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The Butterfly
Tornado Alley
Cette critique peut contenir des spoilers
"Even before we entered the world we were marked by karma."
Lady Snowblood is the film that inspired Quentin Tarantino's Kill Bill films. Yuki's blood spewing revenge is a cautionary tale of feminine vengeance. Splendidly filmed with an impassioned OST, the unique style based on a manga, and the excellent acting make this film one worth seeking out if you enjoy this genre.
Born to a dying mother in a prison on a snowy day, Yuki was charged with her family's vendetta against the villains who murdered her father and brother and viciously raped her mother. She grew up trained by a ruthless master to become the hand of death to the group that had decimated her family. One by one she hunts the villains down, in her lovely kimonos with a deadly umbrella to gracefully slash her way through the people who had inspired this life she'd never asked for. Beneath her beautiful veneer lay a dark and fiery need for payback for her dead family, one she had never known. Tasked with never feeling emotion, Yuki retains shreds of compassion as she interacts with those she comes across in her rampage. Ironically, she opens another cycle of vengeance by her actions.
The film lays the blood spewing on thick, every slash sends the gooey red paint flying everywhere. Puddles of blood enough for a slain army float around the unlucky bodies. As the story begins on a snowy day with a child born pure but commissioned with her first breaths with the bloody job of vengeance, so the ending scene leaves the beautiful assassin with her butterfly kimono covered in blood in the snow wondering if there is life after revenge.
There were some subtle and not so subtle political messages about corruption in the upper echelons of the military and government. And though the plight of the poor was pointed out, it dispelled the myth that the poor are always good hearted. I wish there had been more of an attempt to understand what a woman must feel growing up with brutal training and an unbreakable oath for people she had never met.
As many older martial arts films with swordplay tended to do, this one used the almost dance and slash technique. Best to not think too hard about the fight choreography from a realistic stance but to admire it for the stylistic forms.
Lady Snowblood was in many ways similar to other revenge fueled martial arts movies but elevated by the haunting music, colorful cinematography, and the stellar acting of Kaji Meiko. If eyes were knives, her targets would already be dead with the cold steely glare she honed in on them with. Kaji's expressive face and graceful moves enhanced the tension filled moments of her hunting her prey even when she had to settle for satisfaction instead of revenge.
If you are looking for a modern movie you may be disappointed. This is a film rich in character with old style effects. Revenge is a dish best served cold and Lady Snowblood served it on a silver blade.
"Forgive me! Spare me!"
"I shall do neither."
3/2/23
Born to a dying mother in a prison on a snowy day, Yuki was charged with her family's vendetta against the villains who murdered her father and brother and viciously raped her mother. She grew up trained by a ruthless master to become the hand of death to the group that had decimated her family. One by one she hunts the villains down, in her lovely kimonos with a deadly umbrella to gracefully slash her way through the people who had inspired this life she'd never asked for. Beneath her beautiful veneer lay a dark and fiery need for payback for her dead family, one she had never known. Tasked with never feeling emotion, Yuki retains shreds of compassion as she interacts with those she comes across in her rampage. Ironically, she opens another cycle of vengeance by her actions.
The film lays the blood spewing on thick, every slash sends the gooey red paint flying everywhere. Puddles of blood enough for a slain army float around the unlucky bodies. As the story begins on a snowy day with a child born pure but commissioned with her first breaths with the bloody job of vengeance, so the ending scene leaves the beautiful assassin with her butterfly kimono covered in blood in the snow wondering if there is life after revenge.
There were some subtle and not so subtle political messages about corruption in the upper echelons of the military and government. And though the plight of the poor was pointed out, it dispelled the myth that the poor are always good hearted. I wish there had been more of an attempt to understand what a woman must feel growing up with brutal training and an unbreakable oath for people she had never met.
As many older martial arts films with swordplay tended to do, this one used the almost dance and slash technique. Best to not think too hard about the fight choreography from a realistic stance but to admire it for the stylistic forms.
Lady Snowblood was in many ways similar to other revenge fueled martial arts movies but elevated by the haunting music, colorful cinematography, and the stellar acting of Kaji Meiko. If eyes were knives, her targets would already be dead with the cold steely glare she honed in on them with. Kaji's expressive face and graceful moves enhanced the tension filled moments of her hunting her prey even when she had to settle for satisfaction instead of revenge.
If you are looking for a modern movie you may be disappointed. This is a film rich in character with old style effects. Revenge is a dish best served cold and Lady Snowblood served it on a silver blade.
"Forgive me! Spare me!"
"I shall do neither."
3/2/23
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