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ariel alba
In defense of bromance
The two protagonists of the Chinese short 'A Little Romance', from 2022, by filmmaker Mao De Shu, do not establish a bond like that of Chandler and Joey in 'Friend', Batman and Robin in the 'Batman' saga, Ben Affleck and Matt Damon in films like 'Air'; Riggs and Murtaugh in the four 'Lethal Weapon' films, or Jack and Danny in the British comedy 'Big Boys'.
Chinese filmmakers, great specialists in telling stories in which their protagonists move in that social space for emotional openness, beyond other traditional male relationships, achieve films characterized by the absence of barriers and judgments, providing the characters with high stability. emotional, social fulfillment and better conflict resolution than a traditional romance. Chinese creators strip the bromance of all the prejudices inherited from toxic masculinity, especially that which suggests that you are no less of a man for having great trust and intimacy with your best friend.
There are those who say that a bromance is better than a couple. Well, this is a question for everyone. Let's leave it at that they are different relationships, very different from each other. The truth is that Chinese filmmakers know the public's tastes perfectly. That is why they have plenty of stories in which the protagonist takes great care of his friend, and in this way the friendship becomes longer and unconditional.
It is not that they turn their backs on the classic romantic relationships, homosexual or heterosexual, but that they leave it to others to bring to the screen everything related to the "game of conquest and seduction", knowing that there are other encounters and disagreements. This has influenced the mentality of many viewers who go so far as to affirm that a bromance is more beneficial than a relationship, and add that it is nothing out of this world either: friendship over love is something that is quite internalized in the human being.
The Asian giant's filmmakers have made it their own, like few others, to reflect stories whose main characteristic is that of two people, usually of the same sex, who can share personal problems or secrets that you would not share with others. Mutual respect and trust built over years allow them to express their emotions and feelings more openly, while reaching out to physical displays of affection, such as hugs and kisses, even in countries where these are not the common norm.
A good friend will point out without mincing words all those habits that seem normal to you but are quite toxic. He will listen to you when it comes to coping with your failures whether in study, work or love failures. Nor will you have to ask him for comfort or advice. Just by looking at you, he will know what you need and he will lend his shoulder to cry, and he will cry with you. The good friend will fail you in your least inspired moments with your partner. Should I give you more reasons? If you already have a bromance, surely not.
Mao De Shu is known for filming bromances since he became known with his first short films in 2015, through the dramas 'Long For You' and 'I Cannot Hug You', in 2017 and 'I Cannot Hug You 2' , 2018, among others.
But, as I said before, the two protagonists of 'A Little Romance' do not stop at the level of outlining male friendship in the era of new masculinities. They are not only the best confidant friend with whom you can talk about what worries you most, your family and romantic relationships, the mental illness of a family member, the chaos of the world we live in, the last soccer game, the precariousness work, lifestyle expectations, our role in gender equality or in the fight against sexist violence, homophobia and for the rights of LGBT+ people.
Liu Wen and Song Xian's relationship involves, above all, sexual attraction. Therefore, it's not bromance. Although in recent years the magic of a good television couple has been lost, possibly due to the compulsive consumption format, it has been absolutely perfect to see these young people how, little by little, and shown in a suggestive way, they are giving themselves realize that they like each other. This is the great beauty of bromance.
The greatest success of the film is the casting. It features two actors who couldn't fit better in their respective roles. From the first moment, Liu Yao Wen and Song Ya Xuan show that they are Liu Wen and Song Xuan. While the former exudes charisma from all sides and stands out in the most comical aspect of the character, which is quite present in the film, Song Xuan is a dramatic revelation, adding emotional weight to the story.
Both actors are perfect for their roles. At their most strategic and professional, they have the ability to trust each other and support each other, to reflect a symbiotic relationship between them.
The director of the short is aware that anything that did not contribute to understanding what the two young people are experiencing and their journey together of self-discovery and acceptance, did not make sense to be in the final cut. The important thing is them, and nothing else. His screen time is the entire movie. It's the movie itself.
In general terms, the plot leads its characters to reasoning such as "You may look better when you smile", or even its own plot, which revolves around the need to look for company and someone who gives warmth and joy to our lives, especially if they are people who for different reasons live alone.
The film adheres to a theme that love story fans really like, 'enemies to lovers', to narrate the relationship between two young people who have a lot in common, but have not gotten off to the right start, until a One day one comes to the other's defense when some bullies try to harass him. The friendship that suddenly arises between the two will become more and more real, evolving into a romantic relationship without becoming sexual.
The chemistry between the protagonists is shown naturally, palpable, tangible, in their looks, in their body language, the small winks, the flirtatious smiles, in the moments of tenderness that bring them closer and reproduce that sensation so recognizable by queer people of the secret love.
The spark is lit from their first scene together in the store when Liu Wen understands that the customer is from out of town and speaks to him in his dialect to communicate, and they frolic playfully in the next encounter when Liu Wen runs into the classroom right after be introduced Song Xuan as the new transfer student. The close bond between the two artists in real life jumps onto the screens and takes shape to allow us to appreciate it.
