love fables, but with an impressive change: it proposes a world that is more than a story, but a nightmare, with regard to the affectivity and sexuality of its protagonists.
The image of the attractive and lucky prince will soon crack when we learn, at the same time as Shokun, about Matteo's sexual tendencies, dominated by sadism, submission and violence (controlled, of course) and his inability to maintain a "normal" relationship with other people. All of this is enhanced by Shokun's doubts and insecurities, who has not yet maintained a full loving relationship, despite having had sex with another boy, which makes the difference between the two more extreme.
Obviously there is attraction between the two, but Matteo has a secret that Shokun is not prepared for: he wants Shokun to be his submissive, while he would be his dominant.
Shokun's innocent and infatuated world will be shattered when he discovers that he is blackmailed by someone who hides a dark and shadowy face, sexual inclinations dominated by sadism and submission. Matteo will try to introduce Shokun to his sexual and emotional reality, while Shokun, surprised by Matteo's peculiar erotic practices, will seek to find out the reason for his tastes and his way of being. But what they both don't know is that the descent into hell that involves immersing themselves in rough and sadistic sex will make love emerge.
The story of Shokun and Matteo could be considered a "sui generis" homosexual urban fable in which some of its most sordid elements are enhanced. But don't be scared..., in addition to whips, handcuffs and other instruments of domination-submission typical of BDSM, 'Hit Bite Love' demonstrates how love can change people by making them grow spiritually.
As he develops feelings for Shokun, Matteo will not hesitate to stop being dominant and become submissive, fearing that Shokun is not ready. And Shokun agrees to be subdued by Matteo because he prefers pain and even humiliation before leaving his world. Until finally, Matteo chooses to give up BDSM, because all he wants is to be Shokun's boyfriend and have him forever by his side. Don't you think this is a beautiful declaration of love?
The series also manages to narrate some scenes that undoubtedly trigger the lividity of the person who watches its six episodes.
That the script is not perfect, that the performances are not perfect. It is true, but the series aims to explore various concepts associated with teenage dramas, such as sexual diversity, sex, the power of friendship, forgiveness, understanding, personal growth and the transition to the adult world.
And not from the perspective of millionaires and heterosexual college girls in liberal and cold Manhattan, as 'Fifty Shades of Grey' proposes, but from the perspective of homosexual teenagers from a country where homosexuality is considered taboo and the marriage between people of the same sex.
With a plot thread similar to that of the Spanish series Élite, created by Carlos Montero Castiñeira and Darío Madrona, 'Hit Bite Love' shows other important elements, such as betrayals, revenge, double standards, family violence, gender violence, homophobia, internalized homophobia, toxic relationships, teenage sex, feelings of guilt, attempted suicide, seeking refuge in social networks or the interest in exposing people's privacy to public ridicule, among others. Is any of this foreign to today's teenagers?
The other couple is King, Shogun's friend and president of the drama club, and Burger (Vasin Traiprakhong – Jur), a transfer student at the school, who will find themselves immersed in a tender and fun relationship based on a misunderstanding.
And finally, we have the couple made up of Saint (Natthapat Meesuk - Tae), Matteo's friend and vice president of the student council, and Hida (Vittawin Panichtamrong - Vic), who have become brothers not related by blood, when the former's mother gets married. with the second's father. They will both be united by a relationship that goes beyond these family ties.
The breakup of Shokun and Ken, the arrival at Burger's school as a transfer student or the strengthening of the bond between the stepbrothers Hida and Saint will end up causing a series of events that, with a police investigation as a backdrop, will shake everyone's lives those involved.
Another element to highlight is the music. The cast itself is the one who sings the songs that make up the soundtrack of the series. In this way, we will enjoy Jur, Tae, Newyear, Pure, Bigboss, Vic and Alan, who perform "Hit Me Bite Me", a song composed by Alan Campana, and Vic and Tae singing "Oxigen", a song written and scored by Vic Vittawin Panichtamrong.
The photography, by Suchart Makhawimarn, helps make the three romantic stories believable. For its part, Suriya Kaewkrong's editing achieves a fast and quite adequate narrative.
Sympathizing with Shogun is easy. Wanting to protect and love him would be anyone's wish. I found Matteo attractive and the most interesting character. He is a seducer and that is transmitted beyond the series itself. There are many points in your way of thinking that I do not share. but that has not been an obstacle for me to identify with him. Alan Campana manages to show two faces with his character, a more tender and romantic one that manages to win our affection, and another more cynical one, in which his dark secret is revealed, but he achieves a sincere and complete transformation when he falls in love.
The rest of the secondary characters appear poorly developed, their only function is to help the development of the plot but they are not important and in that sense I would also have liked them to be given a little more relevance or to delve deeper into the parallel stories, especially in the case of the three girls in love, one with Ken, one with Burger and one with Saint.
It is regrettable that, seeking to visualize diversity on screens, the series portrays queer characters in a stereotypical way, due to their continuous shouting, arrogant and uneducational acts, and mood swings. I am referring, obviously, to the character played by Bookko Thanatchaphan. At https://mydramalist.com/756465-firstly-like-you I publish a review of 'Firstly Like You', a film that addresses the romance of Burger and King, and in which I expand on the topic discussed in this paragraph.
I suppose this is a matter of taste, but from my point of view the erotic scenes are treated very well, they are explicit and descriptive, and they leave little to the public's imagination, but the creators do it in a wise and restrained way, and They do not use indiscreet, foul-mouthed or ordinary gestures, actions or words that may be unpleasant and annoying.
The limits to which Shokun accesses in Matteo's sexual games are at a low level and this results in the scenes not being very strong within what they could have been, which on the other hand the viewer can appreciate if he does not share this point of view.
This is a series that you either love or hate. In my case, I love it, because I consider that 'Hit Bite Love' is an addictive fiction, full of life, rhythm and color, that fulfills its central objective: to entertain in a big way while making us reflect. The Thai drama neither has nor understands taboos. Novel and transgressive, in its frames you can find sex, nudity, very crazy scenes, a truly explosive level, but nothing is gratuitous or obscene.
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