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The Butterfly
Tornado Alley
Cette critique peut contenir des spoilers
"How many deaths are enough?"
The Lost Bladesman followed part of Guan Yun's epic journey from being Chancellor Cao Cao's prisoner to making his way back to Liu Bei while taking down numerous generals and assassins. I can't judge the film on historical or legendary correctness, only on its entertainment value. The film looked amazing, had several creative and well-choreographed fight scenes featuring Donnie Yen and included Jiang Wen's nuanced portrayal of the inscrutable Cao Cao. Those things were more than enough to keep my attention throughout the film.
The film opens with Guan Yun being held prisoner and aiding his injured men. Cao Cao admires Guan's military prowess and seeks to convert him to his side. A man of immense integrity, compassion, and loyalty, Guan Yun largely refused. Guan's only goal was to return Liu Bei's concubine to him who was being held hostage and support his sworn brother. Cao Cao releases him, but his men call upon just about every swordsman in the land to execute Guan on sight. The movie really gets going at this point.
The story was not terribly complex, but a cursory glance at history did help explain a few things that were glossed over for an audience familiar with the tale and characters. I've heard complaints that Donnie Yen didn't look the part. Guan Yun's legend stated that he wielded a 49kg/108lb Green Dragon Crescent Blade, that's like swinging a large child holding an enormous broadsword in battle, not sure who they were going to find who would fit that description. I'm certainly not in the place to judge how a revered legendary character stood up to cultural expectations. I can only offer my opinion how the movie came across as entertainment in my neck of the woods. As the movie played out with numerous fight scenes, Yen did what he does best---fight. His Guan was compassionate and benevolent but he kept being drawn back into bloodshed as he reluctantly faced down the six generals ordered to kill him. Jiang Wen did what he does best---bring a complex character who was thinly written to life. His Cao Cao was the mesmerizing power behind the throne who tried to appear benevolent though many of his actions would say otherwise. Yen and Jiang had great chemistry in their politely adversarial relationship. A half-hearted love story thrown in did not enhance the narrative. The cinematography was nicely done as well as the sets and costumes giving a feeling of authenticity.
If you are looking for historical and mythical accuracy, this may not be the film for you. If you are looking for an entertaining martial arts film with some good performances and a little history added to the mix, this might be for you. I enjoyed The Lost Bladesman more for the fight choreography than for the story. There were several scenes including one in an alley with a reluctant Guan not wanting to kill anyone off the battlefield that were quite exciting. The film did a fairly good job of portraying the man who was a lamb in wolf's clothes and another man who would rather be wrong than be wronged. Both wanted peace, but took different paths to try and reach that unreachable destination. "How many deaths are enough?" History would tell us way too many.
6/16/23
The film opens with Guan Yun being held prisoner and aiding his injured men. Cao Cao admires Guan's military prowess and seeks to convert him to his side. A man of immense integrity, compassion, and loyalty, Guan Yun largely refused. Guan's only goal was to return Liu Bei's concubine to him who was being held hostage and support his sworn brother. Cao Cao releases him, but his men call upon just about every swordsman in the land to execute Guan on sight. The movie really gets going at this point.
The story was not terribly complex, but a cursory glance at history did help explain a few things that were glossed over for an audience familiar with the tale and characters. I've heard complaints that Donnie Yen didn't look the part. Guan Yun's legend stated that he wielded a 49kg/108lb Green Dragon Crescent Blade, that's like swinging a large child holding an enormous broadsword in battle, not sure who they were going to find who would fit that description. I'm certainly not in the place to judge how a revered legendary character stood up to cultural expectations. I can only offer my opinion how the movie came across as entertainment in my neck of the woods. As the movie played out with numerous fight scenes, Yen did what he does best---fight. His Guan was compassionate and benevolent but he kept being drawn back into bloodshed as he reluctantly faced down the six generals ordered to kill him. Jiang Wen did what he does best---bring a complex character who was thinly written to life. His Cao Cao was the mesmerizing power behind the throne who tried to appear benevolent though many of his actions would say otherwise. Yen and Jiang had great chemistry in their politely adversarial relationship. A half-hearted love story thrown in did not enhance the narrative. The cinematography was nicely done as well as the sets and costumes giving a feeling of authenticity.
If you are looking for historical and mythical accuracy, this may not be the film for you. If you are looking for an entertaining martial arts film with some good performances and a little history added to the mix, this might be for you. I enjoyed The Lost Bladesman more for the fight choreography than for the story. There were several scenes including one in an alley with a reluctant Guan not wanting to kill anyone off the battlefield that were quite exciting. The film did a fairly good job of portraying the man who was a lamb in wolf's clothes and another man who would rather be wrong than be wronged. Both wanted peace, but took different paths to try and reach that unreachable destination. "How many deaths are enough?" History would tell us way too many.
6/16/23
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