The film moderately addresses the sexuality of its protagonists, but manages to convey their playful passion and does not omit the main characteristics of the two boys as they build their relationship, first friendly and then loving, reflected in an insinuating way.
The little more than 15 minutes of footage will be enough to see how the relationship between Song Xuan and Liu Wen develops very quickly, barely giving the story room to breathe... for us to breathe.
Beyond how hopeful it is and the sighs that its protagonists will provoke, the most valuable contribution of 'A Little Romance' is its inspiring message about coming out of the closet in a process of self-discovery and falling in love without hardly showing the internal conflict of the characters. .
There is no doubt that Song Xuan and Liu Wen will continue to make thousands of people around the world fall in love, especially lovers of yaoi and romantic drama.
In a new type of fairy tale, Song Xuan, who plays the good, studious and neat boy who always respects the rules, especially the one that prescribes not skipping classes, thus earning the jealousy and envy of some , and Liu Wen, an out-of-control human whirlwind, willing to pick a fight with anyone in his "gangster mode," and suddenly he appears and turns everything upside down, changing both of their worlds forever.
In the film, its director gives complete freedom to the actors in front of the camera. It doesn't make cuts in between. Overlay one image with the other. He points the camera at them and lets them play. And in that game, magic happens. Thus, the public is able to understand, without words or physical manifestations, such as the theft of a kiss or holding a hand, what is happening with these two young people on a physical level and, at the same time, communicate what is going through their hearts. heads and what they experience emotionally.
The quick images tell, along with Liu Wen's voice, how the relationship deepens as he takes Song Xuan, on foot or by bicycle, to the places where he went to play as a child. This is how he shows him the tallest tree, the longest road, the restaurant with the most delicious stew, the fireworks, the sun, the moon and the stars on the seashore.
Liu Wen will give Song Xuan courage to face the bullies she once feared, as well as reasons to laugh. He won't mind losing the Student of Merit award. His intuition tells him that he should be there, for Liu Wen, even if he has to miss the exam.
Although the story only covers the phase of consolidation of friendship and the beginning of the construction of romance, the final words and images testify to the romantic interest of the two boys.
Both will be able to see the sun at night. And in the future they will leave Chongqing and go to Beijing, Shanghai or anywhere to look at the bigger world, but the deal only imposes one condition: they will take the trip together… holding hands, always together.
Will Song Xuan's wish to stay longer in one place come true? The only thing I can be sure of is that I close my eyes and see how every morning, before sunrise, under that endless tree at the foot of the long, winding staircase, Song Xuan standing there, in the favorite place of the people. two, with a smile on their lips, waiting for their lover.
Chinese filmmakers, great specialists in telling stories in which their protagonists move in that social space for emotional openness, beyond other traditional male relationships, achieve films characterized by the absence of barriers and judgments, providing the characters with high stability. emotional, social fulfillment and better conflict resolution than a traditional romance. Chinese creators strip the bromance of all the prejudices inherited from toxic masculinity, especially that which suggests that you are no less of a man for having great trust and intimacy with your best friend.
There are those who say that a bromance is better than a couple. Well, this is a question for everyone. Let's leave it at that they are different relationships, very different from each other. The truth is that Chinese filmmakers know the public's tastes perfectly. That is why they have plenty of stories in which the protagonist takes great care of his friend, and in this way the friendship becomes longer and unconditional.
It is not that they turn their backs on the classic romantic relationships, homosexual or heterosexual, but that they leave it to others to bring to the screen everything related to the "game of conquest and seduction", knowing that there are other encounters and disagreements. This has influenced the mentality of many viewers who go so far as to affirm that a bromance is more beneficial than a relationship, and add that it is nothing out of this world either: friendship over love is something that is quite internalized in the human being.
The Asian giant's filmmakers have made it their own, like few others, to reflect stories whose main characteristic is that of two people, usually of the same sex, who can share personal problems or secrets that you would not share with others. Mutual respect and trust built over years allow them to express their emotions and feelings more openly, while reaching out to physical displays of affection, such as hugs and kisses, even in countries where these are not the common norm.
A good friend will point out without mincing words all those habits that seem normal to you but are quite toxic. He will listen to you when it comes to coping with your failures whether in study, work or love failures. Nor will you have to ask him for comfort or advice. Just by looking at you, he will know what you need and he will lend his shoulder to cry, and he will cry with you. The good friend will fail you in your least inspired moments with your partner. Should I give you more reasons? If you already have a bromance, surely not.
Mao De Shu is known for filming bromances since he became known with his first short films in 2015, through the dramas 'Long For You' and 'I Cannot Hug You', in 2017 and 'I Cannot Hug You 2' , 2018, among others.
But, as I said before, the two protagonists of 'A Little Romance' do not stop at the level of outlining male friendship in the era of new masculinities. They are not only the best confidant friend with whom you can talk about what worries you most, your family and romantic relationships, the mental illness of a family member, the chaos of the world we live in, the last soccer game, the precariousness work, lifestyle expectations, our role in gender equality or in the fight against sexist violence, homophobia and for the rights of LGBT+ people.
Liu Wen and Song Xian's relationship involves, above all, sexual attraction. Therefore, it's not bromance. Although in recent years the magic of a good television couple has been lost, possibly due to the compulsive consumption format, it has been absolutely perfect to see these young people how, little by little, and shown in a suggestive way, they are giving themselves realize that they like each other. This is the great beauty of bromance.
The greatest success of the film is the casting. It features two actors who couldn't fit better in their respective roles. From the first moment, Liu Yao Wen and Song Ya Xuan show that they are Liu Wen and Song Xuan. While the former exudes charisma from all sides and stands out in the most comical aspect of the character, which is quite present in the film, Song Xuan is a dramatic revelation, adding emotional weight to the story.
Both actors are perfect for their roles. At their most strategic and professional, they have the ability to trust each other and support each other, to reflect a symbiotic relationship between them.
The director of the short is aware that anything that did not contribute to understanding what the two young people are experiencing and their journey together of self-discovery and acceptance, did not make sense to be in the final cut. The important thing is them, and nothing else. His screen time is the entire movie. It's the movie itself.
In general terms, the plot leads its characters to reasoning such as "You may look better when you smile", or even its own plot, which revolves around the need to look for company and someone who gives warmth and joy to our lives, especially if they are people who for different reasons live alone.
The film adheres to a theme that love story fans really like, 'enemies to lovers', to narrate the relationship between two young people who have a lot in common, but have not gotten off to the right start, until a One day one comes to the other's defense when some bullies try to harass him. The friendship that suddenly arises between the two will become more and more real, evolving into a romantic relationship without becoming sexual.
The chemistry between the protagonists is shown naturally, palpable, tangible, in their looks, in their body language, the small winks, the flirtatious smiles, in the moments of tenderness that bring them closer and reproduce that sensation so recognizable by queer people of the secret love.
The spark is lit from their first scene together in the store when Liu Wen understands that the customer is from out of town and speaks to him in his dialect to communicate, and they frolic playfully in the next encounter when Liu Wen runs into the classroom right after be introduced Song Xuan as the new transfer student. The close bond between the two artists in real life jumps onto the screens and takes shape to allow us to appreciate it.
The film moderately addresses the sexuality of its protagonists, but manages to convey their playful passion and does not omit the main characteristics of the two boys as they build their relationship, first friendly and then loving, reflected in an insinuating way.
The little more than 15 minutes of footage will be enough to see how the relationship between Song Xuan and Liu Wen develops very quickly, barely giving the story room to breathe... for us to breathe.
Beyond how hopeful it is and the sighs that its protagonists will provoke, the most valuable contribution of 'A Little Romance' is its inspiring message about coming out of the closet in a process of self-discovery and falling in love without hardly showing the internal conflict of the characters. .
There is no doubt that Song Xuan and Liu Wen will continue to make thousands of people around the world fall in love, especially lovers of yaoi and romantic drama.
In a new type of fairy tale, Song Xuan, who plays the good, studious and neat boy who always respects the rules, especially the one that prescribes not skipping classes, thus earning the jealousy and envy of some , and Liu Wen, an out-of-control human whirlwind, willing to pick a fight with anyone in his "gangster mode," and suddenly he appears and turns everything upside down, changing both of their worlds forever.
In the film, its director gives complete freedom to the actors in front of the camera. It doesn't make cuts in between. Overlay one image with the other. He points the camera at them and lets them play. And in that game, magic happens. Thus, the public is able to understand, without words or physical manifestations, such as the theft of a kiss or holding a hand, what is happening with these two young people on a physical level and, at the same time, communicate what is going through their hearts. heads and what they experience emotionally.
The quick images tell, along with Liu Wen's voice, how the relationship deepens as he takes Song Xuan, on foot or by bicycle, to the places where he went to play as a child. This is how he shows him the tallest tree, the longest road, the restaurant with the most delicious stew, the fireworks, the sun, the moon and the stars on the seashore.
Liu Wen will give Song Xuan courage to face the bullies she once feared, as well as reasons to laugh. He won't mind losing the Student of Merit award. His intuition tells him that he should be there, for Liu Wen, even if he has to miss the exam.
Although the story only covers the phase of consolidation of friendship and the beginning of the construction of romance, the final words and images testify to the romantic interest of the two boys.
Both will be able to see the sun at night. And in the future they will leave Chongqing and go to Beijing, Shanghai or anywhere to look at the bigger world, but the deal only imposes one condition: they will take the trip together… holding hands, always together.
Will Song Xuan's wish to stay longer in one place come true? The only thing I can be sure of is that I close my eyes and see how every morning, before sunrise, under that endless tree at the foot of the long, winding staircase, Song Xuan standing there, in the favorite place of the people. two, with a smile on their lips, waiting for their lover.
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